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Holst Conducting Reflection
Holst Conducting Reflection
Brice Jackson
My biggest take away from my conducting round is expressiveness. I learned that when
in front of a large group of people, my facial expressions need to be more exaggerated. I found it
rather difficult to connect with that piece of music, even in the lyrical section. I now know that
that was the point in a way. This doesn’t mean that I don’t need to work on expressing what I
feel in the music. One thing that I intend on doing moving forward is to spend more time with
the piece with expressiveness in mind. If I start practicing earlier, I will be more comfortable
One thing that I thought was really interesting is that I put myself into the character of
confidence before I went up to the podium and it resulted in me being very stiff and
expressionless. Next time, I’m going to see what happens if I channel a character of relaxation.
Hopefully this will help bring out more expressive qualities in my movements and faces. I now
realize that eye contact is important, but ultimately that’s just looking at people that are looking
back at you. If you aren’t communicating anything, why be on the podium in the first place?