2019 SZ Katalog

Tim Slobodne zone
Osnivači udruženja Slobodna zona: Rajko Petrović, Branka Pavlović, Olivera Ranđić, Fond B92
Direktor festivala: Rajko Petrović
Selektori međunarodnog programa: Branka Pavlović, Rajko Petrović
Selektori regionalnog programa: Ivan Bakrač, Jelena Maksimović
Urednik govornog programa Kompas: Ivan Milenković
Saradnik govornog programa Kompas: Vladimir Simović
Koordinatorka festivala: Una Ćirić
Koordinatorka programa: Melanija Stoin Petrović
PR festivala: Julijana Vincan
Društvene mreže: Strahinja Ćalović
Koordinatorka marketinga: Jovana Stranjančević
Vizuelni identitet: Nikola Korać
TV i audio reklama: Vladimir Šojat
Website: Branko Lazić
Urednica podcasta: Milica Lapčević
Urednica kataloga: Angelina Radovanović
Lektura: Marija Braunović
Koordinatorka službe za goste: Milica Joksimović
Koordinatorka volontera: Mina Hasanović
Koordinator žirija: Vukašin Veličković
Koordinator u Nišu: Dragan Đorđević
Koordinatorka u Novom Sadu: Branislava Lovre
Tehnička podrška: Marko Milinković
Vozač: Miroslav Ivković
Prevodi i tehnička obrada filmova: Ivana Bogunović
SLOBODNA ZONA FREE ZONE
Tehnička realizacija: Trimark
HVALA:
Veran Matić, Maja Čečen, Katarina Živanović, Marko Popović, Slavica Stojanović, Zoe Gudović, Mirjana Bobić
Mirosavljević, Tijana Despotović, Branislav Glumac, Đorđe Kaćanski, Nataša Kilibarda, Jelena Marković, Ana
Novaković, Srđan Keča, Dušica Parezanović, Olivera Ranđić, Jovana Timotijević, Dina Vuković, Višnja Brnjas, Ana
Stojković, Jelena Anokić, Danijela Savkić, Snežana Ćuruvija, Jelena Gavrilović, Maša Seničić, Bogdan Bošković,
Vladimir Đorđević, Vladimir Šojat, Jelena Kikić, Biljana Tutorov, Zorica Rosić, Mila Ivanović, Vesna Danilović,
Nevena Negojević, Dragan Nikolić, Marjan Vujović, Nevena Đonlić, Nataša Šošević, Dragana Kecman, Timea Levai
Majin, Nebojša Popović (in memoriam), Robert Klajn (in memoriam), Bojana Ćućilović (in memoriam)
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Volonteri
BEOGRAD:
Ana Ostojić, Anđela Jovanović, Milica Rilak, Isidora Marušić, Mario Matović, Dušanka Matović, Jana Vukadinović,
Jovana Marjanović, Julija Simić, Isidora Popović, Ana Gligorić, Dunja Milijić, Tea Danilović, Nevena Živković, Milica
Matić, Dragana Jevtić, Tijana Vasiljević, Jovana Obrenović, Aleksa Petrović, Kristina Erić, Kristina Radoman, Marina
Đurović , Ilinka Orović, Borivoje Lazić, Nina Ilić, Marina Zarić, Anja Radovanović, Marija Čamić, Tatjana Maksić,
Ivona Jojić Kordić, Mila Vulić, Marta Ćuprić, Marija Tenjović, Nataša Pantić, Jelena Pantelić , Iva Ižak, Verica
Arsić, Anastasija Belaćević, Aleksandra Ašanin, Andrija Anđelković, Isidora Čalija, Isidora Ljubisavljević, Marija
Lazarević, Jelisaveta Simić, Ana Butigan, Viktorija Samardžić, Tamara Tica, Jovana Lazin, Teodora Raičević, Lazar
Aleksić, Ružica Mitranić, Maša Vujanović, Sonja Lakava, Jovana Grof Mitrović, Nevena Trifković, Tijana Gagović,
Tatjana Kovačević, Branislava Polimac , Anja Veličković, Anđela Miljević, Senka Bek, Danijela Milovanović, Marijana
Josifoski, Milica Bulović, Anđela Arsenović, Ana Lukač, Emilija Vrančić, Marija Daković, Milan Đokić, Marija Mišić,
Nina Petrović, Emilija Rakić, Jelena Ilić,Pavle Korać, Andreja Stambolija, Tatjana Marjanović, Marija Vučković,
Nevena Kopanja, Milica Čubrilović , Ana Stefanović, Katarina Pavlović, Dobrica Cvetković, Darko Trajanović, Tamara
Milanović
NOVI SAD:
Katarina Petranović, Marija Stajčić, Dunja Grubor, Lana Trklja, Ana-Marija Radosavljević, Milica Jokić, Neven
Hercegovac
NIŠ:
Vuk Dinić, Anđela Antić, Nevena Antić, Anđela Maksimović, Natalija Milojković, Staša Vasilić, Anđela Pavlović,
Tina Jovanović, Aleksa Nikolić, Đorđe Dimitrijević, Marija Živković, Jana Filipović, Aleksandra Pavlović, Natalija
Branković, Lea Vučković
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Svetlo u tami
Branka Pavlović i Rajko Petrović selektori
Kakvo je to vreme u koje je
Razgovor o drveću gotovo zločin
Zato što podrazumeva ćutanje o tolikim zlodelima!
Četvorica legendi sudanske kinematografije u mraku njegovoj kući hiljade kaseta, traka i rolni svedoče o
propalog bioskopa, nedaleko od sudanskog grada protestima u Čileu. Od sudbonosnih događaja 1973.
Kartuma citiraju Bertolta Brehta. Svi su studirali do aktuelnih protesta protiv privatizacije zemljišta i
režiju u inostranstvu u zemljama koje danas više prodaje resursa stranim korporacijama pod plaštom
ne postoje. Njihovi filmovi su potpuno zaboravljeni demokratije. Da se ne zaboravi. Zemlja iz koje je
ili izgubljeni, većina stanovnika Sudana ni ne zna ko Patrisio Guzman otišao više ne postoji, osim u
su oni, oni mlađi nikada nisu videli javnu bioskopsku njegovim filmovima. I to je dovoljan razlog da ih i
projekciju. Filmsko, a sa njim i kulturno nasleđe dalje snima.
njihove zemlje, nepovratno je izgubljeno tokom
tridesetogodišnje diktature islamista uspostavljene I Viktor Igo je objavljivanje romana Jadnici,

posle vojnog puča 1989. Te godine je zatvoreno svih dočekao u egzilu posle vojnog puča Napoleona III.
65 bioskopa u zemlji. Uprkos šerijatskim zakonima U četvrti Monfermej, radničkom predgrađu Pariza
četvorica veterana odlučuju da ožive jedan od njih. opisanog u romanu, danas postoji škola Viktor
„Diktatura nas je iskvarila, tako su nas pobedili. Igo. U toj četvrti se rodio i odrastao reditelj filma
I prodali zemlju u bescenje. To je njihov trijumf.“ Jadnici Lađ Li. Skoro 150 godina kasnije malo toga
kaže Pablo Salas, jedan od junaka filma Kordiljeri se promenilo - socijalne i rasne tenzije, policijska
snova reditelja Patrisija Guzmana koji već 40 godina brutalnost, ljudi na margini kojima društvo ne
živi u egzilu. Salas je odlučio da ostane i snima. U daje nikakvu šansu i koji, suočeni sa represijom
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države nemaju šta da izgube. Sam reditelj je u na različite strane sveta. Neki više ne veruju u ono
Montfermeju vodio aktivističku video grupu i 365 u šta su nekada verovali. Neka mesta u publici
dana brižljivo dokumentovao život u predgrađu, su ostala prazna. Na neka je došla nova, mlada
uključujući i brutalne nemire iz 2005. godine. U publika. Došlo je novo doba u kome vladaju nova
filmu Jadnici, Baz, mladi video entuzijasta (i alter pravila. Pa ipak, uvek će biti onih koji su drugačiji
ego reditelja) dronom beleži sve što se događa u i plivaju protiv struje. Onih koji se opiru zaboravu.
četvrti i nehotice postaje svedok policijske akcije Koji snimaju, fotografišu, pamte. Filmovi na
koja kreće naopako. Slučajno zabeležena istina, ovogodišnjoj Slobodnoj Zoni su filmovi o njima. Oni
otkriće mrežu korupcije, licemerja i beznađa i su svetlo u tami.
pokrenuti spiralu nasilja i mržnje koja preti da
proguta sve što joj se nađe na putu. Vi što ćete izroniti iz potopa
Nasilje je sveprisutno i na fotografijama Leticije U kome smo mi potonuli,

Batalje, prve žene foto-reportera koja je uspela
da snimi i otkrije javnosti brutalna ubistva koje je Spomenite se,
počinila Mafija na Siciliji 70-ih godina prošlog veka.
Ona je punih devetnaest godina dokumentovala Kad budete govorili o našim slabostima,
krvave zločine Koza nostre na ulicama Palerma,
često ju je samo kamera delila od slične sudbine. Iz mračnog ovog vremena
Njen nemirni duh nije uzmicao pred opasnošću -
želela je da ispriča priču o sicilijanskoj svakodnevici Kome ste umakli.
i ljudima koji su bili primorani da ćute u strahu
pred nezamislivim zločinima. Bila je svedok, njene ROĐENIMA POSLE NAS*
fotografije su bile dokaz nemoći države pred – Bertolt Breht, u egzilu, Pariz, 1939.
lokalnim bosovima i poziv na borbu. Rediteljka
* Preveo sa nemačkog Slobodan Glumac
Kim Longinoto u filmu Mafija kroz objektiv okreće

objektiv ka ovoj izuzetnoj ženi i ljudima sličnim
njoj koji su bili ključni u borbi italijanske države sa
mafijaškom državom u državi. Ona i danas u 84.
godini fotografiše. „Najviše me bole fotografije koje
nisam snimila“, kaže. „Ali raduje me da za mene još
uvek ima stvari za koje se vredi boriti.“
Petnaest godina od prvog izdanja Slobodne Zone

budućnost je potpuno drugačija nego što (nam) se Dobro došli u
Slobodnu Zonu!
činilo tada. Mnoge ljude koji su ugradili deo sebe
u ideju koja stoji iza ovog festivala život je odneo
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A Light in the Darkness
Branka Pavlović, Rajko Petrović Selectors
What times are these, in which
A conversation about trees is almost a crime
For in doing so we maintain our silence about

so much wrongdoing!
Four legends of Sudan cinematography are citing to stay and shoot. In his house, there are thousands
Bertolt Brecht in the darkness of a demolished of tapes and rolls that document the protests in
cinema near the town of Khartoum, the capital of Chile. From the crucial year of 1973 to the current
Sudan. All of them were the students of movie- protests against land-privatization and the selling
directing in foreign countries that no longer exist. of resources to the foreign corporations in the
Their films have been completely forgotten or name of democracy. The tapes are there so that
lost, and the vast majority of people of Sudan the protests are not forgotten. The country that
don't even know who they are; the younger ones Patricio Guzmán left no longer exists, except in his
don't even have the experience of seeing a film films. And that is a good enough reason for him to
in a cinema. Cultural and movie heritage of their keep making them.
country is forever lost, due to the 30-year-long
Islamist dictatorship, that was established in the Victor Hugo was also the one in exile at the time
year of 1989, after the military coup. That year, all of publication of his famed novel Les Misérables,
of the 65 cinemas in Sudan were closed. Despite after the military coup of Napoleon III. In the
the Sharia law, four veterans are striving to revive commune Montfermeil, a working-class suburb
one of them. of Paris described in the novel, there is now a
school called „Victor Hugo“. The director of film
“Dictatorship has made us rotten, that's how Les Misérables Ladj Ly was born in that commune
they've won. They've sold the land and it was a and he grew up there. Almost 150 years later, little
bargain. That's their triumph“, says Pablo Salas, has changed − social and racial tensions, police
one of the protagonists of the movie The Cordillera brutality and marginalized people who are not
of Dreams, directed by Patricio Guzmán, who has given any chance by the society, and faced with
been living in exile for 40 years now. Salas decided the government's repression those people have
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nothing to lose. The director himself led an activist Fifteen years have passed since the first Free
video group in Montfermeil and for 365 days he Zone, and from this point of view, the future seems
carefully documented life in the suburb, including completely different than it did back then. A lot of
the turmoil in 2005. In the movie Les Misérables, people who gave themselves to the idea behind this
Baz, a young video-enthusiast (and director's alter- festival have now gone their separate ways. Some
ego) documents, using a drone camera, everything of them have given up believing in what they used
that happens in the commune and thus unwillingly to. Some of the seats in the audience are left vacant.
becomes a witness of the police action that went And some of them are occupied by some new, young
wrong. Accidentally documented truth goes on ones. New time brings new rules. Nevertheless,
to reveal the net of corruption, hypocrisy and there will always be people who are different, those
hopelessness, and it will start a spiral of violence who swim against the current. People who don't
and hate that would threaten to swallow everything give in to oblivion. People who film, photograph
that comes in its way. and remember. This year's Free Zone is about them.
They are a light in the darkness.
Violence is ever-present and depicted in the
photographs of Letizia Battaglia, the first woman You, who shall resurface following the flood
photo-reporter who has accomplished to document
and reveal to the public eye brutal murders of In which we have perished,
Sicilian mafia in the '70s. For 19 years, she had
been documenting horrible crimes of Cosa Nostra Contemplate —
on the streets of Palermo, and, more often than
not − only camera saved her from a similar destiny. When you speak of our weaknesses,
Her intrepid spirit never weakened in the face of
* Translated from German by Slobodan Glumac
danger − she wanted to tell the story of everyday Also the dark time
life in Sicily, where people had to keep silent in
fear of unimaginable crimes. She was a witness, That you have escaped.
her photographs are the proof of the government's
inadequacy to deal with local bosses and they are THOSE WHO FOLLOW IN OUR WAKE*
also a call for action. Director Kim Longinotto, in her
feature film Shooting the Mafia, turns the objective – Bertolt Brecht, in exile, Paris, 1939.
to this incredible woman and to people like her, who
were invaluable to the Italian government's fight
against mafia in the country. Even today, 84-year-old
Leticia keeps making photographs. She says: „What
hurts me the most are the photographs I haven't Welcome to
made. But what makes me happy is that for me, there
are still things worth fighting for.“ the Free Zone!
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Sećanja i suočavanja
Jelena Maksimović i Ivan Bakrač
“Ne volim ljude koji se izvlače iz sveta kao kišne

gliste. Bez ožiljka i bez ogrebotine. Komedijaši.
Agnosceo veteris vestigia flamme. Ožiljkom
jednim obogaćen.”
– Danilo Kiš
U okviru ovogodišnje selekcije Horizonti Balkana sa potpunim strancima. Vešto izgrađen saspens
suočićemo gledaoce sa šest ostvarenja koja u sebi omogućava putovanje kroz usamljenost
nose tragove borbe za neki bolji svet. U pitanju su ljudskog bića u post-tranzicionoj državi. Kroz
konkretni, narativni filmovi čiji se protagonisti, bilo minimalističku trodelnu strukturu film nas suočava
ljudi ili prostori, sećaju, preispituju, bore, pamte, sa melanholijom dugogodišnjeg odnosa čija
suočavaju. budućnost nije izvesna.
Porodica i prijatelji sećaju se Tuste, jugoslovenske Moderna makedonska satira prati borbu tridesetdvo-
pank-rok legende čiji su stihovi ostali sa svima godišnje žene sa svakodnevnim nevoljama post-
nama koji smo odrasli na ovim prostorima. Klasičan socijalističkog patrijarhalnog društva. Preciznim
u svojoj formi, dokumentarac Andreja Korovljeva rediteljskim postupkom Teona Strugar Mitevska
kroz intervjue i arhivske snimke sa koncerata postiže balans između humora i ozbiljne feminističke
podseća nas na jednu iskreniju, ne tako daleku pozicije koja preispituje tradiciju, patrijarhat i religiju
prošlost. Pesme KUD Idijota nose duh ljubavi, kao najproblematičnije aspekte savremenog
iskrene radničke borbe i želje za slobodom. makedonskog društva.
Rumunski reditelj Marius Olteanu preispituje Još jedan film koji reprezentuje žensku borbu režirala
odnos glavnih protagonista kroz njihove susrete je hrvatska rediteljka Dana Budisavljević. Dnevnik
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Diane Budisavljević predstavlja crno-belu fuziju vrednosti i otvaraju pitanja za različite interpretacije
savremenog dokumentarnog i arhivskog materijala, u sadašnjosti.
dramatizacije autentičnih događaja, filmskih natpisa,
komponovane eksperimentalne i klasične muzike. Selekciju zaključujemo još jednim portretom
Dokumenti i fikcija se susreću u snažnom portretu arhitektonskih bravura iz Drugog svetskog
hrabre žene koja odlučuje da je život nevine dece veći rata na području bivše Jugoslavije. Futuristički
od ideja nacionalnosti, političke pripadnosti, pa i od memorijalni spomenici, putem precizne fotografije
njenog sopstvenog života. i klasične dokumentarne forme, ovekovečeni su u
filmu Umetnost sećanja srpske rediteljke Jelene
U okviru dokumentarnog omnibusa Palata za Radenović. Oni nas suočavaju sa prošlošću zemlje
narod bugarskih reditelja Georgija Bogdanova i u kojoj smo rođeni, tokom čijeg smo razaranja rasli,
Borisa Misirkova, glavni protagonisti su građevine odolevajući vremenu i promeni političkih sistema.
u Moskvi, Sofiji, Bukureštu, Berlinu i Beogradu koje
predstavljaju remek-dela arhitekture iz perioda Filmovi iz Horizonata Balkana pozivaju nas na
socijalizma. Arhivski materijali, intervjui, savremeni sećanja i suočavanja. Na stara previranja i ona koja
snimci, glasovi naratora i citati grade strukturalno tek dolaze. Podsećaju nas na ožiljke generacija
kompleksan omaž ovim izuzetno značajnim koje su se borile za svoje ideale i pitaju nas koja
građevinama. Zgrade pamte drugačije političke je naša borba.
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Memories and conf rontations
Jelena Maksimović and Ivan Bakrač
“I dislike people who get out of things unscraped.

