ae =* WWOCAL “The Drowsy Chaperone" Overture Broadway Version-Mar. 1 fe Music And Lyrics By mane vouvartewner, {Revised from L.A. prod.} love that sound. To me, it's the sound so i sche soning YP Now, let's visualize. J Imagine if you will, it's November 1928. 2 ji —_—. |————_——. ‘You've just arrived at the doors of the Morosco Theatre in New York. It doesn't exist anymore. It was torn down in '1982, and replaced with an enormous hotel. Unforgivable. | spond obhgebign ssfveerane Bruny vex Mar 17 Anyway, it’s very cold and... a heavy grey sleet is falling from the sky but you don’t care... 14 15 because you're going to see a Broadway show!.... a7 18Isn't this wonderful? It helps if you close your eyes. Py 95+ Broay ver Mar 17 Overtures. Overtures are out of style now. I miss them. It’s ‘a polite way of beginning the evening, It's the show's way of ‘welcoming you. "Hello, welcome. The meal will be served shortly, but in the meantime, would you like an appetizer?" ‘That's what an overture is, a musical appetizer. A Pu-pu platter of tunes, if you will. Ballad, in 4 dese ? ‘Oh! Something new! What could it be? Sounds like a dance number. Kind of rollicking. Maybe involving pirates! Don't worry. There are no pirates.* #1-Overture ‘Broay oer Mar. 17 Now. This is it. The moment when the musie starts to build... Live dar. solo Live sax solo R z 74 Biway revision: Ms. 72-71 are rewritten ¥ P' cresc.poco a poco and you know you're only seconds away and from being transported. 76 77e a1-ypertire Bway ver Mar 17 Live orchestra in pit! Ny 2 > fy*1-Overtus Bway 7 Mar 17 ‘meno mosso Anew Gable and Stein musical, "Aren't you excited?" Segue as one to #1APIANONOCAL #1A "The Drowsy Chaperone" Opening Scene Mo gb Broadway Version-Mar. 15 {Revised for Broadway} lorrison Ty On cue, segue as one to #2-Fancy Dress#2 PIANO/VOCAL Fancy Dress mn Broadway Version-Mar. 17 ee {Same as Final L.A. ver.} Masic And Lyrics By Mrs. aa 1 dont know why My dress!Mrs. Tottendale: ‘Twas such a plea-sure air-ing it re- stitch ~ ing and pre-par-ing it God bless! Your dress! will tell you#2.Fancy Dress Underling: Broadway ver-Mar.17 18 Wedding bells will ring. Wed - ding bells will chime. Under. & Tot. Ma-dame youre the hostess and its hap-py wed-ding time Wed-ding bells will ding Mrs, Tottendale: Staff: Wedding bells will dong Wedding bells will ding - ading and we will ding long. Your Ur Staff: Wedding bells will dong Wed-ding bells will ding ~ ading and we will ding s-long. Youra #2-Fancy Dress Broadway ver-Mar. 17 ver-y ver-y glad you put it yer-y verey glad you pot it on (doorbell)* (#2-Fancy Dress roatny ersMar 1? Underling: Staff: 39 Wed - ding guests have come Wed - ding guests are here Wed-ding guests are at the door and soon they will ap- pear22-Fancy Dress rondo ver-Mar. 17 Robert: star of Feld-zieg’s Fol - lies whom = 12-Fancy Drese Broadiny per-Mar 17 GEORGE: Ab, Mrs. Tottendale. Now, don't worry. have this whole wedding planned out. ‘The key is organization, See? Each string represents a task yet to be completed. Pay the ‘musician, yell at the florist, book the Minister. This whole ‘wedding's gong to run like clockwork. TOTTENDALE: ‘Oh; is there going to be a wedding? 5 Feldzieg:£2.Fancy Dress Feldzieg: Broan eM 17PIANONOCAL #2A "The Drowsy Chaperone" Macaroons! Aer Broadway Version-Mar. 8 “™"*"""" {Same as Final L.A. ver.} CUE:..macaroons splash > choke fl* Gangster #1: 244ncy Dress Broeduny Sear 17 Both Gangsters: Gangster #1: Gangster #2: 108 101 Gangster #1: 100 par uy chefs were pus ty chefs We123, 121 122 Wed-ding bells will ring Wed -ding bells will chime. Wedding bells will ring Wed -ding bells will chime.