SHANGAR M LOCATION: TAMILNADU 4919629153473 COIMBATORE, shangar.krish@gmail.com “As an architect you design for the present. with an awareness of for a future which is unknown.” = Noman Foster f the past. essentially As arecent graduated Architecture student, Ihave developed a thorough passion for designing and have learned that architecture plays a very important role in todays world. lam a detail oriented person, a quick learner and quickly adapt to develop new skills and apply it to the projects. | always believe in group effort and i have ability to work with different people and opinions Currently seeking full time passion in the architecture / construction field SECONDARY: YWCA, COIMBATORE (2014) UNDERGRADUATE PROGRAMME: KARPAGAM UNIVERSITY, COIMBATORE (2014-2019) 7.6/0 Dzin centre, Bangalore Architecture Intern Assisted in residential drawings for obtaining approval online. Drafting and amendment of commercial projects. White line dezign, coimbatore Architecture Intern Assisted in creating plans and landscape design for residential projects. Created schematic drawings for various projects. Ke george Architects, Kerala Summer intem Assisted in creating different models. for residential ond commercial ‘complexes Kochi, Freelancer Project Designed and site vist on a residential project at coimbatore Designed elevation at tiruppur Designed cafetaria interiors at Palakkad, Kerala Documentation of slums _in coimbatore for BINUCOM research programme —_in collabaration with danube university, austria Urban documentation of ukkadam, coimbatore Winning entry in Convention trophy atnasa Shortlisted entry in HUDCO Winning entry in Loui | Kahn trophy Shortisted entry in watertron| property porject Certificated gis and mapping workshop conducted by itc university of wente Asc part of national conference conducted by building inclusive of urban communities BINUCOM Of informal settlements in indian cities Attended workshop Attended laurie baker workshop leewaraists cartoon Autodesk Autocad Autodesk Revit Sketchup Vray Adobe Photoshop ‘Adobe InDesign Lumion Microsoft word Microsoft powerpoint Microsoft Excel English Tamil Malayalam1 Architecture thesis Revival of kathputli and the ventriloquism art in india. 2 Urban headquarter at Kochi 3 Federal module 4 Emergency deployable units 5 Residence at Doodbommasandra Bangalore 6 Residence at Cholanayakanahalli Bangalore 7 Interior project at Bangalore 8 Bank project at Ayanavaram.Ghennai 9 Reidence at Yelhanka Bangalore 10 School project at Bihar 11 Commercial project at Attibele Bangalore 12 Residence at BHEL Road at Bangalore 13 Farm house project at ShimogaREVIVAL OF KATHPUTLI AND THE VENTRILOQUISM ART IN INDIA 4 YES IAM KATHPUTLIWHAT IS KATHPUTLI? Kathputli is a join of two rajasthani language words Kath meaning wood and Putli meaning a doll which has no life . Kathputli means « puppet which is made entirely from wood. However it is made out of wood, cotton cloth and metal wire. Puppelty is a very ancient art form, thought to have originated about 4000 years ago. Puppets have been used since the earliest times to ani- mate and communicate the ideas and needs of human societies. ee i aa Le, ‘A puppet is one of the most remarkable and in- genious inventions of the man, The traditional folk Media in india are very popular among the rural masses. The Puppetty is one of the traditional art form which is used