No scars, no scratches. Comedians. Agnosceo
veteris vestigia flamme. Refined through a scar.”
– Danilo Kiš
In this year’s selection of Balkan’s horizons, our built suspense enables us to travel through the
viewers will be introduced to six films that bear loneliness of the human soul in a post-transitional
marks of a fight for a better world within themselves. country. Through a minimalist three-part structure,
These films are concrete, narratives whose the movie shows us the melancholy of a long-term
protagonists, whether they’re people or objects – relationship with an uncertain future.
recall, question, fight, remember and confront.
Modern Macedonian satire follows the fight of
Family and friends remember Tusta, a Yugoslav a 32-year-old woman with everyday struggles of
punk-rock legend whose verses remain with all a post-socialist patriarchal society. With precise
of us who grew up in this region. Classical in its directing, Teona Strugar Mitevska reaches a balance
form, the documentary by Andrej Korovljev reminds between humor and a serious feminist position
us through interviews and archive footage of a which questions tradition, patriarchy, and religion
more truthful, not-so-distant past. The songs of as the most problematic aspects of Macedonia’s
KUD Idijoti band carry the spirit of love, sincere modern society.
struggles of laborers and wish for freedom.
Another movie that represents a woman’s fight is
Romanian director Marius Olteanu questions the directed by Croatian director Dana Budisavljević.
relationship between protagonists through their The Diary of Diana B. represents a black and white
encounters with complete strangers. Masterfully fusion of contemporary documentary and archive
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material, dramatization of authentic events, film room for discussions with various interpretations in
inscriptions, composed experimental and classical the present.
music. Documents and fiction meet in a powerful
portrait of a brave woman, who decides that the We conclude this selection with another portrait of
lives of innocent children are more important than architectural excellence from World War II in the
nationalistic ideas, political affiliation and even her region of former Yugoslavia. Futuristic memorial
own life. monuments are perpetuated by precise photography
and classical documentary form in the movie
In a documentary omnibus Palace for the People Milestones, by Serbian director Jelena Radenović.
by Bulgarian directors Georgi Bogdanov and Boris Through them, we face the history of the country we
Missirkov, the main protagonists are buildings in were born in, during whose destruction we grew up,
Moscow, Sofia, Bucharest, Berlin and Belgrade resisting time and the change of political systems.
which represent masterpieces of architecture
from the period of socialism. Archive materials, Movies from Balkan’s Horizons appeal to memories
interviews, contemporary videos, voices of and confrontations. To old turmoils and the ones that
narrators and quotes build a structurally complex are yet to come. They remind us of the scars of the
homage to these incredibly important buildings. generations that fought for their ideals and make us
They remember different political values and make question ourselves: What is our fight?
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Kompas Slobodne
zone 2019.
Urednik Ivan Milenković
Kada se javni prostor isprazni od bilo kakvog zahteva učešće. Zbog toga su sagovornici u
sadržaja i kada se uklone orijentiri iz javnog života, „Kompasu“ uvek već upleteni, na jedan ili drugi
kada gusta magla prekrije prostor slobode i kada način, u sadržaj koji film zahvata. Dobar filmski izraz,
dezorijentacija građana postane politički program, naime, prisiljava na govor.
tada umetnički i angažovani gest postaju isto, tada
umetnički izraz i govor o slobodi postaju nekom Švedski novinar i pisac Stig Laršon bio je jedan od
vrstom kompasa. Angažovani film, utoliko, nastoji orijentira švedskog društva. Njegova slavna trilogija
da pokaže kako su umetnost i delovanje oblici borbe Milenijum (Muškarci koji mrze žene, Devojčica koja
za slobodu. Delovanje, sa svoje strane, zahteva se igrala vatrom, Kula od karata) zapravo je kapa
govor, te govoriti o značenjima angažovanog filma jednog bogatog života, vrh brega koji je rastao
znači filmski izraz prevesti na drugi jezik, jednu vrstu trideset godina. Još 1974. godine mladi novinar
iskustva artikulisati drugim sredstvima kako bi se Stig Laršon počinje da prati neonacističke pokrete u
samo iskustvo usložnilo, kako bi poslužilo kao motiv Švedskoj, u vreme, dakle, kada se nacizam smatrao
za delovanje i kako bi se, najzad, iznova osvajala završenom istorijskom epizodom i nevažnom
sloboda, ali i kako bi samo delovanje postalo temom za sadašnjost. Laršon nije mislio tako.
samorefleksivno, kako bi znalo sopstvene ciljeve Trideset godina kasnije, 2004, u vreme kada, sa
i načine na koje se do ciljeva stiže. Zbog toga što pedeset godina, umire, neonacistički pokreti su u
pokreće na delovanje angažovani film je svojevrsni Evropi toliko ojačali da su izašli iz svojih memljivih
orijentir (ili oruđe za orijentaciju – kompas). rupa i ponovo se vrte u javnom prostoru, a Evropa se,
danas, sučava sa ubilačkim sablastima nacističkih
Razgovor o angažovanom filmu znači običnim ideja. Dokumentarni film Henrika Georgsona, koji
jezikom zahvatiti značenja filma i preneti ih parafrazira naslov jednog od romana Stiga Laršona,
dalje. „Kompas“ je karika u ulančavanju znakova, rekonstruiše Laršonovu strasnu borbu protiv
artikulacija i prenošenje značenja. Angažovanje neonacista, te do detalja prati njegovu eruptivnu
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energiju u odbrani slobode. Čak i u jednoj od ideje. Zašto nema levih ideja na tržištu političkih
najslobodnijih zemalja na svetu, u Švedskoj, bilo ideja, odnosno, ako ih i ima, zašto im je cena tako
je strahovito teško osnovati i održati novine koje niska (za razliku od dobre prođe i najsumanutijih
će biti posvećene borbi protiv nacizma. Zbog toga desnih ideja)? Šta su uzroci dubokog pada levice
ovaj film, osim što priča priču o jednom hrabrom, i da li taj pad znači abdikaciju pred nadirućim
pametnom i nadasve talentovanom piscu i novinaru, fašizmom? Kakvo je mesto demokratije u takvoj
govori i o uzrocima i posledicama povampirenja raspodeli snaga?
jedne od najužasnijih ideoloških pojava u Evropi
20. veka. „Kompas“ Slobodne zone pokušaće Osim što je upravo izvanredan filmski izraz,
da odgovori na pitanja o uzrocima ponovnog Jadnici Lađa Lija pokreću lavinu pitanja i dilema,
buđenja nacizma u Evropi, o preobražaju tvrdog te pokušavaju, ako je to uopšte moguće, da
neonacističkog nastupa u našminkani i uljuđeni pobodu orijentire u košmarnoj stvarnosti pariskih
govor koji drugim sredstvima promoviše iste predgrađa. U Jadnicima pozitivnih likova nema, a
nevrednosti, o tome, najzad, koliko su savremeni tek je, možda, nekoliko njih koji nisu dotakli samo
populistički pokreti slični, ili isti sa neonacističkim dno poniženja, nemoći, jada, besa i beznađa.
pričama, te kako se protiv njih boriti. Ponekad je granica između kriminalca i policajca
veoma tanka, čak i ako je, u formalnom smislu,
Gradonačelnik Liona Pol Terano, koji je 30 godina jasno povučena. U tome nema ničeg skandaloznog:
u politici, izgubio je kompas. Leve ideje za koje policajac mora odlično da poznaje ono protiv
se zalagao u mladosti prekrili su umor i rutina. čega se bori, a da bi se uspešno borio protiv toga
Orijentiri koje je koristio svih godina svog dugog – šta god to bilo – mora i sam, jednim delom,
gradonačelničkog mandata više ne važe ni za njega da bude deo toga. Sve dok se granica ne pređe.
ni za svet u kojem se obreo. Njegovom timu se, u Tada nastaje pakao. Trojici policajaca je upravo to
jednom trenutku, pridružuje Alis Hajman, mlada pošlo za rukom: pošto su izbrisali granicu između
filozofkinja koja, zajedno sa svojom mladošću, u čuvara poretka i onih koji bi radije haos nego
gradonačelnikov kabinet unosi i niz novih ideja. red, nastaje pakao. Ali uloga policajaca u svemu
Umorni gradonačelnik će, neočekivano i za sebe tome, iako nesumnjiva i velika, zapravo je tek
samog, da se trgne iz letargije. Najednom, ideje učinak mnogo masivnijih problema koje ovaj sjajni
za koje je i sam mislio da su mrtve i da više ne film pokreće. Recimo, kako tamnopute i manje
mogu oživeti – jer ne samo da se on promenio, tamnopute žitelje jedne evropske zemlje, zajedno s
nego se promenio i svet – dobijaju, uz pomoć Alis, njihovim religijama, strahovima i običajima, načiniti
nove oblike i mogućnosti, te sada i gradonačelnik punopravnim građanima te zemlje? Na koji način
počinje bolje da razume vreme u kojem živi. školovati decu u sredini koja proklamuje jednakost,
ali u stvarnosti te jednakosti nema? Na koji način
U „Kompasu“ Slobodne zone razgovaramo o braniti republikanske vrednosti? Kako tretirati
tome kako da se, danas, artikulišu nove političke prestup i kakva je uloga policije u svemu tome?
17
Free Zone
Compass 2019
Editor Ivan Milenkovic
When public space is emptied of any content and involved, in one way or another, in the content that
landmarks are removed from public life, when thick the film captures. A good cinematic expression
fog covers the space of freedom and when citizens' forces speech.
disorientation becomes a political program, then
artistic and engaged gestures become the same, The work of Swedish journalist and writer, Stieg
then artistic expression and freedom talk become a Larsson, is one of the landmarks of Swedish
kind of a compass. The engaging cinema seeks to society. His famous Millennium trilogy (The Girl
show that art and action are forms of the struggle with the Dragon Tattoo, The Girl Who Played with
for freedom. Acting, for its part, requires speech, Fire, The Girl Who Kicked the Hornets’ Nest) is the
and to speak about the meanings of an engaging result of an engaged life, the result of thirty years
film means to translate a cinematic expression of work. Back in 1974, young journalist Stieg
into another language, to articulate one type of Larsson began to follow the neo-Nazi movements
experience by other tools, in order to complicate the in Sweden, at a time when Nazism was considered
experience itself, to serve as a motive for action and a historical episode and an irrelevant topic for the
finally, to conquer freedom again; but also to make present. But Larsson didn't think so. Thirty years
the action self-reflective, to know its own goals and later, in 2004, he died at the age of fifty, when neo-
ways in which the goals are achieved. Because it Nazi movements had grown so strong in Europe
drives people to action, engaging film is a kind of that they emerged from their moldy basements
landmark (or orientation tool — a compass). and returned to public space. As a result, Europe
is today confronted with the deadly demons of
Talking about an engaging film means ‘capturing Nazi ideas. Henrik Georgsson’s documentary,
the meaning of the film by the simple language paraphrasing the title of one of Stieg Larsson's
and communicating it further’. Compass is the novels, reconstructs Larsson's passionate struggle
link between articulation and the transmission of against the movement and shows details of his
meaning. Engaging requires participation and that is eruptive energy in defense of freedom. Even in
why the interviewees at Compass are always already Sweden, one of the freest countries in the world,
18
it was extremely difficult to set up and maintain no Left-wing ideas in the market, or, if any, why are
a newspaper dedicated to the fight against their prices so low (as opposed to the popularity of
Nazism. That is why this film, in addition to the most preposterous Right-wing ideas)? What are
telling the story of a brave, smart and highly the causes of this serious downfall of the Left and
talented writer and journalist, also talks about does it mean surrendering to the upcoming wave of
the causes and consequences of the rise of one fascism? Where is democracy in such a distribution
of the most horrifying ideologies of 20th-century of political power?
Europe. The Free Zone Compass will attempt to
answer questions about the causes of Nazism's In addition to being an extraordinary cinematic
re-awakening in Europe, the transformation of expression, Ladj Ly's Les Misérables raise an
neo-Nazi appearances into embellished and avalanche of questions and dilemmas, and try, if it is
polite speech that promotes the same violence at all possible, to pierce landmarks in the nightmarish
by other instruments, and finally, how similar the reality of Parisian suburbs. In Les Misérables there
modern populist movements are to the neo-Nazi are no heroes or heroines, only a few protagonists
propaganda, and how to combat them. who perhaps haven´t reached the bottom of
humiliation, frailty, misery, anger, and hopelessness.
The mayor of Lyon, Paul Terrano, who has been in Sometimes the line between an offender and a
politics for 30 years, lost his compass. The Left- police officer is very thin, even if, in a formal sense,
wing ideology that he once promoted is now part it exists. There is nothing scandalous about this: a
of the past. The landmarks he used throughout his police officer must know perfectly well what he is
long mayoral term no longer apply to him or to the fighting against, and to successfully fight against
world in which he finds himself. it — whatever it is — he must be part of it. All until
the line is crossed. And then hell ensues. Three
At one point, his team is joined by Alice Hayman, a police officers did exactly this: when they have
young philosopher who, along with her youth, brings blurred the line between order keepers and those
new ideas into the mayor's office. The weary mayor who would rather break it, hell follows. However
will, unexpectedly, flinch from lethargy. Suddenly, big and unquestionable their role is, it also reveals
ideas he thought were dead and could no longer be much bigger problems explored in this great film.
revived — because not only has he changed, but the For example, how can ‘dark-skinned’ and ‘less-dark-
world has also changed — are getting new forms skinned’ residents of a European country become
and opportunities with Alice’s help, and now the true French citizens, along with their customs,
mayor starts to understand better the era in which religions and fears? How to educate children in
he lives. an environment that proclaims equality, when we
know that equality doesn’t exist? How to defend
At Free Zone Compass, we discuss how to articulate Republican values? How to treat the offense and
new political ideologies nowadays. Why are there what is the role of the police in all this?
19
Nagrade
Awards
Filmski festival Slobodna Zona

dodeljuje nagrade za:
Free Zone Film Festival
is giving awards for:
najbolji angažovani film u međunarodnoj konkurenciji

best engaging film in international selection
najbolji angažovani film u regionalnoj konkurenciji “Horizonti Balkana“

best engaging film in regional selection “Balkan Horizons“
najbolji film u okviru selekcije 14+

best film in 14+ selection
Nagradu Human Rights

Human Rights Award
Nagradu publike
Audience Award
Žiri
Jury
Međunarodni žiri
International Jury
Žan Pjer Rem je diplomirao savremenu književnost i

filozofiju, predavao istoriju i teoriju filma i umetnosti.
Radio je u Ministarstvu kulture Francuske. Priredio je niz
izložbi savremene umetnosti, kako u Francuskoj tako i u
inostranstvu (Muzej moderne umetnosti u Kairu, Jokohama
Art Center u Japanu, Witte de With u Roterdamu, Fondation
Caixa u Barseloni). Autor je mnogobrojnih filmskih i
umetničkih kritika, izložbenih kataloga i monografija o
umetnicima i filmskim rediteljima. Pored toga, redovno piše
za medije. Od 2001. godine direktor je Filmskog festivala
u Marseju.
Jean-Pierre Rehm, a graduate of the École Normale

Supérieure and student of modern literature and philosophy,
has been moving from teaching (history and theory of
art and film) in various Art School to the French Ministry
of Culture and curating exhibitions (Cairo Museum of
Modern Art, Yokohama Art Center in Japan, Witte de With

in Rotterdam, Fondation Caixa in Barcelona). In addition, he
writes regularly for various media: exhibition catalogues,
artists and filmmakers monographs (Roee Rosen, Tsaï
Ming-liang, Mark Lewis, William Eggleston, Jimmie Durham,
Peter Friedl, Jacques Rozier, Isidore Isou, etc.), art and
cinema reviews like Cahiers du Cinéma, Cinéma, Trafic, etc.
Since 2001, he is Director of the International Film Festival
of Marseille, FIDMarseille.
22
Petar Milat je bivši filozof i programski koordinator Vladimir Blaževski je rođen u Skoplju 1955. godine.
Multimedijalnog instituta / MaMa (Zagreb, Hrvatska), Od iste godine živi u Beogradu. Diplomirao je filmsku
zadužen za eksperimentalnu muziku, vizuelnu kulturu i režiju na Fakultetu dramskih umetnosti u Beogradu.
izdavačke programe. Između ostalog, Petar je vršio odabir Profesionalno se bavi filmom od 1978. godine. Kao reditelj
i objavljivao knjige i umetnička dela autora poput Žaka snimio je šest kratkometražnih i pet dugometražnih
Ransijera, Lasla Krasnahorkaija, Dubravke Ugrešić, Lorensa dokumentarnih filmova, desetak namensko-komercijalnih
Ingliša, Tomasa Kenera i drugih. Od 2008. godine direktor dokumentarnih filmova, manji broj reklamnih spotova,
je festivala Human Rights Film. Veza između normativa preko 250 televizijskih emisija za TV Beograd, kao i četiri
socijalne i estetske teorije glavni je fokus njegovog celovečernja igrana filma: Haj-Faj, Bulevar Revolucije, Pank
istraživanja, a predavao je na institucijama poput Stenforda nije mrtav, Godina majmuna. Dobitnik je mnogobrojnih
i Barda. Petar je 2018. godine bio član žirija na festivalu nagrada. Najznačajnija je Zlatna arena za režiju u Puli 1987
kratkometražnog filma u Oberhauzenu. (film Haj-Faj).
Petar Milat is a former philosopher who works as Vladimir Blazevski was born in Skopje in 1955. Since then
programme coordinator at Multimedia Institute/MaMa he has lived in Belgrade. He graduated in film directing
(Zagreb, Croatia), in charge of experimental music, visual from the Faculty of Dramatic Arts in Belgrade. He has
culture and publishing programmes. Among others, Petar been a professional filmmaker since 1978. As a director,
commissioned and published books and artworks by he has made six short and five feature documentaries, a
authors like Jacques Rancière, László Krasznahorkai, dozen purpose-made documentaries, a few commercials,
Dubravka Ugrešić, Lawrence English, Thomas Köner, etc. over 250 television shows for TV Beograd, as well as four
Since 2008 he has been the director of Human Rights Film feature films: Hi-Fi, The Boulevard of the Revolution, Punk
Festival, a festival of cinéma d'auteur engagé. The nexus is not dead, Year of the Monkey. He has received numerous
of normatives of social and aesthetic theory is the main awards. Most notable is The Golden Arena for directing in
focus of his own research, and he lectured at institutions Pula in 1987 (Hi-Fi).
like Stanford and Bard. In 2018 Petar was a Jury member at
the Oberhausen Short Film Festival.
23
Regionalni žiri
Regional Jury
Gijom de Sej rođen je 1968. godine. Nakon što je

kao scenarista i reditelj osvojio nagrade za svoja dva
kratkometražna filma, deset godina provodi u filmskom
sektoru Kanala Plus (Canal+). Nekoliko godina je na istoj
televiziji bio i urednik u sektoru kratkometražnog filma, kao
i umetnički producent za francuski javni servis France 2.
Radi kao nezavisni producent od 2000. godine i od tada
je producirao i ko-producirao preko 50 dugometražnih art-
haus filmova van francuskog govornog područja, viđenih
na svakom značajnom festivalu. Takođe je i rukovodilac
većeg broja razvojnih platformi širom sveta poput B’Est,
Ties That Bind, Wroclaw Studio i Cannes Cinéfondation
Résidence & ArrasDays.
Guillaume de Seille was born in 1968. After two awarded

short-films as writer and director, he worked at Canal+
for ten years in the cinema department. He was a
commissioning editor for a couple of years within the short

film department of Canal+ and artistic producer for French
public broadcaster France 2. As an independent producer
since 2000, he has produced or co-produced more than
50 non-French feature art-house films invited in every
major festival. He is also mentoring several development
platforms around the world – B’Est, Ties That Bind, Wroclaw
Studio, and Cannes Cinéfondation Résidence & ArrasDays.
24
Nataša Pantić je filmska montažerka iz Beograda. Tokom Petar Mitrić doktorirao je evropsku filmsku koprodukciju
prethodnih 15 godina, montirala je veliki broj igranih i na Univerzitetu u Kopenhagenu gde radi kao istraživač i
dokumentarnih filmova od kojih su mnogi prikazivani i predavač. Iskustvo u evropskoj filmskoj industriji stekao je
nagrađivani na festivalima. Dobitnica je nagrade za najbolju za vreme boravka u Danskom institutu za film, Austrijskom
montažu na beogradskom Festivalu dokumentarnog filmskom institutu i Eurimažu, i radeći za austrijsku
i kratkog filma 2012. godine, Specijalnog priznanja za produkcijsku kompaniju Nina Kusturica Projects i program
montažu na Filmskom festivalu u Herceg Novom 2016. MEDICI-Film Funding Journey. U 2018. godini Petar je bio
godine i nagrade za montažu na Beldocs festivalu 2018. koautor knjige Evropska filmska i TV koprodukcija: politika
Završila je filmsku i TV montažu na Fakultetu dramskih i praksa.
umetnosti u Beogradu.
Petar Mitric received his PhD in European film co-
Nataša Pantić is a film and video editor from Belgrade. production from the University of Copenhagen where he
Over the past 15 years in the industry, Nataša has edited works as a researcher and lecturer. He attained experience
a number of films, documentaries, award-winning shorts in European film industry during his residency at the Danish
and a wide variety of TV forms. She is the holder of three Film Institute, Eurimages and MEDIA Desk Austria, and
awards: Best Achievement in Editing at the Belgrade while working for the Austrian production company "Nina
Documentary and Short Film Festival 2012, the Special Kusturica Projects" and the "MEDICI-Film Funding Journey"
Award for Editing at Herceg Novi Film Festival 2016, Best programme. In 2018, Petar co-authored the book "European
Achievement in Editing at Beldocs festival 2018. She Film and TV Co-production: Policy and Practice".
graduated film editing from the University of Arts, Faculty
of Dramatic Arts in Belgrade
25
14+ žiri
14+ Jury
Iva Milojković je rođena 2003. godine u Beogradu. Pohađa treći

razred Škole za dizajn, odsek likovni tehničar. 2015. godine je snimila
je svoj prvi krakometražni film Moli. U okviru škole dokumentarnog
filma Slobodne zone junior 2019 realizovala je film I sve je još uvek
tu, ali nije više onako kako je nekada bilo.
Iva Milojkovic was born in 2003 in Belgrade. She is in third grade at

the School of Design, art technician department. In 2015. she filmed
her first short film Moli. Within the Free Zone Documentary School
junior 2019, she made the film Everything is still here, but it's not the
same as it used to be.
Sergej Lišanin je učenik Farmaceutsko fizioterapeutske škole.

Trenira rukomet i sa svojim klubom je osvojio razne nagrade.
Smatra da je veliki filmofil, a naročito voli da gleda filmove naučne
fantastike. Prethodne godine je takođe bio član žirija ovog festivala

koji mu je doneo puno iskustva i novih poznanstva.
Sergej Lisanin is a student at the School of Pharmacy and

Physiotherapy. He practices handball and has won various awards
with his club. He considers himself a great cinephile and especially
loves watching science fiction films. Last year, he was also a jury
member of this festival, which brought him a lot of experience and
new acquaintances.
26
Milica Todorović ima 18 godina i pohađa Elektrotehničku školu
“Nikola Tesla". Njena želja je da jednog dana bude pilot ili programer.
Voli da proba nove stvari i da upoznaje nove ljude. Što se tiče
filmova, najviše voli da gleda drame i akcije.
Milica Todorovic is 18 years old and goes to “Nikola Tesla“ School

of Electrical Engineering. Her wish is to one day become a pilot or
a programmer. She likes to try new things and to meet new people.
As far as films are concerned, she prefers to watch drama and
action films.
Rastko Šarčević ima 18 godina i četvrti je razred Elektrotehničke

škole „Nikola Tesla“. U slobodno vreme voli da gleda filmove, a
omiljeni žanr su mu akcioni filmovi i komedije.
Rastko Sarcevic is 18 years old and is a fourth-grader of the

“Nikola Tesla“ School of Electrical Engineering. In his spare time,
he enjoys watching movies and his favorite genre is action movies
and comedies.
Marina Stepanoski ima 18 godina i maturant je Farmaceutsko-

fizioterapeutske škole. Vrlo je komunikativna i druželjubiva osoba.
Prošle godine je bila član žirija na festivalu Slobodna Zona i veoma
raduje ponovnom druženju.
Marina Stepanoski is 18 years old and a graduate of the School

of Pharmacy and Physiotherapy. She is highly communicative and
friendly. Last year she was a jury member at the festival and is very
much looking forward to being part of the Free Zone again.
27
Filmski
program
Film program
Areta Frenklin: Amazing Grace

Amazing Grace
SVEČANO OTVARANJE / FESTIVAL OPENING DOK. / DOC.
Director/Reditelj: Alan Elliott, Sydney Pollack

Country/Zemlja: USA
Year/Godina: 2018.
Runtime/Trajanje: 87'
Language/Jezik: English
Cast/Uloge: Aretha Franklin, James Cleveland, Southern California Community Choir
Production: NEON
Kombank dvorana, 7. nov, 20:00 | Kulturni centar Novog Sada, 7. nov, 20:00 | Cineplexx Niš, 7. nov, 20:00
30
SINOPSIS SYNOPSIS
Areta Frenklin je na vrhuncu slave u januaru 1972. godine, In January 1972, Aretha Franklin made her legendary album
odlučila da se vrati korenima, u svet gospel muzike. Za samo Amazing Grace with the Southern California Community
dva dana snimila je album Amazing Grace u crkvi Nju Templ Choir and Reverend James Cleveland in the New Temple
Mišionari Baptist u Kaliforniji sa crkvenim horom Džejmsa Missionary Baptist Church in Los Angeles. At the height of
Klivlenda. Vrhunac ovog albuma je 11-minutna verzija her fame, she made the decision to return to the world of
pesme Amazing Grace. Dokumentarni film o snimanju tog gospel music. Recorded in two days, this live album was
albuma čekao je čak 46 godina da ugleda svetlost dana. to become the most successful gospel record of all time.
Navodno je reditelj filma Sidni Polak zaboravio da koristi On it, Franklin provides a legendary 11-minute rendition of
klapu, uređaj za sinhronizaciju zvuka i slike, i nikada nije Amazing Grace. The film that documented that live record-
uspeo da sinhronizuje snimak zbog analogne tehnike. ing waited 46 years for its premiere. Legend has it that
Areta Frenklin nije dozvolila prikazivanje ovog filma. Alan director Sydney Pollack forgot to use a clapperboard, the
Eliot je preuzeo projekat i 2007. godine uz pomoć digitalne device used to help sync sound and image, and was una-
tehnologije, sa timom tehničara, uspeo da sinhronizuje ble to edit the footage. Franklin refused the film’s release.
sliku i zvuk. Odobrenje da se od ovog materijala napravi In 2007 producer Alan Elliott purchased the raw footage
dokumentarni film je stiglo tek nakon smrti Arete Franklin, and used advanced digital technology to successfully
od njene nećake Sabrine Ovens. synch sound and image. The approval was finally obtained
after Franklin’s death, from her niece Sabrina Owens.
O REDITELJIMA
DIRECTORS' BIOGRAPHIES
Alan Eliot je diplomirao 1986. godine na Univerzitetu Nortve-
stern. Radio je za diskografsku kuću Vorner Braders Rekords Alan Elliott graduated from Northwestern University in 1986.
kao posrednik između izvođača i izdavačke kuće. Neka od He worked in the Artists and Repertoire division at Warner
značajnih muzičkih imena sa kojima je radio su: Prins, Majls Brothers Records where he served as a creative liaison ("A & R
Dejvis, Džordž Klinton i Pol Sajmon. man") for Prince, Miles Davis, George Clinton and Paul Simon.
Sidni Polak je bio američki režiser, producent i glumac. Reži- Sydney Pollack was an American film director, producer and
rao je više od 20 filmova i 10 televizijskih emisija, producirao actor. Pollack directed more than 20 films and 10 television
preko 44, a glumio u više od 30 filmskih ostvarenja. Godine shows, acted in over 30 movies or shows and produced
1985, film Moja Afrika donosi mu Oskara za najbolju režiju i over 44 films. His 1985 film Out of Africa won him Academy
produkciju, kojem su prethodile dve Akademijine nominacije Awards for directing and producing. He was also nominated
za filmove: Konje ubijaju, zar ne? (1969) i Tutsi (1982), u for Best Director Oscars for They Shoot Horses, Don't They?
kategoriji nagrade za najbolju režiju. (1969) and Tootsie (1982) in which he also appeared.
FESTIVALI I NAGRADE / FESTIVALS AND AWARDS
• Outstanding Documentary - Image Awards (NAACP) 2019

• Berlin International Film Festival 2019
• Miami Film Festival 2019
31
Kordiljeri snova
The Cordillera of Dreams
MEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION DOK. / DOC.
Director/Reditelj: Patricio Guzmán

Country/Zemlja: Chile, France
Year/Godina: 2019.
Language/Jezik: Spanish
Cast/Uloge: ×
Production: ARTE, Atacama Productions
DKC, 8. nov, 17:00 | Dom omladine Beograda, 9.nov, 18:00 | Kulturni centar Novog Sada, 10. nov, 18:00 | Cineplexx Niš, 9. nov, 18:00
32
SINOPSIS SYNOPSIS
„U Čileu, tamo gde Sunce izlazi, ono je moralo da dosegne "In Chile, when the sun rises, it had to climb hills, walls and
brda, zidove i vrhove pre nego što je obasjalo poslednju tops before reaching the last stone of the Cordillera. In my
stenu Kordiljera. U mojoj zemlji, Kordiljeri su svuda. country, the Cordillera is everywhere. But for the Chilean
Međutim, za Čileance, to je nepoznata teritorija. Nakon citizens, it is an unknown territory. After going North for Nos-
što sam bio na severu zbog Nostalgije za svetlošću i talgia for the Light and South for The Pearl Button, I now feel
jugu zbog Dugmeta od sedefa, osećam se spremnim da ready to shoot this immense spine to explore its mysteries,
snimim ovu beskrajnu kičmu Čilea ne bih li istražio njene powerful revelations of Chile’s past and present history."
tajne, moćne istine iz davne i savremene istorije Čilea.“ – Patricio Guzmán
– Patrisio Guzman.
DIRECTOR’S BIOGRAPHY
O REDITELJU
Patricio Guzmán was born in 1941 in Santiago de Chile.
Rođen je 1941. godine u Santjagu de Čileu i studirao je He studied at the Official School of Film Art in Madrid. He
na Fakultetu filmske umetnosti u Madridu. Svoju karijeru has dedicated his career to documentary filmmaking. His
posvetio je dokumentarnim filmovima. Njegovi filmovi su films have been screened in many festivals and have gained
prikazani na brojnim festivalima i stekli su međunarodno international recognition. From 1972 to 1979, he directed
priznanje. Od 1972. do 1979. godine režirao je Bitku za The Battle of Chile, a five-hour-long trilogy on Salvador
Čile, petosatnu trilogiju o vladi Salvadora Aljendea i njenom Allende’s government and its downfall. This film laid the
padu. Ovaj film je postavio temelj njegovog rediteljskog foundation for his work as a director. The North American
rada. Američki časopis CINEASTE ga je uvrstio među deset periodical CINEASTE described it as “one of the ten best
najboljih političkih filmova na svetu. Nakon Pinočeovog political films in the world”. After Pinochet’s coup, Guzmán
prevrata, Guzman biva uhapšen. Proveo je dve nedelje na was arrested and spent two weeks in the National Stadium,
Nacionalnom stadionu gde je više puta bio podvrgnut lažnom where he was subjected to mock executions several times.
pogubljenju. Godine 1973. napušta Čile i seli se na Kubu, In 1973 he left Chile and moved to Cuba, then to Spain
zatim u Španiju i Francusku, mada je i dalje ostao privržen and France, although he remains deeply attached to his
svojoj domovini i njenoj istoriji. Na čelu je Međunarodnog country and its history. He chairs the Santiago International
festivala dokumentarnog filma u Santjagu (FIDOCS) koji je i Documentary Film Festival (FIDOCS), which he founded in
osnovao 1997. godine. Film Kordiljeri snova, koji je prikazan 1997. The Cordillera of Dreams, to be shown in the official
u okviru zvanične selekcije Filmskog festivala u Kanu 2019. selection at the 2019 Cannes Film Festival, is the last part of
godine, poslednji je deo trilogije koju čine i Nostalgija za a trilogy also composed of Nostalgia for the Light (Cannes
svetlošću (Kan 2010) i Dugme od sedefa (Berlin 2019). 2010) and The Pearl Button (Berlin 2015).
• Best Documentary - Cannes Film Festival 2019

