9 To 5 Musical

KEYBOARD 1 - CONDUCTOR SCORE Music and Lyrics by Dolly Parton Book by Patricia Resnick Based on the 20th Century Fox Picture Originally produced on Broadway by Robert Greenblatt, April 2009 NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract. It remains the property of: / ) E RETURI RIALS TO: MTI MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD (Mvsre Twanrns lorramxrvomsat, NEW HARTFORD, CT 06057 421 Wost Séth Street New York, NY 10019 (212) 541-4684 © Copyright. All Rights Reserved.Piano Pad Gospel/Blues Piano Percussive Rhodes Piz. Strings Pretty E.P. Icicle Bell Funky Clav. Pretty F.M. E.P. Arco Strings Synth Bells Clavinet Bar Room Piano Octave Trem, Strings Harp Fast Strings Bassoon Oboe Glock. Trem. Strings Harpsichord “Journey” Chorus Piano Percussive E.P. Pretty Pop Piano Magic Harp Wurly (w/a little trem.) Wurly + Piano Piano + E.P. (layered) Rhodes9TO5 Keyboard 1 - Conductor Score Act One 1.905... Ja, Into the Bullpen 2. Around Here .. 2a. Back to Work! .. ar 39 3. Here For You.. 3a. Here For You (Reprise) 3b. Into the Xerox Room 4, [Just Might 4a. Punchin’ In. 5. Backwoods Barbie. 5a. Enright’s the Man... 6. Heart to Hart..... 103 6a. Violet's Pissed .. 6b. Maui Wowie 7. Dance of Death .... . 105 113 8. Cowgirl’s Revenge .. 9. Potion Notion 124 10. Joy to the Girls. .. 137 10a. Oh My God! 10b. Out of the Bathroom ... 10c. To the Hospital... 11. I Killed the Boss . Ta. The Search for the Coffee Cup . 61 12. Shine Like The Sun. 1539TO5 Keyboard 1 - Conductor Score Act Two 174 13. Entr'acte. 114, One of the Boys. 14a, One of the Boys Playoff... 15,5 t09.. . se 198 ou 201 16. Change It... ‘16a. Ain't it Great? ... 16b. A Better Day 221 17. Let Love Grow 17a. Goodnight, Mr. Hart 17b. Stay Here, Dick. 18. Get Out and Stay Out 18a. No She Didn't (Slacks)... 18b. Hail to the Tinsworthy 0... 19. Finale 20. Bows 21. Exit MusicKeyboard 1/Conductor 9TO5 Music & Lyries by Dolly Parton Orchesirations by Bruce Coughlin “Additional Orchestrations by Alex Lacamoire & Stephen Oremus Note to Conductor regarding CUT! There are several numbers that had cuts made after the band parts were completed. In these cases, there are specific instructions in this Keyboard 1/Conductor book and in the Full Score which explain the cuts and state exacily how to dictate the information to the band in the clearest manner. This information is placed at the points in the score where the instruction is to be given. #4-1 JUST MIGHT Start at bar 5. (Cut bars 1 - 4.) Cut from the end of bar 50 to the top of bar 52A. #7 - DANCE OF DEATH Cut from the end of bar 1 to the top of bar 6. Cut from the end of bar 15 to the top of bar 18. #8 -COWGIRL'S REVENGE Cut bar 122P. #11 - [KILLED THE BOSS Cut from the end of bar 24 to the top of bar 29. Cut from the end of bar 90 to the top of bar 95. #14A - ONE OF THE BOYS - PLAYOFF Cut from the end of bar 18 to the top of bar 23. #16A - AIN'T IT GREAT Cut from the end of bar 2 to the top of bar 5. #18A - NO SHE DIDN'T Start at bar 5. (Cut bars 1 - 4.)wewr errr eee ewe ewww www ewer errr rere reer ewww weeUT, Keyboard 1/Conductor (town) 1 9TO5 Music & Lyries by Dolly Parton Orchestrations by Bruce Coughlin “Additional Orchestrations by Alex Lacamoire & Stephen Oremus DOLLY: "Well, hey there everybody! When Thear that sound it takes me back to a time before computers and cell phones. Back when apples and blackberries were somethin’ I'd pick behind the barn.” Moderate 80's 4 2 43x 5 Am te Tutti gy _[FIANO), 5 (cH-rLay] Ce:!. ale a wiGt. sim. OEEFF EREP ERPP RP pieie feeerere fT vis sempre HTD Kick J's Tham ces DOLLY: * Were pin bck o 179 when ain of ga an you ou 86 cents, sha spt ocks an ico wer theo ings round Gtr 2, K2: Rhodes Fs +Tbn, Bari Vamp and it seemed like your whole life existed between the hours of 91055." [GO ON) DOLLY: "Back then there was no such thing as office assistants. Emly Grishnan Mase Preparation 212768285)= our) Keyboard 1/Conductor 3.9705 " under his desk! ras happening unde to 19) : 1. Unless of course it ‘We were just secretaries! And the boss wasnt interested in no women's movement. Ul " Tum-ble out -a bed and 1 stum-ble to the kit - chen. Tei. - Pour my - self a cup of am - bi - tion, 4 BOTH GROUPS: 2 Yawn and stretch and try ss3/92/ 050-7 PYYIIIIIIIII III rey5 4.9TOS Boba one >. mr ™ iH _ 2 © = Jump in tesowr and thelood stars pump — HT. tote == = a Sa e e —— = eS — ———————— aE + oo ee : s s UUVvVVVVY rm a8 -~3- PUUVUVEVUVVVVVVVUYKeyboard Conductor 5970s rou ENS: Out onthe streets the tra-ffic stats jump-in for folks—— like me— on thejob from nine +Hins, witins. nine to fire what. away to.make— av - i Hins,Tamb. 2 (4806) f wiGtes comp, gyda +Gongzs, Ds bacbeat tine big upbeat get - tin’ by Saal takin’ and_no giv ~ in They just use your mind and they Hess/aion0-7 -4- a 2SVVVUT ESS VVVVVVVVVE ESTES TVTTT TTT TT VVVVVVUUy Keyboard Conductor nev-er give— wiGtr.t (as before), Bs, Drs. DOLLY: "Let me tell you all what's goin’on. 78 Hesos/s2ioeaT 6.9705 9105 Tour) Ws enough to dtive—you— crazy if you let it Drs: Alarm SEX ‘That's Violet. She's the company veteran. ‘Also a widow and mom of ateen." ae "Ton, Bari JOSH: "Mom, where are my clean socks?"9105 Keyboard 1/Conductor 7.9705 ae DOLLY: VIOLET: JOSH: "Why would my clean, VIOLET: "Because your clean socks are dirty! “That's the teen.” "Inthe dirty clothes hamper." Socks be with the dirty clothes?" 7c mon, wee running late! Gtr2, K2: B3 red af F pou Te “El ost "Her life makes the juggling sc in the cireus look like apiece of cake.” a aaa ® fvioLer: By ko lives have gor me hopin’ Gir 2, K2 awn ‘il mid - night there's—no stoppin’. Don't know which Tm mothering —the most — EAB] Solo. Fe ringoat ° Pe Bind ant tis my oon » ‘a grab my purse and 1 keep run - in (RH. TACET, cy F9105 (Tou) VS. >>> 8.9705 | — » » » » » » » » » » » » » » » » » » oof o9879105 Keyboard 1/Conductor 9.9105 (ex) 4 a Got so muchon my plate I could choke. Workin’ nine to— five — 4 MEN & 3 WOMEN (onstage): Workin’ nine to— five — Hs, Tamb. (No Congas, Gtr. 2) 2 <= Drs: backbeat time Timp. ‘wibig HH upbeats service and—de-vo - tion. You would think that I would deserve fat pro-mo - tion. Want to You would think that L— Want to fr simile ows/aajone - ta n a aPPPPPPPPPPPITLL EE EUVTAUVULAAAARAAAAAAAANASKeyboard Conductor 10.9705 move a head but the boss won't seem to let me 1 I swear Swear Hns,K2_ out to get me Nine to Fi ~hi-hive.— = mp MEN: out to get me—* Nine to five. nowyaa/mer -~9- sometimes 9105 Tou) that man is sometimes— that man is Acoustic Gur.2 (RH. TACET 6 fomp (Gee. Vout)” HE upbeats,9105 Keyboard 1/Conductor 1.9 Ts (Tour) Vamp ss, "she’s sexy, she's sweet, she’s —" well, you know who she is!" eso DORALEE: (68) They Tet you dreari— just to watch ‘em shat-ter.You'te just K2: Fiddle & wiGte. 2 sim. sub.p 6 +#%-stiek on 2 (a0 Gtr. 1) you got dreams— hell never Gtr. | quasi Pedal Steel Toure ia sy /o98-7 -10-Keyboard 1/Condoctor 12.9705 9105 (Tou) ” DORAL! Gur 1, K2 o 7 [ray] {gon-na tum gon-na tum SF and it's all and it's all +H. — thesame boat with a-lot of your fiends. Wait-in! for the day your ship - ‘l come in the gonna oll your wy. gon-na roll your__ way Gtr 1 -+Toms -- ets905 Keyboard I/Conductor 13.9105 (Tour) DWAYNE: Nine to five. as long as we're— to-geth - (WOMEN) Bu know (MEN), Lsht_¥ — Nine to fi hive You and— I+ Hns._ - Gtrs: Country comping"? wik2 (47th) F or Drs: backbeat time +Tamb. 4's DORALEE: DWAYNE: make it through—what e=~ ver. They cant keep_—us down, ‘Weill just rise above— it. ¥Bu hold9105 4.9705 (Tour) Keyboard 1/Conductor % a tell ‘em where to shove. K2: gliss” roll to fiveyoucanlose— your mind. S Gel, HH | +K2: Wurly +Cha Bell 1 ss s2jo90-7 -13-Keyboard 1/Conductor 15.9705. irs) me ‘KATHY: poco ad lib & 8m lt yes . ¥ =a aa t == = ——— gS ee eS == Get up— and work, Get up and work. Nine to five you can lose— your mind.— Work-int— nine—to Lose—your mind Nine to five — its enough Work-in'— nineto five, Nine to five you can lose—your mind. — +#Blec. Gur.2.2's w/ped a a 7 soja 0887 -14-Keyboard 1/Conductor 16.9TOS Gan SIA Ws en-ough— to drive— you It’s. en-ough TB: = Ws e-nowgh— to drive— you er - Ares sub. p Kick Jed erese. poco a poco ‘Az It’s e-nough. i's e-nough— to drive— you its_e-nough— It’s e-nough, 2 Gite. 1,€ HH Bs, K2 Kick +m, roll exen/om/o.87 -15-Keyboard Conducor 970s Cross get up—— and work nine (K2 out) 7 least) (pray) Ar") (Drs. play thray ‘#Toms "sii Sty ame Dreams and plans are in the ma = king, Suc-cess is out—there forthe ta - king, wish it was as simple as it sounds. a , sounds wiCym's ad lib sim - ple wiK2, Bells, Cym, Nylon Gir. 1 8:0VVVIEVTVT VST VV VVVVVSTSSVVSTVIVTVIIUY Keyboard 1/Conductor ane oes (Tou) life is about to change. Heck, the whole world is about to chang 976, swear to you Im gon-na do it, Sill ss = down, Working Tutt = ‘grit my teeth and Iil__get through it, Its hard to see the up - side when you're. racer] e ——= a ‘ vs. Heseo/omo8T -17-Keyboard Conductor 8.9705 Gr Atem gon nine to five it be - came nec-essar - y when my hhus ~ band Dick— —_left_ me ENS: (ovhisper) Nine to five K2:Wurly _sHins, K2: Stes. Dick! Gtt.2. ala “Soul Man” +K2: pizz Bs, Kick 8%- HH: time for his sec-retar - y. Nev-er worked before, but somehow Ive got to make— it ‘tl 1 Név-er —worked_— be fore. Gue.2 a= a ++Hlns, K2: Sigs. sao -18-Keyboard 1/Conductor 20,9705 Team the ropes I guess 1 just have t fake — it. Jeam the ropes. 4K2, Gur2 on. 7 ? EL. Gtr-1 vb Bb cm? Bp, Bhp +Timp. roll supys DORALEE VIOLET: f Nine So esenysnjoneet -19- PUT TTT SSC SSCS SCS EUSTUUUETUTET EVES ET UUU EET UUUUUUUUUS Get up and work get up—and work workin’ +s, K3 (trem) many of us doit Bbc ' 9105 Tour)Keyboant Conductor 21.9705 know — in-side— +K2 were ub. sgon-na make. si high 4Brs, Tamb, know — in (Car. solo: Dixieland > = Gtrs comp DrsCongas: time well keep lookin’ vward— it, And we'll buy that dream lookin’ tward - it and we'll buy—that dream, aiid o =~. im f —— Gerd wiGtes, Org. it through— it Oh, there's a WS Sg 9105 (Tour and sub. bright - er day There's a bright Cl. solo ete | Hns, Fp end Tamb. soon as we can just afford it soon as s-fford__ € can just #Toms, K2 gliss(TTT TT TT TTT TCC C SCT TSS ST STTTU TESTE SCUUUUUUUUS Keyboa 1/Conduter n.9705 era) 19, +2GIRLS, 10 2 Nine to five workin’ nine Nine tofiveyoucanlose_yourmind Getup— andwork getupandwork Nine to fiveyoucanlose_yourmind ‘Y waRts whoa ——ar—a oh oh Org._ Rhodes ey Bs/Drs. 2's, Tamb. 4's Bari nine to five workin’ nine to—fve workin'—nine—to fi lose—yourmind__ Nine to—five— it’s enough’ B: sub Nine 10 fiveyoucanlose— yourmind— Nine to—five— iS enough * Gti sna /602/08-8-7 -21-Keyboard 1/Conductor Bowe ass erese. poco a poco ORALEE/JUDY: VIOLET: 126 pa 30D) I de - serve a fat promo Stits enough. ‘Bits enough. for folks like— me— ‘Ton/Bari, K2: Sigs. wIK2: Worly d's MP gyrase) Gte.2, HH (no Tamb,) Drs. +Cym fill. roll tides gonna turn, ALL: workin’ nine to— five ALL: Stim. ~ Org roll gliss -22-Keyboard 1/Conductor (low 5 1A ‘our] INTO THE BULLPEN Ala9 To 5” J-104 Hins, K2:B-3, G2 K2:Rhodes Gere ? Hins,G2 2 sed i = ‘WBari, Ton, K2_ VIOLET: Good Lord, what is that?! VIOLET: My section? Why are they always in my section?! KATHY: New gitl. First day. She's in your