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    11 views15 pages

    Lopatecentaur PDF

    Uploaded by

    Barbara Marques

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    uu siloes at nee, oF these ofthe compstonste Buda for thase who are only what they are, sie tha woul encore them to move This nt the Inmor derived from things beng pa tutor that are unk, His he Baer oF seeing the any of things andrea hat all night vise, a if aginst gravity the une of spontaneous response to having seen ts, sf bette In Search of the Centaur: The Essay-Film ite here to define desenbe, sey and celebrite an ‘eatic genre tha rely ets As acne aed porsna says hae ta ug to se these two interests combined through the works of Inakers wha commit ensays om cllid But, while there are cinematic snake ted sy aay Sis the esa, ad that in sel intriguing, What sigs to me that, fn spite of Alemndre Asem tempi tupac. the ‘eamors sno pel an i athe ifi to think with i the ay an essays ight salen to practi every Merary ger ver sine began looking fr nay fl, he ema mavens ‘onsale were quick to gest cadets that ssemed prety farfetched, geen my ea hata sy Tas tld fr stance, that Brahages abstcact film-poems, Janse mater tacking shot, Taka transcen deat dramas, even the supposedly guame-abversve remake of Lite Shap of Horrors, wer all esans of ene sort or anher, These enmples uggs a confison betacen a reece, selfcomions syle and a sspistie one, Wl aes ant fle or meditate, not all meditative sensities are caste. Take Brag: Fr all he mths sweat of his wings othe fel station of is sos, am sable to fll a cere argument kaw wha he atl Unk abut sy the pay of ee forty inates, Sot ne prove that, ater than Bea anes fiche oi might aspera asa starting pie Trace he brute sencethe sariy—ot esis ‘Wht ently dof nen hy an sy? To ane tt ave to step Bk fn an comey my ese the ray es mothe see much tradition at fran, a ey dserete ane: pega “aia authors sch as Cer, Paar, and Senet esac with Montaigne ad Bacon, tived with the Eagiah fantar eway of De mon, aon el St, Haat, Lat, Stews, Orel igi ‘Wea pope an Ameren rach wth Kaen, Thora, Meeks veal FB White, dn toon contemporares Dion, Hoxglard Goss ey Marck Theo aoa Buren strand of pba say it ha execs fra Nita 4 Wei, Benjamin, Bares, Sai aoe al nbs and Japanese esis tain Mt weds Kenko, rz Fini an Teiseaver to st the esay’s prtoners than to sa definition is potean fn," show srry compen oan sas, wall resin the pra vws of he ion” sy the Ameri Hern tena. While T dy anyone to bal dow, Mota’ sang ale east tsngle sujet o characte them ws, Lo agen that the cca offers persia views. Thats no to say 1 always fst person oF srebiographie, butt tacks a persnsthogts she ose testo work var se tal, verve An esa sa sear 0 find ont what one thinks aon somethin ten the esiy fellows a belly descending path workin nag pecinary spin to rach ote dit core of hones The arate rg that drives ts Gorm "Wha Go Kelly think bout not -What arte consent ims Lam expat to have?” Forti reason the esayit fen pis the sonconfrmis, gong asthe gen of posing pice. Temes often est themes i the role of the soperins smanrveman, Hue snugal bell lets, The obverse of this Ini Montag's What dr I nos?" ntl a eke in the fae of Kishin ane anthony: The esayst wears pol the conision “ta depenseot seul eng rope in ation turd ett Ado, “The Essy ¢ For” spree the antisera subjective nonmethode method ofthe essay ait all promise, ade called for meen posi to adopt ts form, ate when thor tive tens of thot ha bene spect. Nietaheascrted famously that ll pilsophies wore digs poychopaholgis. The essayist often ing acer chp fe rn it best cates ies alee of general wis dat might be generous calle phish . ie ‘Whatever tists tans occur longs pth, an owever deep ‘orl itsconlsions, an essay wl have ithe ending interest leit ts eis certain spa or yt Hourish. Ks wot enough fo he esi te day the bil mst he doe with more esse than butchery: Frecness, homey, selFenposure, and aay mst all be ascted in tra Au esuist who procaces sagt and smth ered arg ments bt sun to suprise isl the proces of writing wl end up borg us An esa who sve sid incre but unde to pro jot any thay ll seems, netely pattie and Fret our tention. Soitis adie game tpl off. Readers sfc ncudet true con- sertin, lle! f fll thorugh metal processes of eontraon tna igen, ol be avare oF formal shapliness developing sian nay under A essay iso comin aking of questions—not necessarily i= Ing slaty” nat nating the trae for rth nfl ew Ls, Tis meaty “On the Nato aut Hor of he Essa ote: The sey fat Joegraci, ft the eso the vaeetermiing thing abot its wt the rds he ea the yet but the pes of ding Tl now ty fo define Uae quai hat tomy nid make an ‘essay, Stating with the most questionable pasion ft {i} An enn ust have wns, the for of atest thor spo Je suited or ter Say llyon bike alvin being the core of thinking, eannot secu i tess pure sient of ages as ‘onsitutingessyticdseaurse, Dit for mene compe of images with incidental bacon ees, Uke Rent Car Ss expuite Forest of Blas Johann van dee Keslens The Eye abo te Wal