#2.Fancy Dress Broadway verMar 17 Wed - ding bells. will cel ~Janet: Hello everyone, I'm here! subito mp (under dialogue) a Janet:2 #2-Fancy Drese Jacnet— Van de Graff as2.Fancy Dress Drowsy: Broadway ver-Mar.17 161 162 163 164 165, Maid ‘of hon-our friend and con—fidante and all that rot Where's the bar? ‘Women: 167, Wed - ding A Wed - ding Hoo Underling: A It’s prohibition, Madame? Drowsy: Good thing, Ibrought my own. 172, 173 174as s2-Fancy Dress Broadway ver-Mar.17 Drowsy: Bubbles make me drowsy. 17, 178 realty hap - pe-ning— (Acorplane)a6 Dress ft Broadtony ver Mat 17 cir - cle through the strasee ya! when they le # Kitty + Girls: 207 206, ray! Ding-a-ling! A Gangsters + Tenors Feldzieg + Baris: wed - ding Hoo - Ding-a - ling! Ding-a-ling! A ai “characters have been introduced. We have a bride who's giving up the stage for ‘vial gangsters posing as pastry chefs, a flaky chorine, a Latin "And_ of course, my favorite character, the Drowsy Chaperone. MAN: Wel there you have it, all the Tove, her debonair bridegroom, a harried producer, Jothario, and an aviatrix; what we now calla lesbian. 212. att weddings co = weddings co + vocal very soft, under dialogue£2-Fancy Dress ‘Broedwnyver-Mar 17 Kitty + Girls: A: Real = ly bap pe - ninga» ., Voral 1X only Bate rerlanty Sure - ly hap - 227 = = Janet & Robert: oo a be > Wedding bells will ring. Wed - ding. bells will Gangsters + Feldzeig: Wei - ding ‘All (Women) Wed -ding bells will Wed -ding bells. will All (Men) Wed -ding bells will Wedding bells willGangsters + Feldzeig: bells will All (Women) Wed - ding bells will (Men) Wed - ding bells will bap - py wed-ding 2-Fancy Dress Broadtony ver-Mar 17#2-Fancy Dros, Janet & Robert: Broadway ver-Mar 17 238, 239 240 Wed - ding bells will ding Wed - ding bells will Ant Lis - ten to those bell Gangsters + Feldzeig: Wed ding bells will ding Wed = ding All (Women) Wed - ding bells will ding Wed - ding bells will dong All (Men) Wed - ding bells will Wed - ding bells will dong22-Faney Dress Brondwny vera 17 Ding - a - linga #2-Fancy Dress Broadteay ser-MarT7 Gangsters + Feldzeig: Tong! All (Women)PIANO/VOCAL #3 "The Drowsy Chaperone" Robert's Entrance suserraiseey Broadway Version-Mar.8 0 {Same as Final L.A. ver.} ‘Very fast Charleston 1 2PIANO/VOCAL Cold Feets m Broadway Version-Mar. 18 CUE: Of course! {Revised For Broadway} Music And Lyrics By Lambert & Morrison MAN: Love Percy Hyman, Some people think he acts like a toothpaste model, but to those people I say, "shut up". Robert: cola voce A 1 2 "The Drowsy Chaperone" ‘Trem-blin' like da frai-dy cats do sha-kin! and at = qua - king— = = 2 %" A Tempo ———#4-Cold Fete Robert: 2#4-Cold Feets Broadway version Mar 18 rag-time swing— Make frigid soulsx ‘s4-cold Fets Broadway orion Mar 18 Robert: Off stage voices: 3 “ 6 6+ e4-Cold Feet Broadway versions. 18 Biway revision: Robert: Ms. 61-62 are rewritten 61 62 # GEORGE: Why don't you just slime back into your mud hole, you backstabbing worm! Well, now T have to find another minister. Say, what are you up to? ROBERT: I'm singing a song an old Negro taught me, A Dixie remedy for wedding day jvers. GEORGE: Youve got jiters? You got the easy part! I've got to get rice, boutonniéres, a minister! Thave the weight of the wedding on my shoulders! subitop 4 pra, ronean cues Eat omen ag te+ #-Cold Feets Broadway version Mat. 18 Robert: George: 7 Robert: 5g George: 89 What do I want? 90_George: a 92_Robert: 924 What do 1 do? You make da cold feets‘4-Cold Feets Broadway version Mar. 18 >_ pitt mossoe scold Fete oy A 12 Broadtony version Mar 18 pin [DEN Biway version: Me 132 133 ae rowelten Faster sate 10,2 = qr 182 SF Fast Flapsrecone * Broainny rion ee 16 Fast ry#4-Cold Feets Broadway version-Mar. 18 10 174 Both: 175 178 ‘You make da cold feets hot ‘You make da cold feets hot! ee eS -#5 Wedding Bells 1 -rpreycmerne Broadway Version-Mar. 18 _ yosicrnatysan, {This song is new to the B'way production} George: 2 3 PIANO/VOCAL ‘Wedding bells will ring Tap break ‘And wedding bells will chime Wed-ding bells wll oe! - ebrate. Tap break a ‘MAN: Just ignore it. It will stop soon. It does this occasionally.t rings. Just