Professional Documents
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If conventional photography is preferred, the type of camera most favoured is the 35 mm single-lens
reflex, of which there is a vast range available, in all grades of sophistication and price. Some means
of exact focusing is essential (either automatic or split-screen, for example) as picture sharpness is of
prime importance. The type of lens is a matter of personal choice, as some will prefer interchangeable
lenses of various focal lengths. The standard 50 mm is most useful, but for scenes of crime or taking a
full-length shot of a body in cramped conditions, a wide-angle lens of 28 or 30 mm is needed. A
longer focal length of up to about 80 mm can be useful for close-up pictures of small lesions, but
telephoto lenses of 100–200 mm are not required, though extension tubes, some with lenses, can be
obtained for macrophotography. Many pathologists, including the authors, prefer to combine lenses
into a single variable-focus ‘zoom’ lens of 28–80 mm range. This saves time spent in changing lenses,
and the image resolution of good-quality equipment is virtually indistinguishable from fixed focal
length lenses. Illumination is usually by electronic flash now often an integral part of the camera
body, and the use of automatic thyristor control means that no complicated calculations about range
are needed. For very closerange work, a flash attached to the camera may be unsatisfactory, so an
extension cable is a useful and cheap accessory to keep the flashgun at a distance. Alternatively, the
flash can be ‘bounced’ off the ceiling in the autopsy room or a ‘ring-flash’ around the lens used to
avoid camera shadow. Some will prefer tungsten light rather than flash, though this is more
cumbersome unless a fixed station is installed in the autopsy room for taking photographs of organs.
It is impracticable to use floodlights at the autopsy table or at a scene. The type of film depends on the
nature of the illumination. Speeds of 100 or 200 ASA are more than adequate for most flash work,
though 400 ASA is now frequently used. Some keen medical photographers carry a separate camera
body loaded with high-speed 1000 ASA film for special circumstances. Ultraviolet (UV) and infrared
sensitive film has been used to demonstrate surface lesions that are not visible to the human eye. It
has been claimed that occult bruising can be revealed by UV photography, such as in child abuse, but
care must be taken and experience gained to eliminate artefactual false positives. Alternative light
source illumination has been applied to bite mark photography.
David and Sobel reported a rape case where the bite mark had at the time of the crime been
photographed without a reference scale, but 5 months later the authors were able to ‘recapture’ the
bite mark pattern with a reference scale by means of reflective ultraviolet photography. In relation to
the actual photography, a marked improvement in the pictorial quality can be achieved with a little
care in composition. At scenes of death the viewpoint is often limited and the surroundings have to be
photographed as they exist, without modification. The camera position can, however, usually be
chosen to cut out as much extraneous background as possible. In the autopsy room, considerable
improvement can be made by using the optimum viewpoint and by modifying the background. Many
photographs are spoiled by having irrelevant and distracting objects in the background such as
observers, buckets, boots and the other extraneous paraphernalia of the autopsy room. The picture
frame should be filled as completely as possible with the object under display. A close shot should be
taken to limit the irrelevant margins though, where necessary, anatomical landmarks should be
included to orientate the viewer. The camera should be at right angles to the lesion being
photographed, whenever possible. Tangential shots may foreshorten the required feature and, where
size needs to be displayed, may distort both shape and length because of the foreshortening. A ruler or
special white adhesive tape with centimetre markings should be placed very near the lesion or wound
to provide a size reference. Where a feature is obscured or insignificant, it may be pointed out by a
probe or finger held in the appropriate position. Where part of the picture area consists of the metal or
porcelain autopsy table or dissection bench, allowance should be made in exposure, as these very
reflective areas may give a false reading in the light meter of the camera and thyristor of the flashgun.
If a full length or half shot of a body is required, an untidy background may be avoided by turning a
mobile or rotatable table so that a blank wall forms the backdrop. If this is not possible, assistants can
hold up a sheet behind the table to screen the distant confusion. When photographing viscera, the
camera should be near enough for the frame to be almost completely filled by the required object. The
shot should be vertical to the lesion and it is often necessary either to place the dissecting board on
the floor, or for the photographer to stand on a stool or some elevation to gain the required height.
Where isolated organs are being photographed, they should be placed on a green or blue cloth, such as
a discarded operating gown. White can be used, though it may affect the exposure meter if much is
visible around the periphery. The organ should be placed on the cloth in one movement and not
moved thereafter, otherwise a wet dark stain will obtrude on the green or blue background. The organ
should not be oozing blood onto its surface or onto the background. It should be dabbed with a dry
cloth or sponge just before the photograph is taken to remove shiny wet highlights. Ideally a special
stage for organs should be used, such as a glass-topped table with a coloured (usually green)
background set sufficiently far below the glass to be out of focus. Tungsten lights can be used to
advantage on such a fixed stage.