Penepryap Repertoire Mysbikanbabix youu, of music colleges H KoHCepgatopu and conservatoires Komen IIbECHI wecmucmpynHol zumapol CONCERT PIECES For six-stringed guitar fi Woxaremetso “Komnosnrop - Caukr-Ilerep6ypr” Ginna evblidhine Woure - Sankt Petet burgPedaxmop-cocmasumeas — Bukmop Heanoeux Hxsun Editor-compiler — Victor Ivanovich Ilyin © Hararenerso "Kounosurop ~ Canit-Mlerep6ypr", 2002 © BM. Masi, cocrasnene, peaaxiwis, 2002Turapa — wxctpymenr yausurensusiit: Ha mporaxenun cromeTuit o# MHOKeCTBO pas oKa- auipasica Ha OGOUHHE MysbiKanbHLIx "MarHcTpanch” — u wuKoTsa He YMMpaa. Beersta waxo- AWICA H HAXORHTCA TaKOH OSmlecrHeHMBIM CHOH MH TaKas OOnACT THOPYECTHA, THe MMeHHO Turapa cTaHOBHTCR CAMO xeTAHHOH HM MOMYAspHoHl. Jor MHCTpyMeHT yMeet GuITS O;HO- BPEMeHHO MPOCTSIM H CIOKHBIM, apHCTOKPATHNeCKHM M HapomHAIM, JOCTYNHKIM mO6MTEMO H unTepetstim npodecchonary. H peneptyap 424 rnrapst nospoxsactoa, pacummpsetes, o6HOR- aeTes. B Poccuu » focnenee spems, Kak KaxKeTCR, OTKPHBAETCA 3aHOBO KnaccHSecKas rHTapa, Oua nepectaer CBASLIBATECA B NaINCM MPELCTABNEHHH TONBKO ¢ POK-MYSEIKOH HAH TOnBKO c apropcKolt HecHelt H cHOBa NpHXOAHT Na KoHeprHyiO ocrpamy. JTy¥UMe coBpeMeHHBIe KOM- MO3HTOPM MHIMYT HE TONBKO CONBABIC HIBECKL, HO H KOHILEpTS! JUIX THTApsI C OpKecTpOM. Ox- HaKo ocHoBOit Perlepryapa ocTactca THTapHaR KNaccHKA — HMEHHO Te TISecHl, KoTOpBIe MBI npemiaraem Bam 8 >ToM cOopHuxe. Ox mponomkaior GkITS HM "mOSHMMAMH NYGTHKH", H cBoe- oSpasinim "pOGHAIM KaMHeM" MacTepcTBa My3uiKaHra. COopHHK peKomensyeres B KiXleCTBE Y4eGHOTO MocobHA cry/EHTAM THTapHBX KaaccoB cpen- MIX M BHICIIHX MY3bIKATbHBIX YHCOHBIX JaReReHMMl, a TaKKE BCEM TOGHTEMEM MY3BIKI. Guitar is a wonderful instrument, indeed, for during hundreds of years it has been perpetually occurring at the’ {ar corners of the musical main sphere in different countries, meanwhile going on living despite everything. This phenomenon may be explained by different social groups of population to have been discovering their necessity in guitar in some particular genre of art. This instrument is able to be ingenuous and intricate at the same time. Both the aristocratic noble style and the spirit of folk are peculiar to guitar. And at last, nothing, but Buitar, is so accessible to just music-lovers, evoking simultaneously such a, great interest in the hearts of professionals. Thus the repertoire for guitar continues to be revived, extended and renewed. Nowadays the classical guitar genre is undergoing the kind of its revelation in Russia as if being discovered anew. It’s nevermore associates in our mind with only the rock music cor bards’ songs. The quitar returns to the concert stage. Most of the serious modem composers create not