• Chicago International Film Festival 2019
• Melbourne International Film Festival 2019
33
Lepota i prolaznost
Beauty and Decay
Director/Reditelj: Annekatrin Hendel

Country/Zemlja: Germany
Year/Godina: 2019.
Language/Jezik: German
Cast/Uloge: Sven Marquardt, Dominique Hollenstein, Robert Paris
Production: It Works!, RBB Media
DKC, 9. nov, 21:00 | Art bioskop Kolarac, 10. nov, 20:30
34
SINOPSIS SYNOPSIS
U Berlinu, Sven Markart je poznat kao legendarni čuvar In Berlin, Sven Marquardt is legendary for working as the
kamenog lica u ultra-ekskluzivnom tehno klubu Berghain. stone-faced gatekeeper of ultra-exclusive techno club
Međutim, ovaj čuveni izbacivač skriva nešto više od Berghain, but there’s more to the famous bouncer than
onoga što vidimo na prvi pogled: on je i pisac bestseler meets the eye: he also wrote a bestselling autobiography
autobiografije i uspešni fotograf. U trenutku kada Nemačka and is an accomplished photographer. Now, as Germany
slavi tridesetogodišnjicu pada Berlinskog zida, Markart se celebrates the 30th anniversary of the fall of the Berlin
priseća svoje prošlosti mladog pankera u Istočnoj Nemačkoj. Wall, Marquardt revisits his days as a young East German
On se ponovo susreće sa svojom bivšom muzom, Dominik punk. This glimpse of his early career also sees him reunite
Holenštajn, kako bi sa njom napravio novu seriju portreta, with his former muse, Dominique Hollenstein, to shoot a
i osvrće se na život zajedničkog prijatelja Roberta Parisa, new series of portraits, and looks in on the life of his friend
fotografa koji je napustio umetnost i provodi veći deo Robert Paris, a photographer who moved away from his art
godine kao srećan, porodični čovek u Indiji. Naizmenično and now spends most of the year as a happy family man in
prikazujući scene Markarta na poslu i njegovih prelepih crno- India. Moving between observational scenes of Marquardt
belih fotografija, Lepota i prolaznost je fascinantan prikaz tri at work and highlights of his gorgeous black-and-white
bliska prijatelja, koji još uvek pokazuju srednji prst društvu u portrait photography, Beauty and Decay is a fascinating look
kome žive i ignorišu ustaljenu predstavu o starenju. at three close friends, still giving society the middle finger
and ignoring preconceived notions of what it means to age.
O REDITELJKI
Ankatrin Hendel je rođena i odrasla u Berlinu, u Nemačkoj.
Nakon što je završila studije dizajna, radila je kao Annekatrin Hendel was born and raised in Berlin, Germany.
scenografkinja u pozorištu i na filmu. Osnovala je filmsku After completing her studies of design, she worked as a
producentsku kuću It Works! koja je producirala veoma production designer for theater and film. In 2004, Hendel
uspešne filmove kao što su Space Dogs, The Brasch Family, founded It Works! Medien, a film production company
Living in Demmin, Fassbinder, Zonenmädchen, Anderson, responsible for successful films such as Space Dogs, The
Vaterlandsverräter - Enemy Of The State, Flake. Hendelova je Brasch Family, Living in Demmin, Fassbinder, Zonenmädchen,
počela da režira sopstvene filmove 2011. godine i osvojila je Anderson, Vaterlandsverräter - Enemy Of The State, Flake...
nekoliko Grim nagrada. Član je upravnog odbora Nemačke Hendel started directing her own films in 2011 and has won
filmske akademije. Živi u Berlinu i ima dvoje dece. multiple Grimme Awards. She is a member of the board of
the German Film Academy. Hendel lives in Berlin and has
two children.
• Heiner-Carow-Award - Berlin International Film Festival 2019

• Hot Docs - Canadian International Documentary Filmfestival 2019
• Helsinki International Film Festival 2019
35
Razgovor o drveću
Talking About Trees
Director/Reditelj: Suhaib Gasmelbari

Country/Zemlja: France, Sudan, Germany, Chad, Qatar
Year/Godina: 2019.
Language/Jezik: Arabic
Cast/Uloge: Suleiman Ibrahim, Ibrahim Shaddad
Production: AGAT Films & Cie
Art bioskop Kolarac, 08. nov, 18:30 | DKC, 10. nov, 17:00
36
SINOPSIS SYNOPSIS
Suliman i još tri člana Sudanskog filmskog kluba odlučuju Suliman and three further members of the 'Sudanese Film
da obnove stari bioskop. Njih ujedinjuje ne samo ljubav Club' have decided to revive an old cinema. They are united
prema filmu i strastvena želja za obnavljanjem starog not only by their love of cinema and their passionate desire
filmskog fonda kako bi još jednom skrenuli pažnju na to restore old film stock and draw attention to Sudanese
istoriju sudanskog filma, već i činjenica da su svi studirali film history once more, but also by the fact that they have
u egzilu. Neumorno pokušavaju da pridobiju vlasnike all enjoyed a film education in exile. Tirelessly, they try
bioskopa na svoju stranu i da ponovo učine bioskop to get the cinema's owners on their side and make the
funkcionalnim, ali svaki put nailaze na veliki otpor. U place operational again, but repeatedly find themselves
međuvremenu, sede zajedno i razgovaraju o prošlosti, up against considerable resistance. In the meantime, they
o progonu i torturi kroz koje su prošli kao umetnici sit together and talk about the past - including their expe-
disidenti. Čitaju stara pisma koja su napisali tokom riences of persecution and even torture as oppositional
vremena provedenog u egzilu i sanjaju o Sudanu u kom artists. They also read out old letters written while in exile
umetnost i intelektualna misao mogu biti slobodni. „Mi and dream of a Sudan in which art and intellectual thought
smo pametniji od njih, ali nismo toliko jaki,” je rečenica can be free. “We are smarter than them, but not as strong,“
kojom oni jednoglasno rezimiraju svoju situaciju. is how they unanimously summarise their situation.
O REDITELJU DIRECTOR’S BIOGRAPHY
Rođen je u Sudanu 1979. gde je i živeo do svoje šesnaeste Born in Sudan in 1979, he lived there until the age of 16.
godine. Studirao je film na Université Paris 8 i radio honorarni He studied film at the Université Paris 8 in France and
posao kao kamerman za televizijske kuće Al Qarra, Al Jazeera worked as a freelance cameraman and editor for Al Qarra,
i France 24. Napisao je i režirao veliki broj kratkometražnih Al Jazeera and France 24. He has written and directed many
i dokumentarnih filmova. Razgovor o drveću je njegov short fiction films and documentaries. Talking About Trees
prvi dugometražni dokumentarni film. Tokom njegovog is his first feature-length documentary. During his research
istraživanja u sudanskim audio-vizuelnim arhivama, našao into Sudanese audio-visual archives, he found some films
je filmove za koje se mislilo da su zauvek izgubljeni i aktivno believed to have been lost and actively participated in
je učestvovao u državnim i internacionalnim projektima kako national and international projects to save and digitise them.
bi ih digitalizovao i sačuvao.
• Special Jury Prize, FIPRESCI prize - Istanbul Film Festival 2019

• Best Documentary Award, Audience Award - Berlin International Film Festival 2019
37
Koža
Skin
MEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION IGR. / FIC.
Director/Reditelj: Guy Nattiv

Country/Zemlja: USA
Year/Godina: 2019.
Cast/Uloge: Jamie Bell, Danielle Macdonald, Daniel Henshall
Production: A24
Dom omladine Beograda, 9. nov, 20:00 | DKC, 10. nov, 15:00 | Art bioskop Kolarac, 11. nov, 20:30
Kulturni centar Novog Sada, 10. nov, 20:00 | Cineplexx Niš, 9. nov, 20:00
38
SINOPSIS SYNOPSIS
Brajon Vajdner je bio jedan od najtraženijih skinhedsa na Bryon Widner was one of the FBI's most sought after white
FBI-ovoj listi. Zastrašujuće rasističke tetovaže kojima je supremacists. Covered in racist tattoos from head to toe
pokriven od glave do pete simbolizuju zločine iz mržnje. that he earned performing hate crimes, he conducts a
Kada upoznaje Džuli i njene tri mlade kćeri, osećaj destructive life and is headed down the path of no return.
očinstva i odgovornosti ga snažno podstiču da napusti When he meets Julie and her three young daughters from
pokret i život pun mržnje. Njegova odluka je dočekana na previous relationships, the responsibilities of fatherhood
nož od strane njegove bivše bande koja mu preti smrću give him the desire to leave the movement behind. He
dok on pokušava da preokrene svoj život. Uz pomoć FBI- endures death threats and harassment from his old gang
ja, imao je čak 25 brutalnih operacija uklanjanja tetovaža while attempting to turn his life around. With the help of
u zamenu za razotkrivanje zločina na koji se svaka the FBI, he undergoes 25 brutal tattoo removal surgeries
pojedinačna tetovaža odnosi. in exchange for decoding the tattoos covering his body.
Gaj Nativ je rođen 1973. godine u Izraelu, u Tel Avivu Born in Tel Aviv, Israel in 1973, he studied at the film and
gde je studirao na katedri za film i televiziju Fakulteta television department of the Camera Obscura School of
umetnosti Kamera Opskura. Više od deset godina snima Art in the same city. As a director he made short films and
kratkometražne filmove i reklame za internacionalne commercials for international companies for over ten years.
kompanije. Njegov kratkometražni film Poplava prikazan His short film The Flood screened at the 2002 Berlinale
je na Filmskom festivalu u Berlinu 2002. godine gde je where it won a Crystal Bear. From this work he developed
osvojio nagradu Kristalni medved. Iz ovog filma proizašao a feature film of the same name which also screened in the
je istoimeni dugometražni film koji je takođe prikazan na Generation section. In 2004, Panorama presented his short
Berlinalu u okviru selekcije Generacija. Godine 2004. u film Strangers. His short film by the name of Skin has won an
selekciji Panorama prikazan je njegov kratki film Stranci. Oscar for best live action short film; his full-length film Skin
Kratkometražni film Koža dobitnik je Oskara za najbolji is the first feature film he has made in the USA.
kratkometražni film, a istoimeni dugometražni film je prvi
igrani film koji je snimio u SAD.
• FIPRESCI, Toronto International Film Festival 2019

39
Dolaziš iz daleka
You Come From Far Away
Director/Reditelj: Amal Ramsis

Country/Zemlja: Egypt, Lebanon, Spain, Qatar, Greece, Russia
Year/Godina: 2018.
Language/Jezik: Russian
Cast/Uloge: ×
Production: Klaketa Árabe
DKC, 11. nov, 17:00
40
SINOPSIS SYNOPSIS
Zamislite da imate braću ili sestre, ali ne možete da pričate Imagine that you have siblings but you can’t talk to them
sa njima jer ne govorite isti jezik. Zamislite da imate because you don’t speak the same language. Imagine
roditelje, ali ste odgojeni bez njih. Film je izvanredna priča that you have parents but you were raised without them.
o palestinskoj porodici koja je raseljena zbog nekoliko The film tells the extraordinary story of a Palestinian
turbulentnih događaja koji su dali pečat prošlom veku: family which was dispersed by several turmoils that
počevši od Španskog građanskog rata u kojem se otac steer the last century: From the Spanish Civil War in
Najati Sidki borio protiv Franka i fašizma, pa sve do Drugog which the father Najati Sidki fought against Franco and
svetskog rata, Nakbe i Libanskog građanskog rata. fascism to World War II, Nakba and Lebanese Civil War.
O REDITELJKI DIRECTOR’S BIOGRAPHY
Amal Ramsis je studirala film u Madridu. Ramsis je Amal Ramsis has studied cinema in Madrid. Ramsis is the
osnivačica i direktorka Međunarodnog ženskog filmskog founder and the director of Cairo International Women’s Film
festivala u Kairu. Vodila je brojne video radionice sa ženama Festival. She has conducted numerous video workshops
širom sveta. Njeni filmovi Samo snovi (2005), Zabranjeno around the world with women. Her films Only Dreams
(2011) i Trag Leptira (2015) su prikazivani na mnogim (2005), Forbidden (2011) and The Trace of the Butterfly
festivalima i osvojili su nekoliko međunarodnih nagrada. (2015) have been screened in many festivals and got several
international awards.
• FIPRESCI Critics' Prize - Ismailia International Film Festival

• Silver Tanit - JCC Carthage Film Festival
• Best Film Award - Al Ard Doc Film Festival
41
Okrug
The County
Director/Reditelj: Grímur Hákonarson

Country/Zemlja: Iceland, Denmark, Germany, France
Year/Godina: 2019.
Language/Jezik: Icelandic
Cast/Uloge: Arndís Hrönn Egilsdóttir, Þorsteinn Bachmann, Ævar Þór Benediktsson
Production: Netop Films
DKC, 08. nov, 21:00 | Art bioskop Kolarac, 9. nov, 18:30 | Kulturni centar Novog Sada, 11. nov, 20:00 | Cineplexx Niš, 10. nov, 20:00
42
SINOPSIS SYNOPSIS
Smešten u maloj islandskoj poljoprivrednoj zajednici, Set in a small Icelandic farming community, The County
film Okrug govori o Ingi, sredovečnoj mlekarki koja se tells the story of Inga, a middle-aged dairy farmer who
suprotstavlja svemoćnoj lokalnoj zadruzi. Inga pokušava rebels against the all powerful local Cooperative. Inga
da natera ostale farmere da joj se pridruže u borbi tries to get other farmers to join her in rising up against
protiv korumpirane zadruge, ali nailazi na veliki otpor, the Co-op’s corruption, but encounters great resistance,
što je primorava da se suoči sa zavisnošću i lojalnošću forcing her to confront the community’s dependence
zajednice ovom jedinom, dominantnom preduzeću. Inga and loyalty to this single, dominant enterprise. Inga must
se mora poslužiti svojom snalažljivošću i lukavstvom, use her resourcefulness and cunning to break free of
kako bi se oslobodila uticaja zadruge i konačno živela the Co-op’s grasp and finally live life on her own terms.
onako kako želi.
O REDITELJU
Icelandic director, Grímur Hákonarson, graduated from
Islandski režiser Grimur Hakonarson je diplomirao na FAMU in 2004. His graduate film, Slavek The Shit, was
FAMU 2004. godine. Njegov diplomski film, Slavek The selected to the Cinefondation section of Cannes Film
Shit, je prikazan 2005. godine u programu Cinéfondation Festival 2005. The film travelled widely and won 12 festival
na Kanskom festivalu. Film je proputovao i osvojio 12 prizes, including the Silver Hugo at the Chicago International
festivalskih nagrada, uključujući i nagradu Srebrni Hugo Film Festival. His next short film, Wrestling, premiered
na Međunarodnom filmskom festivalu u Čikagu. Njegov at Locarno Film Festival 2007 and won 25 festival prizes
naredni kratkometražni film, Wrestling, premijerno je around the world. Grimur’s previous feature film, Rams, won
prikazan na Filmskom festivalu u Lokarnu 2007. godine i the Prix Un Certain Regard at the Cannes Film Festival 2015.
osvojio je 25 nagrada na festivalima širom sveta. Grimurov The film has received more than 30 international awards
prethodni igrani film, Ovnovi, je 2015. osvojio nagradu u and won 11 Icelandic Academy Awards.
programu Izvestan pogled na Filmskom festivalu u Kanu.
Film je dobio više od 30 međunarodnih i 11 nagrada
Islandske filmske akademije.
• Toronto International Film Festival 2019
43
Jadnici
Les Misérables
Director/Reditelj: Ladj Ly
Country/Zemlja: France
Year/Godina: 2019.
Language/Jezik: French
Cast/Uloge: Damien Bonnard, Alexis Manenti, Djibril Zonga
Production: SRAB Films
Dom omladine Beograda, 8. nov, 18:00 | DKC, 10. nov, 11:00 Kompas Slobodne zone | DKC, 12. nov, 17:00
44
SINOPSIS SYNOPSIS
Stefan se nedavno pridružio odredu za borbu protiv Stéphane has recently joined the Anti-Crime Squad in
kriminala u Monfermeju, predgrađu Pariza, gde je i Viktor Montfermeil, in the suburbs of Paris, where Victor Hugo
Igo smestio svoj poznati roman Jadnici. Zajedno sa svojim set his famed novel Les Misérables. Alongside his new
novim kolegama Krisom i Gvadom, iskusnim članovima colleagues Chris and Gwada – both experienced members
tima, ubrzo otkriva da među lokalnim bandama vlada of the team – he quickly discovers tensions are running high
tenzija. Kada se ova trojka nađe u haosu, nastalom tokom among local gangs. When the trio find themselves overrun
jednog hapšenja, dron će snimiti nešto što preti da otkrije during the course of an arrest, a drone camera captures the
istinu o svakodnevnom životu u getu. Inspirisan neredima encounter, threatening to expose the reality of everyday life.
u Parizu 2005. godine i Lađev Lijevim istoimenim kratkim Inspired by the 2005 Paris riots, and Ladj Ly’s short film of
filmom, Jadnici su provokativni uvid u napet odnos koji vlada the same name, Les Misérables is a provocative insight into
između lokalnog stanovništva i policije. the tensions between neighborhood residents and police.
Reditelj Lađ Li rođen je u Monfermeju (četvrt u departmanu Filmmaker Ladj Ly is a native of Montfermeil (Seine-
Sena-Sen Deni), i najpoznatiji je po svojim privlačnim veb Saint-Denis), best known for his attention-grabbing web
dokumentarcima koji oslikavaju stvarnost društvenog documentaries that depict the realities of social and political
i političkog života u predgrađu. Li je režirao svoj prvi life. Ly went on to direct his first short film, Montfermeil Les
kratkometražni film, Montfermeil Les Bosquets, 1997. Bosquets in 1997. In 2004, he co-wrote the documentary 28
godine. Radio je kao koautor dokumentarnog filma 28 Millimeters with renowned photographer JR, best known for
Millimeters sa čuvenim fotografom JR-om, najpoznatijem his large-format street photographs posted on the walls of
po uličnim fotografijama velikog formata, postavljenim Clichy, Montfermeil and Paris. In 2017, he directed his first
na zidovima Klišija, Monfermeja i Pariza. 2017. godine short film, Les Misérables, which was César - nominated in
režirao je kratki film, Jadnici, koji je nominovan za nagradu 2018 and a prize-winner at the Clermont-Ferrand Short Film
Cezar 2018, a osvojio nagradu na Festivalu kratkog filma u Festival. That same year, he and director/writer Stéphane
Klermon Feranu. Iste godine, zajedno sa rediteljem i piscem de Freitas co-directed the documentary A Voix Haute, also
Stefanom de Freitasom, režirao je dokumentarni film A Voix nominated for a César award. Les Misérables is Ly’s first
Haute, koji je takođe nominovan za nagradu Cezar. Jadnici je feature film, inspired by his original short.
prvi Lijev dugometražni film, inspirisan njegovim istoimenim
kratkim filmom.
• Special Jury Prize - Cannes International Film Festival 2019

• Best Film - Durban International Film Festival 2019
45
Dnevnik Diane Budisavljević

The Diary of Diana B.
HORIZONTI BALKANA / BALKAN HORIZONS IGR-DOK. / DOCU-FICTION.
Director/Reditelj: Dana Budisavljević

Country/Zemlja: Croatia, Slovenia, Serbia
Year/Godina: 2019.
Language/Jezik: Croatian, German
Cast/Uloge: Alma Prica, Igor Samobor, Biserka Ipša, Mirjana Karanović
Production: Hulahop, December, This and That
Kombank dvorana, velika sala, 11. nov, 19:00
46
SINOPSIS SYNOPSIS
Ovo je istinita priča o najboljim ljudima u najgorim This is a true story about the best of people in the worst
vremenima. Diana Budisavljević bila je humanitarna i of times. Diana Budisavljevic was a humanitarian and
društvena aktivistkinja iz Zagreba koja je organizovala social activist from Zagreb, who organized an operation
akciju spasavanja i zbrinjavanja srpske dece iz ustaških of rescuing and sheltering Serb children from the Ustashe
logora tokom Drugog svetskog rata. Koristeći svoje camps in World War II. Using her Austrian origins, Diana
austrijsko poreklo, Diana je pozvala vlast, crkvu i Crveni appealed to the authorities, Church and Red Cross to save
krst da spasu barem decu iz logora. Nakon što niko children from the camps. As no one else wanted to assume
nije preuzeo odgovornost, odlučila je da iz svog stana responsibility for it, she took it on herself to manage from her
organizuje akciju koja bi do kraja rata spasila više od apartment the action that would result in saving more than
deset hiljada dece. Dana Budisavljević tokom posete ten thousand children from certain death. Director Dana
Jasenovcu 2010. godine dobija od tadašnje upravnice Budisavljevic during her visit to Memorial Centre Jasenovac
memorijalnog centra Dianin dnevnik, koji je zapis o gotovo in 2010. received Diana's diary, containing the details of
nepoznatom junaštvu Diane i njenih prijatelja i odlučuje da the hitherto unknown heroism of Diana and her friends.
na osnovu njega snimi film.
O REDITELJKI
Dana Budisavljević (Zagreb, 1975) graduated from the
Rođena 1975. godine u Zagrebu. Diplomirala je na Odseku Academy of Dramatic Art in Zagreb, Department of Film and
za filmsku i TV montažu na ADU u Zagrebu. Radila je TV Editing. She has worked as editor, production assistant,
kao montažer, asistent produkcije i organizator filmskih and organiser of film festivals. Her directorial debut was
festivala. Debitovala je dokumentarnim filmom Sve 5!, a širu the documentary Straight A’s (Factum, 2004), and she has
popularnost stekla je porodičnim filmom Nije ti život pjesma gained popularity with a family film on coming out Family
Havaja. Kao producentkinja potpisuje dokumentarnu seriju Meals (2012). She has worked as a producer on Slumbering
Betonski spavači Saše Bana, filmove Lijepo mi je s tobom Concrete by Saša Ban, films I Like That Super Most the
znaš Eve Kraljević, Onda vidim Tanju Juraja Lerotića i Best by Eva Kraljević, Then I See Tanja by Juraj Lerotić,
druge. Dnevnik Diane Budisavljević njen je prvi autorski and others. Her first feature film The Diary of Diana B. was
dugometražni film. Premijerno je prikazan na Pulskom awarded Grand Golden Arena at the Pula Film Festival
filmskom festivalu 2019. godine, na kojem je osvojio šest making her the first female director to receive main festival
nagrada (Velika Zlatna Arena za najbolji film, Zlatna arena award since 1957.
za režiju, Nagrada ocjenjivačkog suda Federacije filmskih
kritičara Europe i Mediterana - FEDEORA za najbolji hrvatski
dugometražni film, Nagrada publike Zlatna vrata Pule,
Zlatna arena za muziku, Zlatna arena za montažu).
• Golden Arena for Best Film, Directing, Editing, Music, Audience Award - Pula Film Festival 2019
• Motovun Film Festival 2019
47
Umetnost sećanja
Milestones
HORIZONTI BALKANA / BALKAN HORIZONS DOK. / DOC.
Director/Reditelj: Jelena Radenović