section. MARIA: Just lucky I guess. G2, +Vibes 11 K2,G2 10 (Pno. Solo) coos) ioKeyboard 1/Conductor AROUND HERE JUDY: “I just hope I can do the job.” [MUSIC] ‘Relax, I've been at Consolidated for fifteen I gt it. You've got the very best training you.” Bustling J = 166 ‘Vamp (vocal last x) VIOLET: You gotta know what to do you got- a Pere: Type- ERcer) tier Tick” © ‘W/HH backbeatK2: Rhodes, © EL.Gu.1, FS Ae. Otr2, 5 ‘Shaker © x ae hustle got - ta bust-le got -ta Wii scoot you got - ta scum - y =25- 0209857 “cause we 9toS (Tour)| 2 do it in a hur-% Gotta VIOLET: got_no time to Pere: Typewriter "Ding” vs.Keyboard l/Conductor 9105 2, AROUND HERE ro) ® WOMEN: * jouer: Tu) You got-t WOMEN: VIOLET: get it right on the frst ty, "hon-ey.causeleach—— mis-take—_ means they're los-in' lots of money, And we wiGtr 2, K2: Stgs/Rhodes Tick" a p——————| p as wiBs. sempre ® w/Gte. 1, Drs, Shaker ev. 4g WOMEN: worer: VioLer: to waste a dime— Froud née. Here's your wiRhodes [ge s cs nf add-ing ma-chine and the car-bon pap + er there's your ih -iér-com there's the _phione ad the’ the stap-ler got your Gtr2, K2: Pizz, ~ sev rmsmoyeniay TNH ~26-three-hole punch and at_ noon take lunch__—_keep it rn-ning keep it com -ing "Type" "Retum" "Ding" wo, ) PTT wmf a x2 __ VIOLET: “Follow me.” %, : 2» pump you got-ta hump cuz we got no. time to fool a-round— T-round bite WOMEN: Kot We a our Hs 903 shred-der got your let-ters gon-na type you got-ta write is that clear? Is that clear? Got your » > » » » » » » . » » » » , » » ’ » ’ U ’ ’ ' ' 7 *Retum* "Ding? BF NO time “pe'y TI i z 5 ; Gite 1 tasty il90 Keyboard 1/Conductor 4, AROUND HERE (Tou) (& Mie Weave) % VIOLET+ENS.: s se You got-ta know what to do you got-ta do it in a hur-fy got-tahus-the got-ta bus-tle got-ta me TT wibrs. (Shkrout) time ~ SOO YoU gotta scur-ry ‘causewe got no time to fool a-round a-round — here. a-round+Tom Gites, K2:Stgs. WIK2 sus No” we don't play — or make mis-takes___a- round, Keyboard 1/Conductor 5. AROUND HERE gues here Punch in—when you en Do ex » act-ly as you're told v » » » » » » » » , J » , » , ’ , ’ 1 smomajeionet ~29-9105 Keyboard 1/Conductor (6. AROUND HERE Tour) & FF Ms ” FACET] ROZ: “Vite, Vitex “Jy ths is Roz Keith, Mi, Harts administrative assistant I's dys st dy K2: Rhodes, Ps FS Gu. I ~~ -¢Sbkr, 2's Drs: lite time ®, = a s os ROZ: “Welcome to our happy little family. Violet, Tve been meaning to tallk to you about Mr. Hat's rules regarding office decor." = b F a 7 7 « Vamp (out any bar) uy) OZ: As Me Hanae mag Hana "No penonaliias on he det. We mast cedand soppy. OLEROT: VIGUEIN Sita = "Anctice ta oaecticent* Mnetieees dak, FS Vamp a bol ca 7 VIOLET: “Dear ‘old Ror is Me. Has administrative eyes, ‘ears, nose and throat.” 1G0 ON} 'ROZ: “Ive typed up a memo. You can post ton the bulletin board” PSVIOLET: “Thanks Roz. 1 know just where to tick it K2: Stace. Stgs. (out ewe /sa/w9Keyboard 1/Conductor 7. AROUND HERE ges ba 8 VIoLer: * Viover, I you ever want to gossip in the ladies oom, check under the stall fr feet frst” You got-ta_know who to trust bet-ter - 7 me Gtr. 2 ft. wiSw's,Tpt,K2: Pad if Sip Fin FRI O | wik2: Pad ss POR FREE Shea kknow in a hurr-¥. No time ——for such a thing as your per-son-al wor ~ ties Gotta grow you got-ta show got ta mad oom oT oT. x = 4Hins mi s “ es uns keep it in tow— Z-round ete VIOLET: “Let's Recap.” A-round bere! Know who 10 trust and +K2: Organ gliss Cig _ GF _ Og og -31- “amb = W/Tamb,Drs. HH )'s oseynionseT 5 » » 2 2 2 » 2 > > > hy » » 2 » a 2 » B » » » » > > » » » » » » » » » » » » PKeyboard 1/Conducoe 8 AROUND HERE Crow know it ina hury. No time— for an-y —per-son = al worries. ENS: ‘=| VIOLET: No laughing, no jokes, and mind the dress code. Drs. fil oss /ion-7 -32-9105 Keyboard 1/Conductor 9. AROUND HERE ges AFEW oFFICr o WORKERS: OTHERS: OTHERS: OTHERS: eq, Ea EMan) Orga Womas) @ Wore, Man) op (katy Mareee,3Mes) 9g VIOLET: No chats! No snacks! No clut-ter on the desk! No breaks! A-round here! =|f em? uh.p (Tamb. out 7 oenond vs. wiGir.2'sas before Sn.on -33- eso9105 ‘Keyboard 1/Conductor 10, AROUND HERE (Tour) all a-boutthe job and get - ting it done— around here mp All a-bout the job and-get - ting it done! You got-ta wiGu Laps K2gliss st Gtrs, Bs, Drs. il you got-ta do it in a hur-ry got-ta hus-tle got - ta bus-tle got- ta Bates wot.2d%— Gir 2, Bes. ene99 90/08. -34-9105 11, AROUND HERE Tou) scoot got no time to fool a - round around you got - ta scurry ‘causewe VS. (LH play) -35- senso9105 (Tou) ‘Keyboard 1/Conductor 12, AROUND HERE a-round here got - a no time, — 10 dil-ly dal-ly no time to bend the ules cuz they'e the ones who keep the tal-ly and we ns. (Pere. out) -36- ews /n/on-TKeyboard 1/Condictor 13, AROUND HERE ans ALTOS: x 18 10 ‘ub. mp o Si . got no time— to fool a- round a-round here. i wiGtr.2d's — ia = Drs. ll VS. =37- e60814, AROUND HERE time at all time at al fool a+ round a round time at all Gtr 1, Drs, ns. fe 1 yVIOLET: JUDY: 2, VIOLET: Get iv Gite 1, K2: Piz, K-stick aS Fig +Cha Bell Js 7 eso e02/o98-7 -38- ‘ie | lllKeyboard 1/Conductor lta [24 | BACK TO WORK! VS. >>> » » » » » » » » » » » » , , , , , , 39 ,Keyboard 1/Conductor (aap 2A BACK TO WORK! CUE: VIOLET: We dont ke her. you got- ta do 10 (Hs. 0UT) cE py No. Bs, Bari sust, 7 Dr. Gus. “4Cha Cha Bells J's — to dil-ly dally no time— to bend the mules cuz they'e the ones who keep the tal-ly Got no ‘Tpts, Alto Bs. sim. 4Bs, tse/sm/07 ~40-Keyboard 1/Conductor 3, BACK TO WORK! oes SOP: time at all — 7 time at all - to fool a - round a round time at all BARITONES: gy; time at all 1 (cont. sim.) cont, si (tps, Alto) Brass Te 5 5 ment i 5 Ae Feces oe Ol Wt — wiGte.2 +Bs, ‘Cha Cha Bells J's Alto, Brass OACET 9p Pay) FMaj? em? Big, | ad S22 Bai,ton, | * S Gtr. 1,Bs, -41- i es9105 Keyboard 1/Conduetor 4. BACK TO WORK! (Tous) VS. >>> exscyannor -42-TTT TTT TTT SPSS TSU TUE TUTTE TEU EEUU EU UUUUUUUUUUUUUY Keyboard 1/Conductor 9 to5 HERE FOR YOU (CUR: (HART pushes pencil holder onto floor] THART gets to his fect to get a good view Of DORALEE's cleavage] da lte be HART: "Sure you don t need a itl help?” Smarmy Honky Tonk J= 124 DORALEE: ‘No, sn I'm fine. Should we get started?” 1 4x 2 m8) [K1 Tacet until 20] Bs, Gur? (8va) HART: “To all regional managers, from Franklin Hart J regarding tardiness. All employees who arrive at work ‘more than five minutes late should be docked.” ‘Vamp (vocat lass) HART: a 3 I Oh, my sweet, dear You don'tknow what you_-mean to me. just don't know what I would do with - out you. Dobro, K2: B-3 af +48x's, Ton. +8va sh +m: Drs, fll _~ eornaioet9105 Keyboard 1/Conductor 2. HERE FOR YOU (Town You're so ef-fic-cient and. alert ‘The way youlook, wel shit,—that don't hurt K2, Dobro (slides) Dobro fil mp 07 Drs: (4BD) Please don't think Tm just a Mit — It’s just 'm_nuts— (GOSPELBLUES PIANO, ‘py (PEAY) GD MP | emis Oy Bari, K2 Drs. fll Chav. ¥Caxixi comeassa2)088-7 —44-Keyboard /Condctor 3. HERE FOR YOU \ ows IHART plays air guitar solos] (Tou) 8 1 your in-stru-ment, — please +Alto, Tpt.l HART: Yours sincerely, no - firmly, Franklin Hart, Jr. HART: Doralee, get me the Harper Davis file off the top shelf. ~“ I's wiCl, Bari, K2 +K2Pizz. Sigs. [PERCUSSIVE] pp RHODES. a Bs. OUT 7 ° HH 2&4) sD just that you stay on my mind, ev ty min - we all the time Dobro 4 PERE OFS = or "eT Bs, K2si ‘ 6, K2 sim. Bs, K2,° sk vs. Drs: (Clntr/gospel time) _45- conoroaset9105 Keyboard 1/Conductor 4, HERE FOR YOU Four) make you mine— 4Cym, HART: “Bob, corral the boys. Double D is fying high.” Bs,k2, Gur Bs,Tbn,K2 0 * HH a4) widrs, Td give you ev ty dime Ive got. Why————hon-ey you could be on top.— Sus. Dobro 7 @? i Bs, K2 sim, Drsitime)! —_Bs,K2 ke 7 co/sc0.8 -46-= ie Bs, 12, Gur 7 . = HH 2&4) 48D roll VS. -47- comarainet ES Keyboard 1/Conductor 5, HERE FOR YOU ans > > » ; Pp : » » - » » » » » » ; > » » » » » » » » » » » » » » » ee eee90s Keyboard I/Conductor 6, HERE FOR YOU (Four) a Half-Time Honky Tonk/Gospel Feel HART: 7m m ee Tid like to take those double Ds Hold them oh $0 close to me. cuys: Hoo K2:B3 those doub - le Ds! so close to K2 fills sim. G2 fill iar Bs,K2_ #Cowbell Destine)" Tandon 3) mw Lose my-self for - ev + ett SXS,Tpt,.K2 __#Tpt2,Ton 7 5 TH ie Bs,K2 fll #Drs. fill +Tamb. Cowbell OUT roll cessor ~48- 224905 R YOU 7. MERE FOI ans Keyboad I/Conductor Jegs un - crossed? Of course Iwill ‘Tamb. (on 3) Gix2 (comp) aks 8 -49-Keyboan! /Conductor 8, HERE FOR YOU ad lib iff —— Oh, ‘pt, K2(8v2) SxS, Ton. ko WTP, Gtr2 Gm Cm, cp7 Bh | Ebig ab? Eig cea? r The Here for you I'm here for you. Oh I do en - joy. He's here What a view Sas. Bs. sim. ~ 4Congas (time) “amb. (on 3) Drs: fil cessisnjo07 -50-Keyboard 1/Conductor ‘Oh dear ka see why you hoo! +Tpts. a ~S But Suc-cess is steep! Gite, Sx, Tpt =51- Tr rr rr rrr rr rere err e eve ee evvcvsvvcsvevvvuUuUUUUUUUY eannisrnsn0t 9. HERE FOR YOU 9105 Tous) not if you hold Hold on ++Tpt2 ‘Ten, Tpt, Ton. eye et >> Cexyenjosner -58-‘#GtrL: Nylon, K2: EP cue: MIOLET: “Keep working on it” (GO) JUDY: “Youre sonic.” = 4 (Gom?) rit. 5 ° 7 PP What to do— and where to a a jada? A wiGtr1 +Bs.(sus), Cym. vs. =59- ed Keyboard 1/Conductor (tour) 4 I JUST MIGHT (1710 taser 528-528) dictate to band: tart VIOLET: “Keep workingon it” (G0) FON nS) : Gently 2 ~ a “ » » » » >» D> » » » » » » » » > » » » » » » » » » » ;103 Keyboard Condor 2.usust tt ce) a Atempo J =04 * 2 Try- ing hard t0 move a san Things are fal - ling all - part. K2 K2(sim.) ‘Aadd9) 4+K2 (ous), Gtr. l(arp.) Bs,Cym.out But keep los - ing ground in stead. Sul 1 have to take a A. ———— os Bs,Cym. ”, 1» Pu ting fear and doubt side, Had no wam-ing in ad = ee +Gtr2: SiLStg. (arp) Bs. (sus. sim.) caajann/oeer - 60-Keyboard 1/Conductor 3.JUSTMIGHT ges . Noth-ing left to do but— ty— And 1 just might make it [Click on} cym. Gently Driving 1 just might rise a-bove the Drs.(time) though I suf fered quite a fallKeyboard 1/Conducor 4. 1JUSTMIGHT (roy and hold on t0 it like -#8tgs, K3, Bs, Drs im) r state have to face the fa-ien chips T just might make it, 1 ju 112 = = (Totti Rirythm sus) Gtr, Des. (time) pict Hey, babe.” What are you doing here?” "Your sister told me you gots job.” Bl (under dialogue) bes, K2: EP rioaats' pele [LH-ONLY] p RT hw /K2: Pad Girs, Bs, Drs, OUT -62- cssjsnjon8tInert 528-528) Keyboard 1/Conductor S.1JUST MIGHT came ® 9105 DICK: "Doesn't look lke its exactly up your alley.” Sn JUDY: "Ob no, it’s completely up my alley. I'l be done in a minute Desa want grab abe at} Maybe alk” DICK: “Judy, 1 cant say, Mind's waiting in the car. These are the final divorce papers. You need to sign them and give them to your lawyer, JUDY: “Ob, 1.” “ « « 47 Gtrd ch ¢ 120 +Cym. FX” +Bs.Gus.), Cym, Cym: [CONDUCTOR NOTE: Please dictate cut to band: [Please cut from the end of bar 50 to the top of bar 52A.. ‘JUDY: “What's she doing in the car? Practicing DICK: “Bye, Judy.” for her learner's permit? Dick- I'm sory. F o SI} = G2 =) =[7-——*, z = = cs. 7 wT, K2: Sis f FS Gee saves 1 Pm 7 ¥. Bee time BD.2&4) Crp Cid: Ton. (sus) Pe Ga) r core 90/ 0807 ~63-(ON17/0 Insert $2B-52E) (6.1 JUSTMI VIOLET: Can you belive it? Me, the mother of an aging child, a widow for gossake, and I'm still ‘his gil JOSH: ‘Why do you It hi getaway with 7 : VOLE Catnc he makes edechign onthe promotion ina few days and ntl then 'm playing the game JOSH: You need to stop thinking about work all the time and start dating. VIOLET: Josh, you've got to stop trying to get me laid. Ifa little weird JOSH: You seem tense VIOLET: Hart could make anyone tense 3x 8 JA AW—. sf 5-s-——*. K2 (enter 2nd x) JOSH: K. take this doobie VIOLET: Hang on there, buster. JOSH: Exactly how long have you JOSH Il calm you down, ‘been waiting for that promotion? VIOLET: You know my feclings about that! Pot is dangerous, itcan lead o other things... VIOLET: Slipit in my purse. JOSH: I know... like relaxation. “ 7 VIOLET: Not gonna happen. (SHE presses the remote] Hey, it works!!! [GO ON] 272% tpt, Ton, Ged 50 C1,Gur2 te = c1.cu.3 Tp Tons, Gr. 3, Gis Sits, K3 lpia)Keyboard /Conductor 7.1UST MIGHT ons DORALEE: I'm as nice as I know how to be down at that office and everyone still treats me like the bastard at the family reunion, a, Bete Bets 4K2: Stgs.