only soto guitar pieces, but also concertos for guitar and orchestra! However, this is really the guitar classics, that is firmly left as the base of any repertoire, These exact pieces are offered to you in this collection. Such compositions use to enjoy their popularity, giving any musician the chance of trying his (or her) skill. This collection is recommended as the sort of manual for the guitar classes’ students of middle and high music colleges, so as for all the music-lovers. (translated by Asya Ardova)Conepacanme M. Orntecxatii — 10. Boiixo. Tosores 3 ©. Llonen. Tpaypxstii wapmr... 6 JL. nan Berxones. K Snuse 12 IL. pau Berxonen. Adagio. 13 Conamst No 8 dan opmenuano .... 17 JI. nan Berxosen. Largo appassionato. H3 Conamsi Ne 2 daa bopmenuano.. sooeecees 22 2K, ©. Pawo, TamGyput : Tox. Kavunnu. Ave Maria TL. Yaiixoncxwit. Bapkapona T. Conpuaon. Banuc. He ayssixanonvix wanocmpayuil x nosecmu A.C. [yuswia "Memens”.... 38 3. [pur. Mecux Conpreiir . . 45 A. Tlerpon. Bane. Hs xunopuroma "Bepecucr aemonoburn 49 TL. Yaitxoncxnit. Ocennas recs 55 WLC. Bax. Kro suaer amu Bora npaxaiiaero snacts. XKoparsuan npenodun 58 A.C. Bax. [panet noGena tan To6of, aabHHMKOB Crpatia, XoparwHan NPeEWOOUR o.eneeseee 59 H.C. Bax. K reGe crpemace, aasinato. Xopamonaa npenodua 64 WAC. Bax. Apna. Hs Croumo: pe mancop .... 66 Contents M. Oginsky — Yu. Boiko. Polonaise F. Chopin, Funeral March oc L. van Beethoven. To Elisa .. L. van Beethoven. Adagio. From the Sonata Ne 8 for piano .. - L. van Beethoven, Largo appassionato. From the Sonata Ne 2 for piano... J. Ph. Rameau, Tambourine G. Caccini, Ave Maria P. Tehaikovsky. Barcarolle G. Sviridov. Waitz. From the musical illustrations to the novel "Blizzard" by A. S. Pushkin ....38 E. Grieg, Song of Solveig seve ; 45 A. Petrov. Waltz, From the film "Aware of the Car”... en verses 49 P. Tchaikovsky. Autumnal Song. evens 55 4J.S. Bach, Wer Nur Den Lieben Gott Lasst Walten. Choral prelude. . se 5B J.S. Bach. Nun Komm, Der Heiden Heiland. Choral prelude. J.S. Bach, Ich Ruf zu Dir .. 7 ese vcs B.S. Bach. Aria. From the Suite D-major . 66Konueprusie nbecer Concert pieces AM WeCTHCTpyHHOH rHTapbl for six-stringed guitar TIOJIOHE3 POLONAISE M. OPHHBCKHii— 10. BOHKO M. OGINSKI— legro moderato YU. BOIKO 9 144g ® ° ‘The hyphen indicates the first finger. ate 32 _ =n vy I. —<—- wees ef © 3088 xFe D.C. al Fine senza repetizione z © 3088 xTPAYPHbIM MAP FUNERAL MARCH ©. WOTIEH F. CHOPIN Lento 2 mats = ry © 3088Biv—tt—— 1 g = = = kb Sor 4 eal a | y * Fine © 3088 x© 30889 ‘cresc. pvt 3088 xK QJIM3E TO ELISA JI, ean BETXOBEH L. van BEETHOVEN Poco con moto o____ay 3088ros 2 2 ro? © 3088 x lee© 3088 x17 ADAGIO Hs Conarst No 8 sua boprennano From the Sonata Ne 8 for