Country/Zemlja: Serbia, Belgium, UK
Year/Godina: 2019.
Language/Jezik: Serbian, English
Cast/Uloge: Miodrag Živković
Production: Fini Šnit Production
Dom omladine Beograda, 10. nov, 20:00
48
SINOPSIS SYNOPSIS
Umetnost sećanja je dokumentarni film o monumentalnim Milestones is a documentary on monumental memorials

spomenicima podignutim u periodu socijalizma na tlu erected during the period of socialism on the territory of
bivše Jugoslavije. Osnovna namera filma je da na primeru the former Yugoslavia. The basic intention of the film is to
spomenika pokaže da će prava umetnost opstati, naći demonstrate, on the example of the monument, that true art
put do publike i preživeti smene ideologija i političkih will remain, find its way to the audience and survive the shift
uređenja. Spomenici su istovremeno simboli stradanja i of ideologies and political systems. Monuments are at the
čovekove borbe za slobodu, za bolju i svetliju budućnost. same time symbols of the suffering and man's struggle for
O tome kako su nastali neki od najvažnijih spomenika i freedom, for a better and brighter future. The sculptor prof.
kako je bilo stvarati u tom periodu u filmu svedoči skulptor Miodrag Zivkovic, the author of the monuments at Kadinjaca,
prof. Miodrag Živković, autor spomenika na Kadinjači, Tjentiste, Kragujevac, testifies about how some of the most
Tjentišu, u Kragujevcu... To su apstraktne konstrukcije, important monuments were created and how it was to
lišene ideoloških simbola (srp, čekić) i kulta ličnosti create during this period. These are abstract constructions,
koji je veoma prisutan u spomeničkoj skulpturi drugih devoid of ideological symbols (sickle, hammer) and a cult of
socijalističkih zemalja. Njihov oblik i dizajn su moderni, personality very present in the monumental sculpture of other
čak i futuristički, vizionarski, dok je njihova tehnička socialist countries. Their form and design are modern, even
izvedba impresivna. futuristic, visionary, while their technical side is impressive.
Jelena Radenović je rođena u Beogradu 1979. godine. Jelena Radenovic was born in Belgrade in 1979. She
Završila je osnovne studije glume na Akademiji lepih graduated acting from The Academy of Arts in Belgrade. For
umetnosti u Beogradu. Više godina je radila kao novinar i several years she worked as a journalist and editor of TV
urednik emisija na televiziji Studio B i B92. Trenutno radi shows aired on television channels Studio B and B92. She
u Školi filma Fokus na Kolarcu, gde predaje glumu za film currently works at the Film School Focus at Kolarac where
i televiziju. Dokumentarni film Kuda dalje (2015) je njen she teaches acting in film and television. Turning Point, a
rediteljski prvenac. Film je podržala fondacija TEMPUS – documentary which premiered in October 2015, was her
program Evropske unije koji pomaže mladim umetnicima. directorial debut. This film was supported by the TEMPUS
Jelena takođe radi namenske, kratke filmove za UNTF foundation — a European Union program that supports
(the UN Trust Fund to End Violence against Women) o young artists. Jelena also makes dedicated short films for
organizacijama koje se bore za prava žena širom sveta. UNTF (the UN Trust Fund to End Violence against Women)
on women's rights organizations around the world.
49
Čudovišta.
Monsters.
HORIZONTI BALKANA / BALKAN HORIZONS IGR. / FIC.
Director/Reditelj: Marius Olteanu

Country/Zemlja: Romania
Year/Godina: 2019.
Language/Jezik: Romanian
Cast/Uloge: Judith State, Cristian Popa, Alexandru Potocean
Production: Parada Film, We Are Basca
DKC, 11. nov, 21:00 | Dom omladine Beograda, 12. nov, 20:00
50
SINOPSIS SYNOPSIS
Dana i Artur su bračni par u svojim četrdesetim i zajedno Dana and Arthur, wife and husband in their forties, have
su skoro već 10 godina. Kao par, uživaju ljubav i naklonost been together for almost 10 years. They are a couple that
prijatelja i porodice, a pojedinačno prezir. Njihove lične society, family, friends seem to love together, but despise
potrebe, ubeđenja, životna očekivanja ali i unutrašnji separately. Because of their needs, their beliefs, their
demoni nateraće ih da se zapitaju, ali i odluče, da li je life options and their inner monsters, the day comes for
rastanak zaista najveći dokaz ljubavi. them to decide if letting go is the biggest proof of love.
Nakon što je u Londonu stekao master u oblasti režije After graduating from NFTS, United Kingdom, with an MA
igranog filma, Marijus Olteanu se opredelio da istražuje in Fiction Film Directing, Marius Olteanu has chosen to
sukob između privatnog i društvenog života pojedinca, focus on the clash between private and social life and
kao i prepreke koje iz njega proističu. Njegova poslednja the boundaries that arise. His last two shorts, Tie, which
dva kratkometražna filma, Kravata i Ničija zemlja, ušli su u was the starting point for his feature debut Monsters, and
selekciju kratkih filmskih ostvarenja na više od 30 festivala, No man’s land were selected in more than 30 festivals –
među kojima su Međunarodni filmski festivali u Busanu, Busan IFF, Tallinn POFF, Namur FIFF, TIFF, etc. These films
Talinu, Namuru, Torontu i mnogim drugim. U njima, autor show his interest in exploring what lies beyond the perfect
pokazuje interesovanje za istraživanje suštine svakoga surface of things and finding new cinematic ways to convey
od nas, skrivene ispod naizgled savršene spoljašnosti, the struggle with one’s own limits. Marius worked as an
kao i za pronalaženje novih filmskih tehnika oslikavanja assistant director for the award-winning film Sieranevada
borbe svakog pojedinca u rušenju sopstvenih granica (2016) by Cristi Puiu and is also a published photographer.
mogućnosti. Film Kravata je poslužio kao osnovica za
njegovo prvo dugometražno ostvarenje Čudovišta.. Marijus
je radio i kao pomoćnik režisera na nagrađivanom filmu
Kristija Puijua, Sijera Nevada (2016), a pored toga radi i
kao fotograf čiji su radovi objavljeni u brojnim novinskim i
elektronskim izdanjima.
• Best Screenplay - Montenegro Film Festival Herceg Novi, 2019

• Best Feature Film - Sofia International Film Festival, 2019
• Tagesspiegel Readers’ Jury Award - Berlin International Film Festival, 2019
51
Bog postoji: njeno ime je Petrunija

God Exists, Her Name Is Petrunya
HORIZONTI BALKANA / BALKAN HORIZONS IGR. / FIC.
Director/Reditelj: Teona Strugar Mitevska

Country/Zemlja: Macedonia, Belgium, Slovenia, Croatia, France
Year/Godina: 2019.
Language/Jezik: Macedonian
Cast/Uloge: Zorica Nusheva, Labina Mitevska, Stefan Vujisic
Production: Sisters and Brother Mitevski, Entre Chien et Loup, Vertigo, Spiritus Movens
DKC, 9. nov, 19:00 | Dom omladine Beograda, 11. nov, 20:00 | Kulturni centar Novog Sada, 13. nov, 20:00 | Cineplexx Niš, 12. nov, 20:00
52
SINOPSIS SYNOPSIS
U Štipu, malom gradu u Makedoniji, svakog januara lokalni In Stip, a small town in Macedonia, every January the local
sveštenik baca drveni krst u reku i stotine muškaraca priest throws a wooden cross into the river and hundreds of
skače za njim. Sreća i napredak su zagaranovani onom men dive after it. Good fortune and prosperity are guaranteed
čoveku koji izvadi krst iz vode. Ovaj put Petrunija to the man who retrieves it. This time, Petrunya dives into
naprasno odlučuje da skoči u vodu i uspeva da zgrabi krst the water on a whim and manages to grab the cross before
pre ostalih. Njeni protivnici su ljuti – kako to da se jedna the others. Her competitors are furious - how dare a woman
žena usuđuje da učestvuje u njihovom ritualu? Nastaje take part in their ritual? All hell breaks loose, but Petrunya
potpuni haos, ali Petrunija ne popušta. Ona je osvojila krst holds her ground. She won her cross and will not give it up.
i neće ga se odreći.
O REDITELJKI
Teona Strugar Mitevska was born in 1974 in Skopje,
Teona Strugar Mitevska, rođena je 1974. godine u Skoplju, Macedonia. In 2001, she finished the Master of Film Arts
Makedoniji. Završila je magistarske studije filma na programme at New York University's prestigious Tisch
prestižnoj Tiš školi umetnosti Univerziteta u Njujorku School of the Arts. Her first feature-length film, How I Killed
2001. godine. Njen prvi dugometražni film Kako sam ubio a Saint, travelled to more than 50 film festivals and won
sveca je obišao više od pedeset filmskih festivala i osvojio numerous prizes around the world. Her second film, I Am
mnoge nagrade širom sveta. Njen drugi film, Ja sam iz From Titov Veles, was theatrically released in 15 countries
Titovog Velesa je predstavljen publici u petnaest država in 2008-2009, and was screened in the official competition
2008. i 2009. godine, a prikazan je i u okviru takmičarskog of the Sarajevo Film Festival, where it won a Special Jury
programa Filmskog festivala u Sarajevu, gde je osvojio Award. Her films When the Day Had No Name and God
specijalnu nagradu žirija. Njeni filmovi Kada dan nije imao Exists, Her Name Is Petrunija have premiered at Berlinale.
ime i Bog postoji: njeno ime je Petrunija su premijerno
prikazani na Filmskom festivalu u Berlinu.
• Guild Film Prize, Prize of the Ecumenical Jury - Berlin International Film Festival 2019
• FIPRESCI Prize - Best Film, Motovun Film Festival 2019
• Edinburgh International Film Festival 2019
53
Tusta
Tusta
Director/Reditelj: Andrej Korovljev

Country/Zemlja: Croatia, Serbia, Macedonia
Year/Godina: 2019.
Language/Jezik: Croatian, Serbian, Macedonian
Cast/Uloge: ×
Production: Factum, Wake Up Films
Dom omladine Beograda, 08. nov, 20:00
54
SINOPSIS SYNOPSIS
Dugometražni dokumentarac Tusta približava nam The feature documentary Tusta acquaints us with the life
život Branka Črnca Tuste, frontmena legendarnog pank- of Branko Črnac Tusta, the frontman of the iconic punk
rok benda KUD Idijoti iz Pule. Kroz arhivske materijale i rock band KUD Idijoti from Pula. Through archive materials
intervjue sa članovima benda, kolegama i savremenicima, and interviews with members of the band, colleagues and
prvi deo filma govori o neočekivanom proboju i contemporaries, the first part of the film speaks about the
meteorskom usponu pulskog sastava. Drugi čin ove band’s extraordinary breakthrough. The second part of this
specifične rock and roll priče posvećen je ograničenim rock and roll tale is dedicated to the limited activity of the
aktivnostima benda i zabranama koje su doživljavali band and the bans imposed on them during the war and the
usled rata i nacionalizma u Hrvatskoj. Nepoljuljanih ideala nationalist atmosphere in Croatia. Firm in their ideals and
i beskompromisnog stava, Tusta i KUD Idijoti bili su prvi uncompromising in their views, Tusta and KUD Idijoti were
hrvatski bend koji je nastupio u Srbiji nakon raspada the first Croatian band to perform in Serbia after the collapse
SFRJ, na danas legendarnom koncertu u beogradskoj of SFRY, at the iconic concert in Belgrade’s Sport Hall in 2000.
Hali sportova 2000. godine. Konačno, u finalnom Finally, in the last segment of the film, director Andrej Korov-
segmentu filma, reditelj Andrej Korovljev fokusira se na ljev focuses on the last years and the premature end of Tus-
poslednje godine i prerani kraj Tustinog života kroz dirljiva ta’s life through touching testimonies of family and friends,
svedočenja članova porodice i prijatelja, gde otkrivamo revealing his less known, intimate, human dimension.
njegovu manje poznatu, intimnu, ljudsku dimenziju.
O REDITELJU
Andrej Korovljev was born in Pula in 1970. He studied Film
Andrej Korovljev je rođen 1970. godine u Puli. Studirao je Directing at London's Westminster University. In 2000 he
filmsku režiju na Univerzitetu Vestminster u Londonu. 2000. returned to Croatia where his artistic career began to take
godine se vratio u Hrvatsku, gde je započeo profesionalnu shape commercially. The base of his commercial work have
karijeru. Osnova njegovog komercijalnog rada su televizijske been television commercials. From an artistic perspective,
reklame. Sa umetničkog stanovišta, više puta se dokazao Andrej has proved his strong abilities within the documentary
na polju dokumentarca. Njegov film Godine hrđe nagrađivan genre. His award-winning film The Years of Rust has been
je i prikazivan na filmskim festivalima širom sveta i uvršten screened at film festivals worldwide and has been prestigiously
u antologije hrvatskih dokumentarnih filmova. Andrej je included in the anthology of Croatian documentaries. He has
takođe dugogodišnji selektor kratkih filmova na Motovun been a long-serving selector for short films at the Motovun
Film Festivalu i član Društva hrvatskih filmskih redatelja. Film Festival and a member of the Croatian Guild of Film
Dvostruki je dobitnik nagrade Porin i Oktavijan, kao i Directors. He is also a double winner of the Porin and Oktavijan
nagrade Jelena Rajković. awards and the Jelena Rajković award.
• Audience Award - Liburnia Film Festival 2019

• Motovun Film Festival 2019
• DokuFest 2019
55
Palata za narod
Palace for the People
Director/Reditelj: Georgi Bogdanov, Boris Missirkov

Country/Zemlja: Bulgaria, Germany, Romania
Year/Godina: 2018.
Language/Jezik: German, Russian, Bulgarian, Romanian, Serbian
Cast/Uloge: ×
Production: Agitprop, Filmtank, ICON production
DKC, 10. nov, 19:00 | Dom omladine Beograda, 12. nov, 18:00
56
SINOPSIS SYNOPSIS
Palata za narod govori o pet najpoznatijih socijalističkih Palace for the People tells the stories of the five most
građevina koje su najreprezentativnije nasleđe jedne epohe emblematic buildings of socialist times, which are highly
i svedoče o istorijskim preokretima u Istočnoj Evropi u representative of the period and which witnessed the his-
drugoj polovini dvadesetog veka. Nacionalna palata kulture torical turbulence of Eastern Europe in the second half of
u Sofiji, Državni univerzitet u Moskvi, Palata parlamenta the 20th century. The National Palace of Culture in Sofia;
u Bukureštu, Palata Srbije u Beogradu i Palata republike u Moscow State University; the Palace of Parliament in Bu-
Berlinu jedinstvena su arhitektonska dela čija je izgradnja charest; the Palace of Serbia in Belgrade; and the Palace
zahtevala mnogo hrabrosti i malo ludila, a zadatak im je bio of the Republic in Berlin are unique architectural creatures,
da podsete narod na vrhovnu vlast i svetlu budućnost. Svaka conceived of with a lot of courage and a little bit of lunacy
od njih je po nečemu posebna – najviša, najveća, ima najveći to remind the people of both an ultimate power and a
sat na svetu ili najnapredniju tehnologiju svoga vremena. Te brighter future. Each is the tallest, the biggest, has the
građevine su bile najgrandiozniji poduhvati u vreme kada largest clock on Earth, or the most advanced technology
je borba za opšte dobro bila politika centralne vlade. Sada, of its time. They were the most grandiose enterprises in
kada je socijalizam propao, moramo se osvrnuti na njih i a time when collective good was the primary state policy.
otkriti njihove tajne. Now that socialism is over, it is time to go back and reveal
the hidden secrets of these edifices.
O REDITELJIMA
DIRECTORS’ BIOGRAPHIES
Kreativni duo Boris Misirkov i Georgije Bogdanov su
međunarodno priznati bugarski direktori fotografije, reditelji, The creative duo Boris Missirkov and Georgi Bogdanov
vizuelni umetnici i fotografi. Autori su vizuelnih kampanja, are internationally acclaimed Bulgarian cinematographers,
dugometražnih dokumentaraca, video spotova i kratkih directors, visual artists and photographers. Authors of
filmova. Idejni su tvorci i osnivači Agitprop produkcijske visual campaigns, full- length documentaries, videos and
kompanije i suosnivači Bugarskog fotografskog društva. short films. Ideologists and founders of Agitprop Production
Direktori fotografije na nekoliko dokumentaraca za HBO - Company and co-founders of Bulgarian Photographic
Betonski faraoni, Hotel Paradise i Tata je snimao bezobrazne Association. DOP of the first original Bulgarian productions
filmove. Kao poznati vizuelni umetnici i fotografi, oni su se for HBO, documentaries Concrete Pharaohs and Paradise
predstavljali kako samostalno, tako i na velikim izložbama Hotel and of Dad Made Dirty Movies, etc. Renowned visual
savremene umetnosti i fotografije u Evropi i Sjedinjenim artists and photographers, they have been presented in solo
Američkim Državama. shows as well as major photography and contemporary art
exhibitions in Europe and the USA.
• Seattle International Film Festival 2019

• Sarajevo Film Festival 2019
• DOK Leipzig 2019
57
Kada je paradajz sreo Vagnera

When Tomatoes Met Wagner
DOK. / DOC.
Director/Reditelj: Marianna Economou

Country/Zemlja: Greece
Year/Godina: 2019.
Language/Jezik: Greek, French, English
Cast/Uloge: ×
Production: STEFI&Lynx & Anemon
DKC, 9. nov, 14:00
58
SINOPSIS SYNOPSIS
Elias, malo poljoprivredno selo u centralnoj Grčkoj, polako Elias, a small farming village in central Greece, is dying out.
odumire. Međutim, dva rođaka ujedinjuju snage sa seoskim But two cousins team up with the village grannies to culti-
bakama kako bi počeli da uzgajaju paradajz. Uz malu pomoć vate tomatoes. With a little help from Wagner’s music, the
Vagnerove muzike, seljani počinju da izvoze svoje teglice od villagers export their little jars with organic tomato recipes
organskog paradajza širom sveta. Film prati protagoniste across the world. The film follows the protagonists of this
ove neobične priče tokom njihove borbe da ostvare svoje unlikely story, as they struggle to make their dream come
snove. Duhovita i nadrealna priča govori nam o značaju lične true. Humorous and bittersweet, this surreal story speaks
transformacije u kriznim vremenima i moći ljudskih odnosa. to us about the importance of reinventing oneself in times
of crisis and the power of human relationships.
O REDITELJIMA
DIRECTORS’ BIOGRAPHIES
Marijana Ekonomu je grčka je rediteljka koja je u Londonu
studirala antropologiju, fotožurnalizam i film. Od 2000. Marianna Economou is a Greek director who studied
godine producira i režira dokumentarne serije i nezavisne anthropology, photojournalism and film in London. Since
filmove u saradnji sa evropskim emiterima, uključujući BBC, 2000, she has been producing and directing documentary
arte i ILE. Njeni dokumentarni filmovi poput My Place in the series and independent films in cooperation with
Dance, Bells, Threads & Miracles i Food for Love osvojili su European broadcasters including the BBC, arte and YLE.
brojne nagrade. Njen film The Longest Run nominovan je za Her documentaries such as My Place in the Dance, Bells,
nagradu evropske filmske akademije 2016. godine i osvojio Threads & Miracles and Food for Love have won a number
nagradu za najbolji dokumentarac na filmskom festivalu of prizes. Her film The Longest Run was nominated for a
DOK Lajpcig. European Film Award in 2016 and won the VER.DI Award for
Best Documentary at DOK Leipzig.
• Greek selection for the Academy Awards 2020

59
Alis i gradonačelnik
Alice and the Mayor
EU ZONA PROMENA / EU ZONE OF CHANGE IGR. / FIC.
Director/Reditelj: Nicolas Pariser

Country/Zemlja: France, Belgium
Year/Godina: 2018.
Cast/Uloge: Fabrice Luchini, Anaïs Demoustier, Nora Hamzawi
Production: Bizibi Productions
Dom omladine Beograda, 11. nov, 18:00 | DKC, 12. nov, 19:00 | Kulturni centar Novog Sada, 12. nov, 20:00 | Cineplexx Niš, 11. nov, 20:00
60
SINOPSIS SYNOPSIS
Gradonačelnik Liona, Pol Terano, pati od egzistencijalne The Mayor of Lyon, Paul Théraneau is suffering from an
krize. Nakon 30 godina u politici, oseća se potpuno prazno existential crisis. After 30 years in politics, he feels totally
i lišen ideja. Kako bi to prevazišao, Pol angažuje mladu empty and devoid of ideas. To overcome this, Paul hires a
i pametnu filozofkinju, Alis Ajman, za neobičan posao young and brilliant philosopher, Alice Heimann for a nebu-
predlaganja ideja Gradskoj skupštini. Kroz njihov odnos lous job conjuring ideas at City Hall. Their interactions are
reditelj na duhovit i dirljiv način preispituje savremeni our gateway into a lively, funny and touching exploration
život, kroz filter dve generacije. Dijalog dveju dijametralno of the way we live now through the filter of two gener-
suprotnih ličnosti koje preispituju sve ono u šta su do tada ations. A dialogue between two diametrically opposed
verovale. personalities who will turn their certainties upside down.
Nikolas Pariser je rođen 1974. godine u Parizu. Nakon Nicolas Pariser was born in Paris in 1974. After studying
studija prava, filozofije, istorije umetnosti i filma, postaje law, philosophy, art history and film, he became a film critic
filmski kritičar za magazin Sofa početkom 2000-ih. Nakon for the magazine Sofa in the early 2000s, then spent four
toga ostvaruje četvorogodišnju saradnju sa rediteljem years collaborating with director Pierre Rissient. In 2008,
Pjerom Risintom. 2008. godine režira svoj kratkometražni he directed his first short, The Day Ségolène Won, which
film Dan kada je Segolen pobedila, koji prati aktivistkinju follows a Socialist Party activist, on the day French President
Socijalističke partije, na dan kada je Nikola Sarkozi izabran Nicolas Sarkozy was elected. The following year, he directed
za predsednika Francuske. Godinu dana kasnije režira his medium-length political film The Republic and won the
srednjemetražni politički film Republika i osvaja nagradu Žan Jean Vigo Award 2010. The Great Game, his first feature film,
Vigo 2010. godine. Velika igra, njegov prvi dugometražni film made the 2015 Locarno Film Festival in the «Filmmakers
se 2015. godine našao u selekciji Stvaraoci današnjice na of the Present» selection. His second feature Alice and the
Lokarno filmskom festivalu. Njegov drugi dugometražni film Mayor is selected in Cannes’ Directors Fortnight.
Alis i gradonačelnik prikazan je u okviru programa Petnaest
dana autora na Kanskom festivalu.
• Europa Cinemas Label Award - Cannes Film Festival 2019

• Haifa International Film Festival 2019
• Hamburg Film Festival 2019
61
Stig Laršon: Čovek koji se igrao vatrom

Stieg Larsson: The Man Who Played With Fire
EU ZONA PROMENA / EU ZONE OF CHANGE DOK. / DOC.
Director/Reditelj: Henrik Georgsson

Country/Zemlja: Sweden
Year/Godina: 2018.
Language/Jezik: Swedish
Cast/Uloge: Emil Almén, Johan Eriksson, Magnus Höqqvist
Production: B-Reel Films, C More Entertainment, Film i Väst
DKC, 8. nov, 15:00 | Art bioskop Kolarac, 8. nov, 20:30 | DKC, 9. nov, 11:00 Kompas Slobodne zone
62
SINOPSIS SYNOPSIS
Stig Laršon: Čovek koji se igrao vatrom detaljno govori Stieg Larsson: The Man Who Played With Fire details
o zaostavštini i životnom delu poznatog autora Stiga famed author Stieg Larsson’s legacy and life’s work.
Laršona. Tvorac je i pisac najprodavanijeg serijala Creator and writer of the best-selling series The Girl With
Devojka sa tetovažom zmaja, koji je adaptiran u nekoliko The Dragon Tattoo, which has been adapted into several
uspešnih filmova. Laršon je bio predan novinar i autor, čiji successful films, Larsson was a dedicated journalist and
je fascinantan i dramatičan život do sada bio uglavnom author whose fascinating and dramatic life has largely
nepoznat. Bio je posvećen borbi protiv desnog ekstremizma been unknown until now. He devoted his time to fighting
i širenju poruke da je demokratija pravo za koje se treba right wing extremism in the world and spreading the mes-
boriti. Film sadrži intervjue sa ljudima bliskim Laršonu, kao i sage that democracy is a right that needs to be fought
jedinstven materijal iz njegove privatne arhive, rekonstrukcije for. The film includes interviews with people close to
događaja i nikada ranije viđene arhivske snimke. Larsson, as well as unique material from his private archive,
re-enactments and never-before-seen archive footage.
O REDITELJU
Henrik Georgson je reditelj koji stoji iza proslavljene
televizijske serije The Bridge (Most). Režirao je i druge Henrik Georgsson is the director behind the celebrated tv-
popularne serije, poput Wallander (Volander) i Blue Eyes series The Bridge. He has directed other popular tv series,
(Plave oči). Studirao je režiju dokumentarnog filma na such as Wallander and Blue Eyes. He studied documentary
Dramatiska Institutet u Stokholmu, a nedavno je završio directing at Dramatiska Institutet in Stockholm, and most
snimanje britanske televizijske serije Marcella (Marsela) koja recently wrapped on the British Nordic-noir tv-series
pripada nordijskom noir žanru. Marcella.
• Sundance Film Festival 2019

• Hot Docs Film Festival 2019
• Vancouver International Film Festival 2019
63
Izbačeni
Push
EU ZONA PROMENA / EU ZONE OF CHANGE DOK. / DOC.
Director/Reditelj: Fredrik Gertten