as an effective medium of en- tertainment and communication. TYPES OF PUPPETRY The State has many ventiiloquists and puppeteer. Professor Y.K. Padhye was the first Indian ventrilo+ dences of the earliest puppetry come from the| Indus Valley civiisation where the arheologists: have unearthed teracotta dolls with detachable heads dating 10 3200 B.C, along with teracota maniviatable animals. BANGALADESH The puppetry tradition of Bangladesh is atleast 1000 yrs old with 3 types of puppets in common i.e String puppets, Rod puppets and Bamboo pup- pets all made using sola and light wood, i £8 ai In england, puppets were known by the tury and, during the civil war, when theatres were closed, puppet theatre enjoyed a period of un- surpassed popularity. By the early 18" century it was a fashionable entertainment for the wealthy, and in the late19" century England's marionette. troupes, considered to be the best in the world, toured the globe with their elaborate produc- tions. Ventriloquism, or ventrloquy, is an act of stagecraft in which a person (a ventriioquist) changes his or her voice so that it appears that the voice is coming from elsewhere, usually a puppeleered prop, known as a “dummy”. The act of ventrioquism is ventlloquizing, and the ability to do so is commonly called in English the| bility to “throw” one’s voice. One difficulty ventriioquists face is that alll the sounds that they make must be made with lips sightly separated. For the labial sounds, v, b, Pp, and m, the only choice is to replace them with others. A widely parodied example of this difficulty is the "gottle o' gear’, from the re- uted inability of less skilled practitioners to pronounce “bottle of beer’. If variations of the sounds th, d, t, and n are spoken quickly, it can be difficult for listeners to notice a difference. i a PUPPET - THE DYING | TRADITIONAL ART “Puppetry is a very ancien Jatt forrn, thought 10 have Joriginated about 4004 Byears ago. Puppets havd lbeen used since the ear Jest times to animate ang communicate the ideq| Jand needs of human soci i ht a eties. ‘TURKISH SHADOW PUPPETRY: KARAGOZ Middle easter puppetry should be seen in the context of islamic cul ture. Koragoz has widely influenced puppetry in the region. It is thought to have passed away from china by way of incia, & JAPAN - THE BUNRAKU STYLE 4 rn ® é . \ of the shinto temple rites, gradually * becoming a highly sophisticated form. ANCIENT GREECE AND ROME In Europe, the puppet drama flourished in early mediterranean civilizations and under Roman rule. As per the writings.the origin of puppetry at eariest would have been 800 BC. ara) | this style, one among the many forms of japanese puppeity developed out & ITALY - MIDDLE AGES AND RENAISSANCE Htaly is considered to be the ecrly home of the marionette which were used by The christian church to per- form morality plays. Inl8* century there was significant development in ltalian theatre, including the mario- netle theatre. +AVADH SHILPGRAM The architecture of urban bazaars works on @ Scheme of a mélange: it seems to be the ieitmotit for such programmes, introducing o kind of ride through spaces and experiences that are controlled and enhanced through Crehitectural forms and materiality. ‘Architects: Archohm Location:Lucknow,Uttor Pradesh 226002, India Architect in Charge: Sourabh Gupta Design Teun: Sober Abrnod, isevan Das, Dhan- scenario for the