ignore it. What? What do you want? NS VOICE: Hello, you have reached my answering machine. Leave a short ‘message after the tone and Il call you back at my convenience. And I am very likely in, so do not interpret this as an invitation to burg. MAN: Oh, well, tha’ it isn't it? The moment is ruined. Thank you. Thank you life. It's ike a cell phone going off in a theatre. God, I hate that. "Hello? What are you doing?” "Oh, Tm at the theatre ruining the moment. How about you?" "Ob, I couldn't get out tonight so I thought I'd ruin the moment by peo Sor. Sorry: Relat Lets shake that off. Come on. 's shake that off. Let's go back in our minds to 1928.2 {Wedding Ralls #1 perso Mar. 18 ‘They didn't have cell phones in 1928, but I'm sure they had something for the ruining of moments. Bugles, or something. George:HA PIANO/VOCAL "The Drowsy Chaperone" Janet By The Pool —_ Broadway Version-Mar. 8 ener & Mortbon {Same as Final L.A. ver.} .ntie scene shifts and we find the bride, the glamorous Janet Van De Graaff entertaining {questions from reporters as she lounges by the pool. ; Hlegant waltz 2. 3 p (under dialogue) Photographers rush inPIANONVOCAL #6 Show Off ee ee saver, on vient Broadway Version-Mar. 17 sonic roars y oe {Revised for Broadway} Lambert & Morrison / Janet: cola voce 1m 2 T don't wan-na sing tunes 0 more 1 dont wan-na show off A Tempo (Mod. 4) 2#6-Show Off Broadway verson-Mar. 7 Janet: 12 play the sauc - y Swiss 1g _FELDZEIG: Janet, please. 47 m="+ se = 7 aif I doo’ wan-na be Make ‘the gen-tlemen hoot 0. more 3+ s6.show Of Broadway version-Mar. 17 Gang,1 +2: Hey baby! {got the glowing re -* t6-Show of Broaduy version: Mar 17s6.show Off Broadioay version-Mar.17 want 1 show off! She don't want ‘She don't want to show Faster (wild charleston)seshoo Of Broadway orion Mar 17tse of Janet Broatway vation an don’t wantto show —* s6Show Off Broatioay oreoner 1?a0 shoe Off Broedway versione 17 107 a‘ te Show of janet. Broaiuay vernon Mae Pullback tempo$60 Off | Broadway vesiow at 17 F se dont wan-ta show offPIANO/VOCAL #6A “The Drowsy Chaperone" Show Off Play Off hag ary Broadway Version-Mar. 8 ms anomeon {Same as Final L.A. ver.} Fast 2 2 es 3#6 pianovoca. Show Off Encore B Broadway Version-Mar. 8 ™?"™=" en" {Same as Final L.A. ver.} ‘Music And Lyrics By Lambert & Morrison ‘Tempo di "Stripper" Drowsy: 2 Keep ‘em shouting for Dis-sa-pear through the floor no morePIANO/VOCAL #7 "The Drowsy Chaperone” As We Stumble Along sieses0arsees 5 Broadway Version-Mar.16 “""*"°""" Janet Couldnt youatiast {Same as Final L.A. ver.} choice words of inspiration? A B mS r Drowsy: Inspiration? Really, dear, that's not my forte. Janet: Yes, But if you-- A Tempo (Easy 4) on lifes fun-ny jour - As we stum-ble a - long——— 22 #7-As We shimble Along Broadiony Versione 16 through lifés—— crazy Ia - brynth_—27-5 We Stumble Along Drowsy: Get a4 Drowsy: know: ing left from right nor right from wrong and the OF r will sing his Janet: That was very nice, Chaperone, but I don't See how it applies to my situation. Drowsy: Let me explain: 32 33 34 348 3s Drowsy: as we stumble a-long— SlowerDrowsy: world in which we live aa jer = ra- ted won-ders se - ven cru - ti - a-ting con-ti-nents An - ar- ti - ca oh please ‘mostatt let it lick ya’ this planet _oh so bland Keep your 37 tun = der-whelm-ing seas Tecan tore ya! til you've no-thing left © SN Sill you eye-ball_—_ on the high-ball in your— 4#7-As We Stumble Along _Broadiony Version-Mar. 16 cross life's crow-ded dance We live and we eam ‘ly leave the ¥ oF+ 47-As We Stumble Along Broadsoay Version-Mer. 18 through dawn's—in-ding sun - beams” A7-As We Stumble Al Broadway Versione 1: 17-hs We Stable Al radioy Voom 16 Drowsy: at as we sum-ble a - long aa ee17-48 We Stumble Along Versione 18#IA "Stumble" PlayOff — repro cameras" Broadway Version-Mar. 8 {Revised for Broadway} Massa Mie PIANO/VOCAL. (CUE: Man: Dont you justlove her’? Foxtrot, in 4 1. ‘mf (under dialogue) she shoe-herned this sng ino the show, I mean basically she sings a arousing anthem about alcoholism 5 6 ‘own thing, when she wants, regardless of the needs ad concerns of others. ‘Thats why I love her. She just does her 2 10 ? My mother was like that. 1“ oe veasia OOO Janet swirls on Ti.