‘for the Amabile Chamber Choir, John Barron, Carol Beynon, Bevan Keating, and Brenda Zadorsky, Directors 5 KA HIA MANU for SATB Chorus & Bamboo Poles Polynesian Text, Chants & Melodies adapted & arranged by Stephen Hatfield as if hearin ices singing a work song - muted but marcato J =80 with every noto¥fl of physical energy P Soprano Alto _ a-ke te ha- ga imu sine > poe le measure Bass Bamboo poles (see performance notes) - if desired, set up the Te - i-ki- niki S/A voices with four soft measures of the bamboo rhythm 5 Aw f 3 : Altos only Ho - tu-ma-w - %. Te e Ka-o-ha!Ma-to - wu e a-si-ki-ri-ki Ho-w-ma-wm - 2 remain muted ta-ma-ri- ki Ga - na tu-ma-t - 1a Te a-ri-ki-ri-ki Ho- -me-m - * OneT Sete. Ae owe aA-ta ra-hi ru-ma-ru- ma, , A-ta rahi mu-ma-ru- ma, Ho - tu-ma- A-ta ra-hi ru-ma-ru- ma, A-ta Sing “Kaoha!” with a bass timbre - tu-ma - tu ra- hi mu-ma-ft- ma, Ho - a6. Ka-o-hal A-ta ra-hi ru-ma-mi7mna, Ho - t-ma- Ho - tu-ma-tu Ka-o-ha, Ho-tuma-tu - ‘a, Ka-o-ha, Hmm! Hmm! Hmm! Hmm! Hmm! Hmm! Hmm! Hmm! 2 2 2 2 Ka-o-ha! Ho-tmam - ‘a Kao-ha, Ho t : ~tu-matu - “a, Ka-o-ha,"2 allargando emphatic, strident, with ceremonial md = 60 still soft, still distant sub, g¢_“ienity, and a wailing metallic edge Ka-o-ha - 0. Ka hi sub. f nu, A-va Ka hi sub. f, Ka-o-ha - 0. Ka hi nu. Ka hi ) bamboo out until gweasure 70 sub. f. Ka-o - ha - 0. Kahi-a ma - nu, A-va - a @@ still strident Mo-a Hi-va O-a, ka hi - 7 (a) ma Ka hi - a ma - Mo-a Hi-va O-a, ka hi- a ma - m Ka hi - gq tll regal and aggessive,but as iffrom a great distance 4 O-a, Ka hi O-a, Ka hifree time - still from far away - sweet but astringent, like kiwi fruit & keep this rolling forward, recitative style Ka - 0 - ha Faka-te-ni a-tu ai te i-go-a ta-ku-fe-nu-a, sub, g_srident, as before 2 Ka hi still distant sub aes a mom ma-(a) - nu. Aug Ka hi - a ma - nu A-va od = 138 urgent, insistent, in-your-face Mo-a Hi-va a @ @ on tap te mo-e va-i-ka-va J) J) )3 Mo-a Hi-va O-a,Kahi- a ma - qa, @ the bamboo drives the rhythm, but don't obscure the voicesno - ho, Ta-i no te va-i-ka-va no - ho, ma-nu i-no Tenor & Bass 2 ) simile til measure 122 af 79 ka- va no-ho no-ho ma-nu i - no va-i-ka-va no-ho no-ho ma-nu i-no e, Hoo! Hoo! Huh! — Huh! Huh! — Huh - 000. ha ha_—ha-Kan - ga- ro tan- gi, Tu-w-ma ha 91 2 ha ha-kan - ga-ro tan-gi, ma-nu i-no ¢ va-i-ka-va no-ho no-ho ha ha-kan - ga-ro tan-gi, ma-nu i-no ¢, va-i-ka-va no-ho no-ho Hoo! Hoo! Hoo! ‘Huh! Hub!7 with redoubled ferocity e $=; manu i-no e, ha-kan - ga-ro tan-gi, manu ino ¢ ha-kan ~ ga-ro tan-si, Huh! Huh - ooo! Jos To-tu-ma ha ha ha hakan- ga-ro tan-gi, Tai no. te mo-e va-i-ka-va Tu-tu-ma ha ha ha hakan- ga-rotan-gi, Tai no te mo-e ka-va ® no-ho no-ho, —Ta-"i_no mo-e va~i-ka-va no-ho no-ho, ma-nu i-no rs | no-ho no-ho, Taino te. -mo-e Va-1-ka-va_ no-ho no-ho, ma-nu i-no 18 , va-i-ka-va n0-ho no-ho ma-nu i-no e, va-i-ka-va. no-ho no-ho ma-nu i-noe, Hoo! Hoo! Huh! Huh! Huh! Huh - ooo. j2 hiil Soprano @. } = 72a moaning lullaby, soft and swaying - bamboo out til measure 166 both parts sing to an “oo,” with each note lightly aspirated Alto 131 137 Soprano SS Soprano & Alto change from “00” to “ah,” aspirated slightly as before 13J50 J =60 still hushed A-va Mo-a_ Hi-va a__ ma - mu. Ka hi- a ma - ou. A-va Mo-a Hi-va 35 sub, ff like trumpets announcing royalty , . sub. let the vowel ey open to “oh”J = 138 urgent as before B 166 Soprano Huh! Altiof Te te - ~ i ka- a mo-e va-i-ka-va no - ho, va-i-ka-va no-ho n0-ho 7) J) )) ; Hun! handclaps ean rea yn f Ta-i no te mo-e va-i-ka-va no - ho, —— eM iam 6... +h Huh! Huh — Huh-ooo vs ———== with redoubled ferocity handclaps Huh! Huh! = Huh! Huh —Huh-000 84 Ey ha-kan - ga-ro tan-gi, Tu-tu-ma haha —ha_—ha-kan - ga-ro tan- gi, ia ha ha-kan - ga-ro tan- gi, Ev Ez ha ha-kan - ga-ro tan-gi, Tu-tu-ma i no-ho no-ho no-ho no-ho iva-i-ka-va —no-ho no-ho no te mo-e va-i-ka-va no - ho, no te mo-e va-i-ka-va no- ho, va-i-ka-va no-ho no-ho , handclaps Huh! Huh! ma-nu i-no e. va-i-ka-va no-ho no-ho ma-nu-i-no e. ma-nu i-no va-i-ka-va no-ho no-ho ma-nu-i-no e. Huh! Huh = Huhooo —_handclaps Huh! Huh! Huh! Huh — Huh-ooo yo J) lusty, festive, throw caution to the wind - full volumed ! sound, but without the 202 ferocious edge va-i-ka-va no-ho no-ho manu-i-no e. - ti-re-re a-ke te ha- va-i-ka-va no-ho no-ho manu-i-no ¢ Hi - i= re-re a-ke te ha- handclaps Huh! Huh! Huh! Huh = Huhooo —handclaps | bamboo ang.ha 300 Soprano ga i-nm- ga. Alto ga i-mun- ga. Tenor _ Te Bass ~ Te a-i-ki-ni-ki Ho-tu-ma-w - Ka-o~ ha! U - a-i-ki-ri-ki Ho-t-ma-w - =a-ri-ki-ri-ki Ho - m-ma- Te a -ri-ki-ri-ki Ho - w-ma- a explode! 22716 233 let the accents zip by on blue-veined wings & A-ta rahi mu-ma-ru-ma, Ho shouted Ka-o- hal A-t ra-hi ru-ma-mu-ma, Ho - t-ma- tu - “a 339 a-ke te ha~- ga MS Ma-nu ma-nuHo - (©) fima-w - va Ta - hi-ti va-i ma-re- 237 ta ra-hi mu-ma-ru-ma, Ma-nu ma-mi—re-va A-ta ra-hiru-ma-ru-ma, Ma-nu ma-nu_—re-va a- re - “a. To-i-ti to- note the alternation between handclaps and bamboo 8 14 2 rl tu-ma- - shouted ti Ho - ©) tuma w - A-u-e te w-mu-e!xe J io2,4 tu-mu-e! broaden out from d = 84 as if winding down tothe nat cro) & a va-ka 0 va-ka 0 (0) J $160 0 like a bat out of hell - ferocious high spirits - marcato, fortissimo 274 Soprano & Alto ‘al Hal Hal Ha! Hal Halal Ha! handclaps Tenor & Bass ‘al Ha! Ha! Ha! Ha! Ha! Ha! bamboo strikes on every quarter note - simile until measure 284 Ha! handclaps ‘Ha! . 