Country/Zemlja: Sweden, Canada
Year/Godina: 2019.
Language/Jezik: English, Spanish, Italian, German, Korean
Cast/Uloge: Leilani Farha, Saskia Sassen, Joseph Stiglitz
Production: WG Film
DKC, 10. nov, 21:00 | DKC, 11. nov, 11:00 Kompas Slobodne zone | Kulturni centar Novog Sada, 12. nov, 18:00 | Cineplexx Niš, 11. nov, 18:00
64
SINOPSIS SYNOPSIS
Izbačeni je novi dokumentarac nagrađivanog reditelja Push is a new documentary from award-winning director
Fredrika Gertena, koji istražuje zašto više ne možemo da Fredrik Gertten, investigating why we can’t afford to live
priuštimo život u našim gradovima. Stanovanje je osnovno in our own cities anymore. Housing is a fundamental
ljudsko pravo, preduslov za siguran i zdrav život. Međutim, human right, a precondition to a safe and healthy life.
u gradovima širom sveta postaje sve teže i teže obezbediti But in cities all around the world, having a place to live is
mesto stanovanja. Ko stoji iza svega toga i koji su faktori koji becoming more and more difficult. Who are the players
čine stanovanje jednim gorućih svetskih pitanja današnjice? and what are the factors that make housing one of today’s
U filmu učestvuju Saskija Sasen, Džosef Stiglic, Roberto most pressing world issues? With contributions from
Savijano i Lejlani Farhe, specijalni izvestilac Ujedinjenih Saskia Sassen, Joseph Stiglitz, Roberto Saviano, and
nacija za pitanja adekvatnog stanovanja ljudi širom sveta. Leilani Farha - UN Special Rapporteur for Housing. This
Ovaj aktuelan i sjajan dokumentarac poziva na odgovornost is a timely and stark documentary, calling to task those
moćnike koji sprečavaju pristup onome što je osnovno gatekeepers preventing access to what is a human right.
ljudsko pravo.
O REDITELJU
Fredrik Gertten is an award-winning Swedish director and
Fredrik Gerten je nagrađivani švedski reditelj i novinar. journalist. His latest works Becoming Zlatan (2016), Bikes vs
Njegova poslednja filmska ostvarenja Becoming Zlatan Cars (2015), Big Boys Gone Bananas!* (2012) and Bananas!*
(2016), Bikes vs Cars (2015), Big Boys Gone Bananas!* (2012), (2009) have met audiences in over 100 countries and
Bananas!*(2009) je publika imala prilike da upozna u preko screened at leading festivals. In 1994, Fredrik founded the
100 zemalja kao i na vodećim filmskim festivalima. Fredrik production company WG Film. He previously worked as a
je 1994. godine osnovao produkcijsku kompaniju WG Film. foreign correspondent and columnist for radio, TV and press
Prethodno je radio kao strani dopisnik i kolumnista za radio, in Africa, Latin America, Asia and around Europe. Today he
televiziju i štampu u Africi, Latinskoj Americi, Aziji i širom combines filmmaking with a role as a creative producer at
Evrope. Danas kombinuje filmsko stvaralaštvo sa ulogom WG Film – one of Sweden’s most prominent documentary
kreativnog producenta u WG Film-u, jednoj od najistaknutijih production companies, famous for local stories with a global
švedskih kompanija za produkciju dokumentarnih filmova, understanding and impact.
poznatoj po lokalnim pričama koje imaju odjek i uticaj na
globalnom nivou.
• Audience Award - CPH:DOX, 2019

• Best Feature Documentary - Freedom Film Festival 2019
• Hot Docs Film Festival 2019
65
Maf ija kroz objektiv

Shooting the Maf ia
ŽENSKA LINIJA / WOMAN LINE DOK. / DOC.
Director/Reditelj: Kim Longinotto

Country/Zemlja: Ireland, USA, Italy
Year/Godina: 2019.
Language/Jezik: Italian, English
Cast/Uloge: Letizia Battaglia
Production: Lunar Pictures Ltd
DKC, 11. nov, 19:00 | Art bioskop Kolarac, 12. nov, 18:30 | Kulturni centar Novog Sada, 13. nov, 18:00 | Cineplexx Niš, 12. nov, 18:00
66
SINOPSIS SYNOPSIS
Biografski film o Leticiji Batalji, fotografkinji italijanskog A biopic about the Italian photographer Letizia Battaglia
porekla poznatoj po smelim snimcima pustoši koju je known for her intrepid recording of the devastation caused
za sobom ostavljala mafija u njenoj rodnoj Siciliji. Kroz by the mafia in her native Sicily. The feature documentary
ovaj dokumentarac su protkane Bataljine upečatljive weaves together Battaglia’s striking black-and-white
crno-bele fotografije, scene iz klasičnih italijanskih photographs, classic Italian movies, rare archival film,
filmova, retki istorijski snimci i sećanja same autorke, and the now 84-year-old’s own memories, to paint a
sada već 84-godišnjakinje, kako bi se oslikao portret portrait of a remarkable woman whose bravery and
jedne izuzetne žene, čija je hrabrost i nepokolebljivost defiance helped expose the Cosa Nostra’s brutal crimes.
pomogla razotkrivanju brutalnih zločina Koza nostre.
O REDITELJKI
Born in London, UK in 1952, she studied cinematography
Rođena u Ujedinjenom Kraljevstvu, u Londonu 1952. and directing at the National Film and Television School
godine, Kim Longinoto je studirala kinematografiju i režiju in Beaconsfield. Since 1978, she has made numerous
u Nacionalnoj školi filma i televizije u Bikonsfildu. Od 1987. documentaries which focus above all on rebels and
godine snimala je brojne dokumentarne filmove čija su outsiders. Her work first screened in the Panorama
tema buntovnici i autsajderi. Gaia devojke, dokumentarac Dokumente section in 2001 with Gaea Girls, about two girls
o dvema devojkama u japanskom trening kampu za rvače, in a Japanese training camp for wrestlers. Salma, about
je prvi njen prikazan film i to u okviru programa Panorama the lives of Muslim women in southern India, screened in
Dokumente 2001. godine. Potom, dokumentarac Salma, Panorama in 2013. Her film Dreamcatcher won the World
koji se bavi životima muslimanki u južnoj Indiji, prikazan Cinema Documentary Directing Award at Sundance in 2015.
je 2013. godine u programu Panorama. Film Hvatač snova
osvojio je nagradu za najbolju režiju dokumentarnog filma
na filmskom festivalu Sandens 2015. godine.
• Audience Award, Brussels International Film Festival 2019

• Sundance Film Festival 2019
• Hot Docs Toronto Documentary Film Festival 2019
67
Tako je govorila Polin Kejl

What She Said: The Art of Pauline Kael
Director/Reditelj: Rob Garver

Country/Zemlja: USA
Year/Godina: 2018.
Cast/Uloge: Woody Allen, Alec Baldwin, Quentin Tarantino
Production: 29Pictures LLC
Dom omladine Beograda, 10. nov, 18:00 | DKC, 12. nov, 15:00
68
SINOPSIS SYNOPSIS
Polin Kejl, filmska kritičarka časopisa Njujorker, uspela ja da The New Yorker film critic Pauline Kael battled to make her
se izbori i ostavi trag u svetu filma i filmske kritike, zahvaljujući mark -- fueled by brilliance, unshakable self-confidence,
briljantnom stilu, nepokolebljivom samopouzdanju, burnoj a complicated past, and a deep love of the arts. With over
prošlosti i dubokoj ljubavi prema umetnosti. Sačinjen od 40 new interviews and never-before seen archival material,
preko 40 intervjua i do sada nikada viđenog arhivskog What She Said is an unvarnished portrait of a pioneer who
materijala, film Tako je govorila Polin Kejl je verodostojan was both admired and resented for what she said about
portret pionirke koja je, zbog izjava vezanih za filmove i movies and the culture in an era of great moviemaking. Sarah
kulturu u zlatnoj eri filmskog stvaralaštva, u isto vreme bila Jessica Parker voices the writing of Pauline, and featured
obožavana ali i omražena. U dokumentarcu, glumica Sara participants include Quentin Tarantino, Camille Paglia, David
Džesika Parker čita Polinine zapise i predstavlja sagovornike O. Russell, Molly Haskell, Joe Morgenstern and Greil Marcus.
među kojima su: Kventin Tarantino, Kamil Palja, Dejvid
O. Rasel, Moli Haskel, Džo Morgenstern i Grejl Markus. DIRECTOR’S BIOGRAPHY
Rob Garver is a New York-based filmmaker who has written,

O REDITELJU
produced and directed several short films that have been
Rob Garver je filmski reditelj koji živi i radi u Njujorku. screened in local New York cinemas and aired on cable
Režirao je i producirao nekoliko kratkometražnih filmova television. Films include: Comic Belief, a documentary profile
koji su prikazivani u lokalnim njujorškim bioskopima i of cartoonist Dan Piraro; The Man in the Yellow Cap; and Two
emitovani na kablovskoj televiziji. Tu ubrajamo: Comic Roads From Belfast, Maine, a short narrative that has aired
Belief, dokumentarac o crtaču stripova Denu Piraru; on the Classic Arts Showcase cable network. He graduated
The Man in the Yellow Cap; i kratkometražni igrani film from Northwestern University.
Two Roads From Belfast, Maine, koji je emitovan na
televizijskom kanalu Classic Arts Showcase. Diplomirao je
na Univerzitetu Northwestern.
• Telluride Film Festival, 2018

• Doc NYC, 2018
• Berlin International Film Festival, 2019
• Miami Film Festival, 2019
69
#Žensko zadovoljstvo
#Female Pleasure
Director/Reditelj: Barbara Miller

Country/Zemlja: Switzerland, Germany
Year/Godina: 2018.
Language/Jezik: English, German, Japanese
Cast/Uloge: Deborah Feldman, Leyla Hussein, Rokudenashiko
Production: Mons Veneris Films, Das Kollektiv für audiovisuelle Werke, Indi Film
DKC, 12. nov, 21:00
70
SINOPSIS SYNOPSIS
Dokumentarac Barbare Miler, #Žensko zadovoljstvo, Barbara Miller’s feature documentary #Female Pleasure
upoznaje gledaoce sa pet hrabrih, pametnih i portrays five courageous, smart and self-determined
samosvesnih žena, koje razbijaju tišinu koju nameću women, breaking the silence imposed by their archaic-
njihova patrijarhalna društva i verske zajednice. Debora patriarch societies and religious communities. With
Feldman, Lejla Husein, Rokudenašiko, Doris Vagner i Vitika incredible strength and positive energy, Deborah Feldman,
Jadav se svojom neverovatnom snagom i pozitivnom Leyla Hussein, Rokudenashiko, Doris Wagner and Vithika
energijom bore za oslobađanje i autonomiju ženske Yadav are fighting for sexual liberation and autonomy for
seksualnosti, protiv religijskih dogmi i kulturoloških women, beyond religious rules and cultural barriers. But
barijera. Ali njihova pobeda ima visoku cenu: javno su their victory comes at a high price: they all have experienced
omalovažavane, optuživane za krivična dela, izopštene public defamation, threats and prosecutions, have been
iz društva u kome su odrastale, a pristizale su im excommunicated by the society they grew up in and even
čak i pretnje smrću od strane verskih vođa i fanatika. received death threats by religious leaders and fanatics.
Rođena 1970. godine u Cirihu, u Švajcarskoj, Barbara Miler Born 1970 in Zurich, Switzerland, Barbara Miller holds a first
završila je prava, a potom i osnovne studije filma, filozofije degree in law and an undergraduate degree in film studies,
i psihologije na Univerzitetu u Cirihu. Radila je dve godine philosophy and psychology from the University of Zurich.
kao pomoćnik režije na dokumentarcu Kristijana Fraja Ratni As an assistant director and editing assistant she worked
fotograf. Od 2001. godine snima dokumentarne filmove kao on Christian Frei’s documentary War Photographer for two
slobodna umetnica. years. Since has been a freelance documentary filmmaker
since 2001.
• Premio Zonta Club Award – Locarno IFF 2018

• Documentary Award - Millennium Docs Against Gravity 2019
• Special Jury Award - Istanbul International Film Festival 2019
71
Zvezda od 100 kila

Stars by the Pound
SELEKCIJA 14+ / SELECTION 14+ IGR. / FIC.
Director/Reditelj: Marie-Sophie Chambon

Country/Zemlja: France
Year/Godina: 2019.
Cast/Uloge: Laure Duchene, Angèle Metzger, Pauline Serieys
Production: Koro Films
DKC, 12. nov, 13:00
72
SINOPSIS SYNOPSIS
Šesnaestogodišnja Lua ima samo jedan san, a to je da Lois, 16, has only one dream: becoming an astronaut.
postane astronaut. Odlična je u fizici i kada bi se merila However, although she’s gifted in physics, she has a big
samo pamet, bila bi savršen kandidat. Međutim, Lua ima problem: Lois weighs over 200 pounds – a family trait
veliki problem: ima preko 100 kila - porodično nasleđe od she’s inescapably stuck with. Then, just when everything
kog ne može da pobegne. Kada pomisli da je sve izgubljeno, seems lost, Lois meets Amélie, Stannah, and Justine: three
Lua upoznaje Ameli, Stanu i Džastin, tri tinejdžerke suočene teenagers shattered, like her, by life’s tough breaks; yet ready
sa sličnim problemima, ali ipak spremne da učine sve for anything in order to leave with her for outer space…
što je potrebno kako bi se zajedno otisnule u svemir...
O REDITELJKI
After studying at the script department of the French school
Nakon studija na odseku za pisanje scenarija na Francuskoj of cinema, La fémis, Marie-Sophie loves to write stories
filmskoj školi, La fémis, Mari-Sofi je zavolela da piše priče o about ordinary girls and women with an extraordinary
običnim devojkama i ženama neobičnih sudbina. Započinje destiny. First as co-screenwriter, on the first feature film
kao ko-scenaristkinja na prvom igranom filmu Lejle Buzid by Leyla Bouzid As I open my eyes in 2015, rewarded with
Dok otvaram oči iz 2015. godine koji je nagrađivan sa 30 thirty awards at festivals, including Venice, Toronto, Namur,
nagrada na raznim festivalima, u koje spadaju Venecija, St Jean de Luz ... Then, as a director, starting with 3 shorts
Toronto, Namur, Sent-Žan de Luz... Radeći na ovakvim films, and her first feature film, Stars by the pound, presented
temama nastavila je i kao rediteljka, počevši sa tri kratka at Cannes Screen Junior, last May.
filma i svojim prvim igranim filmom, Zvezda od 100 kila, koji
je publici predstavljen na festivalu Cannes Screens Juniors
u maju 2019.
• Cannes Film Festival 2019

• Hamburg International Film Festival 2019
73
Treća smena
Midnight Family
SELEKCIJA 14+ / SELECTION 14+ DOK. / DOC.
Director/Reditelj: Luke Lorentzen

Country/Zemlja: USA, Mexico
Year/Godina: 2019.
Cast/Uloge: Juan Ochoa, Fer Ochoa, Josué Ochoa
Production: Hedgehog Films, No Ficción
DKC, 8. nov, 13:00 | DKC, 11. nov, 15:00 | Kulturni centar Novog Sada, 11. nov, 18:00 | Cineplexx Niš, 10. nov, 18:00
74
SINOPSIS SYNOPSIS
Porodica Očoa vodi privatnu hitnu pomoć u Meksiko The Ochoa family runs a for-profit ambulance in Mexico
Sitiju, takmičeći se za pacijente sa ostalim službama City, competing with other EMTs for patients in need
hitne pomoći. Dok pokušavaju da zarade za život u ovom of urgent help. While making a living in this cutthroat
nemilosrdnom poslu, bore se da njihove finansijske industry, they struggle to keep their financial needs from
potrebe ne ugroze ljude kojima pomažu. Rigorozna kazna jeopardizing the people in their care. When a crackdown
inače korumpirane policije tera porodicu da pokuša da by corrupt police forces the family to try legitimizing their
legalizuje svoju praksu. Film Treća smena bavi se ljudskom operation, their desperate financial situation pushes them
dimenzijom etički kompromitovanog posla porodice Očoa into questionable practices. In humanizing the Ochoas’
i istražuje goruća pitanja funkcionisanja zdravstvenog ethically compromised business, Midnight Family explores
sistema, propuste vlade i kompleksnost lične odgovornosti. urgent questions around healthcare, the failings of
government and the complexity of personal responsibility.
O REDITELJU
Rođen 1993. godine, Luk Lorencen je nedavno diplomirao
na Stanford univerzitetu, gde je studirao istoriju umetnosti Born in 1993, Luke Lorentzen is a recent graduate from
i film. Njegov film Santa Cruz del Islote iz 2014. godine, Stanford University's department of Art and Art History,
kratkometražni dokumentarac o maloj i gusto naseljenoj where he studied Art History and Film Studies. His film,
ribarskoj zajednici u Kolumbiji, je osvojio nagrade na Santa Cruz del Islote (2014) – a short documentary about
preko deset internacionalnih filmskih festivala, uključujući a small and densely populated fishing community in
i San Francisco International, Full Frame Documentary, Colombia – has won awards at over ten international film
Camden International, i Chicago International. Njegov festivals including the San Francisco International, Full
prvi dugometražni dokumentarac, New York Cuts iz 2015. Frame Documentary, Camden International, and Chicago
godine istražuje šest frizerskih salona u potpuno različitim International. His first feature documentary, New York
kulturnim enklavama Njujorka. Luk je takođe deo kreativnog Cuts (2015), explores six hair salons in disparate cultural
tima iza Netfliksove dokumentarne serije Last Chance U enclaves of New York City. Luke is also part of the creative
(od prve do četvrte sezone). Njegov rad istražuje elemente team behind the Netflix documentary series, Last Chance
svakodnevnog života, često kroz rigorozna formalna U (seasons one through four). His work explores elements
sredstva, ispitujući i eksperimentišući načinima pričanja of everyday life, often through rigorous formal means,
dokumentarnih priča. Poreklom iz Konektikata, Luk sada živi questioning and experimenting with the ways in which non-
putujući. U poslednje vreme radio je na nekoliko projekata u fiction stories are told. Originally from Connecticut, Luke
Kanzasu, Meksiko Sitiju i Italiji. now lives on the road, most recently working on projects in
Kansas, Mexico City and Italy.
• Special Jury Award for Cinematography - Sundance Film Festival 2019

• Grand Jury Award - Sheffield Doc/Fest 2019
• Best Documentary - Hong Kong International Film Festival 2019
75
Self i
Self ie
SELEKCIJA 14+ / SELECTION 14+ DOK. / DOC.
Director/Reditelj: Agostino Ferrente

Country/Zemlja: France, Italy
Year/Godina: 2019.
Language/Jezik: Italian
Cast/Uloge: Alessandro Antonelli, Pietro Orlando
Production: Magneto, Arte France
DKC, 7. nov, 13:00 | Art bioskop Kolarac, 11. nov, 18:30
76
SINOPSIS SYNOPSIS
Alesandro i Pietro imaju 16 godina i žive u napuljskom Alessandro and Pietro are 16 years old and live in
predgrađu Traiano. Leta 2014. godine Davida Bifolkoa (16) Naples, district of Traiano where, in the summer of 2014,
je policajac greškom ubio tokom potrage, zamenivši ga sa Davide Bifolco, also 16, was shot by a policeman who
beguncem. Alesandro radi kao konobar u baru, dok Pietro mistook him for a fugitive. They are inseparable friends,
sanja o tome da postane frizer i oni su nerazdvojni prijatelji. Alessandro works as a waiter in a bar, Pietro dreams to
Alesandro i Pietro prihvataju rediteljev predlog da beleže become a hairdresser. Alessandro and Pietro accept the
snimke ajfonom, uživo komentarišući svoja svakodnevna director’s proposal to shoot themselves with an iPhone,
iskustva, svoje blisko prijateljstvo, kraj u kome žive, koji je sada, commenting live on their own daily experiences, their close
u sred leta, prazan i tragediju koja je okončala Davidov život. friendship, their neighborhood – now empty, in the middle
of summer – and the tragedy that ended Davide’s life.
O REDITELJU
Agostino Ferente je reditelj, producent i umetnički direktor.
Pre nego što se posvetio filmu, bio je koordinator uredništva Agostino Ferrente is a director, producer and artistic
za časopise i informativne programe rađene za Italijane director. Before becoming involved in cinema, he was an
u dijaspori. Nakon što je stekao umetničku diplomu u editorial coordinator for magazines and news programs
Bolonji i pohađao Ipotesi Cinema Ermana Olmija, režira addressed to communities of Italians living abroad. After
kratkometražne filmove i muzičke spotove i producira ih sa gaining a degree in the DAMS in Bologna and attending
svojom kompanijom Pirata Manifatture Cinematografiche. Ermanno Olmi’s Ipotesi Cinema, he directed short films
Takođe je član multietničkog benda L'Orchestra di Piazza and music videos and produced them with his company
Vittorio. Radeći sa deset saradnika 2001. godine je Pirata Manifatture Cinematografiche. He’s also part of the
osnovao grupu „Apolo 11“ u Rimu, koja je sačuvala istorijski multiethnic band L'Orchestra di Piazza Vittorio.
bioskop Apolo, sprečivši da bude pretvoren u salu za bingo.
In 2001, collaborating with ten accomplices, he founded the
Promovišući film, muziku i književnost, grupa je od njega
group "Apollo 11" in Rome, which saved the historical Apollo
stvorila jedan od najživljih kulturnih centara u italijanskoj
cinema theatre from becoming a bingo hall. By promoting
prestonici, načinivši ga prvim koji ima stalni repertoar
film, music and writing, the group turned it into one of the
posvećen filmu stvarnosti. Ferente trenutno radi na svom
liveliest cultural centres in Italy’s capital city, the first with
prvom igranom dugometražnom filmu.
an ongoing program dedicated to cinema of the real. He is
currently working on his first non-documentary feature film.
• Documentary Award by BGL BNP Paribas - Luxembourg City FF, 2019

• Berlin International Film Festival, 2019
• Cinéma du Réel Paris, 2019
• Documenta Madrid, 2019
77
Moje neverovatno leto sa Tes

My Extraordinary Summer with Tess
IGR. / FIC.
Director/Reditelj: Steven Wouterlood

Country/Zemlja: Netherlands, Germany
Year/Godina: 2019.
Language/Jezik: Dutch
Cast/Uloge: Sonny Coops Van Utteren, Josephine Arendsen, Tjebbo Gerritsma
Production: BIND, Ostlicht, VPRO
Art bioskop Kolarac, 9. nov, 20:30
78
SINOPSIS SYNOPSIS
Uplašen od mogućnosti da će jednog dana, kao najmlađe Afraid of being left alone as the youngest of the family,
dete ostati sam na svetu jer će svi stariji iz njegove porodice Sam begins his own made up aloneness training during
umreti pre njega, Sem započinje sopstveni „trening samoće” his holiday on the Dutch island Terschelling. But by
tokom kog luta ostrvom nekoliko sati dnevno. Kada upozna meeting the elusive Tess, who carries a big secret, he
misterioznu Tes, koja ima veliku tajnu, Sem se upliće u is drawn into an adventure that makes him realize that
avanturu koja će mu pomoći da shvati da bi trebalo da you should cherish your family instead of fleeing. Sam
neguje odnos sa svojom porodicom, umesto da beži od njih. makes a drastic decision that puts his special friendship
On donosi prelomnu odluku koja će dovesti u pitanje njegovo with Tess at risk and will change Tess‘ life forever.
specijalno prijateljstvo sa Tes i zauvek promeniti njen život.
O REDITELJU
Steven Wouterlood was born in 1984 in Utrecht, The
Stiven Vauterlod je rođen 1984. godine u Utrehtu u Holandiji. Netherlands. In 2013 he directed Anything Goes, a children’s
2013. godine režirao je Anything Goes, dečiji film za movie for television. The film won an International Emmy
televiziju, koji je osvojio Internacionalnu dečiju Emi nagradu Kids Award in New York, a TIFF Kids Award in Toronto and
u Njujorku, TIFF dečiju nagradu u Torontu i brojne druge multiple other awards and nominations around the world.
nagrade i nominacije širom sveta. 2015. godine Stiven je In 2015 Steven directed the short movie Kings’s Day. This
režirao kratkometražni film Kings’s Day. Ovaj film je takođe film also won several awards, including a TIFF Kids Award.
osvojio nekoliko nagrada, uključujući dečiju nagradu na His TV series Remi, Nobody’s Boy (2016), based on the
Međunarodnom Filmskom Festivalu u Torontu. Njegova renowned novel by Hector Malot, was nominated for an
televizijska serija Remi, Nobody’s Boy (2016), zasnovana na Emmy Kids Award. My Extraordinary Summer with Tess is his
poznatom romanu Hektora Maloa, bila je nominovana za first feature film.
Dečiju Emi nagradu. Moje neverovatno leto sa Tes je njegov
prvi igrani film.
• Special Mention - Berlin International Film Festival 2019

• Grand Prize Feature - New York Children's Film Festival 2019
• Special Jury Diploma - Molodist International Film Festival 2019
79
Nebo nad Berlinom

Wings of Desire
30 GODINA OD PADA BERLINSKOG ZIDA / 30 YEARS SINCE THE FALL OF THE BERLIN WALL IGR. / FIC.
Director/Reditelj: Wim Wenders

