My Lady White by DAVID MASLANKA three songs for solo marimba Keyboard Percussion PubestionsPerformance Notes 1) Stickangs are numbered in the classical manner, ie. left to right, low to high. ‘The horizontal line dividing some of the stickings separates the numbers that refer to the upper and lower parts of the great staff. 2) Arrows indicate that the preceding group or individual mallet isto be repeated. 43) The symbols used to notate suggested roll types are explained below. Both are approximately notated. = roll p z Independent rolls may start on inner or outer ‘mallets. When both hands are rolling inde- pendently, the speed of the roll in each hand reed not be the same, 4) Most rolls inthis work are notated with the traditional chree slashes. This should not be interpreted to mean that only traditional rolls are to be used, In most cases, roll type and speed have been left to the discretion of the performer. Composer's Instructions jinuendo to a fine point. 5) Draw out 6) No break. 7) Firm mallets — nice bite but minimum clater. 8) This passage and others like it may be played as measured I6th notes. 9) Sharp accents. 10) Don't Slow! Maintain sense of tumultuous motion. 1) Small accents to keep the driving motion going. 12) Slow up roll.1 madrigal — my lady white (J ca. 52) ©1981 Keyboard Percussion Publications by Marimba Productions PO Box 467 Asbury Park, NJO7712 All Rights reserved Including Recording and Public Performanced= 52 ssarecitative distantlyi spring. .. birds sing... a gift of rings (d= ca. 184) 7 <—— eesienia paee(even 16th Ga ) Speed vp to fast temo ee —» (een) sy = = > ————AM. for pretty Alison (d= ca.120) tempo very free and flexible 12 «+. like a summer breeze R poco ral, a tempo ™ ae erese. poco a poco — = in tempo (J= 120) : a a £ 5) Fria dininuei| pocod= ca. 120 all. = ca. 72 poco a poco accel Ae ‘rete. P0e0 @ poco d=ca. 120 flexible «o> subitoa tempo J = ea, 84 deat ~ = disappearing ~~ ~