Opening Girls Entrance Guitar Solo Slightly faster Drum Fill uw DEBBIE, 3 Drum Fill a“ DONNA ROBERT Myst get to Dallas My name fs Tike to get down Debbie Does Dallas he MScene J Girls Entrance 2 2 TAMMY LISA jth Rah-Rah rah-My name Is My name 1s Tam-my = My name Is “6 DEBBIE shake it Lam cheer Captain 1 like 10 My name ts = = eo Js : =Boys Entrance as team Now lets give it up for the stars of our foot ball team Here's our favourite tight end: ocals 4. Our Centre all the way from ‘The best tackle in the world y 7 ‘Our Star Quater-back, he's Vox. Vox. ” Vox. Jotin-ny Mts John-ny my name fs John = ay tm Rick you Vox. ajow my name Is Rick = youll dig some Ke-vin Vox. fe gona fo ft fo tem how we gon-fa do it Real real hard Vox. Huh!a Debbie Benton (elon Bataan ‘Asus2 ‘Asus? When you o-pea up a le-ter and it a ‘sys "Dear De - thle Ben-mo" mr es you would at do) that tines your Foust FR Bm7 umes tot De thle Bea - on but if your same is De-thie Benton you may DE & Asust GAA Ofadda) be the De-bhie Benton in his fe - ter thee must be moms Debbie Ben-tons in tit Act A EG FT 87 DE & Chr 1" = Woo eam ey neat Bay ptt ree ad ay Ff cour Ne “ wat eve oy dey for 8 beter appear and they can hank = ly be eve when that Bsust Be A Ffm ay is fin aly ee wee ke mt we2 Bm7 Bouse E F te om md on- ly De-bhie 8 me Dming A iadBoys Entrance as team Now lets give it up for the stars of our foot ball team Here's our favourite tight end: Vocals 4 Our Centre all the way from ‘The best tackle in the world Vox. 7 ‘Our Star Quater-back, he's Vox. Vox. Vox. Vox. Johnny fi John-ny my name Is John ay 2 Vox. know my mame Is Rick 2 K “in yout dig some All Vox. Whar Ke gon-fa do do. it f them do fe fo them how We gon-na do Ke Real real hard Vox. Huh!Girls Get Jobs Sc 8 ee bnacrree: on fee CusenLe aos = feo oF 70 Tm gerne Ine —_ = Aiwa evauy fag veces te a x =: + x = ¥ —— O CASBETTONE. uar WARE Yoo oF wp WHeee HE 7 FON Oa se THAT Ga eney Katee LISA: Hi Hamilton = tm Ww sm TAMMY: I saw your sign dow Bae ns “pg tewere pope ee 2 eS SS SS v Wm: feoe uw Atty Foe we 308 tir eo Wey vor Ewrentahes 1B Howee tly jwor Wert Keroeos Wo. | WeiRecrare pose dower ty wit ose née, 15 DONNA: Hi Mr Biddle yes: eo Yoo THe 2 coh ev Gb: HEae Bento 7 le rent goon BRADLEY: Hola chicas Nave A som KEae “LER: Wot’ Seder: oy aan; oe del) chicas cae woe ~ tale Es eierle Onn ein wae 33 Galei&ls Vet Joos 9¢ 8 2 BIDDLE: Why Donna? HARDWICK: Say, I'l some Donan GE wk Breple.. > 7 SExraa muvey By Nore & mas Heource 2 an om eacsoed evens = » eG Tanne crpetoa7 rd Roe; WA Rada a LISA: I heard Jimmy wane, Yes tener deauw . a NIC: [ think we n definitely, .>2v.e as Oyaw, YOevean 3 Gor THE 30% = BIDDLE: Well, Donna. wooed Yoo eeT Ofcourse I'd Like to help st v7 Te Set se Revered soot wee meen Meee BON, FCoE HEER By ENMIENT ASE BeesUins Wet Jods de 9 3 Ree TRE a are 43 LISA & ROBERTA: Entonces podemos.. (a uae est evbe 6 Bene: Fen FU pUEKTO Gora DORE v LISA: Ok So can I have his job? #y LISA & DONNA: No reason you cant... ve 3% 79 me __aue)_bteeeee oe 8 cade, HAMILTON & BIDDLE: Yeah Right. No reason I cant give.. to & as Ae. 3) ee DRL&T Te MEN 3 © Great |. Thanks forthe job When do I start? How about tonight’ . festa noche? { \ Sy Rt Ss o © Super OK ByeOne Step Closer (SMALL TOWN GIRL) ‘Words and Masi by ort 1 4 CB Arch prt 6 Em A DF} G chance at the big. time and chino-es doott come —?- if 1 got a job foe sem Asus Ffm Bm Em DEG Ast D Dyving ey choice that Im mak-ing and if I don't step up this chance might leave me gD GD D cn 6D Tf 1 look hard e-nough in - io the set-ting sun 1 see my fu-ture and Tve got it on the mm and it scares me 80 D co Gm D yeah it scares. me 50 Tve ne-ver had to try and make £0 cp D co D it on my own Tye ne-ver had to work my fing - es to the bone and itjust yes ter-day but if I stat now Til be one step clo-ser to my————dream gD GD D co co Each day my life is changing right be - fore my eyes T see a world that I no long - er rec-iog-nize—__ and it scares me 30 & Csus2 D