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ENGL 115
Professor Rodrick
19 November 2019
In the book Play It As It Lays, we see the characters struggle to find a correct path to the
life that they want. There is a theme of the characters wanting to have some kind of control in
their life and attempting to obtain freedom. This is seen the most through the characters Maria,
Carter, and BZ when they run into problems in their lives and try to solve them in unhealthy
ways. Since all of them face different problems and difficulties in their life, they way that they
try to fix themselves are drastically different from one another. These characters embody the
theme of freedom and they show it through how they cope with their problems throughout the
Maria shows this theme in the many different ways that she tries to have control in her
life. Most of these ways only make her feel in control of her life temporarily and sometimes they
don’t even seem to work at all. In a Ted Talk by Albert Hobohm he says, “It was my lifestyle
that had produced this unsettled mind of mind which has now become nearly impossible to
control.”(Hobohm 1:41). In the Ted Talk he talks about how he found a positive way to control
his life because his thoughts had become too overwhelming for him to deal with. Maria does not
go down this route and instead allows her thoughts to take control of her life. She attempts to
find control in her life in the way that she continues to try to reconnect with her daughter and
how she continuously moves away from the location of her problem. During an interview with
Nicholas Rombes about Play It As It Lays he says, “She’s not there (nothing) and yet she is,
around the edges of all of Maria’s thoughts. She’s like a magnet at the end of the book, and all
the words are metal, and they’re all pulled toward her.” (Winnette, 2014). Maria wants to
reconnect with her daughter Kate because she feels that if they are together again, her life will
become better and she would be more happy. It would also be one less thing in her life that she
doesn’t have control over. When she becomes pregnant and the baby isn’t her husband Carters,
he tells her to get rid of it and she responds to him, “If I do this, then you promise I can have
Kate?”(55). He doesn’t give her any guarantees but she has the abortion because she doesn’t
want to risk losing her daughter more than she already has. She still holds onto the hope that if
they were to become a family again, she could spend as much time as she wants with Kate
without having to call beforehand or have to wait. In this way, Kate is somewhat of a hope to
Another way in which Maria tries to find control in her life is when she drives away from
the location of her problem. She does this in hopes that if she’s farther away from the problem it
would go away or stop affecting her, even though that is never the case. At the beginning of the
book it says that some nights Maria is filled with dread when she thinks about the people in her
life and how her life is and that “she never thought about that on the freeway”(18). When Maria
is driving she feels that she is in control of her life even if it is just for that moment. She shows
this when she drives a specific route, when she drives away after sleeping with an actor, and
when she changes her mind and drives to Vegas after Ivan Costello rapes her. When Maria
wakes up one morning in the same room as BZ and his wife Helene with almost no memory of
the night before, she tries to keep her mind off of it by imagining different things. In the book it
says, “When that failed she imagined herself driving---she slept and did not dream”(162). Even
when she is not driving, just the thought of it calms her down and gives her a temporary feeling
of control. Driving is a way that Maria copes with the emotions that continuously overwhelm
her.
Aside from Maria, the theme of control is shown through BZ when he manipulates the
people around him so he can have what he wants. He feels that he is not in control of his life
because he is struggling to care about anything and feels indifferent to the things that happen
around him. In the story his mom pays for Helene to stay with him and he takes advantage of that
by abusing her. In the novel he tells Carter, “Isn’t Helene a nasty, Carter? Haven’t I got a bitch
for a wife?”(45). BZ treats Helene like she is worthless and finds control in abusing her because
she can’t stand up for herself. According to an article called The Truth About Abusers, Abuse,
and What to Do by Darlene Lancer, “The one thing they all have in common is that their motive
is to have power over their victim. This is because they don’t feel that they have personal power,
regardless of worldly success.”(Lancer, 2017). BZ likes the feeling of controlling others because
it makes him feel like he has some control in his own life. This ends up not working in the end
because Helene decides to sleep with Carter. This causes BZ to feel even more out of control and
in a last attempt to take control of his own life, he ends up committing suicide. Before he kills
himself BZ tells Maria, “Some day you’ll wake up and you just won’t feel like playing
anymore”(212). By the end of the story he has lost all sense of hope and doesn't see life as worth
living anymore. BZ felt that if he couldn’t have control of his life when he was alive, he would
Carter expresses the theme of attempting to have control of his life by going to work and
by trying to help Maria. Whenever he is dealing with something stressful, which most of the time
is connected to Maria, he spends his time at work or in social gatherings. He feels that he doesn’t
have control of his own life whenever Maria gets into trouble or when he feels like she is a risk
to herself. Carter shows his concern about her wellbeing when he tells her, “I do not. I do not
think you can take care of yourself”(176). He wants Maria to join him at the desert because he
wants to keep an eye on her. Carter doesn’t do this out of care and he shows that when he tells
her, “Why don’t you just go in that bathroom and take every pill in it. Why don’t you die”(32).
It’s most likely that he helps her because of the fact that they used to be married and he feels that
he has a responsibility to make sure that she is okay. The responsibility of checking up on Maria
and having to help her causes a huge stress in his life. When he’s not checking up on Maria he is
mostly at work in various locations. At his work he can go out with his friends to social
gatherings and also meet up with some of the actresses and sleep with them. This helps him to
keep his mind off of Maria and the trouble that he feels she brings along with her.
The theme of freedom is shown in these three characters in the toxic ways in which they
try to find control in their lives. Maria showed this in the way that she would drive away from
her problems and continued to try to reconnect with her daughter. This only made her feel in
control of her life temporarily and would usually backfire later on. Carter looked for freedom
through his work and by trying to help Maria in hopes that it would give him some control in his
life. He never achieved this because Maria kept on getting herself in situations where he needed
to help her out of. BZ attempted to have control in his life by abusing Helen because he felt that
by taking her control it would give him some in his own life. When this did not work, he killed
himself in a last attempt to have freedom. The ways in which these characters attempted to find
freedom in their lives are different from one another but they all had the same results. Their
attempts at finding freedom proved to be unsuccessful in the long run and very toxic towards
their lives.
Work Cited Page
Didion, Joan. Play it as it lays: A Novel. 2005 paperback edition. New York, Farrar Straus and
Hobohm, Albert. “How to stop your thoughts from controlling your life | Albert Hobohm |
Lancer, Darlene. “The Truth About Abusers, Abuse, and What to Do.” Psychology Today, 6 June
2017, https://www.psychologytoday.com/us/blog/toxic-relationships/201706/the-truth-
Winnette, Colin. “Nicholas Rombes on Joan Didion’s Play It As It Lays.” Electric Literature, 14