activity of leisure and pleasure, beer Rawat Principal Architect: Mr. Sourcbh Gupta: ‘Area: 29784.0 Sqm Project Year: 2018 SITE PLAN ‘The open oreo at the centre of the complex [contains a stepped amphitheatre that incorpo- rales plonted beds. A paved ramp provides ‘access to the upper level, which looks down to- ‘on indulgence in shopping as well as the feeling ‘of partaking In actions related fo craft and culture. It creates an urban scope that inserts itself ‘within a different reality; ike in an amusement is fy-acre Awadh Shilpgram evolved organically t rom the ‘commercial, cultural, social and leisurely Interactions of people. An eliptical form enables a smooth corr ner-ree ‘crculation; it narrows down while spiraling inward, and i ‘emulates the density and vibrancy of the Lucknow Bo- zo of yesteryear: the bazaars with the ste ets thot got progresively nartower The built environment isc interpretative collage, a gesture saluting the uni jque tra: ditional architecture of the Roomi Darwaza and the Imambaras, ae ark, @ bubble of reality within the everyday ™ reallly of the ely outside, ‘Awaah shilpgram was designed by Archonm to ‘accommodate almost 200 shops dedicated to Crafs. from around the region and beyond, Glongside craft cours for hosting workshops, an ‘amphitheatre, cn exhibition hal ond a food ‘BUBBLE DIAGRA\ 2 yr \ND THE VENTRILOQUISM ART IN INDIA The arch, ture of the city of Lucknow, is introduced as a skin to the! ‘Adequate daylighting. proper air circula- tion through cross ventilation further adds te dimension of comfort to the design. is arliculation hos been realised through & contemporary interpretation of iradition- ‘al elements of arches and Jacl inner face of the buildingsit is given a ‘make-over in.a contemporary slyle even while continuous access is ai lowed beneath it, SECTIONS SECTION? ‘SECTION T 4, ELEVATION. Se LIVE CASE STUDY _ {ered roofs provide demonstration areas where cr- fisans can conduct workshops observed by] ‘groups seated on benches incorporated into the| inner wals, Cre clad with red Agra sandstone that helps to uni ther diverse forms and functions,Under the patronage of kings, londlords,vilose heocmen one others, ‘ne ouppeteers from Andiva Pradesh, Kemataa, ona Tom Nadu wera obtain ing srimal sn o8 donation, PROCUREMENT PUPPETS Puppels were mode using animal eat PREPARATION OF PUPF er procured by te king, ete DRAWING AND COLORING ‘he designing sil ond drawing patterns on leatine 10 make puppets were sel fecogrized amoung the pupetees DURATION ‘Apexorimately Shous every epinode Eatler the kings landlords. viloge head: men. and others proviced patrenoge to The puppeteer: PATRONAGE STATUS OF PUPPETEERS In the post he puppeteer suvived by Ine regular performances, EDUCATION OF PUPPETEERS EDUCATION OF puppeiRy AGE Fret Generation Puppeteer: 70 ‘iterate Secona Generation above 30 yr: 10" oo Thira Generation Puppeteeis below 25/5 above 12 rede ih te dectne In patronage. he pup fed fo making puppets from gootskin procured ftom the local meat shop. Ths Ferola puppetees hove ‘Wed buffalo skin for buppet moking. In Komotoke, TamiNady end Kerota, uppsteets hove slopped "preparing few puppets. Andhra Pradesh, the pup eteor havo developed the. sk of leather cra temstike lampshades, evie panels ana wall angings thot smo fo making of puppets. t2,, extended thet kil to other crete to Tactile Due fo lowpationage and deciine