co DOA ort may-be I should-nt go—_— oh but if 1 stay hero Tl be stuck, / D A — D — = —— 3 = SSS = here inthe past «Tam sight-cen now bul thi-ty five is coming fat «wif GS D cm D Agdimss, Bm mina sc ‘eve-ty-thing's worth some-thing mon-e - tar-i-ly thea how much will my wishes end up 87 Emin Dre cost = ing me? T wan-ma be some-one 1 wan-na be great in that we Em DiFg EXE DIA i blue and white out - fit in the lone star state Tm a small town - gitl u far a - way from the big time but if 1 stat cow TM be E ons step clo. = ger to my drew be aTen Dollars Closer to Dallas Masic and Lyrics by sea Schmid and ‘Andrew Sherman 1A no- ther c F c F eb 6 ten dovllars clo-ser to Da-llas dou-ble the ten do-llars in my band its ce e7 Am Bb Gousd real -ly not that bad its the best chance Ive had now know ten bucks is mine to de-mand ‘And now Tm ten ten twen-ty Took out Dallas now I have ten ten twen-ty ten ten twen ty for-ty do-llars of my2% Suddenly sad FE own its all add-ing up so fast my dreams are al-most in my sp but am cig Ffidim FIG 6 vi dL aie ty — Fer geet so Clore)The Dildo Rag ‘Writen By Bea Schmidt, Ante Shean snd Tom Kit © Bb Fmab Gm Fm c : Rubeto cand tom ‘conld-oM belp but thik that Twat mem for more bts 1 ged at ony mips = Tbe gan merits oountning canes can be some-thing you 8 on - F Bb7 F b7 or Pick one ont as ae Told ie right He - tween your thighs ‘ome itt time let a can 3 c Am Gm C7 F Bb smell to mow hey hate you he can fle knows ex = at fy wt wo 7 Ebr 7 B Bh FAT Dm 2er crfp cr c cr F just be care-fal what you do 2 can-de could get stuck its trust mow putt deep in = Bb7 F o7 7 ‘ide your mouth you Jove tht: tate now ack down south” =a can= d's woe ing day iz never though ity time wt can F or oc F Bbr faz o7 . cate pr NE TD crone Zt : a ‘teaftye( si Ge Ak WRC Mo-my is mt am i - sme Ne pt it in ayob ab7 eb7 Abm ob7 _ ee a Bbm eb7 Am cheb ch —ciab_ Gh eck cwgh your mer = kin asd makes =e wk ob ob chr ob7 ob obi 88 Babar 0h Me Hack * : 2 wei , z 4 t 2 7 : c 7 ° ° a 5 | ) eo |, R Bove la ( Ko min low yada. - waren THIS Bal you ° :: I wanna do debbie Rick like this K: Hey Rick whats the matterflady Trouble Kevin and Joy Rick Sista guy ike aay other guy ont sek me why and J Rick Js hot” and she pret-ty nice too But now that she's work-ing and Pro.2 I wanna do debbie Rick KandJ Pho, Rick Debebies what 1 wan-na do 1 wanna do. Deb - Bie Kandy [oan enee oe! Pro, Rick May -be her and lisa, Kands SR Pro.I wanna do debbie 3 Rick KandJ Debeties tt vega do. 3 wemast do Deb OSS vee Ter ve Eby fe mee Pro. Rick Kands Peahe ber ande— a to wig Ge sims Oo wea FRAAbG a FSust Rick Oh hee jobs gota go KandJ Pro.1 wanna do debbie Rick with big beau tite wie no sessing with ty brain and fs - screwing Up my score there are PRATT SIRE! chicks KandJ Big Beawsisul ite Bie Pro. Rick KandJ Rick Bin she wont even let KandJ Pro.I wanna do debbie . 5 Rick KandJ Pro. Rick KandJ Pho.i Written by Erica Schmidt LT Wanna Do Debbie Writer by Erica chmiat Rick: *well ab Bbc elas, it’s tke "Tengo Rock Ballad i Rick Kevin: Hey Rick whats Johny : "Yeah, mater? Lady trouble? why so blue? 2 Solo oat ask me why my gid is ot and she's pre-ty ize too > Pro, f j hac) house & a” che Fm Solo MLWa i 2 beet) chund Wanna DoDebbie . Solo’ maybe her and Li- sa too ee ee eee ee naa RE Soto one Solo plenty of o-ther chicks with big beau-ti-ful Gis with mo dreams and no cheers md no 12T Wanna Do Debbie 3 cme one cme Solo Pro, hi che F hb Gh elm Solo B iG SS SS Sa esBang Bang revised [Composer Girls: Oh Ok Debbie Vocals Rea - dy oO - « Bang Bang Blow Blow Watch us as we go. gon-na tie you up mmm gon-ne 5 & Sz = 2 ! eS teal tie you down vurgh gon-na rope your bo - dy {0 the ground ah ah% Bang Bang ah ah Down were go. = ing down up were com ing. up " up to get you up come on boys gid-dy up yea hatGod Must Love A Fool voareue” 6 De em eo oc co GC Gsus4 Ai it just the He know ‘what you want oot where you want 12 go G 6 D Em cp wih no way tm get here but Boel bar pe + ty ami - Neee