#8 PIANONOCAL Adolpho sonom cupe Broadway Version-Mar. 16 oe {Same as Final L.A. ver.} Timber 8 Morrie Mod. Tango, in 4 earl make ou remember? A Tempo (Bright 3) 2n 3 bg gs a 4g Tempo (tango, in 4) fe ‘sure that you have heard the name Al - dol-pho a Iad-ies’ man who wins ac-claim, Al - —-Adotp Broadwony verson-Mar 18 18 Well love-ly miss 1 am the same Al - dol - pho DROWSY: Nice to meet you, shall we? Adolpho: 21 22 just in case you did-nt hear Al - dol~pho 1 uy to make it very lean Al- ‘The love-ly ladies al-ways cheer Al - dol - pho b beth Hon* #5-Adoipho Broadway version-Mar 16 Drowsy: Understood + 1am Al - dot ~ pho colla voce 31 Adolpho: Pd do it now, but it ‘would take hours. Now let us see if you can remember my name. Drowsy: Il give ita shot Fey 34 35 sing it ver ~ y fast: Al-dol-pho 1 can sing it ver - y slow...Adolpho: Now who's the fel -low that you see? a ‘34 Adolpho: hhow should you refer to me? ‘s6-Adolpho Broadway verson-Mar 15ton colla voce + radiay erin al 18 Adolpho: 46 Now let me pell, it out for you AND NOW LET ME SPELL IT OUT FOR YOU FOR ALL YOU LOVELY EADIES WHO DIDN'T HEAR FOR SOME REASON MAYBE YOU ARE. na HARD OF HEARING OR SOMETHING - I DON'T KNOW 2 dobodo-ho-ho - hol tes8-Adolpho ‘ Broadoay version-Mat. 16 7 Adolpho:#8A Adolpho-PI LA YOFI F “The Drowsy Chaperone" Broadway Version-Mar.17 —ssosicana yres by {Revised for Broadway} Lambert & Morrison PIANO/VOCAL 2 - >#8B PIANO/VOCAL “The Drowsy Chaperone" "Accident" PrePriS€ —— siicassyrany 2 ‘Lambert & Morrison: Broadway Version-Mar. 10 {Same as Final L.A. ver.} ‘Suddenly finding yourself in an insanely romantic setting, like Mrs. Tottendale’s garden! Easy 4 fame 3 4 6726106#88 Accident Preprise Broadway verion-Mar.10 Janet: Robert, look out! 14PIANO/VOCAL #9 Accident Waiting To Happen Broadway Version-Mar.18 9" {Revised for Broadway} Manic Ana Lie By c A p(under dialogue) Robert: 2 3 4 5 ‘There was a time I could stop on a dime For - bear-ance was one of my tal- ents colla voce 1 eant bold my ground Tmecon - sis-tent-ly los-ing myRobert: 2 #9-Accident Waiting To Happen Broadioey version Mar 18 ac - cident wait - ing hap - pen mis-hap a - bout to en-sue— A Tempo (soft shoe) the threelegged — chair 20 y two lovesick arms—— started flap - pin’ there was noth-ing my ank - les could do— Fi2 8-Acient Wang Ta Robert: a ‘roedoayceon Mar ac = ci-dent wait - JANET: Robert look out! Robert: And then. 2a Janet: Why, she joined in. ‘p(under dialogue) g 4 d cola voce Janet. 284 280, men say Tm sweet and they fall at my fect my heart does-nt beat a-ny faster But when{#9-Accident Whiting To Happen ‘Broadway version Mar 18 Robert: That's & what she said! ced ge Janet you lose con-trol it touches my soul so I'm bra-cing my self for dis 29 ATempo Robert: It's uncanny 31 ac - Gident wait - ing to hap a ca - tas-Wophe des - tined to be— Robert: Exactly! po perte el 32 33 4 Janet:& 49-Accident Waiting To Happen ‘Broadway version Mar 18 39 for a man who lives dan see myself jum - pin’ ‘a clap1: dcdntWing To Happen ‘romsiny once ——” 49-Accident Waiting To Happen ‘Broadway version-Mar. 18 I se ac - c= deat waiting to hap- peaPIANO/VOCAL #10 Toledo Surprise Broadway Version-Mar. 16 {Revised for Broadway} Manic And Lyrics By Gangsters: 2 3 A "The Drowsy Chaperone” , Feldzieg: FELDZIEG: Front! FELDZIEG: Now sell it!2 s10-Toedo Suprise Gangsters: : 1“ Broad verit-Mar. 15 mush it up, throw it in FELDZIEG: 19 Now youre cooking! 