775 Ha! Ha! Ha! Ha! Ha! Hal Ha! Ha! handclaps Ha! = Ha! —handclaps 294 roar it out! |__.Hal__Fe aw 1 a-o a i! Ha! Hal Fe- nua hal Bamboo poles e he ps di) pyarTHE SWEETHEART OF THE SUN SATB Unaccompanied the poem “Ruth” by Thomas Flood (1798-1845) Eric WILLIAM BARNUM Flowing (J = 72) mp, ral, <= Soprano light Alto She stood so fair Pp Tenor z She stood so fair 2 = She stood so fair Flowing (J = 72) Piano (for relbarsal only) s ———— 3 all. —— reste SSS q of morn, Like the sweet-heart of the =! See + = aS SSS Ss Clasp’d by the gold - en light of mom, Like the sweet-heart of the 22S See oe SSS a Clasp'd by the gold - en light of morn, Like the sweet-heart of the ea eed eran dl gl — 7 : SSE ay ial ‘Clasp'd by the gold - en light of morn, Like the sweet-heart of thecheek an au-tumn flush, cheek an au-tumn flush,19) more motion (J = 81). all, in the midst of brown was Like red pop - pies____. = mf. in the midst of brown was Like red pop - pies = ==> > = born, Like red pop - pies mp = blush, was. more motion (J = 81) born, Like red pop - pies all, fell, Which were Se fell, Which wereSmoothly (J = 59) Lf black-est none could tell, light, of —————___ af black-est none could tell, lash-es veil'd a fight ————_ a black-est none could tell, lashes veil'd a light, nf —= = ——— black - But— long _ lash-es veil'd a light, molto rall. Smoothly (J = 59) au —. Sf | L malta rit, == PP ——————— | : else been all too bright, A. = Ly» ——- = else been all too— bright, A oO c= SS else been all too bright,____—__——_ A. a ¢- y- a aad t == j es — f else been all too — fal. ss be k molto ritya And her hat with mp oo ‘And her hat with amp, eee And her hat. 36 ‘Tempo* *Close to ‘m’ and slide down evenly over 2 beats. Elide the ‘m’ into the word ‘made, PP. fore-head dim; (m) =—————_ 7, »p fore-head dim; (m) ——— Pp fore-head dim; (m) sha-dy Thus she stood a ‘Thus she stood a Thus she stood a mid the mid the all. atempo —= brim, “(nm)” Made her tres -sy — af brim, °(n) "Made fer tres sy — af brim, *(m) —-Made her tres - sy mmf brim, Made her tres ral. a tempo stooks, Prais-ing God with Prais-ing God with stooks, Prais-ing God with stooks, Prais-ing God withamp looks, Al-fe-lu ~ ia! ____————— mp, —, Al-le-tu - ia! mp —— Al-le-lu - ial. mE Al-le-lu - iat all. Broadly (J = 59) all. ————$—_———————————— Sf. — ¢ Ex] accel. — I said. Heav'n— did not mean, WhereI—— —reap_ thou ———————— _ fF shoulds't but =—— Sure,— said, Where— 1 reap. thou thouldrt_ bn ff — I said— Heav'n did not mean,—Where 1 reap__ thou shoulds"t___ but —=_S — Sure, I said, Where I reap——- I reap thou should but al , rall. Broadly (J =59) all, ot et fa ee —Like the sweet-heart —= _ => Like the sweet-heart =— Like the sweet-heart = > Like the sweet-heart Tempo I° molto rall. Calm (J = 59) — =——, mp sun, (n) Lay thy sheaf a nf ——, mp sun, (n) Lay thy sheaf a mp mf mp @) Lay thy sheaf a FJ Lay thy sheaf a10 c (00) ————____ ‘Tempo I* =, mp<> pes —— _ (m)__ Share my har-vest. and my ~—ihome.. ‘Share my har-vest p< =——, me<> Share my har-vest p<>, home. Share my har-vest mp<>, _ Share my har-vest Po Share my har-vest mp<>_ home. Share my har-vest Share my har-vest Tempo I? molto rit————_ ppp Pp <> Share my har-vest and my home. (m)____ pp <> Share my har-vest PP > Share my har-vest pp<> and my home. Share my har-vest and my molto rit.ae... Dravidian