c D G Buss B BRmEE& & & By body made Ber stow aol it ait id fo ee tat Tre bad more than just 8 We toa-be fo = Mowing the mes 14 1,May-be 1 ouglt to be B-shamed cay me blame fe all dat ve Ne had ore than nt tte wounble fo = How-ing the mer Boust B Em co oc eb oo ‘md you might wonder tow Tye go tea by so far well all that 1 om sey G@ D Em em .c¢ D s 1 God mms lve 8 fol God aust ove foot 15We Broke Up Soa at hte We broke up and Tim ran-ning out of time Rick made me > 6 Der} = AmT 87 (sts =. oO = choose be-tween my job hd my per-son-al life I'm tying to do what T feel in my gut but hes c 87 Am Emo F Dm o£ 7 —. m4 = ; I da-ting my team-ate and she's a slut and I don't finve the mon-ey to get where I need to g0 16Dallas, I'm Coming Words and Masicby rice Schmid, Andiew Sherman, sed Toa Kit what 1 dott taow tow Tin se-ppoed to be do 1 gt on pt oT ‘At or rut? what ba-poent fT bave to pes? een whet ets gt dom : now Ta strong hes oh wong Tm ‘i what ee ee = 7hold me eh? wil tt lat al night? a Mage srs and stops etl io B g Ey (his body ob = ect = sant at rim ero A A 8 Mire now its time © miko this bo = ty - Grenfett "Debiet ; E A sow = by 18sat - ing my heats part = ing floet- jag fy ~ ing seaming oy - ing A B Em G Em 6 erating eng gesting moaning Ok Ab ead a fe mm im gst ——— A Em G Em G6 A n Ob ah ada Ute mmm atlas Tm com-ing for you 1m 4 the wok wm mike the ch =k tt your fing’ er mya? Ob ah ama ‘t-te mam Ub sh anf ete mmm and ate ch = and ae tle han A Debbie: “Tm going. 3 4 Ta ging, Pm ing” 19Theres a light ArgM Husley 4 Debbie Where did this feel ing come from this" Fire that burns in side B S F ele Ey ry now and then 1 stp at need t© be—more than iam this _never end ing drive. _think of what— this means this person I've—_be come—while i was follow ing—@ dream this per - soni've - be come——while I was folow ge ‘Change when your a - wake: doesnt al-ways-save the ‘change when your a - wake doesn't al ways sive Ihe B> ALO Lye 7 ARBOR ut Some-times life gives you more than you can your DB some times life gives you more than you can Y&RTheres a light _ F 3 " Lise TAs “y ut you keep holding on Therek alight strong you keep holding om Theres ight Ke te ond oto ut nk and lone ~ ly road there it hope even when I feel 0. ve bB ark and fone - 1y road there is hope even when i feel 20 veTheres a light ut fieve in the end 1 will know — that theres more wife than get Ging Whute DB lieve jn the end 1 will know that there's moce to fe than get - ting LAD cy Lisa Tacet ut think 1 ned 1am sand - ine on— the bp Oe wEn Tam stind - ing onthe edgeTheres a light 5 ” Add Lisa ut === won-dring iP TR IO win Te - sera = ty count the cost Da the tine 12 coin the cost woe-ding Wee EW ewer ue the ume 1 coun the cost ut pe. if choote to sty when my heat tells me to go Can tse wih Raow=ing hes N&R & oe6 Theres a light ut Change when your a = wake DR =| ie 1M ne = ser know Dreans change when your 4 = wake ut ~ - that ig ston can al-waye some times life be Rose hat is stong ean always comestimes lite ives you more shan you ean S| N&RTheres a light 7 ut wake but if your strong you keep moving on Theres 8 DB ——— take but if your strong you beep moving of Theres 9 ut a the end_of @ dark_and Jon — ly ond Even shen yo DB a the end of a dak and ton ty road NAR Boys at the end of 8 dark and ton by8 Theres a light N&R — Ome ™ = moje 1 life than getting where | think need 10 go Aw c Yosweies a nga : y bE never koow if I dont go May-bel— cantake it but have 10 ty W touch the sty ut Lisa DB NER Rk Boysur bB N&R uy Lisa DB N&R Rk Boys 10 theres Light Theres feet a lish attheend of a stihend of the ofa Theres a light dark and ton ~ I raed dark and ton = ly road dngk and ton = Fan there is down that on down that ton ly there is down that f= ly hope il hope wit kpow Even ghen 4 = that eres that there 4UT vB N&R Boys uT pe. N&R Rk Boys ie secting etting setting setting sev-ting Theres a light ‘o life than te life than 1 le than e-file — tha setting setting setaing a