in preperation of puppels, the Sil nde Sgning cto has cimoet Soppecres Due to the development of moss media’ tke television, “cinema “and “idee fim. ihe performance doys hos been reduced to one bach epiiode h compresioa io The rodifonalvalage patroncge has decreased due to development of ‘thor modi of enterlinment i almost tlle stotes where ‘he situation changed due to develop: ‘ment of mass medko like cinema, tele Uision and video ot wel ae reduction i Patronage by The vilags community. The puppetees have developed fneit sun leather crt lems. which hey LEVEL OF ENJOYMENT OF MEDIATION IN WORKING WITH THE PUPPET ROLE OF PUPPETRY IN CHILDREN EDUCATION LEVEL OF USING PUPPET AS A MEDIATION TOOL IN OTHER SITUATIONS 1m Used very much BB Usec Sometimes B Uses anmte ot LEVEL OF USING A PUPPET ASA MEDIATION TOOL IN THE FUTURE LEVEL OF DIFFICULTY EXPERIENCED DURING MEDIATION WITH A PUPPET to sitficuty Neu but mproves with experience m Sometimes cticult LEVEL OF PUPPETS CONTRRUTON oleae | ery iu LEVEL OF CHILDREN'S COOPERATION WITH THE PUPPET mw sncrian Bc econ PERCIEVED AMOUNT OF HELP GIVEN BY PUPPET THESIS GUIDE: AR VUAYAKUMAR -p ARCHITECTURE » THESISHEBBAL LAKE Ee) , RMY EXTENSION, tea neouRen SieeAtC ane AREAS 2s ACRES Uanaseare nteasso.ce So. COR GNA Reon runing Atom : 2072 Layout me THE ABROAD PUPPETRY AUDTORUM : 2675 Te NOUN PUPPET AUDTORUM + HEPRO- Spies 2635 5. Gia House: sc0sa.m ‘own ocx 2107 sa ‘He CUIURAL CORRIDOR” 211 SoM CCAFEANS RESTAURANT 167 S.A ‘Sie autee Spor rupretmy satan PAREING AREA B205G.M Obesarae sah SITE PLAN SCALE : 1:500 ALL DIMENSIONS AREIN MTHE FUSION PUPPETRY AUDITORIUM [ALL DIMENSIONS ARE IN M scene eee ere at a en serra a ey aay INTERIORS FOR THE AUD} SECTION A, ey SCALE1:250 5 ELEVATION SKEICHES i Ea CONCRETE PLASTERNG AND. CH ant fmessone AMINA. SMEET THE ONC CUTING ALSO USED HERE FOR THE WALL AESTHETICS REVIVAL OF RATHPUTLI AND THE VENTRILOQUISM ART IN INDIA Me bi eeTHE ABROAD PUPPET AUDITORIUM ALL DIMENSIONS AREINM > Sal THE ABROAD PUPFET AUDITORIUM INVOLVES WH DESIGN SPACE THEATRES ALL UNITS ARE IN METRIC FOR FOREGN PUPSET, BY CREATING TH SPACE THe PUPPETRY ARTIS GEIS BEN: = ENTICIAL AND GET THE KNOWLEDGE OF THER SIYLE THE THEATRE S COMBINED TOTAL AREA OF THE TOTWO OF AMAINSIAGE ARES REHERSAL AREA PUPPET MAKING ROOM AND AUDITORIUM : 2675 HAVE A SEPARATE KIND OF SETS URE WATER PLPPEIRY AND SHADOW PUPPEIRY A ee j ur Sa ON ae | | | THE ABROAD POPPE SCALE 1250 U 3! il | COWMN LAYOUT ni FB! "t THE ABROAD PUPPETRY AUDITORIUM. HAS THE FACADES OF HIGH PRESSURE LAMINATE SHEETS AND RAW CONCRETE FINSH THS AUDITORIUM CAN HOLD 700 PEOPLE IN TWO AUDITORIUMS AND IT HAS A EXPERIENCE CENTRE WHICH (CONNECTS 10 THE OTHER BLOCKS SECTIONAL ELEVATION SCALE 1: 250 _—t THE STRINGS IN THE FACADE REPRESENTS THE PUPPET STRINGS MATERIALS IN FACADES CREATES A RELATION BETWEEN PUBLIC AND PRIVATE SPACES “ABROAD PUPPETRY AUDITORIUMTHE INDIAN PUPPET AUDITORIUM "ALL UNITS ARE IN METRIC (ONE OF THE FEATURED BLOCK IN THE SITE WHERE THE INDIAN PUP- ALL DIMENSIONS ARE IN = PETRY WORLS TAKE PLACE. THIS TWO AUDITORIUM COMBINED OF a aa ‘500 SPECTATORS IT HAS A PUPPET MAKING AREA AND A VENTRIL- AN ‘OQUIST SPEAKING AREA FOR THE SHOWS | | | ‘THE INDIAN PUPPET AUDITOR! im SCALE: 1:250 ere fe COLUMN LAYOUT eee ee Soe : SCALE: 1:250 SECTION fom @ > 88 ee @ SCALE :1:150 MATERIALS USED en IN FACADES ~ : — CREATES A. | ; fa} : patients SAME FLOW TO a Sige, saa) Seated