For Sofia Gubaidulina for violin, cello and bayan (Shostakovich Op.143 no.1 recomposed) by Yuji TAKAHASHI (Tokyo, April 2001) AJ Read Tsvetayeva verse, Violin starts before the end of the reading. B} Violin solo, uses the resource table. C) Violin teads, bayan and v-cello follow. Violin and v-cello use the resource tables, bayan prowls around in the figure. cello solo, uses the resource table. E} Bayan leads, violin and v-cello follow. Each play the figure first and continue falteringly. FI y. ello leads, violn and bayan follow. V-cello plays the figure and continue, violin prowls around and bayan uses the resource table. IG] Bayan solo, plays the figure and continue, Hy Trio hocket. Each time octave(s), timbre, playing vary.Performance Notes: Imperfect tuning. Lose control. Relax and be alert, Play precariously like a candle flame in the wind. Hear the sounds not as a melody but as separate colors spreading in the acoustic space and fading variously. Duration short or long without regularity, stumbling into the next sound with or without break. Violin and v-cello with a loose bow. out of tune unsteady finger slipping off the position like unintentional bend nN microtonal meandering without regularity out of tune with one finger sliding aroundMoni craxam, Hanicaniist Tak panio, Uno m ne stata 9, #70 9 - moor, Coppanunvtes, Kak Opuisrn 1 owraura, Kak nicxpbi 2 paker, Bopnanuuncs, kak Masienbkie 4epri, B cparnmnuye, rie con nt ebusuiant, Mon craxamt 0 1onocrnn emeprny, ~ Hessrraunmim craxant! - PasGpocaninint 8 mbit no MarasHtant (Tae nx xo He Gpan n He Geper!) Mont craxast, Kak jiparoulcHMbiMt Bit Hacraner enon spent M. I[BETAEBA ‘Written so long ago, I didn't even know I was a poet, my lines fell like spray from a fountain or flashes from a rocket, like imps, they burst into s filled with sleep and in to speak of youth and dying. All my unread pages lie scattered in dusty bookshops where nobody picks them up is day. Like expensive wines, your time will come, my lis Marina Tsvetaeva translated by Elaine FeinsteinViolin resources of improvisation open to vary TW, harm. on foff W2 W ro on /off _— SS = ry -v— vr che sraduall, ai 2 _ te on /off pe. — —— tobe = a= x resources of improvisation open to vary 1 Wa. 34 pizzi + ——— c Fis : Cir aS # P hb yy aye? play the figure and continue falteringly not together but responding to each other arco/pizzi alter freely x ~ s Qo So M+ FO Ke O16 3 Bae: ey E| 4= a = T prow! around in the figure forward/backward and expand with a stray hand <> L qr oo ae : 2 Giger ss 5Or ” "Tes aQe hocket - play in any octave(s), vary each time, arco/pizzi, slow vibrato, irregular tremolo, ete. 1,2 3 4 5 6 eae meena fomet lan 2 bayan Ve ve bayan Ve bayan ve bayan Hs = =: 4 irregular timing, may sustain beyond next timbreV-cello resources of improvisation open to vary + Ie + play the figure and continue falteringly not together bu but responding to each other arco/pizzi alter freely 7 v eo Ope, O ih 5 ab 6, 96,x © rE = £ + fy play the figure and continue falteringly F = eke, 2 EP 9g toe fe, eer ° hocket - play in any octave(s), vary each time, arco/pizzi, slow vibrato, irregular tremolo, etc. 42 34 SF & 7P F oO Wf 12 Ven, bayan Ven. baysn bayan Ven, ba len. bayan irregular timing, may sustain beyond next timbreBayan prow! around in the figure forward/backward and expand with a stray hand + £ be. Cc use register changes: <> (e698 68866686) << (ABAAAA) play the figure and continue falteringly 8’ not together but responding to each other a2 tote bette tr SS 1 ete [> ef ‘i i ————— = Se resources of improvisation open to vary be ee E 7 = —— ¥ f= use register changes: Bi (eesee¢e66e866) (AR AAAA)Bayan - page 2 play the figure and continue falteringly bebe Seek te y E G FF be be be. Pr pe ot oa a = == — ~ SS use register changes: (4 AAAAA) hocket - play in any octave(s), vary each time, ricochet, slow vibrato, irregular tremolo, etc. 2 2a 4s £7 87 Vem, Veen Ye Ven, Ve. Vb (=) bem irregular timing, may sustain beyond next timbre use register changes: (eg9eee666e66e) (ABAAAA)