piano J. sa8 BETXOBEH \.. van BEETHOVEN, Adagio cantabile 2 3088 x© 3088 k19 BV. vant ©3088ee irvs22 LARGO APPASSIONATO Ms Conare: Ne 2 su18 dboprenmano From the Sonata Ne 2 for piano Ji. na BETXOBEH n L. van BEETHOVEN Largo appassionato ‘enuto sempre eruree Praccato sempre eis tenuto sempy 7 ™ tf Cs rely r tio sempre ly 4 f4 PP, Perce ce ©3088 K TBim 4 4-4 25 hy to aI uw wb ~ ot “oH =~, wo ~te ~ ~ — Q, —_ : 1 is the = Bl) a t 3 2 ‘ ae fllcreasceree + a refs piglet st ee ep CY OF fae Of 3 Waatato sempre —z © 3088 «vw vit JE aS x = === oy —— sy i 2 io. a 1 PP staccato sempre bit a ° 1 1 i ie be LC os : (egos) °° | of 3 Hy = ' fi ; a7 B b a 5 3088 xSill 8 te teAlB sempre oe fl 13 ¥ . 2 ‘Staccato sempre ©3088 K27 TAMBOURINE TAMBYPHH 2K. @. PAMO. J. Ph. RAMEAU, T | oT | Cy | “7 i ow] i fe ipo B | q CEH Ol} (38: bolo a | BIL + | ™ ™ S ot) . \ g Hyd Hele Ty Ble & Eisl|) 9 4 erie es fo RH RILONO elo 6 oct ss, om) (Ci old ole Og a1 7! ms 7! oa {016 016 010 © 3088 x©30881] fise 4 ia tuo IIa gyy _ 2i4 ii} =) 4191 ) ing th_zs30 AVE MARIA Tbe. KAU G.CACCINI —— Qo.3088©3088 «BAPKAPOUJIA BARCAROLLE 1 4AFIKOBCKHA P. TCHAIKOVSKY Andante cantabile © 3088 xavn Allegro giocoso ix v ois gg. ge d “ELE pet 2 4 SF energico o = =— ©3088 r38 BAJIbC WALTZ, is wyssaxasex nmocrpant From the musical lustrations k nosecty A. C. Ilymmkuna "Mertens" to the novel "Blizzard" by A. S. Pushkin T. CBMPHJIOB ‘Tempo di valse (Allegro) ¢=ce G-SVIRIDOV avon 5 mv A n 7 f Oe ©3088 «© 3088 x| a aa) “TWh Le I laa 7+ ~ S ie | fr UN BIL - 7 zi 5088 «©3088 Ka2 vj ——_____— tae ef 7avin © 3088 «e —vint © 3088 KDC al Fine NIECHA COJbBEAT SONG OF SOLVEIG 93. rPHr E.GRIEG Un poco andante cantabile = _ = xvIt = ©3088a tempo ; eat © 3088 «© 3088 xpoco rit. = a tempo Allegretto con moto g——— Fl dJi), 3088 xBAJIbC WALTZ Hs xunodumma "Beperich apromoGuia" From the film "Aware of the Car" A. TIETPOB ETROV ‘Tempo di Valse ‘A: PBTRO ) © 3088 x.pv 1 * © 3088 «Bll Sespress © 3088 k34OCEHHAA MECHA AUTUMNAL SONG 0. YAMKOBCKHA P. TCHAIKOVSKY Andante doloroso e molto cantabile v———_——$___— 2 © poco pin f 3088 xo—________»—________. 124 1 ae eee J dad = = ee he ie eld o 7 = 5 b : g poco cresc. b©3088 «58 KTO 3HAET JIMUIb BOTA WER NUR DEN LIEBEN APAXKAMIUETO BACT GOTT LABT WALTEN ‘Xopansuias npemonus Choral prelude H.C. BAX JS. BACH BVI a VIE Vv aareer Lye fom JE ef 7 7 — ‘P sempre bv—— a pv Lio3aa3 , a fata ; - tot | eke 4 2a) ded 7 2 rs T 2@ ° 6 1TPAXET MOBEA HA TOBOL, NUN KOMM, A3bIMHHKOB CTPAHA DER HEIDEN HEILAND Xopassuas npesoays Choral prelude H.C. BAX J.8 BACH9, ——I——— a? 4 14 1 a61o 7 o 2 308863 4 4 4 Diag oo. Pia 2dI TI za 2] = :“K TEBE CTPEMACh, B3bIBAIO ICH RUF ZU DIR ‘Xopansuaa npemonus Choral prelude H.C. BAX Andante J.S. BACH 4 oa 3088 x© 3088 x -66 APHAL ARIA Vs Crontst pe Maxkop From the Suite D-major H.C. BAX J.S. BACH j ca Adagio Fe FO coo | +5 x : 3 7 aaa Cor Ff f F ® ite P sempre 2 a BI—— i © 3088 x© 3088 KKOHIJEPTHBIE TIbECBI Aaa meeTHeTpyHHOH rirrapst Pedaxmop-cocmasumese B.H Hasur Tenueiecenti peanirop 7-H. Kui. Koppextopss H.M. Haccmaxoaa, C.B. Hecmepoaa, Horst uabop A.D. Jnana. AP No 030560 or 29. 