Country/Zemlja: West Germany, France
Year/Godina: 1987.
Language/Jezik: German, French, English
Cast/Uloge: Bruno Ganz, Solveig Dommartin, Otto Sander
Production: Road Movies Filmproduktion GmbH, Argos Films S.A.
Jugoslovenska kinoteka, 9. nov, 20:30
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SINOPSIS SYNOPSIS
Nebo nad Berlinom simbolično je obeležio Vendersov Wings of Desire marked Wenders’s “homecoming” and was
„povratak“, budući da predstavlja rediteljev prvi film na his first German film after eight years in America. The main
nemačkom jeziku nakon osam godina provedenih u Americi. characters are guardian angels—benevolent, invisible beings
Glavni likovi u filmu su anđeli čuvari, brižna i nevidljiva in trench coats—who listen to the thoughts of mortals and
bića u kaputima koja osluškuju misli smrtnika i nastoje da attempt to comfort them. One of them, Damiel, wishes to
im pomognu. Jedan od anđela, Damiel, poželi da postane become human after he falls in love with the beautiful
čovek nakon što se zaljubi u Marion, umetnicu na trapezu. trapeze artist Marion. Peter Falk, played by himself, helps
Piter Falk, koji u filmu glumi samoga sebe, pomaže Damielu him during his transformation, by introducing him to life’s
prilikom njegovog preobražaja u čoveka tako što ga little pleasures. The film is narrated from the perspective of
upoznaje sa sitnim životnim radostima. Film je ispričan iz the angels, who see the world in black and white. The film
perspektive anđela, koji vide svet crno-belo. Film Nebo nad has cult status all around the world and it’s co-writer was
Berlinom je stekao kultni status širom sveta, a ko-scenarista this years’ Nobel Prize laureate Peter Handke.
ovog filma bio je dobitnik Nobelove nagrade za književnost
za 2019. godinu Peter Handke.
O REDITELJU Wim Wenders is one of the most prominent authors of New

German cinema. Born in 1945 in Dusseldorf, he studied in
Vim Venders jedan je od najistaknutijih reditelja novog
Munich, earning major acclaim with the adaptation of Peter
nemačkog filma. Rođen je 1945. godine u Dizeldorfu, a
Handke's novel The Goalie's Anxiety at the Penalty Kick
studirao je u Minhenu. Stekao je veliko priznanje za svoju
(1972), screened at the Film Festival in Venice. Alice in the
filmsku adaptaciju romana Petera Handkea, Golmanov strah
Cities (1974) is the first part of a road film trilogy, rounded up
od jedanaesterca (1972), prikazanu na Filmskom festivalu
with Kings of the Road (1977). Wenders would often return
u Veneciji. Alisa u gradovima (1974) prvi je deo filmske
to the genre, particularly with the film odyssey Paris, Texas
trilogije koja pripada žanru putopisnih filmova. Trilogija je
(1984) co-written by American playwright Sam Shepard.
zaokružena Kraljevima puta (1977). Venders će se često
This film brought him the Golden Palm in Cannes. He also
vraćati ovom žanru pre svega filmom Pariz, Teksas (1984),
made documentary films. Film Salt of the Earth won the
čiji je scenario pisao poznati američki dramaturg Sem Šepard.
Audience Award at the 10th Free Zone FF.
Venders je za ovaj film dobio Zlatnu palmu u Kanu. Snimao je
i dokumentarne filmove. Njegov dokumentarni film So zemlje
dobitnik je nagrade publike na 10. festivalu Slobodna Zona.
• Best Director - Cannes Film Festival 1987

• Best Director - Bavarian Filmprize 1987
• Best National Film, Gilde-Filmprize in Silver 1988
• Best Director, Best Supporting Actor, European Filmprize 1988
81
Život drugih
The Lives of Others
Director/Reditelj: Florian Henckel von Donnersmarck

Year/Godina: 2006.
Cast/Uloge: Ulrich Mühe, Martina Gedeck, Sebastian Koch
Production: Wiedemann & Berg Filmproduktion
Jugoslovenska kinoteka, 8.nov, 20:30
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SINOPSIS SYNOPSIS
Istočni Berlin, godina 1984. Istočnonemačka vlada veruje da East Berlin, 1984. The government of GDR (German
može da zadrži vlast sistemom individualnog nadgledanja Democratic Republic) strives to maintain political and
koji vodi Štazi, tajna služba državne bezbednosti. Kada social control by establishing Stasi, secret police, whose
kapetanu, Gerdu Vizleru, daju zadatak da špijunira job would be to monitor the residents of East Berlin.
dramskog pisca Georga Drajmana i njegovu devojku, Stasi Captain, Gerd Wiesler, gets an order to spy on the
poznatu glumicu Kristu-Mariju Ziland, on se nada da će mu playwright Georg Dreyman and his girlfriend - a prominent
ova misija doneti napredak u karijeri. Ono što ne može da actress Christa-Maria Sieland. He hopes this mission will
predvidi je da će ga zaranjanje u svet slobode mišljenja u benefit his career. However, he couldn't have foreseen that
književnosti naterati da shvati ispraznost i jednostranu diving into the world of freedom of thought in literature
prirodu svog postojanja. Danonoćno prisluškivanje mu would make him realize the vanity and biased nature of
otvara vrata u svet za koji nije znao da postoji i prisiljava his own existence. This intense monitoring opened the
ga da se i sam zapita o sopstvenim vrednostima. Međutim, door to the world he didn't believe existed and made him
jednom pokrenut, sistem je veoma teško zaustaviti... question his own values. However, the system proves
to be very hard to be beaten once you are under it…
O REDITELJU
Florijan Henkel fon Donersmark je rođen 2. maja 1973.
godine u Kelnu, a odrastao je u Njujorku i Zapadnoj Florian Henckel von Donnersmarck (born 2 May 1973 in
Nemačkoj. Studirao je ruski jezik i književnost u Lenjingradu, Cologne) grew up in New York and West Berlin. He studied
koji je za vreme njegovog boravka preimenovan u Sankt Russian language and literature in Leningrad (which was
Petersburg. Potom je nastavio da se bavi filozofijom, renamed St. Petersburg during his stay), and went on to read
politikom i ekonomijom na Univerzitetu u Oksfordu. Godine Philosophy, Politics, and Economics at Oxford University.
1996, učestvovao je na takmičenju u pisanju eseja i osvojio In 1996, he took part in an essay competition and won a
je rediteljsku praksu kod Ričarda Atenboroa na setu filma directing internship with Richard Attenborough on the set of
U ljubavi i ratu. Zatim se upisao na kurs pisanja i režije na In Love and War. He then enrolled in writing and directing
Akademiji za film i teleleviyiju u Minhenu, gde je snimio course at Munich Film Academy, where he made several
nekoliko nagradjenih kratkometražnih filmova. Za svoj award-winning shorts. For his feature film debut The Lives
debitantski dugometražni film Život drugih 2006. godine je of Others he won the European Film Award 2006 for Best
osvojio Evropsku filmsku nagradu za najbolji film i najbolji Film and Best Screenplay. The film has also been nominated
scenario. Film je takođe nominovan za nagradu Zlatni globus for the Golden Globe and the Academy Award 2007 in the
a osvojio je Oskara za najbolji strani film 2007. godine category Best Foreign Language Film.
• Oscar - Best Foreign Language Film of the Year 2007

• BAFTA - Best Film Not in the English Language 2008
• Best Film - Munich Film Festival 2006
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Barbara
Barbara
Director/Reditelj: Christian Petzold

Year/Godina: 2012.
Cast/Uloge: Nina Hoss, Ronald Zehrfeld, Rainer Bock
Production: Schramm Film Koerner & Weber
Jugoslovenska kinoteka, 8.nov, 18:30
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SINOPSIS SYNOPSIS
Barbara je besprekorno snimljen triler o Hladnom ratu, Barbara is an impeccably crafted Cold War thriller, starring
sa talentovanom Ninom Hos u glavnoj ulozi doktorke iz the gifted Nina Hoss-in her fifth lead role for the director-as
Berlina koja je po kazni prognana u bolnicu u ruralnim a Berlin doctor banished to a rural East German hospital
delovima Istočne Nemačke jer je aplicirala za izlaznu vizu. as punishment for applying for an exit visa. As her lover
Dok njen ljubavnik iz Zapadne Nemačke pažljivo osmišljava from the West carefully plots her escape, Barbara waits
njeno bekstvo, Barbara mora strpljivo da čeka i izbegava patiently and avoids friendships with her colleagues-
prijateljstva sa kolegama - izuzev Andrea (Ronald Cerfeld), except for Andre (Ronald Zehrfeld) the hospital’s head
glavnog lekara bolnice, koji je blagonaklon prema njoj. physician, who is warmly attentive to her. But even as
Međutim, iako počinje da se zaljubljuje u njega, Barbara she finds herself falling for him, Barbara still cannot be
još nije sigurna da li je Andre špijun. Dok njen odbrambeni sure that Andre is not a spy. As her defensive wall slowly
zid polako počinje da se ruši, ona je primorana da donese starts to crumble, she is eventually forced to make a
tešku odluku. Nemački predstavnik u trci za Oskara 2013 u profound decision about her future. Germany’s official
kategoriji najbolji strani film. Oscar submission for Best Foreign Language Film.
Rođen u Hildenu, u Nemačkoj 1960. godine. Živi u Berlinu Born in Hilden, Germany in 1960, he has lived in Berlin since
od 1981. Studirao je nemački jezik i pozorišnu umetnost na 1981. He studied German and theatre at Freie Universität
Slobodnom univerzitetu u Berlinu a potom, između 1988. i Berlin and then, between 1988 and 1994, film at the German
1994. godine, filmsku umetnost na Nemačkoj akademiji za Film and Television Academy Berlin. Whilst there he worked
film i televiziju u Berlinu (dffb). Za vreme studija radio je kao as an assistant director to Harun Farocki and Hartmut
asistent reditelja Haruna Farokija i Hartmuta Bitomskog. Bitomsky. In 1995 he directed his first feature film. The
Režirao je svoj prvi igrani film 1995. godine. Film Stanje u State I Am In won the German Film Award in Gold. After
kome se nalazim osvojio je Zlatnu nemačku filmsku nagradu. having presented his films Ghosts and Yella in the Berlinale
Nakon što su filmovi Duhovi i Jela prikazani u takmičarskom Competition, he won the Silver Bear for Best Director with
programu Berlinala, osvojio je Srebrnog medveda za Barbara in 2012.
najboljeg reditelja sa filmom Barbara 2012. godine.
• Best Film - Nuremberg Film Festival 2012

• Best Film - German Film Critics Association Awards
• Silver Bear for Best Director - Berlin International Film Festival 2012
85
07. 11. 2019.
Future is Here I
08. 11. 2019.
Future is Here II
12. 11. 2019.
Future is Here III

86
Moji prijatelji
My Friends
Director/Reditelj: Gentrit Kastrati /
Kosovo*, 2019, 6’
Language/Jezik: albanski
Titl: engleski/srpski
Produkcija/distribucija: DokuFest
FUTURE IS HERE I DOK. / DOC.
SINOPSIS SYNOPSIS
Film Moji prijatelji je kratka priča o životu jednog tinejdžera My Friends is a short narration about the life of a teenager, a
sa Kosova*, žrtvi vršnjačkog nasilja. On menja školske bullying victim in Kosova*. He juxtaposes his classmates to
drugove za prijatelje koje je stekao na društvenim mrežama. other friends he has met in social networks.
O REDITELJU DIRECTOR’S BIO

Gentrit Kastrati rođen je 2002. godine u Prištini. Završio Gentrit Kastrati was born in 2002, in Prishtina, Kosova*. He
je osnovnu školu u Prizrenu i trenutno je završna godina finished elementary school in Prizren and currently he is a
društveno-jezičkog smera u gimnaziji “Remzi Ademaj”. senior at the social-linguistic Gymnasium "Remzi Ademaj".
Planira da studira režiju nakon što završi srednju školu. After high school, he thinks to study filmmaking.
87
I sve je još uvek tu, ali nije
više onako kako je nekad bilo
Everything is still here, but it’s not
the same as it used to be
Director/Rediteljka: Iva Milojković /

Srbija, 2019, 9’
Language/Jezik: srpski
Titl: engleski
Produkcija/distribucija: Free Zone Filmmaker School
FUTURE IS HERE I, III DOK. / DOC.
SYNOPSIS
SINOPSIS Two friends are remembering their childhood. Walking
Dve prijateljice se prisećaju svog detinjstva. Hodajući kroz through the places where they spent most of their time as
mesta gde su provele najviše vremena kao deca, vode nas children, they guide us through characters and stories they
kroz likove i priče koje su stvarali dok su bile male i otvaraju designed while they were little, opening for all of us the
nam čarobna vrata u svet mašte. magical doors to the world of imagination.
O REDITELJKI DIRECTOR’S BIO

Iva Milojković je rođena 2003. godine u Beogradu. Po Iva Milojkovic was born in 2003 in Belgrade. She finished
završetku osnovne škole upisala je Školu za dizajn u elementary school and enrolled the School of Design in
Beogradu. Ove godine je završila drugi razred na smeru Belgrade. This year she finished her second grade at the
likovni tehničar. Njeno prvo filmsko iskustvo bilo je 2013. na arts technician department. Her first film experience was in
filmu Divan dan za bananaribe, u režiji Stefana Maleševića, 2013 in the film Divan dan za bananaribe directed by Stefan
gde je igrala lik Sanje. 2015. godine je snimila je svoj prvi Malesevic, where she played the role of the girl named Sanja.
krakometražni film Moli, a 2018. je bila asistentkinja In 2015. she filmed her first short film Moli and in 2018 she
režije i operator klape za film Mamonga, takođe u režiji is assisted in directing department and was also the clapper
Stefana Maleševića. I sve je još uvek tu, ali nije više board operator for the film Mamonga also directed by Stefan
onako kako je nekad bilo je njen prvi dokumentarni film. Malesevic. Everything is still here, but it's not the same as it
used to be is her first documentary film.
88
Blinera na web-u
Blinera In The Web
Director/Reditelj: Laberion Nitaj /
Kosovo*, 2019, 8’
SINOPSIS SYNOPSIS
Sedamnaestogodišnja Blinera koristi društvenu mrežu Blinera, a 17 years old girl tells about her everyday
Instagram i govori nam o svakodnevnim doživljajima na ovoj vicissitudes of posting into Instagram. The network is
mreži. Instagram je za nju magija i već se oseća zasićeno. nothing but magic for her, it is already becoming defiant.
O REDITELJU DIRECTOR’S BIO

Laberion Nitaj završio je Kembridž gimnaziju u Peći. Za Laberion Nitaj has graduated from “Cambridge High School”
njega, snimanje filmova je najprefinjeniji način komunikacije, in Peja. For him, filmmaking is the most sophisticated way of
a ovo mu je prvo iskustvo u filmskom svetu. Očekuje ga još communication. This is his first experience with film. There
mnogo lepih stvari i iskustava. are many beautiful things to come and yet much to see.
89
Najduže leto
The Longest
Summer
Director/Reditelj: Gentiana Gashi /

Kosovo*, 2019, 8’
SINOPSIS SYNOPSIS
Najduže leto je kratki dokumentarni film o svakodnevnom The Longest Summer is a short documentary about the daily
životu dve tinejdžerke tokom letnjeg raspusta, nakon routine of two teenagers on summer vacation after they
završetka srednje škole. finished high school.

Gentiana Gaši je učenica, rođena je i odrasla u Prizrenu. Gentiana Gashi is a student, born and raised in Prizren,
Ove godine je završila srednju školu, smer interna medicina. Kosovo*. She graduated from high school this year in the
Privlači je snimanje filmova, i ovo joj je prvo iskustvo u tom field of Internal Medicine. Filmmaking is her passion, and
poslu. this is her first experience in filmmaking.
90
Ja
I
Directors/Reditelji: Rron Bekteshi, Ermal Boşnak /
Kosovo*, 2019, 3’
FUTURE IS HERE II DOK. / DOC.
SINOPSIS SYNOPSIS
Strah da će spoznati realnost ako progledaju drži ih podalje The fear of seeing reality when they look is keeping everyone
od bolne istine isprogramiranog života. Nisu mogli da biraju far away from the harsh truth of their programmed life. They
kakav će život živeti, ali su ipak odlučili da zažmure. didn't have a say in the reality they live in but they chose to
close their eyes.
O REDITELJIMA
Rron Bekteši rođen je 13. februara 2001. godine u Prizrenu. DIRECTORS’ BIO
Bio je predsednik i predstavnik prizrenskih učenika u Rron Bekteshi, born on February 13th, 2001 in Prizren,
kosovskom omladinskom parlamentu (KYC). Srednju Kosovo*. Graduated from High School in 2019, he was
školu je završio 2019. godine. Ljubitelj je umetnosti i the president and representative of Prizren’s students
eksperimentisao je u raznim njenim oblastima, međutim, for Kosovar Youth Council (KYC). As an art lover, he
ovde se prvi put oprobao kao filmski stvaralac. experimented in many fields of art, but this is his first project
as a filmmaker.
Ermal Boşnak rođen je i odrastao u Prištini. Aktivista je i
borac za ljudska prava. Ove godine je završio gimnaziju, Ermal Boşnak is an activist and human rights advocate born
društveno-jezički smer. Ovo mu je prvo iskustvo u snimanju and raised in Prishtina, Kosovo*. He graduated from high
filma. school this year in the field of Social-Linguistics. This is his
first experience in filmmaking.
91
Bez brata
Without a Brother
Directors/Rediteljke: Alba Demiri, Genta Sefa /

Kosovo*, 2019, 10’
SINOPSIS SYNOPSIS
Četiri žene i jedna priča ispričana na Kosovu*. Ovo je priča o Four women, one story. Told throughout Kosovo*. The
teretu koji nose devojčice u porodicama bez muškarca. Život burden of being a girl, in families without boys. Full of
pun anksioznosti, predrasuda i hrabrosti. Bez brata je film o anxiety, prejudice and courage. Pa vlla! A film overcoming
prevazilaženju stereotipa između polova. gender stereotype!
O REDITELJKAMA DIRECTORS’ BIO

Alba Demiri rođena je 2002. godine u Uroševcu. Učenica je Alba Demiri was born in 2002 in Ferizaj, Kosovo*. She is a
gimnazije "Arbër's Assembly". Pohađala je i nižu muzičku student of the "Arbër's Assembly" Gymnasium in Ferizaj. She
školu, smer klavir. Aktivista je u civilnom društvu i debater has also attended the lower piano music school. Alba is a
formata BP. Gaji ljubav prema umetnosti, naročito prema civil society activist and debater of the BP format. She has a
filmu. passion for art, especially film.
Genta Sefa je rođena 2001. godine u Prištini, a živi u Genta Sefa, born in 2001 in Pristina, lives in Ferizaj. She
Uroševcu. Završila je gimnaziju "Arbër's Assembly" i graduated from the "Arbër's Assembly" Gymnasium and is
planira da nastavi školovanje na Američkom Univerzitetu u expected to continue his studies in Bulgaria at American
Bugarskoj. Istakla se u školi violine, kao debater BP formata, University. Genta was distinguished at the violin school, as
a takođe se bavila i volonterskim radom. Kao ljubitelj filma, a debater in the BP format, and participated in volunteer
doprinela je organizaciji FER filmskog festivala u Uroševcu. activities. She has contributed to the organization of the FER
Film Festival in Ferizaj, based on her passion for film.
92
Yaaas Queen!
Yaaas Queen!
Directors/Reditelji: Petar Lakić, Isidora Lazić,
Jovan Pjević / Srbija, 2019, 14’
Titl: engleski
FUTURE IS HERE II, III DOK. / DOC.
SINOPSIS SYNOPSIS
Luda noć i dan posle u životu izvanredne dreg kraljice. Wild night and the day after in a life of an extraordinary drag
queen.
O REDITELJIMA
Petar Lakić je rođen 2000. godine u Smederevu, ali od rođen- DIRECTORS’ BIO
ja živi u Kovinu. Upravo je završio srednju školu „Branko Petar Lakic was born in 2000 in Smederevo), but since he
Radičević“. Od detinjstva je pokazivao radnoznalost i talenat was born he lives in Kovin. He just graduated from high
za različite vidove umetnosti, naročito za film i pozorište. school “Branko Radicevic”. At an early age, he showed a
Petar je član amaterskog pozorišta u svom gradu. curiosity and talent for various forms of art, especially film
and theatre. Petar is a member of amateur theatre in his city.
Isidora Lazić je rođena 2000. godine. Završila je Treću
beogradsku gimnaziju, društveno-jezičkog smera na fran- Isidora Lazic was born in 2000. She graduated from Third
cuskom jeziku. Nedavno je primljena na Sorbonu u Parizu, Belgrade Gymnasium – Bilingual French Department. She
na Katedru za filozofiju. Zanimaju je jezici, društvene nauke, just got accepted at Sorbonne University – Paris, Philosophy
omladinska politika, diplomatija i razne vrste umetnosti. Department. She is interested in languages, social sciences,
youth politics, diplomacy and various forms of art.
Jovan Pjević je rođen 2001. u Beogradu. On je sada četvrta
godina Gimnazije "Sveti Sava" u Beogradu. Film je uvek bio u Jovan Pjevic was born in 2001 in Belgrade. He is now the
središtu njegovih interesovanja. Jedna od njegovih omiljenih fourth grade of "Sveti Sava" Gymnasium in Belgrade. The
aktivnosti u slobodno vreme je volontiranje. film has always been at the center of his interests. One of
his favorite things to do in his free time is to volunteer.
93
Srećan čovek
The Happy Man
Director/Rediteljka: Gresa Dida /

Kosovo*, 2019, 9’
SINOPSIS SYNOPSIS
Malo telo, neverovatne priče i ogromno srce. Pridružite Small body, great stories, huge heart. Join us, as we
nam se, dok vam otkrivamo harizmatiču ličnost gospodina unveil the charismatic persona of Mr. Afrim. An Arnold
Afrima - obožavaoca Arnolda Švarcenegera, ljubitelja Schwarzenegger admirer, football lover and passionate
fudbala i pasioniranog glumca. actor.

Gresa Dida rođena je 2001. godine u Prizrenu. Trenutno je Gresa Dida was born in 2001 in Prizren, Kosovo*. Currently,
maturant gimnazije “Gjon Bazuku”. Voli kameru, putovanja i da she’s a senior at Gymnasium “Gjon Buzuku”. She loves
uči nove stvari. learning new things, cinematography and traveling.
94
Tvoje drugo ime
Your Other Name
Director/Rediteljka: Milica Živančević /
Srbija, 2019, 9’
Titl: engleski
FUTURE IS HERE III DOK. / DOC.
SINOPSIS SYNOPSIS
Dokumentarni film Tvoje drugo ime je jedinstveno pismo Documentary Your other name is a unique letter to reality, art,
stvarnosti, umetnosti, ljubavi i vremenu. Autorka nas vodi love and time. The author takes us through the landscapes
kroz predele koji predstavljaju samo obris misli o protoku that represent only the outline of the thoughts about the flow
vremena, pokazujući nam da je život borba u kojoj uvek of time, showing us that life is a struggle in which we always
težimo da uhvatimo pravi trenutak. strive to catch „the moment“.

