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  • Vesuviana Tarantella

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    Domenico Franco Casella
    31 views1 page
    The document contains musical notation for a Tarantella piece. It is in 3/4 time and alternates between sections played by different instruments including mandolin, guitar, and bass. The piece has a fast tempo and includes repeated rhythmic patterns and melodic phrases passed between the instruments. It builds in intensity and speed throughout, becoming more complex and incorporating more instruments until reaching a dramatic conclusion.

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    Tarantella

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    The document contains musical notation for a Tarantella piece. It is in 3/4 time and alternates between sections played by different instruments including mandolin, guitar, and bass. The piece has a fast tempo and includes repeated rhythmic patterns and melodic phrases passed between the instruments. It builds in intensity and speed throughout, becoming more complex and incorporating more instruments until reaching a dramatic conclusion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    31 views1 page

    Vesuviana Tarantella

    Uploaded by

    Domenico Franco Casella
    The document contains musical notation for a Tarantella piece. It is in 3/4 time and alternates between sections played by different instruments including mandolin, guitar, and bass. The piece has a fast tempo and includes repeated rhythmic patterns and melodic phrases passed between the instruments. It builds in intensity and speed throughout, becoming more complex and incorporating more instruments until reaching a dramatic conclusion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    VESUVIANA

    3
    Tarantella

    Allegro          
                                   
    3 3 3 3
    3 3 3 3 3
    Bitelli

      3                 

    3 3 
    Si7 Mi-

                             
    Si7 Mi- Si7 Mi- Si7 Mi- Si7 Mi-

                    
                           
    3 3 3 3 3 3
    3 3 3 3
    7


    3 3
    Si7 Mi- Si7 Mi- Si7 Mi- Si7 Mi- Si7 Mi- Si7

     
                       
                
           
    3

        
    13

      Mi-          
     
                  
    Mi-

           
         

                            
    Mi+ Si7

      
    Mi- Mi- 3
    21

            La+ Si7 Si7 

              3                                 
    Mi+ Mi+

               
    3 3 3

                
    3 3 3 3 3 3 3
    3 3

     
    31

      La+ Mi+ Si7

                                       


    La- La- CODA

           
    Mi- Mi+ 3 3

        
    3 3 D.C. TUTTO poi coda

        
    3 3 3 3 3
    38



    3
    Mi+ La+ Mi+ Si7 Mi- Mi+ Si7

                                         
             
    3 3 3 3 3 Mi- 3 3 3 3

     
    45

    Mi+ Si7 Mi+ Si7 Mi+ Mi+ Si7 Mi+ Si7

     
                                       
    3 3

                      
    3 3 3 3
    50

    Mi+ Si7                 
    MI+ MI+ MI+ MI+ Mi+

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