Andha Yug is a Dharamvir Bharati's one of the great novels.
this is is an extract from R P Ulhas's translations which deals with question about Krishna's absent prensence in the novel.
P.S It is only for young reader's who find it difficult to observe Krishna as an absent force. Use your own Imagination rather than copying it.
Andha Yug is a Dharamvir Bharati's one of the great novels.
this is is an extract from R P Ulhas's translations which deals with question about Krishna's absent prensence in the novel.
P.S It is only for young reader's who find it difficult to observe Krishna as an absent force. Use your own Imagination rather than copying it.
Andha Yug is a Dharamvir Bharati's one of the great novels.
this is is an extract from R P Ulhas's translations which deals with question about Krishna's absent prensence in the novel.
P.S It is only for young reader's who find it difficult to observe Krishna as an absent force. Use your own Imagination rather than copying it.
‘Today even Krishna is challenged’: Counter discourse
Towards a new order
- R P Ulhas
Counter discourse is generally situated against discourse as a kind of resistance. In majority
case such counter discourse is obvious, explicit and direct. Resistance, at the ideological as well as discourse level, is composed more of direct challenging, physical clashes and the revolutionary ousting however counter discourse can work at more subtle levels. It sometimes tries to expose and destabilize the ideological foundations of discursive formations. It exposes the small gaps, margins, ignored reference points to focus on the hidden strategies. Such counter discourse strategies can be seen in working against the overarching discourse. In the present context of Andha Yug, there are no discrete, separate discourses but there is one all-encompassing discourse of darkness exists. It is more concerned with the mental or psychic setup of almost everyone. They are not distinguishable classes of good and bad, dominant and dominated, powerful and powerless. Such binaries are impossible to mark in Andha Yug as all boundaries are melted or at least blurred. Nothing is permanent and truth is provisional. What is considered as ‘truth’ becomes ‘untruth’ the next day. The overall situation is full of disarray. In this darkness, no one is able to stand out and pronounce the resistance. Hence there is no clearly demarcated, well charted out counter discourse. There are only small, individual attempt to register the protest against this chaos. These meek voices of countering range from Gandhari to Lord Krishna. They announce the plight of those who unfortunately survive the war to see more horrors and melancholy. They speak against all types of orders, structures and existing ideologies in order to dislodge them. Obviously these attempts are extremely vacillating. They are spontaneous and unorganized hence it will be very difficult to call them as ‘strategies’. They moreover express the present plight and looks at creating personal positions against the injustice done to them. When it comes to speak against the changing nature of the Pandavas and the ‘adharma’ deeds of Krishna, Gandhari leads the protest. She is extremely agitated and even dejected because of the loss of all her sons. She is also on the verge of losing her dear Duryodhana at the end of the war. She blindly accuses the Pandava for enforcing the war. She is more critical of Krishna because he has forgotten every kind of dharma. When Vidura speaks about faithful surrendering to Krishna; Gandhari contemptuously asks, Did he who violated the code of honour over and over again say what? (AY 36) She directly accuses Krishna for being the non-follower of moral principles. Krishna cannot help anyone genuinely and hence he goes on committing the acts of violations. She feels that during in the Great War and afterwards concepts like dharma, duty and honour have turned out to be mere ‘illusions’; one can play with it but cannot live with it. Morality, honour, selflessness and surrender to Krishna are nothing but just ‘masks’ with which one can entertain oneself. These are all outdated things. Everyone is full of hypocrisy, probably including Krishna. Therefore Gandhari has voluntarily accepted the blindness. She feels that Krishna is nothing but a fraud and opportunist, who ‘changed the code of honour to suit his own ends.’ (AY 38) Though Gandhari’s expressions owe lot to her mental status, she raises some crucial issues regarding the Godhood, its impact and the present darkness. She seems to be already been aware of these ‘appearances’ of goodness and morality. Gandhari’s blindness can be perceived as a kind of counter discourse against this hypocrisy, in which even Krishna is a party. She has the honesty to analyse the true nature of the Great War, which is devoid of dharma. No one is victorious as there was no honour for dharma from both sides. Her allegations against Krishna put question-marks on his role in the entire warfare. Even if she is upset with rage, the validity of her point remains. If the God himself is ‘corrupt’ and ‘fraud’ then everything would doom to darkness. Gandhari appears to pronounce the exit of God from this world. Contradictorily the war is referred as ‘dharmayudha’ which is full of violations of dharma. Gandhari raises very fundamental issues regarding the morality and unrighteous of the parties in the war and especially the role of divine agent in all this. Gandhari’s arguments raise many doubts regarding the sanctity of the Great War and its actual motives. Gandhari, after her disillusionment from the Pandavas and especially of Krishna, begins to hate them. She is obsessed with the thought of killing the Pandavas and taking revenge against Krishna. She therefore supports Ashwatthama’s deeds. Although Ashwatthama’s acts are illegal and immoral yet Gandhari supports it. She feels proud of him and desires to see him once. She even asks Sanjaya to transform his body into a ‘bright diamond’. i.e. extremely tough. She thus protects the destructive element. In this way Gandhari tries to build her own resistance through destructing the Pandava clan by means of Ashwatthama. Gandhari creates her small attempt to resist the victorious Pandavas. She is the only one to support Ashwatthama openly. She probably wants the Pandavas to realize that they have mistaken in behavior. She helps Ashwatthama to deprive the Pandavas from enjoying the victory. Gandhari does not stop at resisting the Pandavas. She punishes Lord Krishna by giving curse. I curse you and I curse all your friends and kinsmen They shall attack and kill each other…. you will return to this forest only to be killed. (AY 122) Her curse is devastating as it is applicable not just to Krishna but to the entire the Yadava clan. She justifies her curse by telling Krishna the reasons behind it. She accuses Krishna for not stopping the war and using his ‘divine power for unjust ends’. (AY 122). She has the courage and determination to even curse the God. By giving curse to Krishna, she probably wants to highlight the fact that even the God can err and the humans have to suffer. It was unjust fighting between the Kauravas and the Pandavas as Krishna was backing the Pandavas. Thus Gandhari’s curse is a kind of attack of divine tendency to intervene in human life. In spite of divine intervention adharma has creeped in the war. The crucial point is about the divinity of the divine. The God seems to suffer from the lacunas. Lord Krishna is guilty of some wrongs on the battlefields then he must suffer. That’s why Gandhari curses him to suffer the pangs of watching his dear ones to fight and get killed. This is the beginning of what would be known as ‘Kali Yug’ (age of demon). Gandhari’s allegations are so very true that Krishna accepts the curse. It highlights the fact that ultimately only victory does not mean anything, the means and the intentions while achieving it do matter. Gandhari’s curse to Krishna is an act of not just retaliation but introspection over the role of the God in the moment of crisis. If the very concept of Godhood suffers from the shortcomings then Andha Yug (i.e. the age of darkness) is inevitable as it is. She also challenges the traditional idea that the God is omnipotent and hence cannot be punished. The morally efficacious person can penalize the erroneous God also. Generally it is the other way round. Gandhari’s curse has reversed this belief. It tries to establish a new idea, a kind of new episteme. At the same time it offers a strong message to the rulers like the Pandavas that they maybe victorious and powerful but their victory is not chaste and their power is not unrestrained. Gandhari’s curse therefore must be perceived as the highest point of counter discourse, not just against Krishna but against everyone who contributes in creating the discourse of darkness.