16 7 to-le - do sur - prise first yous10-Teedo Broadsoay verston- Mar. 16 whip your whites split your yolks & = = to-le - do sur - prise mf” Biway revision: Ms. 36-57 are cut FELDZIEG: You boy's are naturals. Keep it up, Il go work on the arrangements. 5-6-7-8. B'way revision: Ms. $8-66 is rewritten+ #10-Toledo Surprise Broadway version-Mar.16 KITTY: Hey, what's going on here? FELDZIEG: Ah, Kitty. Im developing a new act with the Pastry Chefs. a 62 Subito p (under dialogue) KITTY: You'e putting Pastry Chefs in the show and you won't put me in? Ms. Feldzeig. I never knew one man could be so cruel. FELDZIEG: No, no. You got it all wrong. The new act is for you, Kitty. ‘These boys are your back up dancers. KITTY: Back up dancers? ire. Go ahead; try em on for size. 2* ‘s10-Toledo Serie Broaduny version-Aar 16 B'way revision: Ms, 99 is cut KITTY: Holy cats! 364 100 9 Kitty: 101 102 109,Makes you bust your tu-xe = do. gy ALDOLPHO: Wait! Wait! Aldolpho, he make announcement. Wedding is off! GEORGE: What? For the love of God why? ADOLPHO: Aldolpho has made love to the bride. ALL: Oh? Eww. FELDZIEG: That's not the bride, you idiot. ‘That's the Chaperone. ALDOLPHO: Whaat? GEORGE: The wedding is on JANET: The wedding is off! ‘GEORGE: What? + #10-Toedo Suprise Broadway version-Mar 16 To-le do sur 2 prise! Biway revision: Ms. 117-124 are cut JANET: Robert Kissed a French girl. Her name is Mimi. She's very beautiful. ROBERT: [ couldn't help it Janet. She was just like you, ‘only French GEORGE: Sweet mother of Pearl! TOTTENDALE: Underling. UNDERLING: Yes, madame? ‘TOTTENDALE: What is all this commotion about? UNDERLING: The wedding, Madame. ‘TOTTENDALE: Wedding? Oh, Ilove weddings! UNDERLING: Well, it's off. ‘TOTTENDALE: Oh, how terible. FELDZIEG: Yes, what a tragedy! What a wonderful, ‘wonderful tragedy! Clear the floor, boys, I'l show you how it’s done. 126 127, DIALOGUE, a#10-Toedo Surprise Feldzieg: Broadioay verion-Mar 16: then you sweet it i 140. sat 142. 149 144 145_Feldzieg: 146 lana+ s10-Toledo - supe a7 MoT. tag Seer AL MTs ay 150 Gangster #eeyysenpr ers ‘wait un-til its rea - dy! sur ~ prise? wait un-til i's rea - dy! sur- mo Kitty: Mss.T. Gan, Kitty 11 tse Feldzieg: 159 164 +Feld. wait und its ready! now its lookin ea = dy! sur ise! you go it; s10-Toledo Surprise ‘Aldolfo: Drowsy: AML: P Pm tay rion Mar 16 164 Sur Underling: do sur - prise Surprise 1 173 170 172 174 175 176 7 "Falling Off A Log"a0 10-Toedo Suprise Broadway versio-Mar. 16 188, "Kitty's Basket" 189 192,10-Toledo Serre adsnay version Mar. 16 “Bells” "Charleston" 197, J te fFa2 410-Totedo Surprise Broadway version-Mar 16 2ryvomen: 215 216 27soll e ll as Wait un - til its rea dy!PIANO/VOCAL #10A Act 1 Finale ve promy haprme Broadway Version-Mar. 8 {Same as Final L.A. ver.} Tine & Merioca Wiis peda fed 2 hedd Prods CUE: This is the saddest day of mylife. gy oyyoy a z 8. DIALOGUE0A~Act1 Finale Broadway version-Mar.8#l PIANO/VOCAL Message from a Nightingale Broadway Version-Mar. 18 "™ er Cuero {Same as final L.A. version} Toten & Morrioce Wild Chinese percussion 2 3 I bling a mes-sage from a _night-in-gale Gangsters: Nightin-gale night-in-gale night-in gale ——__AIDOLPHO: You no bow? Emperor and American lady no see eye to eye. DROWSY: But Emperor, sometimes a different outlook can change your point of view. ALDOLPHO: Whaaa? DROWSY: Presicely Drowsy: Soft shoe a ” 2 19 fasc - i-nates Cau-ca-sions? What* Drowsy: ‘Nome es is it a bout the As- innstha's so nice? 3 ar rX Perchaps its Bud - dha or Con-fu-cious and their ex - cellent ad-vice Adolpho: a wha. a Adolpho: 28 ss 29 30s is it about Cau-ca-sians that mys-ti-fies We As-ians? What is it a-bout Cau-ca-sians that's 90 a tempo f4 Nightingale ‘Mage fom eh Adolpho: on - ly have one god Play F+7 ary ‘ad lib until lifts up record needlePIANO/VOCAL #12 Bride's Lament Potente Broadway Version-Mar. 18 Piss and Vowoca {Rewritten for Broadway} __-a bunting lament from a very depressed Bride, She ‘ngs standing on her balcony bathed in the pale blue {ight