(sus) 3 BOTH] poo? [ROE | Poa: of Bs (sus); Cym. (no time) DWAYNE: Forget all about them, honey. DORALEE: But Dwayne, it hurts my feelin’. They all seem to be judgin’ me on how I look. Crotales (vb) Bells, Gtr2 (8vb) wha cere /802)09-8-T -65-9105 Keyboard 1/Conductor 8, 1JUST MIGHT (Tour) DWAYNE: “I think you took real good. If they weren't a bunch of women, I go down there and punch fem all out For y DORALEE: “You would, wouldn't you?" a i Tpts—_—~ K2, Sigs, K3 (sus.) Gu2 12 (sus) Gt.2¢arp); Girl OUT. pas? DWAYNE: “Course I would, you're my giel. You go down there tomorrow and show ‘em what a great gal you are. Texans never quit.” c. 7, y Bells, Gtr2 a, 4% +Bs(8vb) ‘Vamy ump time) %, Gi ont any: ) 7 78 DORALEE: apanet You're the one that keeps me Cis, +Flugs. (Istx only) = Flugs, (PLAYRH. wiGtr2 ta FS P TTACET) || A'C# crese. Dsus? 2 Eous tit—fyf LLLrctiryyr 7 +Cym. (roll) cevarsenjo.e - 66- (PLay)~Keyboard L/Conductor 9. LJUST MIGHT es & we A NSS You're the shoulle I lean— on. When 1 think Pve had VIOLET: Hard to sval-low pride— 461: Ns, 621008) wigaeg = —> 2 Cab) _ DD rs time) love's a wea-pon anda 1. know the truth in-side |——_——__ a. = Cabasa (sim) -67- conn) /0889105 Keyboard 1/Conductor to. ust MIGHT Toa) And Iam no-bod-y fool TM just ty to right whats fool DORALEE: And just keep on keeps But 1 just-mightmake it And just Keep on Keeps Gi +Brass wiBrass, Gue2 ne fron (sus F% Yo Bs. (8vb) a (Cabasa-OUT ut Timp. Dr. fill wiTom cemcoyansoet —68-Keyboard /Conductor 11. JUST MIGHT 93 a a) pea » I just might make it af - ter all hist might 1 just might make VIOLEE: ———— just might make L just_ might 1 just might 1 just might make MEN, 1 just might = - ay Gtea:d's, Gtr3: comp w/Tbn. Dsus? Ein Ap [as = ees on.cine TE" F t VS. -69- coranientKeytoan! Conductor it Bs,Drs.(sim) Timp. conoranionor Jost might rise ‘a-bove the 12, JUST MIGHT hurt, -70- though I 2; Hns. OUT 9105 Fou) suf-fered quite 2m.Keyboard 1/Conductor 13, JUST MIGHT 9105 (Tou) ie —— though I suf - fer I might line to see the day though 1 suf - fer though I suf - fer. ee though 1 suf fer ooh |B Rss. $$$ Apis. Dr. fil — cemn/9ns 060-7Keyboard 1/Condctor ooo es DORAL: AL right JUDY: AL = right 3 VIOLER—3— Tan say, "Hey, tim al- right, Im al - right (Tutt Rhythm) Bs, (8vb) -72- cemolsajone.r 14, JUST MIGHT Tm al 9105, (Four) Have to go on eith-er aghu" Ds. aaFUCCCTCTCSCTCSCTCSSUSESUUUEES UU UU Keyboard 1/Conductor 4Gtr2:Blec (sus.) Gtr2 (comp) +Timp. conormaioot have t0 go 15, LJUST MIGHT -73- 905 (Tour) molto rall. ight be strong - et might be stronger might be strong - er might be stronger than “Timp. Goll vs.Keyboard 1/Conductor 16.1 50ST MIGHT (roe) (Tour) Atempo. know,—________ well, 1 might real-ty be surprise, Well, I might real-ly be sur-prised_—————__got-ta get on with my ‘Well, I might real-ly be sur- prised sur prised Alp Alp |Fim CLES OP [ep CLEA CIE FP kps.ccimy Bs. (loco), Drs. (ime) ni te ™ +Cym. Gema/mnjoos-T -4-TT TT Vee S SSeS SCC CUCU UUUUUUUUUUUUY Keyboard 1/Conductor V7.susT MIGHT 9105 Fou) and be strong T just might make it, just might make. T just might make it, and be strong T just might make it Sop just might make and be strong just might = Tpt, Ton. +#Timp. (roll) cenco/on/0987Keyboard 1/Conductor 9105 18, JUST MIGHT as rall. Freely we 10 mp va a ‘might — mp might T just might make it, T just mp a nigh ap might mp just might — conor b=Keyboard Conductor 19. 13UST MIGHT ows & ‘Atempo rall. ay ts DORALEE: 1 we A = Es sare = : Just might make it ees 3 = | righ. - petal __wiower: 7 a = Es —_ + = o a + Just might make it K2: EP —— = FE dn ete a SF z ] vas TFs —F > wiGtel 5 co at at. gE g 7 _ 6 = 7 : ‘rt K2_ |onse es Asus? Seung mw foes ols = = = = sin. ¥ T idm = Goll) Applause ‘segueKeyboard 1/Conductor Hurried and vigorous! Ja22 Teme as > wiK2Piza, Gtr. ‘Ton, Ger. 2, Bs Des. (ime) Tenor soloKeyboard 1/Conductor 2. PUNCHIN' IN aus Solo (Rock & Roll) i 7 Gtr, Bs, Drs. #Tamb. roll +Vibes, K2: Rh. (A7) (en Gut Gn2s,) A Ts -79- cons 0/0987Keyboart 1/Conductor 3. PUNCHIN' IN VS. >>> casieeo083t9to05 (four) | 5 Keyboard 1/Conductor BACKWOODS BARBIE Sweetly, colla voce (dictated) a DORALEE: stood be - cause Don't mis - un -der of how 1% took. always been Now, Tve fssAQ\ Gtr. 2, K2: Vin. - Imp PIANO] |'5 K2: Cello 9 ‘cause Tm a real good book — The way I look is but see me as— 1 ds. out) read in - to it what you will— -81- sess) 10-7eee 9105 7 cane BAREWOODS BISATE JUDY: “Doralee, I'm new here. (Tour) Mapas thie Bow BORRLBE Nor know, you DORA ong ms and none Sel tig shyt me Fan (ols 2) [j]Country J = 152 I usa coun-ty— gis i-dea— of git Ge srams,K2: Sigs st. (last X only) Easy Comp 8 “Bs, Drs: backbeat time —3— 1 just a sim-ple coun - 8 Bit ee, Gtr 1 wislide a la Pedal Steel WIBS. sim. d's > = Ber 2, o os 7 » want-ed to be pre-tty more than an-y-thing in the work -82- Howss/an/ 079105 Keyboant Conductor 3, BACKWOODS BARBIE Coxe) Bar - bie or the mo-éels in the Fred--rick’s VS. © -83-9105 Keyboard 1/Conductor 4, BACKWOODS BARBIE (ous) tim OFFSTAGE WOMEN: oe rags to wish-es in my dreams—— 1 could have (Gtr, out) just aback - woods Bar - bie, too much —make-up— too much hair just aback - woods Bar - bie,— hoo oh, ooh ooh “ +Gite. 1 fll Tt ‘wiK2 sim. esn/seys07 ~84-Keyboard 1/Conductr 5. BACKWOODS BARBIE as = Don't be fooled by thinking that_— the goods are not all there — Don't be fooled by thinkin! that wifaney lls Tet these false cye - lash -es ead you to be = lieve aoe fe oh Abh___ ~~ +r rw ww ewe vevusuuuE «© -85— siya 1079105 Keyboard I/Condvetor 6. BACKWOODS BARBIE (Tour) ‘cause 1 run trwe— | and—deep.— n OFFSTAGE WOMEN: Tm as shal-low a fim push-up \ bra and heels. T Bick - woods Bar - Bie hoo K2: Fiddle Hoss /ay07 Err rt ET |Keyboard Conductor 7. BACKWOODS BARBIE oes a might look ar - wi-fi but where it counts— fm real, _— might look ar = tif 1 can see where 1 could be— first — glance. © -87- asjen/iot9105 Keyboard 1/Condvctor 8. BACKWOODS BARBIE Grow i ce-ven back - woods Bar ies de - serve a. se ~ cond_— chance. K2= ma —— (Pere. out) VIOLET: “Judy, we have lunch reservations. JUDY: “Sorry.” (Tutti out) —88- eso /107SUVS TUT CU VUVUUUUUU Keyboant U/Condvctor 9. BACKWOODS BARBIE a Sweetly, colla voce (dictated) All dolled up wiGte. 1, K2 and hop , A tempo ~—)\ w ono 1 / for a chance 1 prove my — worth, 8 (K2 out) “Elec. Bs, (Ger. 2 out) get their feel = ings rall (OFFSTAGE WOMEN: KZ solo melody (Pere.ou) +Cym. roll = cal Segue -89-Keyboard 1/Conductor Funky J = 108 wins, K2, Gtr. | wiGtr2, Bs, Drs. +Congas Gtr. 1 time [PIANO] 07 corsayom i037 ENRIGHT'S THE MAN +K2 fill 2 Hs, Gurl (K2 out) Congas os wik2 9t05 (Tour) | 5A 4#Ten. solo905 2, ENRIGHTS THE MAN (Tour) Keyboant /Conductor a = K2, Sxs * TRIESTE THs 7 + wiK2, Gtr. 2, Bs, Drs. (Congas out) -91- comsajansi07Keyboard 1/Conductor Gites) HEART TO HART nore Toa yu knew” [MUSIC] BH sweetly 1” oN ROZ: K2, Bells 4 PLAYER) mp M. Ep] Ff? haps 1 don’t look like some red hot ma-ma but be-lieve me that’s just what 1am. [PEAY RE] w/k2 arps., Gtr Guy F jEada9 side there's @ fire mixed with passion and dram-a —_feel-ings backed up like a dam. Wwis, es 2/o.7 ~92-Keyboard 1/Condvctor 2. HEART TO HART aus 2 you the wth dear Har, you won't be quite the same And if q ev-er tum loose. Til (Se) K2,Ww's 7 FACET cas a7 Molto ral, Sy yw? Heart to Hart, 1 ev-er get_ my hands of you I buar-an - tee youl be seream-ing my name. owvsou REET) 5. 4815 Ko > (ERCET] srs, Gtr 1, Bs, Drs. AS ie iy = scymae Timp. oll (st Choras] a Slow and Bluesy J=siP0 **" me © aS S A Y ,— hip to \righ— tit to toe— and 1) know what to fi, nm ‘Brass -plungers, K2: Organ|(Sva) ; ditlbarfctton | * | 2 pla [> | dy 2 Brun | | sen9105 Keyboard 1/Conductor 3. HEART TOHART (Tour) Va and Ii put on some music, take off my clothes Jet down my hair and Ti put on a show. K2: Wurlitzer af, Gir.| wiwah ‘wiK2 (fills) +Alto, Ton. L . 46:2 [PIANO foi and ‘at A P wiBs. sempre wt Atempo J.=57 tps. o-pen some wine and Il lose all the doors cu-pids_ dart through my heart S458 jm yobs Tp. wiSaxes + Tamb- (goupel Drs: X-stick backbeat (nd Verse ‘Sweetly ( TM use my love 3 my mag -ie wand on the wo-men who clut-ter your world K2: Sigs. -+Bell rt eo nse 90/8. -94-Keyboard 1/Condictor 4, HEART TO HART 9105 Vv com) 7 treat you, but Iam your gi They just how they wnu-ly zap them a - side ‘cause I despise K2: Celesta ome t pe mf -#Hins, Gte.2 WiK2: Stgs. cont'd 5 SGI Flat don't un - der-stand what a won-derful man Tve come to know you to be And. Alto Sax, Gtr. 1 +Alto, Tpts, Gr K2 z +Tamb. roll Drs time vs. -95— aTeis +i, Tamb. ‘so/s02/008-T -%9— 9105 Keyboard 1/Conductor 5. HEART TO HART tou) Splits \ T have a feel-ing that deep down in-sie you might just feel the same a-bout me | Heat to Han, ENSEMBLE: ENS: (optional) ______— Heart to Hart fe wiGe.1 Alto, Tpt.2, comp, Ton B er here we are You can tell by the stars In my eyes,—— Im in sheer par - a-cdise ( ( ( ( ( 4Keyboard 1/Conductor 6, HEART TO HART 9105 roan [sas] —TI'm in heat, Ym not be-ing dis-creet, No its not la - dy-like— but 1 won't miss a beat “Til you're hoo. fo I won't K2: Was 4K? fill # y ig sain Tpts., Gtr *+Tamb, tun-der my spell and sur-fen-der 10 me Heart to Han you are my de-stin-y. you are my dest-i sn 00/89105 Keyboard 1/Conductor 7, HEART TO HART (Tous) Heat 10 =e f, Hearn to Hart you're my dest - i-ny! mp £ Heart to Hart you're my dest - i-ny! +Alto, Tpt K2gliss, “ANTE wiSks, Gtr. S mf Fm wi pedal if Bs. +Timp. Cym. ofr w/Toms om “Crash ‘Tamb, “And Jet me tell you something else!” do dodo do n dododo oh yeah Tl be there! mp, Heat to Har you're the-one forme - he mp f. Heart to Hart— Heart to Hart you're the one for me - hee! Heart to Han 42 gliss, ? (Su 16m") sckin 98 imo. sKeyboard t/Conductor 8, HEART TO HART oes our) “0 ‘ I will al ways be your git You know Til al-ways carl Al-ways your = gic to Hat you and 1 Just like L_ fan - ta-size like the =99- so /o2s008Keyboard l/Conductor 9, HEART TO HART Tov-ers in books and on screen. You're my handsome 7 Gite 1: bluesy a's af F “ Molto rit. the sun - set to love me al - ways in - t0 -4Sigs., Sxs K2gliss, -100- eso. prince come to sweep me 905 (Toa) away And Sweep me a - a a oe a no 222A AAAARARAARDOAAAELAGLARARARARARRRARAA!yond Conductor 1O.HEARTTO HART (1409.51 Bets) ows ea (4/23/09 rev. 51) (Tour) [] Freely my Ro-me-o and tm your Ju-li-et come hith-er — t0-my wait - ing bieast Here I +Alto, Flug, Ton SS (WORLY| lpraxceET) K2: Piano Pp Pe +TH. (Ly) 4Bs, Cym, — lay me down, and le’s go a few rounds you and me—— hap- pi - ly my prince Hear 0 +Bells, Solo genet K2 wiFlugs, Ton. (TACET: Feb +Cym. VS. men /02/ 0987 -101-Keyboard 1/Conductor 11. HEARTTO HART 3 c=, Atempo Han, o'er t0 pat. i Heat to Har,_—__—Heart to Hatt. Heat to Har. K2: Wurlitzer +Alto,Tpt.l “+Tamb. backbeat ROZ:[ Whispered] Rall. Tove you. iW {OZ ursof te hs} Do“Woot, Hoot Hoot — K2:Organ, Has. K2:Organ, Hns. 2 © [FACET] Gir, Bs, Drs. (Bs. sh) ‘Applause segue =102- sj o2jo08:1 ~_----22(sim. throat) K2: Rhodes VIOLET: “What's wrong with this thing?” 