ELEVATION SKETCHES THE COMBINATION OF TWO PUPPET ‘AUDITORIUM HAS A UNIQUE FEA- TURES PLAYING KATHPUTLI PUB THIS TWO PUPPET AUDI ‘4 PRODUCTION STUDIOS] WILL BETHE SPACES FOR S ‘AND TELECASTINGCULTURAL CORRIDOR, THE CULTURAL CORRIDOR IS THE SPACE WHERE IS THE MAIN ENTRY IN THE SITE SPACE THE CONCEPT IN TAKES IS THE TRADITION OF THE PUPPETRY WORLD THE PLAN INDICATES THE STRAIGHT FORM SHOWING THE TIMELINE (OF THE PUPPETRY THE LEVELS SHOWS THE UPLIFT THE PUPPETRY WORLD. KEY PLAN THE CULTURAL CORRIDOR HAS THE SPACES IN VIRTUAL REALITY WHERE THE VISITORS CAN EX- PERIENCE IN PUPPETRY. THE CULTURAL CORRIDOR HAS HOLOGRAPH- IC DESIGNED SPACE WHERE THE WALLS ARE EXPLAINED. +p THECULTURALCORRIDORHAS THE LEARNING CENTRE WHICH THE PUPPET ; *ewn anne: WILL BE TEACH TO THE VISITORS. THE MULTIPUR- 2 POSE BLOCK HAS DIVIDED INTO TWO SECTIONS: : THE INDIAN PUPPET COLLECTIONS AND WORLD PUPPET COLLECTIONS. EXPERIENCE CENTRE THE EXPERIENCE CENTRE ISTHE SPACE WHICH X \ 1 pe 8 MATERIALS USED IN FACADES AREA PUPPET DISPLAY. 20 x 20 PUPPET SHOWS - 15 10, ENTRY -7 x9) TOWLET- 6X 47 MAIN PUPPET DISPLAY -25 X 25 INDIAN PUPPET OISPLAY - 20 x20 ‘COLUMN LAYOUT SCALE 1250 EXPERIENCE CENTRE PLAN SCALE: 1:250 Sa lime | |_| Le SE : | v T ae sal i | S scaleriaio * | 4 | EXPERIENCE CENTREGLASS HOUSE GLASS HOUSE IS THE MAIN INTRODUCTION BLOCK MAIN TICKET COUNTER FOR ALL THE AUDITORIUMS AND EXPERIENCE BLOCK IN THE SITE, THE ENTIRE BLOCK 'S FROM GLASS TO HAVE A CLEAR VIEW OF ALL OVER THE SITE IN THE FIRST FLOOR WATCH TOWER S THE MAIN SPOT AREA FOR TO SEE THE GIANI PUPPET SHOWS IN THE OPEN GARNIVAL AREA se, ' sh Flee MATERIALS USED IN GLASS HOUSE IS FUNDERMAX i RAW CONCRETE AND TRANSPARENT GLASS. \ Fy> N ey ‘ 8 - ’ GLASS HOUSE PLAN RST FLOOR PLAN Scate 15100, SCALE: 1.00" 3 Foes |) Pe nie TERT THE GLASS HOUSE HAS A OUTSIDE INTERACTION [AREA FROM THE PUPPETS SHOWING THE NAVIGA: TION, THE GLASS HOUSE THE DISPLAY AREA FOR THE SHOWS TIMINGS. THE GLASS HOUSE Has A VIRTUAL REALITY SPACE WHICH SHOWS THE WHOLE STE VIEW SO PEOPLE CAN EXCITED TO SEE THE ENTIRE SPACE. quay” SECTION SCALE 12100 REVIVALOERATHPUTLHAND THE VENTRILOQUISM ART IN INDIA 4» THE QUICK SPOT PUPPETRY [THE QUICK SPOT PUPPETRY IS THE SPACE WHICH HAS THE SMALL PUPPET SHOWS HAPPEN FREQUENTLY, THE THREE AUDMTORIUM SPACES CAN ACCOMO- IDATE 100 PEOPLE. TH'S SPACE HAS WORKED ONLY ON NATURAL VENTILATION, THE QUICK SPOT PUPPETRY IS THE MATERIAL IN WHICH THE SPACES BAL- JANCED ACCORDING 10 THE SITE WEATHER. PUPPETRY BAZAAR. ee g Be & @ a THE PUPPETRY BAZAARS ONE OF THE MAIN IN TERACTION SPACE FOR THE VISITORS WITH MUL- TIPURPOSE SPACE OF SMALL SEATING WHICH THEY CAN SEE THE SMALL PUPPETRY SHOWS. THE MATERIAL USED HERE'S FUNDERMAX AND RAW CONCRETE, + THERE ARE TOTALLY 16 SHOPS AND THE SHOPS ARE ‘ONLY FOR THE PUPPET AND PUPPET RELATED PRODUCTS, THE PUPPET PEOPLE CAN ACCOMODATE PLATFORM SHOPS SO ITIS A LIVELY ENV- FLERE SOTPUER ASO NEMEFENY(CAFE AND RESTAURANT fe Ee THE CAFE AND RESTAU- s RANT CAN ACCOMODATE hs A ‘500 PEOPLE WITH FIRST . FLOOR VIEW EATERY : z 8 SPACE, THE MATERIALS ARE 3 » FUNDERMAX AND RAW [eed $ CONCRETE CAFE AND RESTAURANTPLAN | SCALE! 