of a sympathetic moon, which is ridiculous because it's the middle of day. ‘Now when your listening to this, try to ignore the lyrics. I hncw it will be difficult, but block them out. They're not the best, but the tune is beautiful, and it truly Man: Act Two of the Drowsy tie bride's stat of * Wo ars coments bride’ ‘mind, Just ignore the2 r1-Bride’s Lament be-side his tn -y ma-yed s12.Bride's Lament a tempo Brondiony version Mar iS 25, 26 Janet: for monkey monkey monkey you broke my heart in wo but TL stevays cave that pedestal 5 — © - MAN: I’m just going to pour myself a brandy. cola voce 28 Come my lit - te mon -key come my lit - te mon - key 4 ¥ * ust floats in the air. And I must confess I always get alittle tmsty when I think ofthat tiny jacket lying on the pedestal, it's long sleeves dangling on the floor. Man: The melody is so simple, it jt go __a tempo 3 ee oa Pe+ 12-Brie's Lament mon-key mon-key mon -key Janet: Oh mon-key mon-key mon~ key bot Ill al - ways save that ped-es-tal colla voce* ‘12-Bride's Lament Janet Broadway verion 18 42 44 Come my lit-Ue monkey come my lit-tle mon -key do. cola voce MAN: Here it comes. JANET: Wait! MAN: Who are you? JANET: I'm Janet Van De Graaf! MAN: Do you need anyone? JANET: | don't need anyone! MAN: What about the love of one- JANET: What do I care about the love of one man ‘when I'm adored by millions?+ 12-Bride's Lament at Janet + Man: 56_Janet. 57 7 1 could mile the world if 9 1 ‘Sig-mund Freud sends flowers to me ev - ‘ty show Gertrude Stein she handed me 9 MAN: Now she really let's go.a dds iment ae Drondonyoonone tt es Janet Van =e GrafBroadsoay version Mar: 79 8 MAN: She's having a complete mental breakdown! Monkey monkey monkeyBroadway vesion-Mat.18a2 #12-Brid’s Lament Broadioay version Mar18 I ‘Stay Janet stay Jan-ct Stay upon the stage, Janet Millions want to see you shine. Men: _——, Say Janet say Janet Sty upon the sage, JEnet Millions want wo see you shine. A Tempo @ Millions will do just2 uz-priae » wanes Broadtony version Mar16 includes just fone two tim - in’ cad who drivesme fu-ture I could e-ver care to shape TRI) ¢ molto rall.‘Women: : #2-Bride's Lament Broadtony version MarI8 for a time, but be need - ed to climb and with fora time, bot he need - ed to climb and witha 12-Bride's Lament Broadway version Mar Janet, a 128 bove is it thePIANO/VOCAL #13 "The Drowsy Chaperone" Vaudeville ENtrane sruiernaryiceny Broadway version-Mar. 17 {This song is new to the B'way production. } Bright 4#14 Love Is Always Lovely™”""""" Broadway Version-Mar.16 — Mws.t08 Noreen {This song is new to the B'way production} TOTTENDALE: That's just the nature of love PIANO/VOCAL 2. Tottendale: 3 1 Love makes lo-vers wor - ry Love makes lovers fret But 3 Jong a-go—— when Ro-me-o——— loved2 ‘#14-Looe Is Always Love LUNDERLING: ree Thnveceyae bay. male. ytendale: nie Tottendale: Feuanginitws, belie. al - ways love - ly in the But love has always been a trusty friend fate—— for Hank the eight and Anne hap-py [UNDERLING: I must point out, madam, that! ave Boleyn ost fe hea Tottendale: TORTENDALE: Yes! She was in lovel Tottendale: 7 “8 is al - ways love ly in the be+ 414-Love Is Abways Love Broadsoay version Mar. 16 21 Tottendale: Und.: Here we go again. ‘And Sam-son and De-li - Iah— UND.: Good Grief! Tottendale: Don't mind if 1 dot rya 14-Love Is Always Love Broadiony version Mar. 16* 414-Love Is Always Love Broadtoay version Mar. 16 Love is al - ways love - ly in UNDERLING: Oh, I found that quite taxing. Excuse me, madam, while I pour myself a glass of ice water. 