5 Br, K2 Kz Br, K2 a Saxes, Gtrs. Timp. -103- eacmonion-t 9105 Keyboard 1/Conductor (tour)| 6A VIOLET'S PISSED HART: "Did you hear what said? VIOLETS PISSED!" (60) Ala "9 to" Aggressive, angry a A Sah. Z| ae ka 7 | Saxes,G.2 > » » » » » » » » » » » » , , » » » » |9t05 Keyboard 1/Conductor (Tour)| 6B MAUI WOWIE {ROZ sniffs her arm pit} [MUSIC] Moderato Cheech and Chong 4 =80 1 2 Tenorsolo = Gtr. 142 ‘w/K2: OrgawRhodes wiGtr 1 (wah), Bs. 8¥b Drs: backbeat time, Congas: stoner groove wiG2, K2 K2: Rhodes COLO CE EO Gr OE EL Ewa, Ale Sip +Bongos (Congas out) (Bongos roll)Keyboard 1/Conductor 9to5 (Tour) | 7 DANCE OF DEATH (ae. 971310) was just lke Fred MeMurray in “Double Indemnity." (Swing) JUDY: “itwasacold, JUDY: “But the Easy blues (Swing 8ths) ipnight in acity’ club was hot and es bint ee JUDY: “They had movie allthe way from ee ee pe meme ato, sa” (ERCER] = torre) on” ACE FS ne Gtr. 1- tremolo, ‘Pizz. Bs, Cym: ‘Cym. serape ‘50s flm noir JUDY: “And At least, that's what Hart thought when that's where he came crawlin' in out of the rain.” he found me..” se -105- serene905 Keyboard 1/Conductor 2, DANCE OF DEATH (rev. 9/13/10) ana [CONDUCTOR NOTE: Please dictate cut to band: [Please cut from the end of bar 1 to the top of bar Straight sth's a “dressed "Liter (Hii, gay] : wokil.” ally” _,, Sultry Swing ror: 3 HART: supy: 12:83, Crash, Hel - lo Big Boy! Do I know your? 1 ins, Ge. a aA +1 2.d chords ‘wiVib. crt Femrtt) Rhy. ALL: 7 s 8 (whispered) hard-ly thik you would Tm just your un-known office drone, Un - noticed, but quite good, Wow! Ses,Ton., Fp Alto —~, De Sup oN Bn, cvin.ouy $B = AMaj? Gy I Sell) = = at I =I 1 ase /62/08.8.7 -106-Keyboard Conductor 3, DANCE OF DEATH (ev. 9/1/10) aes Ses] supy: 1%, HART: " 3 2 | God, you're sex-y! Tmust sayl Oh T-'da no-ticed you! bet you'te quite a dan-cer, Tve got B00 6 te on Biwi LCTACET) Ci? Sexy Toms 8 5 [2] (iaance Brak] fone leg up on you +Bari “BD rol 5 sup: {3 Hos, Gtr. oe = +China, K2 gliss 7 Tutti IF ont Bs, Bar, Drs. fan-ta-size— a - bout you, and K2: Hpschd. _ -107- 02088579105 Keyboard 1/Conductor 4. DANCE OF DEATH (rev. 913/10) (Tour) %, 3 [HART [supy: a J [HART bein ere like this. yoy gop Oh yes Hve al-ways longed to be—the lat one that you Kissed. — Whoknew? You do K2Sis. Ay (CHPLAY. vaste 9 Kain, Rick Poco meno mosso Rit. (Straight 8th's) 3 [Hart JUDY: 24 ° 7 Hold jou close_whisperin youreat.— __Dancewithyou inst mybreas. Well ets! Yes, let's Le out thisfan-tasy, The ‘wiK2: Stes. wwiGtr. 1 8¥b like this: pri - vate pars! +Tpts. Gtr 2 us $3323 37 HART. Bigiez) 2 "Oh Gd.” ‘Sultry Swing 7 Hns,Gr.2 be be a > — 877) ChMaj "9 By7 St Pr Te 7 ym. tii ee -110-Keyboard Conductor Ebmip, r HART: “Tdon’t smoke.” coo) 0027 7, DANCE OF DEATH (rev. 9/13/10) oe et a Fo LPF Sami supy: Wanna stare?” K2: Jazz BB — ows STUDY: “Whew, it was"? ‘good for me, was it good for you? Cigarette?” Em? Emi ic Bs, Ride Cym. swing 461.1 arr. Rit. “Not me. I plan on living a longtime.” (Staigh: Sis) BAe solo eeKeyboard Condor 8. DANCE OF DEATH (ev. 9/1/10) cron JUDY: Slower Allegro ‘donit HART: “Is it because I'm JUDY: "By the way, thinks. a sexist, egotistical, lying, JUDY: the name's Judy." Igor Ihypoertgal bigot?"/GO]_, *Copy that”, a 0% ~ [BANG} (BANG) [BANG} K2! Rhodes i 1,Bs, Gym. Fim Dy K2'Sigs, Gtr, Bs, Drs, ( ( \ \ ( ( i) ( ( ( ( ( ( ( ( ( Bs, Bar < Rick ‘Straight 8th's Rit. os March. funebre { \ \ 1 ' lars, K2: Jazz B3 1 E 027 at g Gtr. LW! ebm?” fi a ot Vibes, Cym. : serape so o0/o9 BT -112-Keyboard 1/Conductor a .) 8 COWGIRL'S REVENGE a DORALEE: “Know what I'd like to do? Turn the tables on Hart. Make him work for me for a ‘change. Show him alittle Western justice!" [MUSIC] Moderato rit, a e ___PORALEE: en — Cis, Mandolin J 5 Very free, quasi spoken, Tm a Tex - a cow - gid, where's my hat and. wiRds, K2, Mando, Gtr; Brs. OUT. -113- canon etKeyboard 1/Conductor 2, COWGIRL'S REVENGE cree) Freely accel, ™ Just like Ann - ie Oak ley ina Wil West to - de-o. Brs. OUT Gus. OUT Solo wik2 Bs, Drs. ~_- a Up-Tempo Country (4 2» cow girl's gon-na take re - venge, 1 aim to make— him — pay— for wiRds, K2, Gte, Tati Gir.2 (ime) ob? bf, a SD 2&4) = * eve ty ug - K2,Mando*R4s—, wiRds, Tpts, Mando, K2 Gtr. (sus.) ae m. = +6. roll 785, K2: Bsn, Ton. ee /902/00-8-7 ~i4-Keyboard 1/Conductor 3. COWGIRLS REVENGE 905 Tou) Mes a ke —_? +SD roll a oo ae gotta litle something for you." [Hands him a wrapped gift the scarf he gave er} Gtr. bluegrass fils FLL—— ? Brs, Mang, OUT sub P Ob oa a a Drs.(time) HART: “Thank you, that’s very thoughtful.” DORALEEE: “Well, put it on. Let me se iton you.” a 2 * wiRds, K2: Pizz, ‘Typewriter bell, Tri. w. — WIK2, Bs, Drs, VS. -115- conor ansn0t9105 Keyboard /Conductor 4, COWGIRLS REVENGE Crow THART nervously tes it around his neck] DORALEE: “Tur around.” wks, +Mando. fills sub p Db wia:Bn, FoF Et | 7 Bs, sim, Drs.time) HART: “Ms. Rhodes, [don't think that -” “C'mon now, I want to admire the whole package if you get my drift.” Rds, Mando, Gtr, Bs HH r se Wamp (out any beat) === =—— eee SE eee BORE ge Spe as er a8 Xylo. er K2: Banjo = (last x és. br K2. (lasts), K2:Bsn, =. ° = . Gtr, Bs. (sus.); HH 2&4) %, DORALEE: gy ee ® oesa) -116- conarnnjoKeyboard I/Condictor 5. COWGIRL'S REVENGE 9105 = Tou 0 esc 0 ++Ac Gur. (time); EL.Gtr (Country picking) wiRds, Tpts, K2:Mando ai hop heel iJ w/K2: Bsn, Ton (8vs wiBs. i (Bsa Drs. fil Pain) +Temple Blocks wiCl, Tots. +K2: Bsn. w/Bs, BD com eo op __DORALEE: oan) conjoint -117-mw iw ta dies and gen-tle men, shes got him Ac.Gtr, bluegrass solo mf + or ‘W/Bs, Drs, TB's emi sonio987 6. COWGIRL'S REVENGE -118- 905 (Tour) DWAYNE (as ANNOUNCER): gon - na rope— you. down, iy +Ras. 61.64, . wikiGtr, — (Brs. cued) br iv ov ie DORALEE: the ground! _--. - 2. 2242422822882 2828428808088022022.0.0.2 0 2 2 222 2 2 2 2 2 oo 6- ge 4Gtrs, Bs, Drs, Xylo. tied him down he ‘Tpts. OUT. ELGtr, CLL bey 7 oy az ‘Ton, K2: Stes, Ac.Gtr, Bs, Dr. Xyio. OUT (sO) “whip® ‘w/Hins, K2, ‘AcGtry = mass w/Bs, Drs. comjanjooe gon-na 7. COWGIRLS REVENGE tie - you tight and -+Ras(15ma) cant get up, bb Gb Timp. she's real-ly -ng- 9105 pwayne (Tou) (as ANNOUNCER): ‘round and ‘round and {got him bound Drs. fill “Is itbecause I'ma sexist egotistical, lying, hypocritical big. 2 3 Timp. ko: Tremstgs, ‘Timp, Fl-Tom,Keyboard 1/Conductor 2: Bsn, Bs 1226 Time for coor sajonsr <+ 1220 DORAL! 8, COWGIRLS REVENGE (SHE sets HART on fre.] Yo-del-ee-del - oh - hoo. Youel-ee-del-ohdel-e-del 4K2: Sigs, js, +K2: Su 4K2: Trem Stgs. aha 8 PEAY] 01%, Cle Sip Timp. roll & gliss *BP ais s0F ooh you tint Only if needed ++Hns, K2 7 -4RS, Timp. ELGtr, Bs -120- 9105 Tour) 4Cymsoll (BRANDY)Keyboard 1/Conductor 9. COWGIRLS REVENGE oes = ton) (BRAND!) Argh (CONDUCTOR NOTE: (Cut bar 122P. [Please dictate cut to band. Only if needed | (PLAY) ELGur, Bs. 4Cr, Drs. (time) ceosisnso987 ~121-Keyboard /Condctor 10. COWGIRLS REVENGE So. sim-mer on— that Only if needed. eb (Only if needed for awhile, 9005 (Tour) its called cow - girls re ts called cow - girls re wiGtrs, Bs, K2:Bsn.Ds. “ eg 7 1 10 15 ~ \wiEL.Ge, Bs +Cr. (no time) carea/o.97 ~122-Keyboard 1/Conductor 11, COWGIRL'S REVENGE oes ey 1810 1510 a +Tpt, Ton. K2: Fiddle ~, K2: Bon. -123- comuasnotKeyboard 1/Conductor (rou) 9 POTION NOTION VIOLET: “With lots of cute little animals and secret potions lad you asked, Picture a fairy tale.” [MUSIC] ‘and Pd be a be-YOO-tiful princess.” [GO ON) os , Moderato a Ca a J TPS. yer gliss | Sigs, [OCTAVE TREM SOS} (sounds +88) mp Fic Ton, K2: = Sigs, BS. +Cym,BD the mageic king-dom we re ~ spect each oth-er's rights Were not al-lowed to steal the mag-ic WOODLAND CARTOON ANIMAL VOICES: ‘Thats right Res. K2 : ON Flogs. Rds, KZ eo Com0/a/98T -124- i a E _ 2 oo ooo onnenn0n000e00 0 AGRRAAAAAAAAAAAAeseedKeyboard /Conductor 2. POTION NOTION aus ry " 2 from an- oth - ers life. a Wi-cious per-son, just don't want him here. Rs, Ka__TAS AOC ight! KO Lots f Bs.| Lis] 1 « 1s ALL © vio“er: make a mag-ic mix-ture and make him dis-ap-pear li ANIMAL VOICES: Oh yeah! SECT TT VU VU VV Ue ee eee Oe ee Se Ewe eee. ‘wiCl, Ton, Gtr. lousias Bs. _+Timp,K2: Bsn. Se Biel? SD Gime) VS. ++Cym. rll ono/002/ 087 -125-Keyboard 1/Condutor 3, POTION NOTION Gon) no-tion for leave a postion, it to me— —> wits just eT Brs. o7 wiTpt.l, K2: 005 +Flugs. Tutti o” (Hands) = nl ro w/Tpts, Gtr Am??5) psusp |G Am765)O7 | EL Fie, Bhip Gm ° "y v - \ = SPELEPE™ — spsim. 7 +Cym. roll Kr TACET)Keyboard 1/Conductor 4. POTION NOTION ous &] 2 7 four) lit = de bir of this, bit of some-thing else, se-cret lit-tle po-tion il DISNEY CHORE: ——- <<< —, > Ras. till K2: Hp/Syn, FF o = yeas) Flugs, K2: Trem. Sigs. Ton, -+Mark Tree gliss con-jure up_my - self Tim —hop-ing that this_po tion just might neutral - ize a ha ha Lah-ha - ha-hizet fa ha fia hahaha He of F CF Fp rye) To AGRONTY wiG,® : Bs,K2 +HH ds HH OUT -1227- VS. conayan1o00TKeyboard Conductor 5. POTIONNOTION oes all the bad and e-vil thingshe seems 10 hokd in-side. Ris, = fem w/Tbn, Gte2, K2: Bsn. Ton, ¢ Drs. (ime) Bs,(vb) Bs. OUT +Cym. rol, 2%, 2 VIOLET: ©29) +CL.8va), if K2: Ob. (loco) +FL(8va) bm Gm? come ++CL(8va) K2 48D roll “+Cym. roll VS. (PLAY)-> -128- coiomjoveer"(DW TTT www soe ee CCU EEC UUUUUUUUUCUUUUUCCEEY Keyboard 1/Conductor 6.POTION NOTION 9105, dey &_[Macine] “ ” mixes well with man-y_ things, cof-fee is the best. So Ill mix him up a lit-tle batch and DISNEY CHOIR Ti smix him up “+Rds, K2: Ob, SD Ge . aan Bb Fy WIK2: Bsn. (sus) , K Bs 7 Fo Bs sim ae Tuo - -129- ens ss889105 Keyboard 1/Conductor 7. POTION NOTION tou) bring it to his desk. Come on, let off a lit-tle steam, its. good to clear the head. bring it ql Clear head! +18 Drs. (time) HART: “I think you put w/Bs, BD roll cmos 98.7 -130- +... 22222222322.22422223228802828282222020020222002020020222222 8:|p MD a “= = Bre PP LEE? F —— +BD roll Be BDOUT vs. -131- Keyboard l/Conductor §, POTION NOTION gus al HART: “I think you [A®] Poco rubato ‘fasoned my cfce™ Poco rit. Un - hub. Hata | DISNEYCHOIRM: (po. bee Ah Ha ha ha haha ha ha ha ha renows: on, ght ad dd . ha ha haha hah —————_—_ ‘ » » b9105 Keybosrd I/Conductor 9, POTION NOTION (rou HART: “Is it because I'ma sexist.” VIOLET: “Egotistical-” HART: “Lying” VIOLET: “Hypocritical -” HART: “Bigot?” VIOLET: “Un-hub. Time to say bye-bye!” A Atempo 2 HART. a (HART dies) 160 OND 4 4Gtr, K2: Stgs. _ BSP $u,Rs,0 * * Allegro a [TACET] 6” 2 +Cym. roll Attacca et) | ——_—_———_—_——————— ‘Timp. roll ca 010887 -132-Keyboard 1/Conductor 9t05 (Tour) | 10 JOY TO THE GIRLS telick Allegro Molto rall. wk. ip be Brass, K2: Sugs.iGte ? == 7 ¢ Bbig Bia, Crm, Blmg tig, Sip 0 Sip t ® — K2, Bs. cont. Bs 6) St a B Rio, LL 4612 (29 7 WBS De Drs. ("Showbiz" time) vs. - 133 - oes 21088Keyhoard Conductor 2.JOY TO THE GIRLS ru Majestic ENSEMBLE: Joy 10 the gis Theyre wiRds (8va), K2 t a % Sig (BSN.) wiBs, K2 =o . 