1:500 aia T Tn : CAFE AND RESTAURANT FIRST FLOOR PLAN + SCALE: 1250 SECTION SCALE: 1500 ADMIN BLOCK ae -+ FUNDERMAK AND RAW CONCRETEIS THE MATERIALS USED PLAN THE STRINGS IN THE FACADES ARETHE CON- } SCALE: 1:250 (CEPT OF THE PUPPET STRINGS > } THE ADMIN BLOCK HAVING A SPACE WITH SEGREGARATED FOR BOTH PUPPETRY BLOCKS t i A) MEDIA AND TELEVISION THE Se ——_ADMINBLOCK HAS A.CEN. i ae 1 TRAL COURTYARD FOR INTER: ACTION AND WATER BODY IS. fii fF > 1 pul {i firs SECTION SCALE: 1:250 esLOHMULHEN ISLAND MIXED USE URBAN HEAD- QUARTER THE LOHMLHEN ISLAND IS LOCATED IN KOCHI THE MAIN NEIGHBOURHOOD IMME- DIATELY SOUTH OF THE MATANCHERRY WHEN KOCHI DIVIDING THE CITY INTO TWO PARTS UNDOUBTEDLY THE PSYCHOLOGICAL AND SYMBOLIC EFFECTS OF KOCHI WERE EVIDENTLY MORE POWERFUL THAN ITS PHYSI- CAL APPEARANCE HOWEVER IN THIS SPECIF- IC SEGMENT OF THE CITY ITS PHYSICAL AP- PEARANCE WAS DEPRIVING THE CITIZENS FROM THEIR RIGHT TO ACCESS THE WATER- FRONT THE ISLAND IS CURRENT- LY OCCUPIED BY SOME OLD REDUNDANT BUILD- INGS WHICH WERE BUILT IN RAPID UNPLANNED EXPANSION AREA OF THE CITY. THE NATURE OF THE ISLAND AND PRIVILEGE LOCATION, GIVES IT A GREAT PO- TENTIAL. OT TLE NT TOME Tm PE ON OOO AL TT ANN OTN TTDESIGN tl you E mc i THE IDEA OF THE PROJECT WAS TO DEVEL- IOP A SUSTAINABLE MIXED USE URBAN QUARTER, TARGETING START-UP COMPA- NIES AND HOUSING FOR DIFFERENT & ISOCIAL CLASSES ALONG WITH A NUMBER ~ OF PUBLIC SPACES UNTIL REACHING THE WATERFRONT WHICH HELPS IN THE PRO- ICESS OF ENRICHING THIS SPECIFIC DIS- TRICT OF THE CITY OF KOCHI AND RE- FLECTING ITS STRONG CULTURAL AND HIS- TaFEDERAL MOGULE SHOWROOM THE MISSION WAS TO DESIGN A COMPLEX SPACE FOR ONE OF THE BIGGEST COMPANIES IN THE CAR SPARE PARTS INDUSTRY FEDERAL MOGULE. THE COMPLEX IS COMPROMISING. OF 5 ZONES, A WORKING SPACE, SERVICE AREA, STORAGE AREA, CASUAL SEATING AREA. AND SHOWROOM AREA WHICH IS CONSIDERED BY THE CLIENT AS THE MOST IMPORTANT AREA, WHERE THEY CAN PROUDLY EXHIBIT THEIR PRODUCTS. THE INITIATIVE OF THE PROPOSAL WAS TO PROVIDE AN OUT STANDING, ELEGANT OUTER APPEARANCE FOR THE SHOWROOM, ALONG WITH AN OUTDOOR SPACE WHICH COULD. BE USED BY BOTH VISITORS AND WORKERS. THE ARCHITECTURAL DESIGN PROPOSAL AT- TEMPTED TO MAKE THE MAXIMUM USE OF THE SPACE IN A TRIAL TO MEET THE EXPECTA- TIONS OF THE CLIENT, AND MAKE THE MAXIMUM EFFICIENT USE OF THE SPACE. AS FOR THE INERIOR DESIGN IT WAS DECIDED THAT A MODERN INDUSTRIAL LOOK ) a — ASANALYSIS Around Guna fe eoole ae Gewion Fit from their @eammounne AE homes due to natural @roo Hittitttt calamities Cost of Natural Disasters Economical oss n Asie Alone Due to Natural Dita fom 2500 to 2 Soa Sin 8 in 7 Bn anes) aT "ene people ae in Refugee-like situation in 2014 alone Military or Army perosnals are deployed in each city in India during civil emergencies Pde housing AoE tHe thigrant labourers iS avery serious problem all over fhe globe An isa place for people to live temporarily when Piel} annot live in their previous residence. Al emergency shelter typically specializes in peopleyflecingrayspecific type of situa~ fion/or crfeis, sueh as natura! or man-made disasters, domestic Wiolence, or career @lated reasonsSIMPLICITY AND FEASIBILITY ‘Simple feasible and innovative solutions are abundant in nature. Yet the path that leads to simplicity is more time consuming, expensive, and arduous. SIMPLICITY IS THE ULTIMATE SOPHISTICATION Leonardo Da vinci | CONCEPTUAL SKETCHES ingregation we mean the time frame required to ice the given number of units. After any natural ities or wars, the units should be produce as soon sible to ensure the safe and speedy Recovery. ILABILITY Availability of the Material that we are going to make_a single individual unit