Milica Živančević je rođena 2001. godine u malom gradu Milica Zivancevic was born in 2001 in small town Vojka
Vojki u Srbiji. Završila je Osnovnu školu „Milan Hadžić“ (Serbia). She finished primary school “Milan Hadzic” in her
u svom rodnom gradu, a ove godine je završila Devetu hometown, and this year she graduated at the Ninth Belgrade
beogradsku gimnaziju „Mihailo Petrović Alas“. Gaji strast Gymnasium "Mihailo Petrovic Alas". She is passionate about
ka filmu, posebno filmskoj montaži. Kratkometražni film, especially film editing. Documentary short Your Other
dokumentarac Tvoje drugo ime je njen prvi film. Name is her first film.
95
So zemlje
The Salt of the Earth
NAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE DOK. / DOC.
Director/Reditelj: Juliano Ribeiro Salgado, Wim Wenders

Country/Zemlja: France, Brasil, Italy
Year/Godina: 2014.
Language/Jezik: English, French, Portuguese
Cast/Uloge: Sebastião Salgado, Wim Wenders, Lélia Wanick Salgado
Production: Independent Production Company
96
SINOPSIS SYNOPSIS
U poslednjih 40 godina, fotograf Sebastiao Salgado For the last 40 years, the photographer Sebastião Salgado
proputovao je svet i bio svedok nekih od najznačajnijih has been travelling through the continents, in the footsteps
događaja skorije istorije: međunarodnih sukoba, epidemija of an ever-changing humanity. He has witnessed some
gladi i egzodusa. Sada se upušta u otkrivanje netaknutih of the major events of our recent history; international
predela, divlje faune i flore, i grandioznih pejzaža u sklopu conflicts, starvation and exodus. He is now embarking
ogromnog fotografskog projekta koji je posvećen lepoti on the discovery of pristine territories, of wild fauna and
planete. Život i delo Sebastiaoa Salgada nam otkriva njegov flora, and of grandiose landscapes as part of a huge
sin Džulijan, saputnik tokom mnogih putovanja, kao i Vim photographic project, which is a tribute to the planet’s
Venders, koji se i sam bavi fotografijom. Dobitnik nagrade beauty. Sebastião Salgado’s life and work are revealed to
publike 10. Festivala Slobodna Zona 2014. godine. us by his son, Juliano, who went with him during his last
travels, and by Wim Wenders, a photographer himself. Salt
O REDITELJIMA of the Earth was Free Zone Audience Award winner 2014.
Vim Venders je rođen u Dizeldorfu 1945. godine. Nakon

dve godine provedene na studijama medicine i filozofije i
jednogodišnjeg boravka u Parizu gde se bavio slikarstvom, Wim Wenders was born in Düsseldorf in 1945. After two
opredelio se za studije filma i televizije na filmskoj akademiji years of studying medicine and philosophy and a year-
u Minhenu od 1967. do 1970. godine. Važi za jednu od long stay in Paris as a painter, he attended the University
najznačajnijih figura Novog nemačkog filma 70-ih godina of Television and Film in Munich from 1967 to 1970. One
prošlog veka. Pored režije autorskih filmova, Venders se bavi of the most important figures to emerge from the New
i fotografijom. German Cinema period in the 1970s. Alongside directing
atmospheric auteur films, Wenders works with the medium
Džulijano Ribero Salgado je rođen 1974. godine u Parizu
of photography.
gde je odrastao u francusko-brazilskoj porodici. Godine
1996. snimio je svoj prvi dokumentarac Suzana za Juliano Ribeiro Salgado was born in 1974 in Paris, where he
televizijski kanal Arte, o upotrebi nagaznih mina u Angoli. grew up in a Franco-Brazilian environment. In 1996, he made
Usledili su dokumentarci snimljeni u Etiopiji, Avganistanu, his first documentary for Arte, Suzana, on the use of anti-
Brazilu. Salgado je zatim upisao Filmsku školu u Londonu, personnel mines in Angola. Other documentaries followed,
koju je završio 2003. godine. Snimio je veći broj kratkih i made in Ethiopia, Afghanistan and Brazil. Salgado then
dokumentarnih filmova za francusku televiziju. entered the London Film School, from which he graduated in
2003. Juliano Ribeiro Salgado has made a number of short
films and documentaries for French television.
• Special Jury Prize, Special Mention - Cannes Film Festival 2014

• Best Documentary Film - César Awards, France 2015
• Best Film - Sofia International Film Festival 2015
97
Dugme od sedefa
The Pearl Button
Director/Reditelj: Patricio Guzmán

Country/Zemlja: Chile, France, Spain
Year/Godina: 2015.
Cast/Uloge: Martín Calderón, Cristina, Patricio Guzmán
Production: Atacama Productions, Valdivia Film, Mediapro, France 3 Cinéma
98
SINOPSIS SYNOPSIS
U okeanu je pohranjena istorija čitavog čovečanstva. U The ocean contains the history of all humanity. The sea
okeanu su sačuvani glasovi zemlje i glasovi svemira. Zvezde holds the voices of the Earth and those that come from
pokreću okeane i živa bića u njima. Okean, ujedno najduža outer space. Water receives impetus from the stars and
vodena granica Čilea, čuva tajnu misterioznog dugmeta transmits it to living creatures. Water, the longest border
od sedefa pronađenog na njegovom dnu. Čile, sa svojom in Chile, also holds the secret of a mysterious button that
2.670 milja dugom obalom i najvećim arhipelagom na was discovered in its seabed. Chile, with its 2,670 miles
svetu izgleda gotovo natprirodno. Njegovi vulkani, planine i of coastline, the largest archipelago in the world, presents
glečeri čuvaju glasove starosedelaca Patagonije i Ognjene a supernatural landscape. In it are volcanoes, mountains
zemlje, prvih engleskih kolonizatora i političkih zatvorenika and glaciers. In it are the voices of the Patagonian
Pinočeovog režima. Kažu da voda pamti, a Dugme od sedefa indigenous people, of the first English sailors and also
pokazuje da može i da govori. those of its political prisoners. Some say that water
has memory. This film shows that it also has a voice.
O REDITELJU
Nakon vojnog puča kojim je svrgnut Salvador Aljende,
Patrisio Guzman je držan u pritvoru u Santijagu pod pretnjom After the coup d’etat that brought down Salvador Allende,
da će biti pogubljen. Napustio je Čile novembra 1973. godine. Patricio Guzmán was held in solitary confinement in
Od tada je živeo na Kubi, u Španiji i Francuskoj, gde i trenutno Santiago’s National Stadium and threatened with execution.
boravi. Šest njegovih ostvarenja je doživelo premijeru na He abandoned Chile in November 1973. He has since lived in
Kanskom festivalu, među kojima se posebno izdvajaju Cuba, Spain and France, where he lives now. Six of his works
Bitka za Čile, Slučaj Pinoče, Salvador Aljende i Nostalgija have been premiered at Cannes film festival, amongst which
za svetlošću, za koji je dobio Grand Prix nagradu Evropske stand out The Battle of Chile, The Pinochet Case, Salvador
filmske akademije 2010. godine. Osnivač je Festivala Allende and Nostalgia For the Light. The latter was awarded
dokumentarnog filma u Santijagu. 2013. godine Guzman je the Grand Prix by the European Film Academy in 2010. He is
primio poziv za članstvo u Američkoj akademiji za filmsku the founder of the Documentary Film Festival of Santiago.
umetnost i nauku. Njegova trilogija Bitka za Čile se smatra Recent retrospectives: British Film Institute, Harvard Film
jednim od najboljih dokumentarnih filmova svih vremena. Archive. In 2013 he was invited to be part of the Hollywood
Academy. His trilogy The Battle of Chile is considered one of
the best documentary films ever made.
• Silver Bear for Best Script - Berlin International Film Festival, 2015
• Best Documentary - Jerusalem Film Festival 2015
• Best Film - Biografilm Festival 2015
99
Prekinuti krug
The Broken Circle Breakdown
NAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE IGR. / FIC.
Director/Reditelj: Felix van Groeningen

Country/Zemlja: Belgium, Netherlands
Year/Godina: 2012.
Language/Jezik: Dutch
Cast/Uloge: Veerle Baetens, Johan Heldenbergh, Nell Cattrysse
Production: Menuet Producties, Topkapi Films, Belgacom
100
SINOPSIS SYNOPSIS
Elis i Didije su se zaljubili na prvi pogled. Ona drži salon Elise and Didier fall in love at first sight. She has her own
za tetoviranje, dok on svira bendžo u bendu. Povezuje ih tattoo shop and he plays the banjo in a bluegrass band.
zajedničko interesovanje za američku muziku i kulturu They bond over their shared enthusiasm for American
i upuštaju se u snažnu romansu koja se odigrava i na, i music and culture, and dive headfirst into a sweeping
van scene. Međutim, kada neočekivana tragedija zadesi romance that plays out on and off stage — but when an
njihovu novu porodicu, sve što znaju i vole biće stavljeno unexpected tragedy hits their new family, everything they
na probu. Intenzivno dirljiv portret jedne veze od početka do know and love is tested. An intensely moving portrait
kraja, prožet blugras muzikom, Prekinuti krug je romantična of a relationship from beginning to end, propelled by a
melodrama najvišeg ranga. soundtrack of foot-stomping bluegrass, The Broken Circle
Breakdown is a romantic melodrama of the highest order.
O REDITELJU
Feliks van Greningen je diplomirao na Kraljevskoj akademiji
lepih umetnosti u Gentu, u Belgiji. Njegov film Nesretnici Felix van Groeningen graduated from the Royal Academy of
(2009) privukao je pažnju međunarodne filmske javnosti Fine Arts in Ghent, Belgium. His 2009 film The Misfortunates
nakon svetske premijere u Kanu. Ovaj film bio je filmski hit broj was a Flemish hit and won the Istanbul Film Festival’s
jedan na flamanskom, osvojivši brojne nagrade, uključujući i Golden Tulip. He has written and directed plays with the
nagradu Zlatna lala na Filmskom festivalu u Istanbulu. Pisao Ghent theatre group Kung Fu. All four of his features have
je i režirao predstave sa gentskom pozorišnom trupom been collaborations with producer Dirk Impens.
Kung-fu. Sva četiri njegova filma su rađena u saradnji sa
producentom Dirkom Impensom.
• Audience Award, Europa Cinemas - Berlin International Film Festival 2013

• Best Actress, Best Screenplay - Tribeca Film Festival 2013
• FIPRESCI Prize - Palm Springs International Film Festival 2014
101
The Lunchbox
The Lunchbox
Director/Reditelj: Ritesh Batra

Country/Zemlja: India, France, Germany, USA
Year/Godina: 2013.
Language/Jezik: Hindi, English
Cast/Uloge: Irrfan Khan, Nimrat Kaur, Nawazuddin Siddiqui
Production: Sikhya Entertainment, DAR Motion Pictures, NFDC
102
SINOPSIS SYNOPSIS
Domaćica Ila, pripadnica srednje klase, pokušava da začini Housewife Ila, a member of the middle class, tries to spice up
svoj brak, ovog puta uz pomoć kuhinje. Ona ne zna da je her marriage once again, this time with the help of a kitchen.
specijalni ručak koji je pripremila mužu, greškom došao u She doesn't know that a special meal she had prepared was
ruke nesrećnog činovnika Sajana, usamljenog čoveka koji mistakenly delivered to miserable clerk Saajan, a lonely man
je pred penzijom. Zaintrigirana nedostatkom reakcije svog who is near retirement. Intrigued by the lack of reaction
supruga, Ila sledećeg dana stavlja malu poruku u kutiju from her husband, Ila leaves a small message inside the
za ručak u nadi da će saznati šta se desilo. Ovo pokreće lunchbox the next day, in hopes of finding out what had
razmenu niza poruka u kutiji za ručak između Sajana i Ile, happened. This sets in motion an exchange of a series of
a uteha kroz anonimnog komuniciranje sa strancem uskoro messages in the lunchbox between Saajan and Ila, and the
prerasta u neočekivano prijateljstvo. Publika ga je proglasila from anonymous communication with a stranger soon turns
za najbolji film 9. festivala Slobodna Zona 2013. godine. into an unexpected friendship. Voted for the best film by the
audience of the 9th Free Zone Belgrade Human Rights FF.
O REDITELJU
Riteš Batra je rođen i odrastao u Mumbaiju, a trenutno DIRECTOR’S BIOGRAPHY

živi na relaciji Mumbai-Njujork. Kratkometražni filmovi
Ritesh Batra was born in Mumbai, where he grew up as well,
Riteša Batre su prikazivani na mnogim međunarodnim
and he currently lives at Mumbai-New York route. Short
filmskim festivalima i u umetničkim galerijama. Njegov
movies of Ritesh Batra were screened on many international
kratkometražni film na arapskom jeziku, Običan kafe,
film festivals and at art galleries. His short movie in Arabian
Kairo, prikazan je na preko četrdeset filmskih festivala
language, Café Regular, Cairo, was screened at over 40 film
i osvojio je trinaest nagrada, uključujući FIPRESCI,
festivals and won 13 awards, including FIPRESCI, an award
nagradu međunarodnih filmskih kritičara u Oberhausenu,
given to intentional film critics in Oberhausen, as well as
kao i Specijalnu plaketu žirija na festivalima Tribeka i
Jury Special Mention at Tribeca Film Festival and Chicago
Međunarodnom filmskom festivalu u Čikagu. Njegov
International Film Festival. His scenario for the feature
scenario za dugometražni film Ramova priča je bio deo
film The Story of Ram, was a part of the laboratory used
laboratorije scenarista i producenata na festivalu Sandens
by producers and script-writers at the Sundance Festival,
2009. godine. The Lunchbox je prvi dugometražni film Riteša
2009. The Lunchbox is the first feature film of Ritesh Batra.
Batre. Film je svetsku premijeru doživeo u okviru programa
It premiered worldwide as a part of the International Critics'
Nedelja kritike na filmskom festivalu u Kanu 2013. godine.
Week at the Cannes Film Festival, 2013.
• Grand Golden Rail - Cannes Film Festival 2013

• Best Film - Zagreb Film Festival 2013
• Best Film - Sofia International Film Festival 2014
103
Hana Arent
Hannah Arendt
Director/Reditelj: Margarethe von Trotta

Country/Zemlja: Germany, Luxembourg, France, Israel
Year/Godina: 2012.
Language/Jezik: German, English
Cast/Uloge: Barbara Sukowa, Axel Milberg, Janet McTeer |
Production: Heimatfilm
104
SINOPSIS SYNOPSIS
Radnja filma smeštena je u razdoblje između 1960. i 1964. The movie is set in the period between 1960 and 1964
godine i opisuje Hanin put u Jerusalim, suđenje oficiru i and it describes Hannah's journey to Jerusalem, a famous
nacističkom zločincu Ajhmanu, kao i njeno izveštavanje trial of an officer and nazi criminal Eichmann, as well as
o tom suđenju za američki magazin Njujorker. Očekujući her report about this trial for an American journal, New
da će na optuženičkoj klupi pronaći čudovište, američka Yorker. Expecting a monster as the main suspect, the
književnica nemačko-jevrejskog porekla je iznenađena American writer of a German-Jewish origin is surprised
ravnodušnošću kojom Ajhman odiše, pa tako kreira svoju by the indifference that Eichmann exudes, and that's
čuvenu tezu o „banalnosti zla” i piše članak koji u javnosti how she creates her famous thesis about the 'banality
izaziva pravi skandal. Naslovnu ulogu tumači Fasbinderova of evil' and writes an article which causes a real scandal
diva Barbara Sukova. in public. Barbara Sukowa plays the title character.
Margaret fon Trota umetničku karijeru započinje daleke Margarethe von Trotta begins her career early during 1968,
1968. godine u vreme studentskih protesta i Crvenih brigada, in time of student demonstrations and Red brigades, at
najpre kao glumica, scenaristkinja i producentkinja, a potom first as an actress, screenwriter, and producer, and later on
i kao rediteljka. Režiju prvog filma Izgubljena čast Katarine as a director. She directed her first movie The Lost Honour
Blum uradila je u saradnji sa Folkerom Šlendorfom, a prema of Katharina Blum, in collaboration with Schloendorff, and
romanu Hajnriha Bela. Njeno prvo samostalno rediteljsko based on the novel of Heinrich Böll. Her first independent
ostvarenje je film Drugo buđenje Kriste Klage iz 1978. godine, directorial work is the film The Second Awakening of Christa
da bi već sa svojim drugim filmom Nemačke sestre započela Klages in 1978., and she started her long and magnificent
svoju dugu i blistavu karijeru osvojivši Zlatnog lava u Veneciji career early on, with her second movie, The German Sisters,
1981. godine. by winning the Golden Lion award in Venice, 1981.
• Best Film - Valladolid International Film Festival 2012

• Best Actress Bavarian Film Awards 2013
105
20.000 dana na Zemlji

20.000 Days on Earth
Director/Reditelj: Iain Forsyth, Jane Pollard

Country/Zemlja: UK
Year/Godina: 2014.
Cast/Uloge: Nick Cave, Susie Bick, Warren Ellis
Production: JW Films, Pulse Films
106
SINOPSIS SYNOPSIS
Film 20.000 dana na Zemlji pruža iznenađujuće iskren uvid 20.000 Days on Earth gives a surprisingly honest view into
u umetnički proces, bavi se pitanjem šta nas čini onim što the artistic process, deals with the question of what makes
jesmo i slavi moć transformacije koju nam kreativnost nudi. us who we are and celebrates the power of transformation
Kolege muzičari Bliksa Bargeld i Kajli Minog prisećaju se offered to us by creativity. Fellow musicians Blixa Bargeld
zajedničke saradnje, a Nik Kejv nam, istovremeno i kao pisac and Kylie Minogue remember the joint cooperation, and
i kao narator, otkriva svoj pogled na svet, život i način na Nick Cave, both as a writer and as a narrator, reveals his
koji stvara. 20.000 dana na Zemlji govori o tome kako mit, view on the world, life and his manner of creation. 20.000
sećanja, ljubav i gubitak oblikuju naše živote iz dana u dan. Days on Earth tells the story of how myth, memories,
Film je dobio naziv po belešci na margini Kejvove knjige love, and loss shape our daily lives. The film was named
pesama gde je zabeležio koliko dana je već živ. after a note on the margins of Cave's book of poems
where he recorded the number of days he was alive.
O REDITELJIMA
Jan Forsajt je rođen u Mančesteru, u Velikoj Britaniji,
1973. godine, a Džejn Polard u Njukaslu, 1972. Studirali Ian Forsyth was born in Manchester, Great Britain, in 1973,
su zajedno na Goldsmits koledžu u Londonu od 1992. do and Jane Pollard in Newcastle, in 1972. They attended the
1995. godine i od tada rade zajedno. Njihov performans Goldsmiths College in London, from 1992 to 1995, and have
„Rokenrol samoubistvo“ je do poslednjeg detalja apsolutno been working together since. Their performance "Rock n
verna rekonstrukcija legendarnog (poslednjeg) Bouvijevog Roll Suicide" is an absolutely authentic re-enactment of the
nastupa u liku Zigija Stardasta, čime su postali jedni od legendary (last) Bowie's performance as the character of
pionira ovog postupka u savremenoj umetnosti u kome se Ziggy Stardust, which made them pioneers of this process
značajni kulturni momenti oživljavaju i stavljaju u potpuno in the modern art, in which the significant cultural moments
novi kontekst. are brought to life and placed into completely new context.
• Directing Award, Editing Award - Sundance Film Festival 2014

• FIPRESCI Prize - Istanbul Film Festival 2014
• Golden Athena - Athens International Film Festival 2014
107
Samo vetar
Just the Wind
Director/Reditelj: Benedek Fliegauf

Country/Zemlja: Hungary, Germany, France
Year/Godina: 2012.
Language/Jezik: Hungarian, English, Romany
Cast/Uloge: Katalin Toldi, Gyöngyi Lendvai, Lajos Sárkány
Production: Inforg-M&M Film Kft.
108
SINOPSIS SYNOPSIS
Vesti su se brzo proširile o ubistvu romske porodice u News quickly spreads of the murder of a Romany family
jednom mađarskom selu. Počinioci su pobegli i niko ne zna in a Hungarian village. The perpetrators have escaped and
njihov identitet. Za drugu romsku porodicu koja živi blizu, nobody claims to know who might have committed the
ovo ubistvo oživelo je njihove stare strahove. U dalekoj crime. For another Romany family living close by, the murder
Kanadi, otac porodice odlučuje da mu se žena, deca i njihov only serves to confirm their latent, carefully repressed
deda priključe što pre. Živeći u strahu od rasističkog terora fears. Far away in Canada the head of the family decides
koji ih okružuje sa osećanjem napuštenosti u svojoj tihoj that his wife, children and their grandfather must join
manjini, porodica se trudi da preživi dane posle napada. him as soon as possible. Living in fear of the racist terror
Njihov san o odlasku se čini nemogućim. that surrounds them and feeling abandoned by the silent
majority, the family tries to get through the day after the
O REDITELJU attack. Their hope of escaping the madness proves illusory.
Benedek Fligauf jedan je od vodećih mađarskih filmskih

stvaralaca novije generacije. Osim režijom, bavi se i pisanjem
scenarija, scenografijom i komponovanjem. Prvim igranim Benedek Fliegauf is one of the leading Hungarian filmmakers
filmom Forest ostvario je zapažen međunarodni uspeh, što of the new generation. In addition to directing, he is also a
mu je otvorilo vrata svetske kinematografije. Njegov drugi screenwriter, stage designer and composer. With his first
film Dealer je osvojio brojne nagrade, a na festivalu u Mar feature film Forest, he achieved remarkable international
del Plati bio je apsolutni pobednik, osvojivši četiri priznanja, success, which opened the door to world cinema. His
među kojima i nagradu za najbolji film. Njegovo treće second film Dealer has won numerous awards and at the
ostvarenje, film Milky Way, na Locarno Film Festivalu 2007. Mar del Plata Festival he was the absolute winner, winning
osvojio je nagradu Zlatni leopard. four awards, including the Best Picture Award. His third film,
Milky Way, won the Gold Leopard Award at the 2007 Locarno
Film Festival.
• Best Film, Peace Film Award - Berlin International Film Festival 2012
• FACE Award - Istanbul International Film Festival 2012
• Best Film - Hungarian Film Critics 213
109
Vilkoks
Wilcox
U FOKUSU: DENIS KOTE / IN FOCUS: DENIS CÔTÉ IGR. / FIC.
Director/Reditelj: Denis Côté

Country/Zemlja: Canada
Year/Godina: 2019.
Language/Jezik: no dialogue
Cast/Uloge: Guillaume Tremblay
Production: Inspiratrice & Commandant, GreenGround
DKC, 9. nov, 16:00
110
SINOPSIS SYNOPSIS
Vilkoks je od onih koji postoje izvan norme. Putujući Wilcox is of those whom exist outside the norm. Traversing
pustim putevima i bezimenim poljima, Vilkoks je krenuo deserted roads and nameless fields, Wilcox sets off
u kreiranje vlastite mitologije. Dezerter, delikvent ili to create his own mythology. Deserter, delinquent, or
borac, ovaj avanturista tiho putuje u potrazi za nečim, u survivalist, the adventurer quietly roams in search of
potrazi za nekakvim osloncem, u potrazi za nečim što bi something; in search of a touchstone of some kind; in
najjednostavnije moglo biti opisano kao sloboda. search of what could more simply be described as freedom.
Denis Kote je rođen u Nju Bransviku, u Kanadi 1973. Born in New Brunswick in 1973, he began making short
godine. Nakon završenih studija filma, započinje rad na films after completing his studies in Cinema. While working
kratkometražnim filmovima. Radio je kao novinar i filmski as a film critic, Denis Côté finished his first feature-length
kritičar i u tom periodu režirao svoj prvi dugometražni film in 2005, Drifting States. The film won the Golden
film Drifting States (2005) koji je osvojio Zlatnog leoparda Leopard Award at the Locarno International Film Festival
na Međunarodnom filmskom festivalu u Lokarnu. Film in Switzerland, then made the rounds of the festival circuit.
Otpad je predstavljen na Kanskom festivalu 2009. godine Carcasses (2009) was presented at the Directors’ Fortnight
u okviru programa Petnaest dana autora. Koteov predmet at the 2009 Cannes Film Festival. Côté is interested in
interesovanja su teme vezane za samoću, lične strahove exploring themes of solitude, intimate fears, and alienation
i otuđenost, i obrađuje ih kroz dokumentarna ostvarenja through documentary and fiction filmmaking that confronts
i fikcije, na način koji se suprotstavlja i dovodi u pitanje and questions the language of cinema. His films have been
konvencionalni filmski jezik. Njegovi filmovi su prikazivani shown at more than twenty retrospectives throughout
na više od dvadeset retrospektiva širom sveta. Vilkoks je the world. Wilcox is Denis Côté’s 12th feature-length film,
Koteov dvanaesti dugometražni film koji je usledio posle following films such as Curling, Bestiaire, Vic+Flo Saw a Bear,
ostvarenja kao što su Curling, Bestiaire, Vic+Flo Saw a Bear, Ghost Town Anthology.
Ghost Town Anthology.
• Locarno Film Festival 2019
111
Karling
Curling

Year/Godina: 2010.
Cast/Uloge: Emmanuel Bilodeau, Philomène Bilodeau, Roc LaFortune
Production: Nihilproductions
112
SINOPSIS SYNOPSIS
Radnja filma smeštena je u zabačenoj provinciji, gde ljudi Set on the fringe of society, in a remote part of the
žive na margini društva. Film Karling prati privatni život oca countryside, Curling takes a keen look at the unusual private
i ćerke. Pored svakodnevnih, običnih poslova, Žan-Fransoa life of a father and his daughter. Between his unremarkable
Blan je posvećen svojoj ćerki Julivon na neobičan način. jobs, Jean-François Blain devotes an awkward energy
Krhka ravnoteža njihovog odnosa biće ugrožena sumornim to Julyvonne. The fragile balance of their relationship
okolnostima. will be jeopardized by some very dreary circumstances.
Denis Kote je rođen u Nju Bransviku u Kanadi 1973. Denis Côté was born in New-Brunswick, Canada in 1973.
godine. Od 1997. godine Denis je producirao i režirao Since 1997, Denis has produced and directed 15 short
petnaest kratkometražnih filmova koji su bili prikazivani films which have been screened at many international
na mnogobrojnim svetskim festivalima. Novinar i filmski film festivals. Journalist and film critic until 2005, Denis
kritičar sve do 2005. godine, Denis Kote je režirao svoj Côté directed his first feature film Drifting States which
prvi dugometražni film Drifting States koji je osvojio won the Golden Leopard Award at the prestigious Locarno
Zlatnog leoparda na prestižnom Međunarodnom filmskom International Film Festival. The Indie Vision Grand Prize
festivalu u Lokarnu. Usledila je velika nagrada Indie Vision followed at the Jeonju International Film Festival in South
na Međunarodnom filmskom festivalu u Jeonjuu u Južnoj Korea. Drifting States been screened at more than 25
Koreji. Film Drifting States je bio prikazivan na više od 25 international film events. His third feature film All that She
svetskih filmskih manifestacija. Njegov treći dugometražni Wants won the Silver Leopard for Best Director at Locarno
film All that She Wants osvojio je Srebrnog leoparda za in August 2008. Carcasses was premiered at Cannes in The
režiju u Lokarnu u avgustu 2008. godine. Film Carcasses je Directors’ Fortnight section in 2009. In 2010, Denis Côté
premijerno prikazan 2009. godine u Kanu u okviru programa presented his piece for the Jeonju Digital Project entitled
Petnaest dana autora. Denis Kote je 2010. godine predstavio The Enemy Lines. Curling is his fifth feature film.
svoje delo pod naslovom The Enemy Lines za Jeonju Digital
projekat. Curling je njegov peti dugometražni film.
• Best Director, Best Actor - Locarno International Film Festival 2010

• Hong Kong International Film Festival 2010
113
Otpad
Carcasses
U FOKUSU: DENIS KOTE / IN FOCUS: DENIS CÔTÉ DOK. / DOC.