5 ie i) Destine): Gus. OUT = wrtenssvay Jubilant ser a/08 8 -134-Keyboard 1/Conductor 3.JOY TOTHE GIRLS, 905 (Teer) Joy to the girl! to the git. As Joy to the _ gist Joy to the gis they're Toy the girl! to the git. BsJoy tothe gist Joy! Joy to the gids theyre = 461 = 2 (RHLTacet) Brass : WREO ee K2, Gis. D Ai Sip SF _K2,Bs, Timp. Dis AiG G |w/Bs, Timp. sim, DIF} Fm? Girt #Gtr2 (0's); Bs. d's) Ze ciara pp ry hk ae ite : ” Drs. Dr. fill free, last a lau Pre at Bass. K2 “or aieili da dth} SSeS > F Ton, Gte2 Cig, Ciel, sb" OS Sea" GOULET op Bs, K2 ‘ym. ‘Timp OUT -135- se a2]0887Keyboard Conductor 4.J0Y TO THE GIRLS Gm a Rall. Slower HART: ____— ‘Violet! Coffe!” +Rds, Ton, Tpts. K2, Gtr, Bells. 7 if my 4Cr—w/Toms —_ ‘Timp, Fl-Tom = Hose 900/08-6-7 eiKeyboard 1/Conductor 9to5 10A (Tour) OH MY GOD! [RZ diomps coffee mo plant} (MUSIC] VIOLET: “Ohmy — yIOLET: “ohm Goal (GOON) Sat GOON)”, On Cue Dictated Moderate R+R | Modlerate VIOLET:"Oh my Go seve) Bictated ee 2m? mt mt » » > » » » » » » » » » » » » ‘ , , ’ , ’ y ’ ’ ’ ’ ’ wiK2, Bs, aRS. Gtr. 1 southern rock wiTpts. (0 RAR sol Ko PS Alto RAR solo Teor trefs ? w/Tbn, Drs. Panicky (Fast 4) Gur, Bs,Drs. 1 12 Ton. Sust 8 7 10 K2 wiAlto bef -137- corsmas3ot9105 Keyboard 1/Conductor 2.0H MY GOD! (Tous) 4 K2 Bs. w/Drs. . - < = 4Gu2 +Bgg Shaker Ys +Tpt2, = = : ARC. comsysnnor ~ 138-Keyboard 1/Conductor 9t05{— | (Tour) | 10B OUT OF BATHROOM > DORALEE: And Violet- maintain. (CUE) Frantic Hns, K2: Stgs (8va) tf wiBari, K2: Stgs, i Gur. 1, Bs, Drs. (8ths) “tiie. +Timp. +Brs. Alto, Gte.2, Wild Toms 7 1 +Cym. Roll ‘Tbn, Gtr. 1, Bs. +K2 Ala Heart to Hart (Swing 16ths) ROZ: Mr. Hart! Mr. Hart! ie 7 a ae ae . oP in +Gt.1 4c, (wah) “Alto Bs. Rad w/Drs. - lite time -139- Ds. OUT reuseKeyboard 1/Conductor oe (Tour) TO THE HOSPITAL cue: OZ: "Vm his git!” Ala"9To5" +Tpt.2 pia. Ton. (solo) +K2Sigs, HTp.2 Tat a -140- caoms/anjoosrKeyboard 1/Conductor 9t05 (four)| 11 I KILLED THE BOSS T I need you boys to sign some forms so we can perform an autopsy.” a pert ‘psy. “...J'm gonna walk the Green Mile!” DORALEE: “Now, Violet, take it easy.” (GOON) VIOLET: Ps 5 Allegro “Onny 0" REN STOS] @ (TACET] y ‘Tpt2, Ton, # fe K2:tipschd, : = Gus.,TTs VIOLET: “Its all over. There's going to right now. Dead man walking! Solo: Dialogue K2:Hip. 41. a ‘an autopsy. I might as well save them the trouble and give them the rat poison. [ARCO ——_| mean sounds 15a) DORALEE: “Put that away! The cops might see it!” Vamp yup) you're not!” hho cares? I'm finished. I'm a murderer.” 2am, MOLET: “ima murders! 7 FA, (ft) wK2 ° jo On cue -141- pve) moTKeyboard Condor 2.1 KILLED THE BOSS ans VIOLET (cont'd): *... Please take care of Josh, . . He's allergic to peanuts and he wants something called Atari for his birthday. DORALEE: “Lets keep her moving. She thinks too damn much when she's sittin VIOLET: “It's no use, I'm gonna get the gas chamber like Susan Hayward in 'T Want To Live!” FH] Wars, : PIZZ, STOS DORALEE: “Violet, calm down.” JUDY: “Fun fact - she won the Oscar for that rol @ Basis DORALEE: “Judy! Not helping 24 Ey 26 [CONDUCTOI 7 dictate cut to band: [Please cut from the end of bar 24 to the top of bar 29. = — = Clar solo JUDY: “Som. I share trivia when Tm nervous.” VIOLET: “Tm going tobe locked up!" Vamp [60 ON) 74 f 2 fh cE) KE Cl, Ten, HH (ist x only) =142- aso/om/on8-7> > > > > > » > » » > > > > » | Keyboard 1/Conductor 3. KILLED THE BOSS gus JUDY: “Now. dont j VIOLET: Ya think hye not VIOLET (cont'd): [ee gonna fire me for a thing like that?” Winds,bs, “Tim going ioloe any jt”, | (O0.ON? » [eon Resin led the boss. ¥ - y \ ‘Tempo I wer \ 2 (FACET). ~ Cl, This. K Bs, Sn Dr Se et) Le DORALEE: “Okay, you're getting hysterical. . ‘We're gonna go find a payphone and call you a lawyer”. JUDY: “Don't move. We'll be right back.” (GO ON) Tutt 38 (no Ww!) 42, HH we Vamp 7 on MOP VS. Timp, esseyon/oo7 -143-Keyboard l/Conductor 4,1 KILLED THE BOSS (Tou) & Fi, Tpts, Gte. I ry Cl. solo_- qa qa a q q [PLAY BOTH , 7... | [TREM.STGS.] w/Tpt2, Gus tpt . fp RENE f (FASTSTS +Cym. roll Bs. w/Tbn. (ss) +HH fier STE VIOLET: “Idid that... Guilty Tani ° ae = ite 2 FASTSTGS] ——— 4 4 4 (PLAY. Tpt2 solo C1, Ger I sli Hins, Gurs, K2 Bs, Des VIOLET (cont'd): “What am I doing? I can't go down like this.” Tutti (but no Tptt Ton, Gir2) ” —— K2: Hp. +H D ss atid, 9 abe Sag FTimp. Dr.roll eal Ww's, Tpts. (Gtr: fancy ras.) Coe +Castanets = 40 roll Gte2.Tbn, -144-Fe * Timp. Keytoad Condor S.IKILLED THE BOSS 2105 fay Bs, Gte2, Ton. - > > C > > CANDY STRIPER: “Can you tell me where the coffee shop is?” VIOLET: “The cofiee shop? No, I'm new here.” CANDY STRIPER : “I'm new here too. Where do you work?” VIOLET: “Ah, downstairs.” CANDY STRIPER: “Oh, the morgue. Is he..." VIOLET: “Yes he is.” CANDY STRIPER : “How did he...” VIOLET: “Too much coffee! I'm just taking him out for some ait. Tmean, some fresh air for me, he's just coming along for the ride.” -145- exso/aniour9105 ous) Keyboan! /Conductor 6.1 KILLED THE BOSS Cl. Gtr. 2 solo VIOLET: “ima doctor? Tima decir So wly the CANDY STRIPER: “Oh, youre a doctor. I didn't ee your badge. Sony.” tel ant taking topo, papal (Goo) Vamp sania (C1, HH - 1st x only) 2, Bs, Drs Dr-roll essen -146-Keyboard 1/Conductor 7. KILLED THE BOSS 9005 (Tour) VIOLET: “Good news! I'm not hysterical anymore. So clear headed. We're going to throw the river. All we need is a big block of cement. Cmon, let's get him out to the car.” “No. Teil ya what, How about we walk out of here, real calm like, ‘JOsh and make a run for the border.” (PLAYEOTH, Tutt (by ¢ bax FREM,) K2: Magic Hp ists Bs, ‘Gym ll 5 aoet ¥ sym ll ( | [ARCO STGS. (TACET' +Cym. roll . i ‘Tpts. (Harmon-no stem) Cl, Gtr. 2 soli (@Tpt.2) [CONDUCTOR NOTE: Please dictate cut to band: [Please cut from the end of bar 90 to the top of bar 95. JUDY: “Violet, don't you worry Doralee and I are going to take care of you. + Its your tur to lean on us.” aby 2 7m (095) (Tp.2) JUDY: “Why are you crying?” VIOLET: “Because you two are in charge and that really seares me.” (GOON) Vamp 2), (Cl Gtr. 21st x only) End Cym. roll eas/soio98et -147-9105 Keyboard Conductor 8. [KILLED THE BOSS oes VIOLET: “Omigod, they're back.” . “ioe, step away from the body. (Detective and Cop enter) K ane Fc, JUDY: “Start walking.” VIOLET: “No! K2Stes, Slower a mp. ‘Tpt2, Ton. pravinte Gtr. 1 ; W/K2, Bs, B.D. Bs, Drs. BD. VIOLET: (cont'd) “...This isn't me. I don't run from thit JUDY: “Wait! Running from things is highly underrated! 4Ww's, K2:Hp VIOLET: “Officer?” Cym. scrape DORALEE: “Violet, don't!” ibe: aw Rall, VIOLET: “Ores. havea confession. Underneath this sheets aman that" (th clear) 60° Quick Cut-off Anytime (MUSIC OUT) in my life.” a Tut DORALEE: “It's not Hart!” oo, (but no Gtrs.) (GO to GOON) cor06) 148 - @ 8 8 2 22£4444444444444444222222222222020222222222222088Keyboard 1/Conductor 9.1 KILLED THE Boss oes DORALEE: “Violet, you didn' doit VIOLET: “I didn't do it!” (then, loudly to the Detective) “1 didnt do it” Slower DETECTIVE: “Didnt do wha? ‘Tempo I Fl solo What’ going on here?” (GO ON) rn chi wik2:Sigs, Chime w Bs, Sn. Dr, a 108 Castanets| VIOLET: “I don't like your tone. What is your badge number?" DETECTIVE: "What? VIOLET: “Is this your body?” DETECTIVE: “Yes.” VIOLET: “You left it here. Unattended. Shame on you.” K2, HH (PLAYLH] P Bs. Cheolo (s.c1) “Bs JUDY: “hope you're (inthe clear) happy. Healing was her sorry, Doc.” VIOLET: “No. You know what?...” quit.” life! (GOON) wes " 19, “ae imp. 4Gt.1 7 Gite, Bs, Drs Attacea -149- essayist9105 Keybond VConducor 10.1KILLED THE BOSS aes ‘ rT rT rT q rT « q ‘ rT rT VS. « >>> +) « « ‘ ‘ ( ( ‘ ‘ ( i] 4 i i q i] i I I I | { 4 i] 4 C 4 sno ~150- ‘9to5 (Tour) | 11A Keyboard 1/Conductor THE SEARCH FOR THE COFFEE C' CUE: Applause-Segue x Liistesso tempo “Oo [HARPST [CHORD +Bs, rn _ sea Des ime ruxa, TS gal, out BK, me AF ope Tpt2, Tn Brass Xylo__ Brass Oe a Cueonly——————} qi¢l +Gitr 1, Bs. Slower, spooky FLTps-Hamon a Bs, Cl. solo ? Bs, Gtr. 2, Cym, Hom m8 +Tbn. -151-9105 DORALEE: “Tl find the coffee cup.” HART: “Doralee, what a pleasant surprise...” FI, Tpts, K2, Gir 1, Vibes as ‘Vibes, K2, Ton Ths | Kod. Cond. 2. THE SEARCH FOR THE COFFEE CUP aa | Bs Cl, Gtr, Bs. HH backbeat -152- A. © © 22£4444444444444444484484448802280802 828282202 0222022222 286Keyboard 1/Conductor 9to5 (Tour) | 12 SHINE LIKE THE SUN HART: “Now hang on there girls, uh, ladies, you're ladies don't deserve to be treated like ths.” 7 Quickly, colla voce 7 They say, weal = ways get what we. Whe-ther w/K2, Gtr2, Bs good bad or in-diff - tent ‘that's What Fe always heard. -153- sso9105 Keyboard 1/Conductor 2. SHINE LIKE THE SUN a3 good deed goes un pun-ished but the tad deeds you have doné— cym. [5] Moderato, in tempo VIOLET: ‘out I'm sure that they—wouldreach from here to king - dom come,— We thinki's time—you get what you de- .— Bsus? Se, J +Cyms. ad lib You've got— no true com-pass-ion but you've really got some newve. es 00/0887 -154- 2 2124.44444444444444484844848446468020002 02022 2 222222 22 otKeyboard 1/Conductor 3.SHINE LIKE THE SUN 905 (Town [yupy: DORALEE: ‘ALLS: you've hurt ev-'ty one of us—in diffrent kinds of ways. What _ goes a-round— comes — a-round and Flug's. > 7 me tr a Ffsus Ing Rit. a : Ee Road-esque . |ART: “Let me go! "THATS AN ORDER!" VIOLET: “We're not taking ‘orders from you anymore.” JUDY: “The fables are turning.” DORALEE: “Memo to Franklin Har: ‘ama real human being! Dorit you get it?” ach dog has its day. (Flug’s out) wikhy (it tases) Un = der this hair isa brain, not thar youd ev = er carKeyboan 1/Conductor — there's a heart heart that you've bro osyajo88 ken 4, SHINE LIKE THE SUN And you on = and ripped out more times than — 156 - tits but 9105 Tour) get this: Ras, Bells AAAAAAAAAAAAIAAAAIAIAIVAVAVAAAAAAAARAABAAAAAAA ARABSKeyboard 1/Conductor 5. SHINE LIKE THE SUN 905 (Tour) 2, a a But old doub-le 1 Dor -a-lee’s —gon-na stick it Ae ek Rds, wK2 -157- Hoxsa/n/o88Keyboard 1/Conductor 6, SHINE LIKE THE SUN cre) (Tour) Shine Like The Sun when these clouds roll a-way— ftom — my—— doo K2 ™ Gtrs,strums WBS. sim. When i's al, stid and done 1 wont be. at your mer 1 will prove __my own worth, heal the - dam - (Brs. out) Ww ‘Drs.: Toms -158- Heswn/an/o07Keyhoard Conductor 17. SHINE LIKE THE SUN ois fou) age and hurt thats been done. ‘And when the cary-ing’ all done well I'm gon = na Shine Like The (K2: d's arps) ones soon. -159-Keybosrd1/Conductor 8. SHINE LIKE THESUN Gi a had e+ nough hun in my life and you've been add - ing_ to. JOURNEY" CHORUS FIANO| wiRhy, Bari +Tamb, f os Drs: time 2 (Drs. sim=») But Tm in con-trol now and just ike be-fore— I get (0 Hns) You've hurt and em bart - assed me, pro - -160- seria) 0.07Keyboard 1/Conductor 9, SHINE LIKE THE SUN ven you don't give a—— damn — ES make me feel less than 1 Bs, Drs, Gur. -161- And I'm tied of men like— you +Hns, (Hins. out) Ta en roll, Cr 9105 (Tous) who 4Cr9105 Keyboard /Condustor 10, SHINE L Tous) oe Shine Like The Sun— when these clouds roll a-way— from my door DORALEE/VIOLET: Shine Shine Like The Sun Rds. cant Kay mf 8 fk Swingower se 2:Pinball Wizard Drs: time When its all said and done at your mer high = ine — high - hine— When its all said and done y mare * sTamb, se 502/088 ~162-Keyboard 1/Conductor 1 SHINE LIKE THE SUN 9105 ours Tm tak - ing what's mine— Ill be fine Shine Like The Sun,— we're gon-na Shine Like The Sun, — Shine Like The Sun— we're gon-na Shine Like The Sun—— I'm tak - ing what's mine hoo = Drs: lite ill supys ++famb. fol Dorkuee, n so PORALEEVIOLET: VIOLET: - ond —— sec-ond to mone. And when the And when the ooo #Tamb, roll e952 -163-Keyboard Condor 1 SHINE LIKE THE SUN oes ua: 1 ei es los ing's all done,— Tm gon - na Shine Like The Sun. i los ing’s all done, — Shine +Bells J's Get K2 gliss. oP = Drs: lite fll oo Drs: 1/2-x feel (Bells out) -164- ose /aons.rKeyboard 1/Conductor 13, SHINE LIKE THE SUN 905 Tour) Ive been Tve been sha» dowed with tou fon my luck, JUDY/DORALEE/ ‘OFF-STAGE VOX: hoo oh. sor 2: Church organ > wiGte2 2 arps9105 Keyboard 1/Conductor 14, SHINE LIKE THE SUN (Tour) But fm not giv- i’ up ‘cause T know. there is There are no. guar-an-tees,— life is. al = vse r 57 ot oF aon Drs lite fill — 166 - ons/omjo08-7Keyboard 1/Conductor 15. SHINE LIKE THE SUN ways a hit or mis. But Tir - ly be-lieve— 1 won't al tu - Wy be-lieve ‘w/Bells, ean) oay08rKeyboard 1/Conductor 16. SHINE LIKE THE SUN aes Tour) r : JUDY/DORALEE: VIOLET: ways be feel in’ tke this —=—* Tm gon - na Tm gon - na Sn. d's Shine Like The Sun when these clouds roll a-way— from my— door. Shine Like The Sun Gtr. 1: rack comp. wiK2, Gtr2, Hns. (Tpts. out) simile ra5990 902 /08-8-T ~ 168 - DPPPPPPPPPPPPLVPETIVVVTIUAAAAAAA AAR R eee eewnnesKeyboard /Condvctor 17, SHINE LIKE THE SUN 1 won't be. at your met high ine 1 won't craw Tan run We'll be sing - ing it loud Be so proud ine Well be sing - ing _it_loud— —— Oleg fe, t ea Drs: lite fill 4cr, 169 -Keyboard 1/Condctor oS that we Jos ings all: done— os an10987 9105 (Tour) 18, SHINE LIKE THE SUN (ALL3): Drs. fill ET eresc. poco a poco ie 3 "9 DORALEE: “Ready?” we're gon-na Shine Shine Shine like the Cl. oP K2:Stgs, G1 Bs, Drs. TACET] ? Dsus? 5, ny Aoy -170-Keyboard 1/Conductor shine — Deus? SIOURNEY™ CHORUS PIANO] in's all done— when the renyaaioneT y—_ 19, SHINE LIKE THE SUN 9105 Tour) DORALEE/ shine f Fv * 2: Organ ls 4Cym. roll ‘Toms when the try ins all done there'll be no - Se -171-9105 Keyboard l/Conductor 20, SHINE LIKE THE SUN Pal thing but sun When its all said and done. ete gon - na shine Ras, K2, Gt. 2, as = Toms o fi 1%, resc. poco a poco 1st DORALEE: Shine Shine: Shine - sin (Ras, Tpts. out) wiRhy Bjp W/ Pedal -172- Honsyscjo00-7Keyboard 1/Conductor 21, SHINE LIKE THE SUN HART: “Dam youall, 2S ‘You'll pay for this!” Dictated AN r a K2: Organ gliss Bs, Sa/Toms Bart ‘+Timp. roll v (CH. TACET anor en/on 0 -173-K 9to5 ‘eyboard 1/Conductor (Tour) | 13 ENTR'ACTE 93.4" Moderate 80's in 4 J =104 , Cm, Hin_seswme +Gtr.1:Elee. mr Bs, Des.(time) a ins, wk Ger.12 (comp) Bs, Drs, (time) +Congas: 9 10 5° groove e, -. se ee wTbn, Gu.2, Bs -174- cesoron ose9105 Tou) Denioes) sus,TH2 ret Ton sin sot —— nk si Gt. omy, wre Re Fa, Bs.d5, Tab. J's Congas cont. sim. ROZ: "I don't understand.” s (02) Ban (Pere. ott) vs. cemoisanioner -175-9105 Keyboard /Conductor 3. ENTRACTE. (Tou) ROZ: (cont) “...did you give him my message?” DORALEE: “Yes did, Roz, told him.” ROZ: “Well where is he?” DORALEE: “I know he hasa't gone to lunch because his coat is still here, Faster And look— keeping him how dangerous its to Fave ait ciga (Fins, Gurs. out) (PERCUSSIVEE] wik2:Pizz Oe P (a Tacery K2: Pizz, Bs (out), HAH. (284) ROZ: “There are pressing matters. Tell him to call me the minute you see him.” VIOLET: “No problem, Roz, I'm sure he's just hung up somewhere.” Poco rit. o o @ 70 3Cls, Gtr2:Archtop, 40.1 Vibe ~ [PIANO] (PLAY BOTH) Bs.f -176- cemsrsnjonerKeyboard 1/Conductor ONE OF THE BOYS DORALEE: “C'mon, Violet, dream big. ‘Anything is possibie” (MUSIC) Cool 4 VIOLET: "A female CHO. That would be something, would’ it Man, want itso myc T ean ate i" [ACOUS. PIANO. [EPEAY]\ (Ginger snaps) Bs. sono‘Keyboard 1/Conductor 2, ONE OF THE BOYS Oth - ershave glowed from the star (nger snaps) Fe, camcer) * rney-er think - ing Td shine luke some Holl - y- wood Queen— Hins, Gtr 1, Vib, Drs. Fe Fey Bs, Drs, Gt. 1 comp nena on-T —178- 9105 Tour) We arKeyboard 1/Conductor 3.ONE OF THE BOYS ges (Tous) fived on the _scene— a sen = sa tion the toast of Im eee SS Yeah! a ee sao, = Vib fa - bu - lous nme ope wall - ow - ing in it, ev - ty min-ute ++HIns, w/K2 eos if Veot -179 - ose 909Keyboard 1/Conductor [&] Hollywood 4 (even 8ths) +H K2: Sigs © Alto hes Bs, Kick, ‘Timp. roll, Gu. 2 sus. 4, ONE OF THE BOYS Amp (Timp. out)Keyboard /Condustor S.ONEOF THE BOYS ges (Tous) a Glam-or-oust Brilliant and am-or-ous Beau Glam - or-oust Brill-ant! Be =~, = ae —~ ae Gtr 2, K2: Sigs +8vb s/s /08 -181-9105 Keyboard 1/Conductor 6. ONE OF THE BOYS as the word the whole wide world.» WOW! re 10 w/K2: Cel, HH, Vib. d's REPAY) 8 BE is be, Di7% Ab7Alm?| Gb F ae it’s smooth sil - ing Tm Ae ) 2 2DDDDAAAAAAAAAAAAAAAALALALAALAAL AR RAAB AAAAAAOe Gig, Gis i |chaaj7 —182- HoesenKeyboard 1/Conductor 7.ONE OF THE BOYS 9105 Tou) a oo Lite MEN: 3 Te ————— wiRds, K2: a trem.Ss. <3 3 HO Ha aliss down-+up P mf Mai? Aaj? Gir. 2: tremolo “+ Mark Tree gliss “4Cym. rol VS. - 183 -Keyboard /Conductor Ah Ras? Brs,Gur.2 res(sooe ___ Medium Swing (faster) since We 8, ONE OF THE BOYS, been em - ployed +Brs. HI: Big band “stop time" —184- fas aye tt WiDr. es 9105 Four) VIOLET: ass for the (Xylo out) Bo Bt mp 2 8 2 4 4 4£4£44444444444444444444224444444444442228220288Keyboard 1/Conductor 9. ONE OF THE BOYS () WineStine) 9105 (Tour) my time 0 shine, and tm feel Bis. (plunger) . \ Bs.Dr = Riseswing F ai al Ly a mn + 4| a os 202/08-7 —185-9105 Keyboard 1/Conductor 10, ONE OF THE BOYS Tour) = Cheesy Latin © 713. E713 K2: Sigs. +80 ers C188 FMaiZig Fc Fic wnt BFF Ce ar — 186 - 1882 2222 2224444444444442000800 0002 oo wo omKeyboard 1/Conductor 11. ONE OF THE BOYS: ons & (MEN) ——;__ — 7 ee ” bea - i - ful, glam = or + ous, bril - lant and x fF Vib. sus K2: Sigs, 7 Sxs~ Billy May my FP Bs, Gtr 1, Drs: ride, X-stick rt r -187- VS. (LHL rest) rowss/s0/0-79105 Keyboard /Conduetor 12. ONE OF THE BOYS our) VIOLET: “Roz, coffee!” w/Brs, (Vib. ou) K2: Cel. re he ioe > aim” crn? cuts co [Tt ro ere eas onl don't have to Sx’. i wiVib. sus “Jazz comp si. Fe —188-Keyboard /Conductor 13. ONE OF THE BOYS 9105 Tou) first time—_ since Flog F Gite. 1 out) [Dance Break, ng Hns,K2,- Fe FP? FY 5208-7Keyboard 1/Conductor 14, ONE OFTHE BOYS. -+Sn/Bongos ‘w/SK's, Toms, LH. ™ K2: Bsn. tol jo5 Five! Huh! Hub! Huh! -190- 9105 (Tou) w/K2: Cel. K2, Alto, Tbn, Gtrs, Drs, B22 DA 8 8 2£222444444444444444444444.2 8 2 2 202 2 2 2 oo 2 2Keyboard Conductor [im] Baaniroom] Vio - | ~N v 15, ONE OF THE BOYS 18 One of the boyst— les! Vio - let's! Alto, K2: Dirty B34 x 4 al i rs! supa Toms, r Bong/Congas: time sa/92/08 Maestoso -191- One of the boys!— 9105 (Tour)9105 (Tour) ed raz tle - de com + pet-ing is my great-est Sx's, Ton and daz. ze Hs, B3_ Go get em git 4x2: Harp, Alto, Vib. va os 2 ~192- ew /ay67 8 D.D D 8 82 22444444444444444442440.4 400 22 2 oo = ~~ ~~Keyboard 1/Conductor [=] Freely this job oman and love it Im a 17. ONE OF THE BOYS 9105 Tou) woman and proud of WIK2: Cel. K2: trem. Stgs 4 a +Timp.rol VS. -193-Keyboard 1/Conductor Hot Swing again (in 2) + 197 bril - amt and omar a 18, ONE OF THE BOYS, Timp. out) =194- 9105 (Tous) -AReeeeeemnnnen eeeKeyboard Conductor 19, ONE OF THE BOYS She is ‘pt. 1 - wild Latin solo ews Fra git ‘ull gradually One of the boys! yeah she's one Vio fone of the boys! Tins, K2, Drs, Gtr. e718Keyboard 1/Conductor ann 14A ONE OF THE BOYS PLAYOFF Hs, ‘Hot and Swingin’ Vibes a = Drums - Big Band solo 7 Lob TA Dk Ty bccn i taney [ACOUSTIC PIANO Sf Tutt + |] ge 2-tand comping) a on a Dax Ride sing time Tutti long fall (©19) Ten, Br, Vibes VS. -196- esnysxjo0 9-7Keyboard I/Conductor 2. ONE OF THE BOYS PLAYOFF ges Toor) (CONDUCTOR NOTE: Please dictate cut to band: Please cut from the end of bar 18 to the top of bar 23.| 0 9 2» Tu CSizes, Tots, G2 (Cut to m. 23) SF g7t3) 79) G73) F703) pmabs Ja7tt) Fit) 7) F7tt3) w/Tbn, 2, Bs, G1 Drs: Krupa solo SS er fart gua omabs | 4 Drums camnysonsorer -197-Keyboard 1/Conductor ann) 15 5TO9 JUDY: “Beter get going Roz, it already five oclock.” [MUSIC] Gentle, 1 Rit. soft pop-ballad , on ‘ 5 09 hate those lone ly ho - urs. All that Modin, 2: Bells Vibes Modin. >) mn PS Fade aS D_+ym d's [PRETTY POP PIANO. (P (Couchof chorus) || PP $60, 25K2: Sigs. || wiK2: Pad, Gte2, CL Cum. ue onl (play ifneeded) from im and all that power. I just love—con-trol, ll miss him with a pass - ion and all (cue only) -198- sssjanjon8 DR RRAAAAADAA*AAA*M*A*A*A**A*A**AAAALAALAALA BABA HRA ABABAAOKeyboard 1/Condctor for him with-out— him ask En Fran-cais. ‘Tl be think-in’ of you. K2: Ace, 5: = Cy Co i wiMndin, Cym. 3B wiBs Cl, Gte2 strum “BCL? a eS 14 (whispered) En Francais. T will a-ways ove you, Au rear. of to Jeam—this lan - guage a Marseille a Marea y == Mon a-mour— Je ta-dore, comsionoet ar rare eee eeeerreee rere peace renee tee tener nce ee nares eeVS. >>> —200- 3.5709 Keyboard 1/Conductor coomaaros0.7Keyboard 1/Conductor 9t05 (Tour) | 16 CHANGE IT : Ala"9to5" J=10s | Hns. 2 3 wa ' w/Hns, K2, Drs. “Day Care? Are they serious? The company’s gonna watch my kids?” is . = “If Consolidated helps you with your Kid, productivity increases.” Bright Optimistie 4 J=12 They haven't met my kids.” (She exits.) K3: Stgs pz ° 0 " ‘w/HH time -201- corayaaiior9105 KUCond. 2. CHANGE IT (Tou) 2 2 Can give away my whole jb?” RGARET: “lb sharing? Whas jo sharing? Ca give away my whole jl ARG ART once lag) JUDY: "Canon, guys. Where Yur tam spn — [3] 3: tgs pizz ‘w/HH time +Timp. KATHY: “Since when do we have team spirit?” VIOLET: “You know what we all need around here? An attitude adjustment.” CoEours KATHY: “'Scuse me?” DORALEE: “What Violet means is." » a Vamp 025) lay Istxonly S| ‘w/Bari, Ton, Gtr. Bs. +VIOLETIJUDY: you down? Got - cha chained and bound? Gtr. 2 solo (Steel Ac.) wiBs, Ds. ds Shaker 16th's Bs) -202- J corstzisoKUCond, 3. CHANGE IT aus (Town) “1 hate change.” +4#F1,C1. (80a) [RHPLAY] (WURLY wa ie wem, Gee sim. Bs) +VIOLET/JUDY: If youve built a wall Andyou know it needs to fal, K2 sim, MARGARET “I want what she's drinking” ‘59 DORALEE: Some-thin’ that you know is dam-min’ up— the flow. K2,Gir1 tft lab ‘wiGtr2 etc., = > K2:Stgs,Bs. Drs, Shaker cont. sim. 203 - arssjanioK1VCond, Tear the damn dam FT 41 down, you don't take the reins change it caraay9)10 let its 4. CHANGE IT ‘Tutti Rhy. gon-na_ stay the same. = 204- 49 $VIOLETIJUDY: 9105 Tou) Noth-in's gon - na changeif you don't A 8 © © 2 2 2 2 £24244444444444444.444444.4 4 2 2 2 2 22 2 2 2 2 = 2 2 @K1/Cond, 5.CHANGE IT 9105 (Tous) pg gl DORALEE sens ora paint delivery). +Cym. roll JOR: “Wow! Lcant believe Me Hart really okay-e the company paying for hab.” SUDY: “What do you mean you dont believe it? It's therein black and wiite!