Dithyramb Victor Paranjoti Fairly Fast ed by And te Gros nfFast and energetic (J - c. 14s) nf S00 - -ya-no wv 00 - ri-ya-t0 Or nd une only ssion| Ty sol fant tunen sl =u Ai, koo-ra-di oosra-dl, koo-ra-di yaa-raedi iva-no shan -ahi-ra-no. For the University of Miami Collegiate Chorale Balleilakka A.R. Rahman arr. Ethan Sperry chan -dhi-ra-no = sem paan di-ya s00 - menum i-va-no Yin = aio se - 1a pan di-ya 00 + mum -va-no— Pas rd, pos pas ad yan radi Tova Poa - radi pea madi yan = endl feva-no pai ructha-yin laa - tad i-va-n0 Alpes, lacthal patste-na sut dum Svan ta-thai pat-teona aut=i-dum si-va-no 4, hon, can can chon, chun han, chan Aey,Pads teh Jakke, bal Jel lakh Ye thak-la ma-du-raik-ka— mad-ra-suk-ka MINI Aol talks ma -diaiske mela BC Wow ie bl -Iel-Iak-Ka, bale -lak ha Te-mll Ne-da Avot al-lel-lak-ka, bal-lel-Iok-ka ot te ma. ‘Anna Von-dhaa Ta-ml Na-du A-mer Torttal avr sicyum mavcan-thy po ~ gu-mifae ment pew — giclee ‘hoo-thu vi-dum kan = ga tum tho-lain-tha po = gu-mas?-. meacdu-rak-kammadven-mokeka ruck thang bal Jel loka, bal ella -ta Ye, f— x a. mod-ra-suk-Ka thicker tha- ik ag, Tha, bal-el-ok=ka st a-du-raik-ka mad is 95) Bale li bt-Het-lak-kay bal Iei-lnk-“ko ot - moth mak-ka-luk-ka—An-na Van-dhas Tamil Na-du = Avwer-P a Ken vici an-rum al. hicthal avis st yum va Al other women: 2vasni pen = gaclum thoo-thu vi-dum kan - ga-lum tho-lnin-tha po ~ gu-mas?age Lf 4, paedu, pd pd, perdu peda, pe-ds pede, pode thasda, thao hada, hada hands, thea Sedugudu, andirgusdy sodunguds, Sediegunda, sede s-durguey, sdurgued Sedugedu, adanguedy duped, do-pide Srdwprde, sdurguede, se-dungusdy, sedu-gud, Cart : ben anne sedge prune port peducvena porshi-ya po-le-ei thes, tho-d plndu-ve-na portheya pu-le- pvd-veran part tho-ds thadaven asthirkisa ey-be a deere acter bye thaedacvona stk Dyla hada hada tha-da-ve-na acthir-kia Beyond medurgindy, duped, 2408 Hedugedy, odurgrd SS edu gurdy, dura dy, sed gued, faedurgeda, sedurgudy sederged, odurgundt “aa ged, wdurgede, dug thorda,tho-da wedai-hera pal thu thorda tho-ds wai tho-da, tho-da u-dai-ki-za pani thy fle Savda-werna kaeda-ki-rahaa-vinti vier vind vicricvesna macdikhi-t ve-t a la-da-vesna kaeda-Kicra kaaevi-nh da fa-da-veona ka-da-ki-ra ki a fa-da-weona ka-dakinra kaacviea Tt, soe, arn oe * fords, ada, a Viens viemssvesna masdik-kira vet 2 srdu pede do gids mdse mage Sedogeds di gids aadiya mene sdugu-dy -de-gedy ada meme, rma-dik-Hra vet viens, visa vionu-ve-na macdik-Aone veteM, mUL-ry murenueve-na musrukeki-ya mee ~sal-kal YA eC skal mana-thili-ruk-hu-thu mel, me, mel, me, PRAT, MULTE MTom ve-—na mu-rukkl-ya mee ~ sake wer murukcKi-ya mee sal-kal macna-thili-rok-kuth mel, mel mech mel rok me, el, mel me, mel, me, reer = . vecna mucruk-kl-ya mee mma-na-thil L-nuk-kusthu me, mol, mel mel, mel, mel me, me, mel, mel, me, mel, ero chan - dhi-ra-n0 yaa -ti-va-no sat tun-nut sal ~ Ia ‘mel me, mei, me, ae, aan = di-ya $00 = Femi i -va-n0 se = ma paan- di-ya soo ~ rasnum {-va-no— Ff, Agee el Ltra paan ~ di-ya soo ~ ra-num {-ya~no =m paan = di-ya S00 = raenum Jv ee = thai - an sos Dalek ea, bal =e -tak =a Te thse mado rak-ka mad thy = mu-chik-ka bal e-lak-a, Gal-Ieh-Iok- asa ~ le thuk-ka ma durak-ka ad oe Bika) Bae bal tet-Iak=ka, bal-lei-lak=ka of = x mo-the mak-ka-lok-ka a Vanedhaa Tamil Na da ‘bal-lei-lak-ta, bal-Jei-lak-ha ot = tu mothe maka lak ha a Van-dhaa Tamil Na-do Acmer4 Optimal ct fom m. S40, 88 open) s Sot-tun-nas soll Soe-ran-n oot nfs (Go-nicka,ganicka ga-nicka, ga-ai-ka, geceicka gana ge Teel nicka, ga = nik, ‘dan, chan. chan, chan, chan chan an dan chan i= Yaka, bal et = t= a, Kas - viet aa rum al kasthal a=ii-sicyum marie Altother men peuthaa = va-al pen = ga-lim —thoo-thy vi-dum kan - ga-lam —tho-Inin-tho po gums?eee ee ee sf Sedepuds, sedu-gidy, sidugudy, sedegid, sh pp 1s mots seduguedu, sedu-gu-dy, sedu gud, sdorgedu Stodu-gordy se-du-pindu, sed gh pp cvs mit rd todumd, sede udu, sodugiedy, adugirdi sdb pd, Sedargundu, sedi se: 8 Bp mato uy, stedu-gudy, ede gird 0 Sid, sedugda, Sdugucde, aedurgucda sedirgedy, 2 Sedu-gide, sedugudy, a-dogeds wanprds louse Sdurgidy, aduguds, edu gindu, duped, ads, pa-du pardu-ve-ns por-thi-ya ple hod, thd, thods dale pen dk Pave, pardu pacdu-ve-na porthi-ys pu-te-vi this, tho-da, tho tho-de wea-ki-rs psn thc a-du, pac pa-duve-na por-thi-ya pu-ke-vi the Uho-da,the-ds wedi pen thc ateee tho-da, thos u-dai-k-re paved thai ‘edu, pa-du pa-du-verna porth-ya pu-le-vl thea, tho, Pere. 12 Lf s tha-da tha-da tha-da-ve-na asthie-ki-ra ra-yslae hada, Ka-da Ka-da-veera ka-da-kisa hat-veeh Lt Gey eel ands eecmar thicken msyital Varen bats Bela vee Ladi babe, , a (hada, thasda tha-da-ve-na a-thi-ki-m ea-yicla-d) kad, hada ha-da-ve-na Ja-da-hinrs haa-viesh Saese : anda, Korda Ja-da-ve-na kacdackicra kaa-vi-g thavda, tha-da the-da-vesna athir-kiva ea-yi-la-di = fer rgd sda a0-diys mere Sedugnda, o-dvgu-dy an-diye macttiacl Sedurgiedy, sadu-gu-du aa-dl-ya merited owe rn edurgi-dy, sedugrd a-diya mantthedl ANI Pee, sda sida eda, mada Kedal-Ki a Vimy, vier vicru-ve-na ma-dik-ki-ra ve= teat Vira, viens vierucveona ma-dikckiera ve teal Vink vers viniove-na macdik-kind ve tila vier, vena visei-ve-na ma-dikcKicra veellet lak kay bale -ba LF sempre bal Ie -lake-ha, ballet akka sre = smu ruk ki su mak = mun Je thuk-ka atthe maTals He-lak-Kay bal-Ieh-lak-Ka of fu moctha mak-Ka-luk-Ka Anvna Van-dhaa Tha bal-lei-lakeka, bal-Iei-tak-ka of = tu mo-tha mak-ka-luk-ka Anena Van-dhaa Tevmul Nava bal el lakh, ballet kha ole thks ma da-rat-kamadcr-auk-ka tii ora-chik-ka ht -tha-nik Bal rucdhik-ka ea thas belle Tak-ka, al-Iel-Lakoka st = de thukcha ma-du-ransha madvra-auk-ka se ale lake, abel -Tak-ka, bal-Iei-lak- ka fst mowtha makcka-luk-a Ancona Van-dhaa Taoml Nev Acmer-i ‘f= tu moth mak-ka-fukcka Anna Van-dhaa Ta-mil Na-du = Avmer-T = al