Year/Godina: 2009.
Cast/Uloge: Jean-Paul Colmor
Production: Nihilproductions
114
SINOPSIS SYNOPSIS
Žan Pol Kolmor ima 74 godine. Nakon što je doživeo Jean-Paul Colmor is 74 years old. After an accident,
nesreću, rano se penzionisao i počeo sa sakupljanjem he took an early retreat and has been collecting cars,
automobila, olupina i otpada, i to radi poslednjih 40 wrecks and junk for the last 40 years. Living among
godina. Živeći među tonama i tonama olupina, on tiho radi tons and tons of debris, he quietly works all day on his
svakog dana na svom neverovatnom imanju, sređujući unimaginable property, furnishing and dealing car parts
i preprodajući auto delove mehaničarima i drugim to mechanics and other iron afficionados. One day four
ljubiteljima metala. Jednoga dana četiri provalnika dolaze intruders visit Colmor in search of a corner of twisted
kod Kolmora u potrazi za čudnim blagom. Film Otpad paradise. Carcasses uses documentary and fictitious
koristi elemente dokumentarca i fikcije kako bi uspeo da elements to try getting at the soul of an unthinkable place.
dopre do suštine jednog nezamislivog mesta.
O REDITELJU
Denis Côté was born in New-Brunswick, Canada in 1973.
Denis Kote rođen je u Nju Bransviku u Kanadi 1973. Since 1997, Denis has produced and directed 15 short
godine. Radio je kao producent i reditelj od 1997. godine films which have been screened at many international
na petnaest kratkometražnih filmova koji su bili prikazivani film festivals. Journalist and film critic until 2005, Denis
na mnogobrojnim svetskim festivalima. Ostvario se kao Côté directed his first feature film Drifting States which
novinar i filmski kritičar i u tom periodu režirao svoj prvi won the Golden Leopard Award at the prestigious Locarno
dugometražni film Drifting States (2005) koji je osvojio International Film Festival. The Indie Vision Grand Prize
Zlatnog leoparda na prestižnom Međunarodnom filmskom followed at the Jeonju International Film Festival in South
festivalu u Lokarnu. Velika nagrada Indie Vision je usledila Korea. Drifting States has been screened at more than 25
na Međunarodnom filmskom festivalu u Jeonjuu u Južnoj international film events. His third feature film All that She
Koreji. Film Drifting States je bio prikazan na više od 25 Wants won the Silver Leopard for Best Director at Locarno
svetskih filmskih manifestacija. Njegov treći dugometražni in August 2008. Carcasses was premiered at Cannes in The
film All that She Wants osvojio je Srebrnog leoparda Directors’ Fortnight section in 2009.
za režiju u Lokarnu u avgustu 2008. godine. Otpad je
premijerno prikazan 2009. godine u Kanu u programu
Petnaest dana autora.
• Cannes Film Festival 2009

• Locarno International Film Festival 2009
115
Antologija gradova koji nestaju

Ghost Town Anthology

Year/Godina: 2019.
Cast/Uloge: Robert Naylor, Josée Deschênes, Jean-Michel Anctil
Production: Couzin Films
DKC, 08. nov, 19:00
116
SINOPSIS SYNOPSIS
U izolovanom gradiću sa populacijom od 215 stanovnika, In Irénée-les-Neiges, a small, isolated town with a population
u saobraćajnoj nesreći umire Simon Dube. Zapanjeni of 215, Simon Dubé dies in a car accident. The stunned
stanovnici nerado raspravljaju o okolnostima ove tragedije. townspeople are reluctant to discuss the circumstances
Od tog trenutka za porodicu Dube, gradonačelnika Smolvuda, of the tragedy. From that point on, for the Dubé family as
kao i šačicu stanovnika vreme kao da gubi svako značenje, well as for Mayor Smallwood and a handful of others,
a dani se protežu u nedogled. Nad gradom se nadvila neka time seems to lose all meaning, and the days stretch
senka. Dok su ljudi u žalosti, a napolju se spušta magla, on without end. Something descends slowly upon the
stranci počinju da se pojavljuju. Ko su oni? Šta se dešava? area. In this period of mourning and in this fog, strangers
start to appear. Who are they? What is happening?
O REDITELJU
Denis Kote je rođen u Nju Bransviku, u Kanadi 1973.
godine. Nakon završenih studija filma, započinje rad na Born in New Brunswick in 1973, he began making short films
kratkometražnim filmovima. Radio je i kao novinar i filmski after completing his studies in Cinema. While working as a
kritičar i u tom periodu režirao svoj prvi dugometražni film critic, Denis Côté finished his first feature-length film in
film Drifting States (2005) koji je osvojio Zlatnog leoparda 2005, Drifting States. The film won the Golden Leopard Award
na Međunarodnom filmskom festivalu u Lokarnu. Film at the Locarno International Film Festival in Switzerland, then
Carcasses je predstavljen na Kanskom festivalu 2009. godine made the rounds of the festival circuit. Carcasses (2009) was
u okviru programa Petnaest dana autora. Koteov predmet presented at the Directors’ Fortnight at the 2009 Cannes Film
interesovanja su teme vezane za samoću, lične strahove i Festival. Côté is interested in exploring themes of solitude,
otuđenost, i obrađuje ih kroz dokumentarna ostvarenja i intimate fears, and alienation through documentary and
igrane filmove, dovodeći u pitanje konvencionalni filmski fiction filmmaking that confronts and questions the language
jezik. Njegovi filmovi su prikazivani na više od dvadeset of cinema. His films have been shown at more than twenty
retrospektiva širom sveta. retrospectives throughout the world.

• Seattle International Film Festival 2019
117
118
Prateći
programi
Additional
programs
119
Kompas Slobodne Zone
Free Zone Compass
GOVORNI PROGRAM DEBATE PROGRAM
Urednik programa: Editor:

Ivan Milenković Ivan Milenković
Mesto održavanja: Venue:

Dvorana Kulturnog centra Beograda Cultural Centre of Belgrade Theatre
Subota, 9. novembar u 11.00č Saturday, November 9th, 11.00
Neonacističke sablasti: Neo-Nazi spooks:

može li se vampir upokojiti? can a vampire retire?
Projekcija filma „Stig Laršon: Čovek koji se igrao Screening of the „Stieg Larsson: The Man Who
vatrom” i panel diskusija sa gostima Played With Fire” and panel discussion with guests
Učesnici panela: Đorđe Pavićević (filozof politike), Panel participants: Đorđe Pavićević (political philosopher),
Zora Drčelić (novinarka), Jovo Bakić (sociolog) Zora Drčelić (journalist), Jovo Bakić (sociologist)
Nedelja, 10. novembar u 11.00č Sunday, November 10th, 11.00
Nema loših ljudi, There are no bad people,

već samo loših kultivatora only bad cul tivators
Projekcija filma „Jadnici“ Screening of the „Les Misérables“ and panel
i panel diskusija sa gostima discussion with guests
Učesnici panela: Branko Romčević (filozof), Igor Štiks Panel participants: Branko Romčević (philosopher), Igor
(teoretičar politike), Srđan Prodanović (sociolog) Štiks (political theorist), Srđan Prodanović (sociologist)
120
Ponedeljak, 11. novembar u 11.00č Monday, November 11th, 11.00
Zašto nam je ugroženo Why is our right to a roof

pravo na krov nad glavom? over our head compromised?
Projekcija filma „ Izbačeni” Screening of the „Push” and
i panel diskusija sa gostima panel discussion with guests
Učesnici panela: Fredrik Gerten (režiser), Iva Marčetić Panel participants: Fredrik Gertten (director), Iva
(Pravo na grad, Zagreb), Aleksa Petković (Združena Marčetić (Right to the City, Zagreb), Aleksa Petković
akcija Krov nad glavom), Danilo Ćurčić (Inicijativa za (Collective Action “Roof Over the Head“), Danilo Ćurčić
ekonomska i socijalna prava - A11) i Robert Zuber (A11 – Initiative for Economic and Social Rights) and
(novinar i reditelj) Robert Zuber (journalist and director)
Urednik i moderator panela: Vladimir Simović Editor and panel moderator: Vladimir Simović
Pitanje stanovanja, kao i prava na grad, zadnjih nekoliko The issue of housing, as well as the right to the city, has
decenija postalo je jedno od najvažnijih pitanja koje ima become one of the most important issues that has existed
egzistencijalnu potku. Pravo na adekvatno stanovanje in the last few decades. The right to adequate housing is
jedno je od prava prepoznatih u Međunarodnom paktu one of the rights recognized in the International Covenant
o ekonomskim, socijalnim i kulturnim pravima, koji on Economic, Social and Cultural Rights (ICESCR), which
obavezuje i Republiku Srbiju. Ipak, ovo pravo sve je also obliges the Republic of Serbia. However, this right
ugroženije. Rast cena nekretnina, nedovoljna razvijenost is increasingly threatened. Rising real estate prices,
sistema socijalnog stanovanja, kao i prinudna iseljenja, underdeveloped social housing systems, as well as forced
dovode do egzodusa siromašnih iz gradskih centara, evictions, lead to the exodus of the poor from urban
porasta beskućništva, a posledično i ugrožavanja drugih centers, the rise of homelessness and, consequently, the
ljudskih prava pojedinaca i pojedinki. threat to other human rights of individuals.
Iako situacija sa stanovanjem ima trend koji negativno Although the housing situation has a trend that
pogađa građane, širom sveta javljaju se udruženja i is negatively affecting citizens, associations and
pokreti koji pokušavaju da ponude rešenja kako bi se movements around the world are trying to come up with
izbegla socijalna katastrofa. Različiti modeli udruživanja u solutions to avoid a social disaster. Different models
zadruge stanara samo su jedno od mogućih izlaza. Tu su i of association with tenant cooperatives are only one
kampanje koje zahtevaju sveobuhvatniji sistem socijalnog possible way out. There are also campaigns that call for
stanovanja, a imamo i primer Berlina u kojem je pokrenuta a more inclusive social housing system, and we have
masovna kampanja sa zahtevom da se nacionalizuju an example of Berlin launching a massive campaign to
stanbeni objekti koji su u rukama velikih korporacija. nationalize housing in the hands of large corporations. In
Na ovom panelu pokušaćemo da obuhvatimo različita this panel, we will try to capture the different experiences
iskustva borbe za dom i analiziramo njihovu uspešnost u of home fighting and analyze their success in securing a
obezbeđivanju osnovnog prava na adekvatno stanovanje. basic right to adequate housing.
121
MEDIA desk Srbija radionice
Media desk Serbia workshop
Petak, 8. novembar u 10:30č

Jugoslovenska kinoteka, Multimedijalna sala, II sprat
Kako funkcioniŠe VOD

distribucija
Predavači: Vincent Lucassen i Saša Stanišić
MEDIA desk Srbije u partnerstvu sa Filmskim festivalom Cinesquare je najveća regionalna VoD platforma koja
Slobodna Zona organizuje radionicu na temu VoD je fokusirana na evropske filmove i filmove sa Balkana.
distribucije. Događaj uključuje predavanje Kako Platforma pokriva 13 teritorija (Turska, Slovenija,
funkcioniše VoD distribucija (predavač Vincent Lucassen Hrvatska, Srbija, Bosna i Hercegovina, Crna Gora,
iz kompanije Under the Milky Way), prezentaciju VoD Makedonija, Albanija, Grčka, Rumunija, Bugarska i Kipar).
platforme Cinesquare (Saša Stanišić, CutAway d.o.o.) i Cinesquare pruža mogućnost filmovima sa Balkana kao i
individualne konsultacije sa predavačima. evropskim nezavisnim filmovima dalji život izvan njihove
bioskopske distribucije.
Predavanje Kako funkcioniše VoD distribucija daje
pregled glavnih VoD platformi koje su dostupne za Za više informacije o događaju, kao i za
digitalnu distribuciju fokusirajući se na način kako se prijavljivanje za individualne konsultacije pišite na:
filmovi iz zemalja niskog produkcijskog kapaciteta info@media.kreativnaevropa.rs
mogu eksploatisati putem VOD platformi u saradnji sa
distributerima koji su fokusirani na online distribuciju,
poput kompanije Under the Milky Way.
122
Friday, November 8th, 10:30
Yugoslav Film Archive, Multimedia hall, 2nd floor
VoD Distribution:
How does it work?
Workshop lecturers: Vincent Lucassen i Saša Stanišić
MEDIA desk Serbia in partnership with Free Zone Festival Cinesquare is the largest regional VoD platform focused
organizes a workshop on the topic of VoD distribution. on European and Balkan films. The platform covers 13
territories (Turkey, Slovenia, Croatia, Serbia, Bosnia
The event includes a lecture VoD Distribution: How
and Herzegovina, Montenegro, Macedonia, Albania,
does it work? (lecturer Vincent Lucassen from company
Greece, Romania, Bulgaria and Cyprus). Cinesquare
Under the Milky Way), presentation of the VoD platform
provides an opportunity for films from the Balkans as
Cinesquare (Saša Stanišić, CutAway d.o.o.) and individual
well as European independent films to live beyond their
consultations with lecturers.
cinematic distribution.
This lecture provides an overview of the major VoD
For more information about the event, as well
platforms available for digital distribution by focusing
as to sign up for an individual consultation:
on how films from low-production countries can be
info@media.kreativnaevropa.rs
exploited through VOD platforms in collaboration with
distributors focused on online distribution, such as Under
the Milky Way.
123
Promocija knjige
Book promotion
Petak, 8. novembar u 18č Friday, November 8th, 18.00
Bar Sprat/Zaokret, Cetinjska 15 Bar Sprat/Zaokret, Cetinjska 15
Marguerite Duras & Marguerite Duras &

Jean-Luc Godard: Dijalozi Jean-Luc Godard: Dialogues
Učesnici: Petar Milat (izdavač MAMA Zagreb), Dina Participants: Petar Milat (publisher MAMA Zagreb),
Pokrajac (urednica izdanja) i Milica Vinaver Ković Dina Pokrajac (editor) i Milica Vinaver Ković (Assistant
(docentkinja, Filološki fakultet u Beogradu). Professor at University of Belgrade Faculty of Philology)
Tri dijaloga između Marguerite Duras i Jean-Luca The three dialogues between Marguerite Duras and
Godarda sabrana u ovoj knjizi predstavljaju razgovor Jean-Luc Godard assembled in this book represent
započet u 1979. [prvi dijalog, povodom snimanja a conversation started in 1979 [the first dialogue on
Godardova filma Spašavaj tko može (život)], nastavljen u the filming of Godard's movie Sauve qui peut (la vie)],
1980. (drugi dijalog, u vezi filmskog projekta o incestu) i continued in 1980 (the second dialogue, regarding the film
koji se završava 1987. godine (treći dijalog za televizijsku project on incest ) and ending in 1987 (the third dialogue
emisiju Océaniques). Između spisateljice i redatelja, radi for the television show Océaniques). Between the writer
se ujedno o suštinskom odnosu i vremenski određenom and the director, it is both an essential relationship and
susretu. Godard, u jednom intervjuu iz 1997. godine kaže a timely encounter. Godard, in a 1997 interview, said
da je Duras poznavao “dvije ili tri godine”, u izrazu koji Duras had known "two or three years," in an expression
podsjeća na naslov njegova filma, Dvije ili tri stvari koje reminiscent of the title of his movie, 2 or 3 Things I Know
znam o njoj. Oni se susreću nekoliko godina i razgovaraju About Her. They meet for a few years and talk about
o “dvije ili tri stvari” koje im pomažu u razmišljanju: "two or three things" that help them think: their second
njihov se drugi susret događa nakon što su oboje objavili encounter occurs after both have published proceedings
zbornike svojih razmišljanja o filmu, Duras Zelene oči, of their reflections on the film, Duras Green Eyes, Godard
Godard Uvod u istinsku povijest filma. Introduction to a True History of Cinema and Television.
Izdavači: Bijeli val/Subversive Festival i Multimedijalni Publishers: Bijeli val/Subversive Festival and Multimedia
institut // 2019. // broj strana 132 // prijevod: Zlatko Institute // 2019. // total pages: 132 // translation: Zlatko
Wurzberg Wurzberg
124
Petak, 8. novembar u 19č Friday, November 8th, 19.00
Bar Sprat/Zaokret, Cetinjska 15 Bar Sprat/Zaokret, Cetinjska 15
Vladimir Šojat: Vladimir Šojat:

Dugo i netremice: Persistent and Unblinking:
pogled na likove u a Survey on Articulation
dokumentarnom f ilmu of Characters in
Učesnici: Igor M. Toholj (urednik izdanja), Vladimir Documentary Cinema
Bjeličić (istoričar umetnosti, pisac predgovora) i
Participants: Igor M. Toholj (editor) Vladimir Bjeličić
Vladimir Šojat (autor knjige)
(art historian, preface author) i Vladimir Šojat (author
of the book)
Vladimir Šojat se bavi istraživanjem vrtoglavog uspeha
dokumentarnih filmova i naglog povećanja broja
Vladimir Šojat investigates the enormous success of
gledalaca, kako u komercijalnim bioskopima tako i na
documentaries and the rapid increase in viewership in
specijalizovanim festivalima. Nove okolnosti otvorile
both commercial cinemas and specialized festivals. New
su prostor za promišljanje i analizu elemenata filmskog
circumstances have opened up space for reflection and
izraza u ovoj filmskoj formi, kao i za istraživanje niza
analysis of the elements of cinematic expression in this
pitanja počevši od toga da li su svi likovi u dokumentarnim
film form, as well as for exploring a range of questions,
filmovima izmišljeni.
starting with whether all the characters in documentaries
Vladimir Šojat, filmski autor, montažer i video umetnik, are fictional.
kroz seriju predavanja održanih u Domu kulture
Vladimir Šojat, filmmaker, editor, and video artist, through
Studentski grad, tokom 2017. i 2018. godine, “prepustio
a series of lectures held at the Student City Cultural Center
se uočavanju, istraživanju, upoređivanju, te izgradnji
in 2017 and 2018, “indulged in spotting, researching,
višeslojnih tumačenja odabranih ostvarenja, što za
comparing, and building multi-layered interpretations
konačni cilj ima drugačije sagledavanje različitih
of selected accomplishments, with the ultimate goal of
dokumentranih filmskih pristupa i poetika”. Sadržaj
a different perspective on different documentary film
predavanja prenet je u knjizi koja je objavljena u oktobru
approaches and poetics." The content of the lecture was
ove godine.
written in a book published in October this year.
Izdavač: Dom kulture Studentski grad // 2019. // broj Publisher: Student’s City Cultural Center // 2019. // total
strana 158 pages: 158
125
Na kaf i sa autorima
Coffee With the Authors
9. i 11. novembar u 13č November 9th and 11th at 13:00

Zaokret/Sprat, Cetinjska 15, Beograd Zaokret/Sprat, Cetinjska 15, Belgrade
Na kafi sa autorima je govorni format Slobodne Zone Coffee with the authors is a speech format at the Free
koji je uspešno započet 2016. godine. Zamišljen je kao Zone Festival that was successfully launched in 2016.
mesto okupljanja i druženja predstavnika medija i gostiju It is conceived as a place for gathering and socializing
festivala ali i platforma za komunikaciju i razmenu for media representatives and festival guests, as well
mišljenja. Ovogodišnje izdanje uređuju i vode Jelena as a platform for communication and exchange of
Maksimović i Ivan Bakrač, koji će razgovarati sa autorima opinions. This year’s edition is edited and moderated
filmova Lepota i prolaznost, Dnevnik Diane Budisavljević, by Jelena Maksimović and Ivan Bakrač, who will talk
Umetnost sećanja, Tusta, Čudovišta, Dolaziš iz daleka with the authors of films Beauty and Decay, The Diary
i sa autorom filmova Antologija gradova koji nestaju, of Diana B, Milestones, Tusta, Monsters, You Come From
Vilkoks, Karling, Otpad i svim prisutnim gostima festivala. Far Away and with the author of Ghost Town Anthology,
Razgovori su otvoreni za publiku i održavaju se u Wilcox, Curling, Carcasses and all present guests of the
neformalnoj atmosferi. festival. The talks are open to the public and are held in
an informal atmosphere.
126
127
Watering
documentaries!
Photo from the film CURRENTS by Katerina Duda
Prva nedjelja juna 2020. godine
www.underhillfest.me
underhillfest@gmail.com

2019 SZ Katalog

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Tim Slobodne zone

Tehnička realizacija: Trimark

Kakvo je to vreme u koje je

Razgovor o drveću gotovo zločin

Zato što podrazumeva ćutanje o tolikim zlodelima!

tridesetogodišnje diktature islamista uspostavljene I Viktor Igo je objavljivanje romana Jadnici,

Nasilje je sveprisutno i na fotografijama Leticije U kome smo mi potonuli,

Kim Longinoto u filmu Mafija kroz objektiv okreće

Petnaest godina od prvog izdanja Slobodne Zone

What times are these, in which

A conversation about trees is almost a crime

For in doing so we maintain our silence about

“Ne volim ljude koji se izvlače iz sveta kao kišne

“I dislike people who get out of things unscraped.

Filmski festival Slobodna Zona

najbolji angažovani film u međunarodnoj konkurenciji

najbolji angažovani film u regionalnoj konkurenciji “Horizonti Balkana“

najbolji film u okviru selekcije 14+

Nagradu Human Rights

Žan Pjer Rem je diplomirao savremenu književnost i

Jean-Pierre Rehm, a graduate of the École Normale

Modern Art, Yokohama Art Center in Japan, Witte de With

Gijom de Sej rođen je 1968. godine. Nakon što je

Guillaume de Seille was born in 1968. After two awarded

commissioning editor for a couple of years within the short

Iva Milojković je rođena 2003. godine u Beogradu. Pohađa treći

Iva Milojkovic was born in 2003 in Belgrade. She is in third grade at

Sergej Lišanin je učenik Farmaceutsko fizioterapeutske škole.

fantastike. Prethodne godine je takođe bio član žirija ovog festivala

Sergej Lisanin is a student at the School of Pharmacy and

Milica Todorovic is 18 years old and goes to “Nikola Tesla“ School

Rastko Šarčević ima 18 godina i četvrti je razred Elektrotehničke

Rastko Sarcevic is 18 years old and is a fourth-grader of the

Marina Stepanoski ima 18 godina i maturant je Farmaceutsko-

Marina Stepanoski is 18 years old and a graduate of the School

Areta Frenklin: Amazing Grace

Director/Reditelj: Alan Elliott, Sydney Pollack

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• Outstanding Documentary - Image Awards (NAACP) 2019

Director/Reditelj: Patricio Guzmán

Production: ARTE, Atacama Productions

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• Best Documentary - Cannes Film Festival 2019

Director/Reditelj: Annekatrin Hendel

Production: It Works!, RBB Media

DKC, 9. nov, 21:00 | Art bioskop Kolarac, 10. nov, 20:30

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• Heiner-Carow-Award - Berlin International Film Festival 2019

Director/Reditelj: Suhaib Gasmelbari

Production: AGAT Films & Cie

O REDITELJU DIRECTOR’S BIOGRAPHY

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• Special Jury Prize, FIPRESCI prize - Istanbul Film Festival 2019

Director/Reditelj: Guy Nattiv

O REDITELJU DIRECTOR’S BIOGRAPHY

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• FIPRESCI, Toronto International Film Festival 2019

Director/Reditelj: Amal Ramsis

Production: Klaketa Árabe

DKC, 11. nov, 17:00

O REDITELJKI DIRECTOR’S BIOGRAPHY

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• FIPRESCI Critics' Prize - Ismailia International Film Festival

Director/Reditelj: Grímur Hákonarson