06. 98. Dopmar 60%90/8. Byw. oxbe. Fapw. Tafouc. Tew. 2. 8,5. Yuan. 2. 10,5. Type 500 210, isaarensctno "Kowmoairop * Cainer-Terep6ypx". 190000, Casexr-Tlerep6ypr, Boma Mopexan ya, 45. Tenens: (1) (812) 314-50-54, 312-04-97. Daxe: (7) (812) 311-58-11 E-mail: office@compocitorspb.nu Internet: bitp://wwew,comporitor.spb nuM3J/ATEJIBCTBO "KOMITO3MTOP > CAHKT-ITETEPBYPI” TPHTAPA Basepuit u Exena Bpoaxo. Camoysurens H.C. Bax. Wyrxa (mpuo eumap) mrpst na rarape 6e3 Hor Cocm. 5. Bopmanxos. Tees 108 iectactpynnoit rarappr. Boirycx 2 Barus yp1a anoux (das Oeyx eumap) IE, Coxonoea. Ureune wor. Js wecmucmpynnot eumaps: ZK, Coxosoea, Vis6pannse svioxs. Tempadu 1, 2, 3 B. Bpooxo. Virpaw 6e3 nor. Hocobue Gan ieetarouux uapame na eumape Ges snanun HomHolt epasomts. Bonyexu 1, 2, 3 E. Cemopun, Hopas mxoxa urput ua oerpagnoti rarape. Knew J, 2 JI. Heauosa. Nercrue mbecst 208 mecrucrpynnoi rurap. Tempadu 1, 2 JT. Heanosa. SIee perckae ciowrs: "Ha seneuom ayry", “Boxpyr cwera” JE, Heanooa. Herxue usec. Tempadu 1, 2, 3 JI. Heanoga. secwt tin naunnaroux AnsGom rurapuera. Ja wecmucmpynnot eumapw.. Pedaxmop-cocmasumea» B. Hasun M. Jeepan, Mexonua a3 Kanoinabma “THep6ypexue sourHKn” FE, Bemxooen. Couara Noi (“dyunas”). Tore. Heion, H. Maxxapmuu, And 1 Love Her Cocm. H. Hepmaxoe. Let It Be. Honyaspiee sempadnsie nec 6 obpabomne daa eumapet Cauoxn pox-u-poaa Tlonyanpunie kaacemeckne mexoaun. Boyer: 1 Kaaccnka mKa3a 70. Cuupnoe. Daraxep. Jemexue neecos JO. Cnupros. Terep6yprexuit oopr. Konuepmiore neecer Foxon Hayaend. Tpu avec (Ara mpex eumap) B. Bureouait, Ween (das eoroca, eumapti) A, Posenbaym. Vecnn (dan zoaoca, eumape) A. Posenbaym. Ha usanranuax m00Bn. Meena (daa 2oaoca, cumapsi) 10. Mleenyx. Tec (dar zonoca, eumapui) T. Tasonepun. Tlerep6yprexuii pomauc (01a zoaoca, eumapes) Z, Taaonepun, Pomanc x21 Hpexpacnoit ambi (dan 2onoca, eumapu) 3ONOTOH PEMEPTYAP TUTAPHCTA HC. Box. Tpanexpanuan as opnoii, anyx n 1pex carap B. Kyanenona TpancKpumnan pax omuoll, anyx m Tpex rurap B. Kyswenona (sapuanm ¢ Komnaxm-duckon) On the Way to Bach. Tpaxexpunyuu dan deyx eumap B. Kysieuoea Tlo sonpocy npuobpemenua o6paamoca 6 usdamenvemso: 190000, Camer-Merep6ypr, Bompmas Moperas yar., 45, Texeshouni: (1) (812) 314-50-54, 312-04-97. Daxe: (7) (812) 311-58-11 E-mail: office@compozitorspb.ra Internet: hitp:lIwww.compozitor.spb.ri