46 47 Tottendale: «a+ {14-Love Is Always Love Broadway version Mar 16: Tottendale: 51 Freely love would ne-ver consciously of - fend Love has certaindy—— been kind to me and —. Love is al-ways love - ly in the end” #14-Love Is Akoays Love Broadsoay version Mar. 16 pf St on = z SSS {Spit take) Love is. al ~ ways love - ly Undediing: ee Love - ly love - ly love - ly#14 PIANO/VOCAL | Remember Love ™?"""" FINAL-Nov. 2 eae Mrs. Tot: dade dade da de da la da de dade da T remember you I remember paddling a lit-tle red ca -#14-Love Is luays Love Broadsoay version Mar. 16 ‘Tottendale: 87, 5B. | {Spit take} 2 Love is al - ways love = ly Underling: Both:#14-Love Is Aloays Love Broadouy version Mar 16: 49 50 51_Freely love would ne- ver consciousty of Love has certaindy—— been kind to me and Underling: Love is al-ways love ly in the ead* sr¥-Love Is Alon Brondseay version Love is al- ways love - ly in the UNDERLING: Oh, I found that quite taxing. Excuse me, madam, while I pour myself a glass of ice water. 48 47 Tottendale: 835, "flea For Two"* ‘1t-Love Le Always Love jg Tottendale: 9 Und Here we goagain. 9, ‘Broadway version-Mar. 16 ‘And Sam-son and De-li - lah— UND.: Good Grieft TOT: Yes, of course” 2 Underling: 95 24 Underling: Why does Tottendale: no-thing I say to you ev - er get through? Don't mind if 1 dot yy2 1 Love I Ateys Lone UNDERLING: meal cis tended gute by, madam. ‘Tottendale: Pasnlnom,ftehcve Tottendale: Love is al - ways love - ly in the o re hhap-py fate for Hank the eight UNDERLING: I must point ou, madam, that ‘Anne Boleyn lost ber bead. ‘Tottendale: ALE: Yes! She was in love! ‘Tottendale: 16. 7 8 S— HE = See oe ee Oe: Love is al - ways love ly in the end Love wasPIANONVOCAL #14 Love Is Always Lovely™””" =" Broadway Version-Mar.16 _ Muicardiis by {This song is new to the B'way production} ‘TOTTENDALE: That's just the nature of love 1 2. Tottendale: 3 Love makes lo-vers wor - ry Love makes lo-vers fret But 6 z Jong a-go——— when Ro-me-o— loved‘141 Remember Looe ‘Mrs. Tot: | rememberpetingsomdhing furryat the zooand pgUnder: ‘It's April 10th" Under: “It's Mrs. Tottendale” 27 28 20 ‘Mrs. .: "Oh, I'd forgottendale” r oMrs. Tot: 414-1 Remember Love ‘laa “Noo. remem - ber scra- ping some-thing she remembers nothing but an omnipresent buzz but‘Ut Remenber Love Final *Now.? ‘Tot: Oh, Ido! she remembers love at least she thinks she does ote: a mn Under: "TJ pin it on. you." Under: Look below! 5 52 53, Oh, would-n't_ you know!14-1 Remember Love doo da da dum da da da dada dum—— ba ba ba de baba bum‘14-1 Remember Love Final =-Now.2 I remember something that I think I just forgot yes that may be true you remember stop? because the song is through* 16-1 Rementer Love "Fnal-Now? a9 Slower m a5cx 26PIANONOCAL #15 "The Drowsy Chaperone" "Accident" UNGErSCOTE sie ros.yiessy Broadway Version-Mar.14 “™"*"™""" {Revised for Broadway.} CUE: "And we love each other so." Slowly 1 P (unde JANET: Ob, Robert. You were kissing me. ROBERT You mena, you'e ‘Mimi? Well! That accent was remarkably JANET: Why, thank you. I developed it when I played the role of Monique in “Hold that Baguette." ‘So, it was all a ruse? ceruel ruse. I used my skills as an actress to test ‘your love for me. ROBERT: Oh, Janet. Knowing that you can foo! me so easily, why it makes me love you all the more. JANET: Oh, Robert. dialogue)#16 "The Drowsy Chaperone" Kitty, The Incredible yess saussm Lambert & Morrison Broadway Version-Mar. 17 {Same as Final L.A. ver.} PIANO/VOCAL Feldzieg: A fabulous new star. (points to orchestra) Presenting Kitty, the incredible! , Feldzieg: Okay Kitty, concentrate, show the boys how you can read my mind 2 a ‘Tom roll a é Kitty: "Kitty, will you marry me?" Misterious 4 ‘Oh Mr. Feldzieg! Yes! Yes! laa a7 4 A &PIANOWOCAL #17 Wedding Bells #2 srr cme: Broadway Version-Mar. 18 siewe.ram {This .song is new to the B'way production} George: do - ihg what a= #17-Wedding Bll #2 Broadway version Mat. 18 16 7 18 19 Wed - ding bells will ring Wed - ding bells will ? 20 2p 22 23 1 wed - ding bells will cel> 17. Wedding Bells #2 Broadtay version Mar. 18 GEORGE: Minister you may begin. Oh, I forgot the Minister! 