determines the regation of the unit. The tional To the Congregation The Reason behind conceptualizing this way of Design is to make this structure to enable any kind of person easily deploy ,fold, assemble and port it to any required terrain and any required climate. Based on our notions we have Formulated the Criterion for the Design planning, materials, forms and applications in various surroundings The Criterion are as follows. MATERIALS STUDY Fibre glass fabric-PVC coated This material is a good resistance to abrasion, oil, cuts and waterproof. Itis also serves as welding de- fender, used in heat production cushions, comes with various thickness with fireproof nature at a price of around 400 INR Vinyl PVC flooring: Used in most automobile flooring, has high wear and tear strength and also waterproof. Chrome stee!: Material which acts special protection to steel that keeps it from rusting is easy to recycle and has high scrap value, has high tensile strength which delivers has strong and durable metal.MODULE TRANSFORMATION A Sm = Both wings pulled out Left side fanned out 24m “a 19m 9m | 4x.8x2-1 cu.m space for pro- viding all the pre-loaded ma- terials for the users. 24m pulled out to complete the divided into three icity and the sanitation. ing ,closets and sinks are pro were used in the most efficient IRONMENTAL FRIENDLY terial which is been to use should not affect Wironment nor by the material or the unit that, sign LATIONS ulations are very important for the temporary ly sub-divided the climatic cold .In Sun Blazing re- FIBRE GLASS FABRIC. 9m 24m Floor and roof a spanned out APPLICATIONS Places where this units can bedeployed and differentiated according to the terrains and climate. Applications can be interpreted by deploying the units in different location and finding out whether it responds properly for that particular environment or not. 23m VENTILATIONS Cross-ventilation and Stack-ventilation are ensured through the zippers on the lateral and the top part of the deployment FOOTING The footing in the initial stage will be contracted into a single pole and it opens out as a duckfeet with hydro suspensions.EMERGENCY DEPLOYABLE UNITRESIDENCE FOR MR SHIVAKUMAR, PLAN AND CUT 3D FIRST FLOOR CUT 3DMR SHIVAKUMAR RESIDENCE. SECOND FLOOR CUT 3D THIRD FLOOR CUT 3D.RESIDENCE FOR MR SHIVAKUMAR PLAN FOURTH FLOOR CUT 3D. TERRACE FLOOR CUT 3D =SECTION AND ELEVATIONSTAIRCASE LAYOUT AND PLUMBING LAYOUT 2 att at ac aot oa al] oS oS RESIDENCE FOR MR SHIVAKUMAR AT BANGALOREGROUND FLOOR PLAN A FIRSTFLOOR PLAN A BLOCK SECOND FLOOR PLAN A THIRD FLOOR PLAN A BLOCK| BLOCK BLOCK RESIDENCE BANGALORE GROUND FLOOR PLAN B FIRSTFLOORPLANBBLOCK SECOND FLOOR PLAN B TERRACE FLOOR PLAN B BLOCK BLOCK BLOCKmoRESIDENCE AT BANGALORE INTERIOR PROJECTRESIDENCE AT BANGALORE INTERIOR DESIGN LIVING AND DINING RESIDENCE AT BANGALORE INTERIOR DESIGN FIRST FLOOR MASTER BEDROOMINTERIOR PROJECT FIRST FLOOR DAUGHTERS BEDROOMRESIDENCE AT BANGALORERESIDENCE AT BANGALORERESIDENCE AT BANGALORE ===GROUND FLOOR PLAN FIRST FLOOR PLAN ISCHOOL PROJECT AT BIHAR ELEVATION iets eee rh) AUDITORIUM LOCATION : BIHARSECOND FLOOR PLAN SCHOOL PROJECT AT BIHAROFFICE BUILDING FOR SWASTIKS AT ATTIBELE LOCATION: BANGALORE oh hes conn at Manes. a re |!OFFICE BUILDING FOR SWASTIKS AT ATTIBELE LOCATION: BANGALORE Dzin CentreFARM HOUSE AT SHAMONG CUT 3D.THANKYOU SHANGAR M_ +919629153473 shangar.krish@gmail.com