Performance Notes Aocidentals follow conventional rules: they apply throughout the bar to notes in the same octave. ‘Trills should always be played up a semitone unless otherwise specified. All glissandi should start immediately at the beginning of the note value. > change very gradually from one sound or way of playing (etc.) to another. 7“™~ slow vibrato: very slow and wide oscillation d quarter tone, between natural and flat ¢ quarter tone, between natural and sharp. 3 flutter tongue dy bend the note downwards with embouchure if no fingering given Fingering Suggestions (Boehm System) Bliitenstaub Bar8 Bar16 Bar20 Bar 21 Bar 23, Bar 28 Bar 29 cry cry Pee Cy te ty 8 3 8 0°s 8 8 8 38 ° ° co Oo 8 8 8°38 8 3 8 3 Blihend Bar 18 Bar 28 Jooe F000 coe ‘These fingerings are only suggestions: players are free to experiment and find their own solutions.for Alisa DUFT for solo clarinet I. Bliitenstaub Sempre flessibile, molto espressivo J =c.60 Kaija Saariaho © Copyright 2011 Chester Music Led.nv IL. Bliihend improvise with given tills iit energico, sempre espressivo ee intenso =e =a improvise with given grace - - notes during the trillwressivo, calando daloreso - agen a express oo ee 7 Se ee improvise with given grace Boy : # —_ pw eos doloroso mp ——— f '—3 poco a poco pitt doloraso & i improvise with given grace notes in free onderIL. Fliichtig Energico, eapricioso a tempo : Ute —— fen el) eS Se oe > atempo =a slios: we — tf — yz wf 3 a tempopoco rit, vn a tempo s I mf 3 ; i Bliss. __sliss. _ _sliss_—_ Bliss o es rit. gliss.___ Bliss.