24D Women: 2AF, 246 24H pitt mosso George: Who the hell are you? 35 Trix:ie ao #17-Weading Balls #2 36 a 5 39 Broadwoay version Mar.18‘TRIX: Sorry to crash the party, folks. But we'll have this fixed in two shakes and then off to Rio for Carnival! ROBERT: Wait! The captain ofa ship can perform a marriage! ALL: Yes! UNDERLING: And a pilot is comparable to a captain. ALL: Yes! ALDOLPHO: And airplane is kind of a ship. A ship of the air. Some call itan airship! ‘ALL: Oh, ship! Yes! GEORGE: Wait! I got it! Trix! CONT.=-————-----= Fast 4 st 2X p (under dialogue) rtp Tete r #17-Weding Belle #2 Broadway cersion Mar. 18PIANO/VOCAL #18 1 Do, 1 Do IN THE SKY ee inonycrpone Broadway Version-Mar. 17 : Music And Lyrics By wom | {Revised for Broadway} Lambert & Morrison 1 2 3 4 ind GEORGE: You can marry them on the plane and we'll have the honeymoon in Rio! ALL: Hoorah!!! A fi eee eee eee = = SF bride and groom—in a cha pel may bring a tear——to the eye what a thrill when love-birds will "I do, Ido" im the sky tf Ss418-1 Do, [Do InThe Sky jg. Bosduny werson Mar 17 sieh When | vows are said in a heartbeats rush when sweet-hearts gushoo 118-1 De, 1D0InThe Sky Broads version Mar. 17 you? Underling & Tottendale:4181 Do, IDo in The Sky 0 i a 32 Broaay erin Mar 17 Trix With* 418.10, 1DoInThe Sky Broad version Mar. 17 Trix 42 43 “4 Bway revision-Feb. 7 Ms. 47-48 are rewritten Ms. 49-56 are cut 48 45 Trix 46 a7Biway revision-Feb. 7 118-1 Do, 1Do In The Sty Ms. 57-66 are rewritten Broadony version Mar. I? 57 Trix 58 59 60. Women:*0! Max: Janet: Well hurry up Trix, ‘gve've got some honeymooning todo! gg All: Oo a418-1 Do, Io InThe Sky Broadway version Mar. 1218-1 Do, 1Do In The Sky Broadway versiow-Mar 17 73 74 75 78 Trix B'way revision-Feb. 7 Ms. 80 is rewritten Ms. 81-88 are cut~ 118-1De,1Do InThe Sty Broadway version Mar. 17 B'way revision-Feb. 7 Ms. 89 is rewritten POWER FAILURE!a0 #18.1De, ID In Te: Broadtory verion-Mar.1#19 PIANO/VOCAL Finale Ultimo =" prre ciapronet Broadway Version-Mar. 17 suacreatyresby {Revised for Broadway} ed Man: Es we stum-ble a - long—— on lifes fun-ny jour - ney—— we stum-ble a-long—— Ukelele in pit (mimed on-stage)1g_Janet: 19 T dont wanna sing tunes no more. 19 bal 19.Finaleuntime Tm an ac-Gi-dent wait - ing to hap~ pen 16 7 sill We bum-ble our way B'way revision Ms. 20-22 are rewritten, Feld. & Gang, Wedding belis will ring wedding 20 21 through life’s——crazy la brymth_—19-Finale Ultimo Feld, & Gang.: Underting: Bronduny version Ma 18 22 23 24 25 Re, Love - ly — op Mis. Ts 23 Adolpho: 1am A-dol - pho 24 left from right nor right. from wrong Drowsy & Man: fas we stumble adong119-Finale uttimo erion- Ma. 16 m4 35 36 37 Trix: through life's crazy 35 Uhrough lifes —erazy* 210-Finate Ultimo Broadway version Mar. 16 ‘as we stumble a = long — a 3 3219.Finae Ultino persone Mar. 16PIANO/VOCAL #19 Finale Ultimo — pre cmzerom Broadway Version-Mar. 17 susie rsatsresy {Revised for Broadway} ee 2 3 4 Ss Bs we stum-ble a - long—— on lifes fun-ny jour - ney—— As we stum-ble a-long—— Ukelele in pit * (mimed on-stage)Robert: Ym an 16 1g Janet: 19 tunes no more—— 19 1 don't wana sing through life's__crazy ac Gi-dent wait - 419-Finale Utin Broadsoey version Mar. 18. 7 ing sill we bum-ble our way Bivay revision Ms. 20-22 are rewritten Feld. & Gang.: George: 20 Wedding bells will ring wedding bells will chime 20 21 la = brynth—v ag. finle oll Ee, Feld. & Gang, 7 ng. se mi Ts Love is al - ways love-ly 29 Man: Teft from right 4 Drowsy & Man: will sing his as we stumble adong——through life's — crazy 35 through life's crazy 3 7 s19-Finale ultimo Broadway version-Mer. 16 ‘Trix:will sing his fas we stumble a = tong 3 3 3£19-Fimale Ultimo persion Mar. 16 ral.Err 8; PIANO/VOCAL #20 B ows "The Drowsy Chaperone” Broadway Version-Mar.8 a in {Same as Final L.A. ver.} Uitnbere & Morice NOTE: In L.A., Ms. A-D were adds ‘They are taken from Ms, 197 Sod of #10-"Toledo Surprise” B Dee Sateeea ea edness nee EEE * nny oe OEY Slower,in 4 oo 39