™ a, K2Sigs, oa co (TACET) Ko:Wurly w/Tbn, BS, Gis JOE: “Jeez, whats gotten into you” JUDY: “A backbone.” MARGARET: “Atta gil! Wha'ss Rehab?” KATHY: "Let's call it your new home for the next tity days." are, «0 we a —205- exmnsisaysorKulCond 6.CHANGE IT bs Whaddya mean DORATEE: How bout we get together after work and talk about it? MARGARET: "Yeah, les go out fr drinks!” , 48) 73, a a ALL (ad lib): “Maria! Welcome Back!” JUDY: 7 - « nnag-gin’ all the time, Well fix it Some-thin* on your mind WIK2, Gtr: Steel Stg RAPLAY] Bs. 3 z Drs. x/Stick Gee. 1 sim. se, | VIOLET: s Some-thin’ in your life— sit ting right. K2 wiBs sim. 206 — commune BBB DDADAAAAAABAAAAAAAAAAAAAAAAAAAAAMAABAAZ DADRA OeK1iCond, 7. CHANGE IT dws "Whats going on here?” -= KATHY: “We'e getting an atitude adjustment!” 5 IF you've Tost your place. e-thin’ in— your face al the do dah cay and you cat ‘That feelin’ in— your gut That feel-in’ in— your gut thts anis/om)i07 —207- (Gm7)got you in a Change it corosienj 04 mu DORALER/VIOLET/JUDY: 8.CHANGEIT You're made of bet - ter stuff and you Tutti Rhy. Change it, you don't want your lit-tle light to nev-er shine. MARIA: (poco ad. ib) little ight of mine. can change (Change it. Turn 9105 ou) it it up on bright andK1/Cond corsa 07 ‘get. your 9. CHANGE IT let it shine! 209 - 9105 (Tour) There's a greatnew workbut there for There's a greatnew workbut there = 4K2:Sigs, Ten, Br.9105 K1/Cond. 10, CHANGE IT on AD better day son the way ‘on-ly you can those who dare to. is on the way. oon-ly you can -+Timp. you can change you can change you can fhange Change— it Change — it 1 Change— it PIANO |" B) Girt Bs Ds soa a Drs-time -210- wn tt te em meee eee enneaanan ee eee ee oe ee oeK1/Cona, ‘come on and makea change! comu/aayior 11, CHANGE IT DORALEE + 79SOPRANOS: You can change——____ You ALTOS: You can change Change | it x Change — ‘it Change— it You can change — (Gte.1 ou) Gtr2 sust. F sub. mp (Bs, out) w/K2, HH 9105 (Tour) can change. you can change you canK1/Cond 12, CHANGE IT (toes (Gtr.2 out) +Cym. roll SOPRANOS! ———————_* al You can. change. You can change, you can change You can change You can change, you can change Hins. > i rr ‘Tutti hy -212- aeae2eennnnnnnn enna nnnnn a ~~Kucond, 13, CHANGE IT 9105 Tour) CChange it. You don't want your lit-tle light to ne-ver shiné can Let it shine and (Hins. out) ag Change it. Tum it up on. brighund comossimn/i0t =213- VS.KUvCond, There's a great new world out ccormsisn/i03r there for for |4. CHANGE IT 2 those who dare those who dare — to aim o. On = ly we— can change -214- can change it 905 (Tour)K1rCond, 15. CHANGE IT ows four) grb a - hokd, smb a = hol, cornssecnii0 -215-KUiCond 16.CHANGE IT oes eve = ry-thing. you got— When the is dark and cold walk — ub. mip eres. poco poco ry-thing you got— (Fins. out) fear-ing Buri: Walk on. —216- coms/aaioKuCond, 17. CHANGE IT ons Get your life in (Fins. out) Re - ar - range— — +Tpt2, Ton. d's -217-K1Cond, damn “let ring corns/omy 0 Sop: Tear the damn dam down— Tear the damn dam 18, CHANGE IT the damn_ Bari Tear the = damn— dam — down (Hins. out) sub. p Bip Cym. roll am. down, down and Allo: ear the damn_dam Tear the damn dam Has. let ring -—— Dr. fill —218- +Timp. roll a 9105 (Tous) change — a2 2 4 @ 2 @ 2 4 @ 4 4 4 4 2 4£4444444444444444444242422422222228)KuCond, 19. CHANGE IT 905 (Tous) 07 Ehsusip Ehje| als Timp. Applause ‘segue -219- onsw/sa07Keyboard 1/Conductor AIN'T IT GREAT? CUE: APPLAUSE SEGUE Bright J =116 ins, K2: Organ, (Org) ‘wiSts, K2: Stgs, HH time = 220 -— 9to5 (four) | 16A. [CONDUCTOR NOTE: [Please dictate cut to band: \Please cut from the end of bar 2 Ito the top of bar 5. Cut tom. 5 #Tamb. roll = (WORLYT TREN] 2 pguso a 1 1 ' ' 1 ‘ ( ( ( 4 ( i} i] 4 ( 4 (] ( ( ( q 4 4 4 4 4 4 4 4 aKeyboard 1/Conductor a ABETTER DAY (Tour) | 16B CUE: DORALEE: “He's a new man now, darlin” ALa "Change It" J =112 2 Tpts,Bari__——Tbn,Bari_ 3 Si wiK2, Gtr, 182 npr esses ‘pss C2) ka: Fast Sigs. af Lam doe [TACET | Blsus? Gu. 2, Ds. | = = - 7 4+Bari (Bs.OUT) Mack Tree don't know ifT can spend ight in the house with that man.” exseremror9105 ou) 2. ABETTER DAY Keyboard 1/Conductor VS. >>> (DTT ST ewe ew wwe ewww eee: 222 - sseien/s0Keyboard 1/Conductor 9t05 (Tour) | 17 LET LOVE GROW YIOLET: “t'm a one man woman And Thad my one man.” (MUSIC} JOE: “He's been gone thre years now, hast he?” Freely VIOLET: “Sometimes i secs like he was just beside me a moment ago.” 2 na 2 4 a poo eg, wiK2: Sts. VIOLET: (cont,)..sometimes it seems like he's been gone a lifetime.” JOE: “Tknow. But isn' it time you found something more to look forward to every day than just showing up here everyday?” “” «e “© © wos) Might find love in strangers fac es Love can grow— in the strang - est plac egKeyoutUCondacar 2.LETLOVEGROW ois Wait in’ just a-round the cor - ner for all you know. SE K2: Bells, ced in Mando, Love can grow— where you least ex pect it Take a chance, don't re-ject__it Cl. (cued if needed) W/K2: Stgs; cued in Bs.Cl Love will grow if one just i —224- soe jon90.7 DBBDBARBBARABAAAAAAAAAAAAAAAAAAMAMeeW ee ~~~ ~~ | iCKeyboard 1/Conductor 3. LETLOVE GROW 9105 (Tour) VIOLET: “I'm scared.” JOE: “You've got Hart ted up in his hhouse and you're scared of a date with me?” K2: Bells LO Mandl "0 relased) tur wipedal mp K2: Sigs, RV b didi bSebobnneey9105 Key verencor > 4. LETLOVE GROW fot} He 1° have feelings | fOr me too But you're a | fraid to— try. ™ +Blec. Gtr. comp mp nies? mp br Drs. time os) 1 would | let you— in. heart is true But this is all so new. And I won-dec what Tll_do if I would let you in, +K2: Stgs. (sus.) ‘Mando, Gtr.2 sim. Ras. (cued if needed) As eld eb jas? eb | Al &] ————_* achance—that’s worth—the ak - ing. Love is out there for the mak - ing Brs. fill Bs, Drs. sim. +Cym. roll = 226 —Keyboard 1/Conductor 5. LETLOVE GROW 9105 (Toa) 20 Find it inte eyes of some ~ one that—you know. an-y col = ot shape— or fash - ion, ‘Thee is no de-ny = ing pas - sion. Bells), ways ever - last /- ing -227— Nore an/onorKeyboard 1/Conductor 6. LET LOVE GROW Dry our tears and all_— their can fill the emp - y sp our tears and all_— their K2: Syn. Bells(8va) a ‘Mando. strum +*Brs. (sus. cued if needed) fo % a Mend our bro - ken hearts and heal our souls. Mend our bro - ken hearts, and heal our souls, ————__ —228- sovstyeaton8t 905 (Tour) BBSBBDBODADAAAAAAAAAAARAADAAee ee -- _ -Keyboard 1/Conductor 7. LET LOVE GROW 20 Hind-sight’s al - ways out to blind — you look a K2: Syn, Bells(15ma) Look for love— and let it find you. | Let Look for love— and let it find you, Let love i” he Mando, Gtr. (sus.) PGig dim. 08 nse) 0-8-7 -229- 9105 (Tour) hind you. head + and not be ~ hind— you.Keyboard 1/Conductor VIOLET: “We're gonna be late.” Rit. wn Slower 9105 8. LET LOVE GROW (Tow) Love will grow if one just lets it. | Let fove— grow.— Gite. solo +#Mando, K2: Stgs. Mando. solo, wi fil (race, @ 230 — BARRA MABMMA*MMABRAAMDeee ~~~ _Keyboard 1/Conductor (teu) 17A GOOD NIGHT, MR. HART CUE: DORALEE: He's a new man, dartin’ Allegro 3 Cl,Alto t ‘w/Tpts, K2: Rhodes CLAY. HERE FOR you |S w/Tbn, Bs ‘wiDrs. (New Orleans Street March) 4Gtr.2 #abasa 1, Alto CL Ato, Tos 12 KH Wuely +Dobro p K2, Gtr. 2, Bs. HH 244 eaasypenjoner —231-Keyboard l/Conductor 2, G00D NIGHT, MR. HART a JUDY: Alrighty, Mi. Hat, Nigh night, Sleep ight, Dontlet the Beabugs bite.” it, a Brs, K2 ® ke 4. Drs. cont HH ~232- ‘e1ss/om/o08:rKeyboard 1/Conductor 9 to 5 (Tour) | 17B STAY HERE DICK (Rev.9/17110) CUE: JUDY: “Stay here, Dick.” JUDY: “Oh, my God!” Allegro ze * — wiGte. 1,Bs. == [DICK walks into the room) a no eee SUDY: “Stay out! Who's he? 3 Tpts. 7 4 Vamp JUDY: “My boss” (60 ON] +Cl,K2: Hpschd, + Xylo Drs: HH time +K2: BS rane) 802/08 —233- HH (Foot)Keybourd Conductor 2, STAY HEREDICK (Rev. 9/1710) ges ‘Bondage. $ & M. Sex games. to all that now?” [OUT] >A Bs, Drs. ‘wiBs, Drs. =234- rmouenseT BADADDASDAAAAASAAARAAAAAAARARAAARADKeyboard 1/Conductor 9t0S GET OUT AND STAY OUT fies) a DICK: “Not this much! You cant be serious" JUDY: “Don't tell me what I ean do, Dick!” (MUSIC) JUDY: “If want to have an affair or smoke pot [GO ON] ‘or do M&M's, you cant stop me! : Reflective, colla voce a _soy: 4 Well-i’s fun-ny how you waltzed in here as - sum-ing Td come back — Well +Bs, Gtr2, K2: Analog Pad let_me tell you some-thing, you are way off tick Can't you see Tm dif‘rent +61: Nylon are you still that blind? No! You stand right here and take it; there's no love to hide be-hind.— Well =235— cosinor9105 Keyboard 1/Conductor 2,GET OUT AND STAY OUT ag a With motion ‘o proud— 10 tell you Fm really dosing good Tm J 1? Tam sure a whole lot bet-ter than you Gees 2 Gus. sim. T Gud “4Rds. Gus.) +Tbn cev-er thought would. Got my own place and my own space to think and dream and plan, took oo —— SS i “+Cym. (oll) 236 — « « q q « q q q q « q « 5 F a : : a a a a rKeyboard l/Conductor 3.GET OUT AND STAY OUT oes our) VS. >>> -237- comsyan/or0r905 (Tour) Keyboard I/Conductor 4.GET OUT AND STAY OUT Driving Rock, hushed - in 2 JUDY: ha y wiKEPad Bs.(15mb) but then I fina-lly leamed. Bells, CI Vibes . — ra cym.J_wiG. (sus) ae +Bs.Cl Bs.C. OUT the ta-ble's: tumed— Bells,CL Cyms. sim, —238- consianyovorKeyboard 1/Conductor 5.GET OUT AND STAY OUT 905 (Tous) ey z = 1 wed— to ove you now it’s your tim to squirm, +Brass Brass OUT ‘ew Gals wiGtr2 K2 sus.) mp ay ——*"wik2, Bs. say = ing— good = bye and 1 won't wait for your re-tur, CL.K2 Tpts. ‘ty Ba With intensity had e-nough,Keyboard 1/Conductor 6.GET OUT AND STAY OUT kis me on your ‘#Hins. (on accents) e 7 = Hns. OUT would - nt 4#Brass_K2(sim) cosinor 9105 (Tou)Keyboard 1/Conductor 7. GETOUT AND STAY OUT 9105 (Tour) 3 ss = s 4Gt01,K2 Brass EE =241- commana9105 Keyboard 1/Conductor 8. GET OUTAND STAY OUT ae a e won der— what youll, «do when Tam not a-round— Gite.1,K2: Stgs, Bs. ef chr) by wBs.cl, z + # Drs. («stick on 4) +Shaker 2) 8, oI 6 a love— has up—— and I you down, K2: Rhodes, Gu) K2,Bs. z Drs: lite fll al - ways come ay - sme through-out_—the years K2,Gtr.2 7 e veal +Brass mien eataaee] || 242 -Keyboard 1/Condvctor 9. GET OUTAND STAY OUT ges ou) n a ” mend a-noth - er bro-ken heat to dry_your selfish tears. = K2: Analog Pad, - Gud ttre Lttf = siks.ou) Toms fil +Cym. rll out and stay out, ms mo-ving on at last___ C1. Gur. a w/Bs. (fils) HH 2's, Snare on 7 © s ‘Timp. fish, but that was in the — past = ; 7 Drs ie a +ym, ~243- rolKeyboard 1/Conductor 10, GET OUT AND STAY OUT ou 85 ee 8 3 ver thought Td be— the one to say good - bye. + Tpts, Bs.Cl, Gite aos go Half-time feet... and stay out king a. ~ “Drs fil s Toms fill +Cym, roll a By “ K2: EP/Harp 4's arps (thru m, 104L) sim. w/Brass, Bs.Cl. (sus) Girs. (sus strums) Bbsus? wiBs. +Cym. +r Mark Tree gliss (on3) —244— ao e2j08 ces) 0/0985T SBRAAARASAAHAAAAAAMMAARAAMABABMMAAMADADMA = ~~~ -- - -Keyboard 1/Conductor 11, GET OUT AND STAY OUT 9105 = (Foss) * ov a Dreams and plans are inthe ma = king, Suc FI, Cl, Bells, Gtr2 P Bs, sliss up for 4Cym. rol ———— Bs. syn -cone eT 245 - alissupKeyboard Conductor so1c have no choice 12, GET OUT AND STAY OUT toe Face the fu - ture, and walk Gtr. (arp. sim.) Now that I'm of un - fett-ered_and un r a 008-6305 Toms fill = 246 — 108 —— ——_ > +Cym. roll com105) FLLK2: Stgs,_ a “+Timp. roll 9105 (Tour) BBBABAAAAAAAAAAAAAAAAAARAARABAAABADADA @ = = ~~ ~~ ~~Keyboant Condor 1B GETOUTANDSTAY OUT ans Cra ‘Tempo I? ; 106 07 Nn + lly had_— e-nough, Ras, Sigs," and ‘ve fina - ly had—e-nough, K3f, aaa ota rp 8 cchds. w/'B! pedal Guts. etc) wos. He 109 kiss me on— your way out,_— it would-n't move me much —s> used me,— you cheated —and—_you lied K2 (va) Gees. 2's as before vos. O8 -247- “Tip.Keyboard i/Conductor H.GETOUTAND STAY OUT 17 ‘Half-time feel (ioe 10 = sere] ES #Timp. roll Drs fill “Crashes, fills - +Cym. ++Cr. (no time) roll oss /08- 0/50/0887 2222 D225 £ SAAAAAALAAARAAADRAARAARAA DRAB Meee weanKeyboard 1/Conductor NO SHE DIDN'T (SLACKS) VS. >>> =249- 9to5 (Tour)9to5 Keyboard 1/Conductor (Tour) | 18A NO SHE DIDN'T (SLACKS) [CONDUCTOR NOTE: Please dictate to band: ‘Start at bar 5. (Cut bars 1 - 4.) (Start at m.5 ; Moderato J=112 #Saxes, Br. ass. 2 ——— Tenor Ka f Sanes, K2 Toms™ 7 Tpis. (w/Saxes) = Se CET con sone —250- +Sus. cym. rollKeyboard 1/Conductor 3. NO SHE DIDNT (SLACKS) -+Saxes, Gtr, K2 — =>: (RHODES RH) a ap 2: Rhodes ~ Drs. play through BS Gtr. 2 (16th') 308/000) -21-Keyboard 1/Conductor (Tour) HAIL TO THE TINSWORTHY JUDY: “Who's Tinsworthy?” VIOLET: “He's the chairman of the board.” HART, JUDY, DORALEE, JOE, VIOLET: “Shit.” March +. Drs. military Fl ce ie ‘ I, wiK2, 18B Bs, Drs, Timp. * K2, Gu, 2 810 x Dow 5 Bpewster [RHODES (rite atack,| +Tpts, Tenor soft volume} en ~252- cassjenjoneet Bs. Dr.Keyboard 1/Conductor 2, HAILTO THE TINSWORTHY 9005 Sus, Tp, +k Ss, Brs. a 7 K - ols eft ft - Cf Ler +Timp. roll HART: “Mr. Tinsworthy sir to what do we owe the pleasure?” HART: “Well Lah.” TINSWORTHY: “Hello, Hart. What's with the pajamas?