Nee FINALE - from - Symphony in F Minor No. 4 P. I. TSCHAIKOWSKY Arranged by V. F. Safranck J 334 Instrumentation conforms with the recommendation of the Music Publishers Association of the United States, Inc. FULL BAND—Price § 5.50 Conductor 1st Oboe ee Bb Trumpet 1st & 2nd Trombones (2) Db Presale {st atsoon 2nd Bb Trumpet Sed Trombone Jat Flate 1st Eb Alto Saxophone Ist Horn in Eb (Alto) Baritone 2nd Flute 2nd Eb Alto Sexophoue 2nd Horn in Eb (Alto) ‘Ist Euphonium (Baritone 9) 5rd Flute & Piccolo in C Bh Tenor Saxophone Sed & 4th Horns in Eb String Bass Eb Clarins Eb Baritone Sexophone (Altos) @) Solo or lst Bb Clarinet (3) Solo or st Bb Cornet (2) 26 Horn in F Drum & Triangle 2d Be Carnet (3) (Ploegetboen ) 2nd Horn in F Drum & Cymbals ‘id Bb Clarinet (2) ad Bb Cornet ed Horm in F Timpani Eb Alto Clarinet rd Bb Comnet ‘40h Been in F Bh Bre Clarinet SYMPHONIC BAND—Price 8 8.00 Conductor 1m Oboe 2nd Bh Cornet (2) 44th Hoen in F Db Piccolo 2nd Oboe ‘3rd Bb Cornet 2) Lat & Bnd Trombones (2) Ist Flate (2) 1st Baseoon lt Bh Trumpet Srd Trombone 20d Flate 2nd Bassoon 2nd Bb Trumpet fed Flute & Piooolo in © Ist Eb Alto Saxophone Ist Horn in Eb (Alto) Eb Clarinet 2nd Eb Alto Saxophone 2nd Horn in Eb (4X0) ‘Solo of let Bb Clarinet (4) Bb Tenor Sexophone Bed & $b Horna in Es 2nd Bb Clarinet (8) Eb Baritone Saxophone (Attoe) 2) Bases (Tubes) (5) Sed Bb Clarinet (4) Bb Beas Sexophone Jt Hoen in F Snate Drum & Triangle 2) Eb Alto Clarinet @) Solo or Ist Bh Coenet (3) 2nd Horn ia F Bass Dram & Cymbals (2) Wh Bane Cerinet 2) (Flungethorn ) Sed Horm in F Timpani Extra Parts: Conductor $1.25: Other Parts, each $ .50 K CARL FISCHER, SSoreR SQUARE, NEW TORK 3 ‘tn » Chino» Dali La geeFINALE from, Symphony in F minor, No.4, Op.36. by PETER TSCHAIKOWSKY Born at Votinsk, in the government of Viatka, Russia, May 7, 1840; died at St. Petersburg, November 6, 1893. ‘This symphony ranks as one of the most inspired works of its kind and was com- posed by Tschaikowsky during the winter of 1876-77. It is a splendid example of the great Russian's remarkable inventive powers, his originality, and overwhelming command of instrumental effects and resou: It has always been a great favorite with concert audiences and is a steady repertoire number of all prominent symphony orchestras. ‘The Finale of this work is splendidly adapted for performance by a Military | Band. The movement, individually considered, may be described as a wild rondo. There | are three chief themes:- the first is exposed at the beginning by all the higher instru - ments, fortissimo against sustained chords in the brass. The second follows immediate- ly,-a folk-tune, “In the Fields there stood a Birchtree” The third theme appears after a return of the first, -a joyous, march-like melody, sounded in harmony by the full band. Toward the end the Fate theme, which appears very prominently in the first part of the symphony, is proclaimed once more double fortissimo by all the wind instruments. Mt ® and © itis customary to take the tempo “poco meno mosso” though not indicated in the original, and increase the time_before reaching Oo and Andante. The bass parts written in thirds (after ©) are also represented in other parts , and if the band has an odd number of basses, the preponderance should play the lower notes. When Altos or Melophones are used they should play both large and small notes. If three Flutes are represented, the Solo Clarinet should omit after Tempo T the 6th, 10th, 12th and 44th bars. In the 10th bar after (B, the Soprano Saxophone is cued in the Alto Saxophone part, but if the performer to whom this is assigned should not play a smooth 2g it will be better for the Flute to play alone, as contemplated in | the original, In the 9th bar after @, 22nd bar after @, 8rd bar in Tempo I, and | other similar bars, the notes on the last quarter should be held full time, not cut short, In the 12 bars before Andante, the Conductor should indicate whether he desires three Cornets to play the cued Saxophone parts, or the large notes, s4972Finale 8 Conductor. com Symphony in F Minor Ne 4, (Z2EMinutes) P, I. Tschaikowsky Op.36. All? con fuoco. Now arrangement by V. F. Safraack. 444 TR AB PP Tat 3 dd Copyright renewed 1940 4972-48 Copyright MCMXII by Cart Fischer, New York.| 972-148Conductor. 5 1» Meno mosso. LP Soto cr. a =x=x == =—_— =a =x>=x<‘"9 s4o7e. 148Conductor. | C f | | ster, Soll. Te * Bar. Bass. Altos &Sax 4, J 2 ee sore. 148Conductor. 7 sa972_ 4458 Conductor. FL.& Sop. Sax, i. aif? - en s4o72 4484072. 14310 Conductor. + 2 C1. Teomb, | Horns in octaves. | 7 H T lbass. dim, Clar. rit m_Tempol. _attrns. TP rit PS BOT TB owen, 7 Pa || rymp.atbar)? 4 q al ll q Flutes &Cors, Bi, Gor. Fl Gor, es 0b, Ch. Horns,Bns. | 27@80 pocoa poco. | Ob. Horn Clete. = = ————— >= Ss 8 0 8 s4972 - 149Conductor. a Ago72- 14312 BA pConductor. 1ay72 48