™ VIOLET: “Ie3..the end of the week, si” Dialogue El Gt. 1 Gv) ‘8 6 6 sn.peLEy LS DES forte aac, | #K2 {Situ t Sf P (Sxs,Tpts, Ge. 2 OUT) + 5 i roi = ow Bs,V Ton. P cosoianyorer — 253 -Keyboard 1/Conductor 9 to5 19 (Tour) FINALE HART: “Bolivia?” (MUSIC) TINSWORTHY: “You could use come color HART: “I can't tell you how much I'd love to fight my ‘Youve been spending too much time indoor.” way down the Amazon with you, but I'm needed here” Moderato J = 104 1 a +s 6 4Cls, K2: Stgs, Vibes ‘wIBs, Drs, TINSWORTHY: “We'll make it work. I'l take ts HART: “Two or three years?” [GO ON] 7 or three years down there but you'll Iearn tolove it.” ° ls + Tpts, K2: Rhodes Gt. 1, Vibes nf P +K2 —254— ‘rooeasensi0Keyboard /Conductor 2. FINALE 9105 (our) VIOLET: “Congratulations, Mr. Hart I couldnt happen to a more deserving person.” 19, [5] A little faster 2 Owl ‘8 7 = ~p——|| Po * TH 7 = ko, #02060) Wa Gtr 2, Bs, w/HH 244 HART: “Violet!? She knows almost as TINSWORTHY: “Another ingenious thought! Only a much about the office as dol” visionary like you would suggest a female CE.0.” [GOON] 4 A a wm HART: “I what~I didn't" TINSWORTHY: “Of course, Faster, still that's i you want the job, Violet.” VIOLET: “Oh yes, sir. T want it!” a dinar " * = ca) ‘Ton, Bs. = —255- asainKeyboant (Conductor 2. FINALE. frou ROZ: (desperate) “1 would like 0 volunteer to . ‘accompany Mr. Hart to Bolivia. I speak fluent French.” TINSWORTHY: “We're going to need you “46.2 here. You'll be reporting directly to Violet. w/Vibes (sust.) wwiCls. (cued, sust.) 2stVibes Get AA vA ; wi 8 i cE ate HARD “NetttTnstfteeit” ag, i eld dics is. TINSWORTI:“tenrgrpecting ts. ‘HART, Shel dae Regn ie no aes aah, a down there and you know how that can impede travel.” Safety -‘ananmwe” ls, Tp, 2 y 5s Gtr. 1 (Bvb) © 46 ym. roll “Congratulations. To all three of you. Don't worry about Hart, he won't get in your hair again fora long, long, time. ‘Cary on.” /GO ON) (030) 5 an we Vamp HH cont. 256 - ‘raponstay0Keyboard 1/Conductor 4, FINALE oes NEW EMPLOYEE: “I was making more copies of, VIOLET: “No, | think we'll have Roz the annual report and the Xerox machine went crazy!!!!" JUDY: “I'll ake care of it.” handle it. Go fix the Xerox machine, Roz. Ka Rhodes us se ROZ: “But, wait I dont w/Bs, Drs. “+Shaker See) roll VIOLET: “Roz, get in there and start to show alittle esprit de corps. Chop chop!” ROZ: “Holy merde!” w/Brs. 48xs, Gtr. %, 38 ae rd Den Om Shaker OUT au: F Nine to— five,— what away to make a liv in’, Things areKeyboard I/Conductor 5. FINALE, its less tak = in’ and more giv Uns. Groove and now that 1 can do— it, Bet - ter — 258 - ‘vaposrua/io get my rear 905 (Tour)Keyboard l/Conductor 6.FINALE gus (Tour) DOLLY: “I bet you all want to know what happened to everybody after this and I'm gonna tell you. Let's start with Roz. Roz kept on working well into the 90's, Although she had many bosses over the years she Was tunable to get over the loss of her beloved Mr. Hart.” e _s sg Vamp 2 gear and get— right to it ket WGtr. Bs, “Things changed when she r-met an old sear the al oad har sea ae TCO ON) “Dhan kin Hat yas abducted hy an ange ibe of « Vamp Jungle Toms/Pere. Pads - fam abe. “Re Bs, K2: Pizz, ‘Toa (cued) ‘reson 259Keyboard 1/Condctor 7. FINALE, (tou) e ALL: Nine ta five you can lose your mind. Get_up! +#Hins, Tamb. ‘w/Sxs, Tpts, Gtr. 2 sub. f° fans HES = “ty Beye pir to eri tonne tl we. Cue only Ger.2 wiGtr. 1, Bs, Drs. “She became a frequent guest on The View after writing her best selling memoir Life Without Dick. (GO ON 2: Rhodes, o Wamp &, oy, o =F —260— ‘roveseas0 BB2222024442822824404442 22222222 wom ~~~Keyboard 1/Conductor 8. FINALE 905 (Tour) “Doralee moved on from Consolidated and followed BELUP! G5y__erdream ofbecoming country westem singe.” Nine__t0— geT Up and work, get_upt Nine to five, get up and work, get up! RB ‘w/Hins, Gtr. 1 ins w/K2: Stgs. (sust.) +Tamb. (DB) “Dwayne had almost talked her into running for president, but realized she was t00 late. Bigger boobs from Texas had already beaten her to the white house."/GO ON] A -- 7» _Yamp VS. ‘raca0ns 10 —261-Keyboard Condor 9. FINALE ein) Get up and work —get_up—— and work nine to ‘five. \w/HIns, B3, Gtr. 1 Ehig +Tamb. roll Drs. w/Bs = Drs. (ths) (Toms build) DOLLY: "*Coure, Violet and Joe have been together for almost 30 years, Violet ran Consolidated for [JOE claps] ‘many years until she came up with a little invention called - The Clapper.” /SHE claps] [OUT] [GOON] & 5 ‘Vamp (out anytime) ,, GP. wiGt, 1, Bs, Drs. aoa e + Shake? vs. —262- rosexysn/10 ‘ ‘ ‘ q ‘ ‘ ‘ ‘ ‘ « q q q q 4 « q q 4 « « q aeeeenaaaaaa‘Keyboard 1/Conductor 10, FINALE9105 Keyboard 1/Conductor ULLFINALE, (Tou) & DOLLY: “I love that! Don't you?” Nine to— five. Hal-le lu = jah Hal -le = lu Hins, K2: Org, Gu. 2 aa + —$_— wiGt. 1,Bs, Drs. = +#Tamb. thank the Lord— ‘no - one’s ‘nin’ ya Praise and ‘rose4/s02/10 —264-Keyboard Conductor 12. FINALE, gus the ones who made a dif - “ence. Joy 10 the girls! [&] Wu +2 women: a Weve all been de-lv ~ er - ed.— Nine to five you can lose— your mind —> 4) B3 cont. (sust) f K2: Wurly, Gtrs. groove +Tamb. +Cym. roll =265- Faaoarsn)109105 Keyboard 1/Conductor 13, FINALE aa 8 * 7 o Get up— andwork get up —andwork Nine to fiveyou canlose— your mind— lose your mind, — to five you can lose your mind — « « « « q q q « e € « € € € € d € e @ e e q 3 ® 3 : a a a a Bs, Bari 266 —Keyboard 1/Conductor 14, FINALE 9105 (Tour) % a ALL: Get up and work, get up— and work Get up and work, getup and work, work - in’ n Get up! Get -up and work, getup and work, work - in’ Ger.2 Pro Pra Tt Bausiog Baus%py Lod Dr LJ bed rawouwaria -267-eitietietitietiedtitatd TTT Te ww www CU CTV UCT VT VST Tere 15. FINALE VS. >>> 268 ‘Keyboard 1/Conduetor ‘eeseaopisaKeyboard 1/Conductor (9712110 Insert 2A - 2D) Allegro, & la “Around Here” 4 = 168 ‘Tpts, Sxs, £ ‘w/K2: Rhodes, Gtr. 1, Bells, HH Hns. (8ves) wiK2: B3 2 Sf. a ome ig LET Drs, Tamb: Time cons — 269 - 9toS (Tour) 20Keyboard /Conductor 2.BOWS (9/12/10 Insert 2A - 2D) .wiK2: BS — ps Og Ct = ‘Ton, Gtr. 2, Bs. +Timp. % A “ dis K2:B3 (va) bg 16 E> Ver FX Meh meteadins wiBs. ++Tamb. -270- ‘rapesismsiorKeyboard 1/Conductor 3.BOWS (0112/10 Insert 2A -2D) @ 2 a heel ‘Around here! Hins, Gtr,2 wIK2 ad li. Gte. 1 Solo R&R piano ad lib Bs. comp Drs, Tamb: Time —— (K2, Gtr. Tamb. break) Ton, Bs -271- renusa/er 9105 (Tour)Keyboard 1/Conductor 4, BOWS wiGtr1,Bs, Gtr. 2: backbeats Drs, Tamb: Time Faster rT ao chr ve FP #Tbn, K2 -272-Keyboard 1/Conductor 5 __ Majestic Rock (1/2 Time Feel) J=1s0 S.BOWS 9105 (Tour) roll away from Shine Like The Sun—— when these clouds. Shine Like The Sun FL.CL. ‘Tpts. OUT wins I a kasi, FR G i ‘w/K2: Rhodes, Gu.2= 1 won't be. can run — 1 at your mer - cy no high ine won't crawl won't crawl 1 an run Hoo high ineKeyboard 1/Conductor 6.Bows (ria) (Tour) 2° Well be sing ing -it loud. Be so proud Well be sing ‘repouearor -274-Keyboard 1/Conductor 7.BOWS 9105 (Four) “3 bos-ing’s all doe ald ike the we gem Se rong ggg th —— 4 iid a o al K2: Sts, wwiGtr. 1, Bs, Drs. Tom vs. Shh Aas sata ah) AER on /900/ 107 -275 -Keyboard MOGRADEE: 8. Bows Tour) ALL: shine like — the = Shine POURNEY™ CHORUS | gs) PIANO _| A°icg in's all done, when the ly a's al done, when the uy - in's all done, there'll be no thing but sun. When its al WWs, K2, Gtr.2 said and done, we're gon - na shine wws rv — - - ? wiTpts, K2, Gtr.2 +Timp. 276 - w/Tbn, Git. 1, Bs, Drs resourses « « a « « q q q q « « q « « « « « « « « « « e e e e e e a e e a a a e a a a a a a a a a a aKeyboard I/Conductor 9105 Shine cro % SS su Shine ke — Shine Shine ke the Bells ‘Bells +Bells wi pedal Bip 4+K2: Sigs. Slower, & la “9 to 5” DOLLY: ‘Tam-ble outa bed and stumble to the kit-chen.Rour my-selfa cupof am-bi - tin, Gut ‘he, Bs, Dot Bs, Drs. oem o if &, er, Jump in the-show'r and the blood starts pump-in’ Yawn and stretch and try to come to Wie Tamb,9105 Keyboard 1/Conductor 10. BOWS, (Tout) 70 f Our on the streets the tra-fic-stars jump-in for folks —like me on the job from nine to— five Work-in’ Alto, Tpt, Ton, Ten. K2, Gir. 3 what away to makea liv. - in’, Bare-ly what away to makea liv = int Barely what away to makea liv - in’, Bare-ly mf w/Bs. i Drs, Conga groove, aim. 27811.BOWS 9105 Keyboard 1/Conductor ons 4 a ” 7 tak-in! and. no giv ~ int, They just your mind and they ne-ver giveyou cred - it. Its 7 2 B takin’ and no giv - in They jst wwe your mind and they nev-er_giveyou cred it ts e- 2 5 tak-in! andno giv = in They just we your mind and they never give you cred - it Its e- 4 2 7 ™? tf S's Bc is Se ee ae) eas fy 8 7, = ough to dive you ay toe kt rough to dive you ay it you let : ¥ ough to drive you. ou y fly ke kt +K2: Org, F S , o Gi Ag? Bo oF Opn? ee ‘4 ot a 8 Siiay - - - Chey § “a Bits) aa) t0 —279-Kegtoad Conductor 12.nows ean DOLLY: “If you enjoyed the show, go tll everbody. If yu dat, Keep your 2X dang mouth shut But serous. 1 hope you loved it a Hope you ale 7 wiGtt.1,Bs,Dis.(asbefore) — 280 -i Keyboard l/Conductor 13. BOWS ‘resouoni07 Vamp_ Gtr. | solo (we rsx only) 9105 (Tous) Nine to Five! +Timp.Keyboard 1/Conductor (ras 5 four EXIT Moderato, a la “9 to 5” J = 104 [Z]_ Hs, wiK2:Organ . 5. A Gtrs: comp ras /0081Keyboard Conductor 2.BXIT gies 4 K2, Gtr, 1) © Bs. plays Hin. line VS. — 283 —Keyboard 1/Conductor 3.EXIT ae @ Hin. a 4 Bi ad ib Dnrin05) oo Sees, Gu2 Be K2: Organ ‘wTenor, K2, Gur, (K2 gl) wiBs, K2 an eee Les fs 20, Hns. Ey — a) 2 wiSaxes, K2,62_ romeroKeyboard /Conductor axes, Tpt.2 1 Congartamb. ; ‘ a (Organ) rea) G2 ros 92/0087 —_ 4#Tpt. 1 4.EXIT 285 — 9105 (Tour) © drs. s1 1 = ey Ghani Pepaaon 212756250

9 To 5 Musical

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

9 To 5 Musical

Uploaded by

Copyright:

Available Formats

You might also like