whatever he ote tes, thse ae nt to thing, 5-s. Tobe honest Te never seu asileatera me that eal consider an esl. have Iw tol shat ga Veet Tre Sony of Len rns its ieatoal ‘content soley dog ts uaa htt delivers a clear seo Put, as does, sy; Frans Blood of the Beats, bt eves a message of pls through images does ot alone sake an extay—o le we won have to spa of ackertsements or plea pester a essays. Bath the ran ad the Verte fs com (tv we Nero abel “soe.” rather than exist (2) The texts epresent singe oe Manabe ether that of the director of sewonwrte, or i cululaive, then sched together in sch wy sto sod he a sing perspective. A mere collage of quoted fests ot enn. There nothing wrong th lets of ations tes in an essay (think of Montaigne), so lng as a unified perspective fs svete cand them, knew that Walker Benjani ase fats wring xs compan half quotes, bt Ihe never gt arund ot al ven ih tl a rns so Benin hich is is competing tender volo and hiking proses, Whe I rea a Anthology Fly Avchives calendar decrgtion ofan “ssn apsoese Sap ‘nis "sene words at akon fom Bostock; hers rat Susan Sot Riba, Rb Dyin, erating string of evening ges thal ‘ost ll man nate ia,” even Hae to see Kw aos ‘has wot my ide of a ess 3) tex ns epreset a altempl to workout some reswned ti of dacs a problem not set tet Hs exten; bt Thoow hen is nt there. For stance, Jonas Moka hawnting ts Lost, Lat, Lot fess Whe catty oct, not a By mow it shoul be loa that Va sing the ten sy as sa dsenpion, ot honor; there ar eat neraticworks dat do quali As, highly werd onen hat 4)"The ex at pat sce than infin at have 2 stvong, personal point of view The sda acne ntary woken that {ells sy bout the anal erring lls Randall journal rot essay, Nor i Las Buuels mischirous Land Wihow! Bread. ‘which purdles the face, objectwr documentary perspective while refraining rom ging us Basu onm private thoughts out Las Hurdes, «an esay-flm. The missing elemeit beces inmedatlyapprent when ‘ve contrast the in wth Burts lve; Komeraic atabiography, My Last Sigh (5) Filly the text language shoul elon, ol rite an interesting as possible, This may ee ess eaten) than an eset ‘ec jwlgent Sti ined heestse you wouk! not enpeet to id a calcio ofthe years tess, ape wit in condeseendingy im pl, primer dition: therefore you shoul! nt expt to hear uch watered do language an esi. Ta sich woes ofthe tities 1s Hens an Daley Nihal sland have in attempting each the ase, we cramped and patronizing diacoure a ther martes foe Joris Ins The Spans Barth aed The 400 Aon, when they could have ‘writen genuine ess, soe a aly mised opportunity “Those wl ead the cinema primary a8 sul medio may’ ‘objet that my ve etera sy etng about the teen of images This sor eanse T mean to depreciate the vs component if mies; ‘tho conta tha shat drew me tothe media in he is place and ill sims hold me thrall. Teaneentate hereon the vale ofthe fea, natin cone to elevate woes ane sal, to deny the nmportnce of formal ‘sul amas, ba oly hewn Tam acon hat he Banding ofthe nls per ve dttes wheter a wexk paisa aes, Hl sy ‘more about the relations betwee sud and nage thi gee ate, For now permit nt look at few xan, My fist gipse of Ue centaur that isthe eso was Alain Fesiss Night ana! Pag (1055). While watching i i allege 1 became aware of eles in Jean Carols serena language tha wa nrg Igy at ods with the usual dsrhansnerteament of the Holocaust Sometines «message ttre dwn, picked up, Desh ens ts fist pc, ene gin inte night aa fog, eae he sume track, the sunshine, Go Soy ln tht akg for what? ‘races ofthe dies thal Flo the grou? Or the Fatma ‘hse fit eras un balled to the amp, while the dogs ark and searchlight whecled nd the vor so dear to the Nazi? inert ae nthe rd “The sue om the soundtrack es wll ie, weighted nen with the honors Hat ads que tre stale as selEinterogaory vie he see oak fe th eat, dans, toni. wheeling ai searching forthe heart fs subjet mutter “How dice what remains af the realty of nese camps wh ts dpsed By those who ob th ail eluded shoe who sffned there? Meanie Resnas sefinetrckingshorsformed asus analog ofthis patent searching or Iistorcal caning Stes no emptied of heir navi activi tos his Baty ae moe delighted ith Waray sun te Gaya heady ose ofl teewhic ay eane C knew all to wel fro grog up in Josh wage than Twas dep the jt mat Bron. Wha stackin ry min Fr years an ha ooo pase: The ‘only sgn It yo have t knoe this ein sane by fingers “That“bat yn ase t ks” (aft series any ini seotene,thled me he an nespected, aggressive pinch ity lect axress bake the newt contr of spectatnip and forced me to ela comers, alongwith its respite A smi frum occur wen, some ys ate, Las witching an others conventional documentary, Nemes Oratie for Prague shout the evens in Caeehusoabis i 1968, Ae the visi dpe uss tans aac othe ea, the nario sad something Whe (Cam parapsing rom menory "Usa we dan ke where to gn the blame for massacres, we invoke large Nistor oes al a, This time we do know ge the onder ie Has Cain —." an he tomers rome n on a Sone Arsiy mans Hed Aga | fl st of a limon take No dt had ani who this Rowan fcr was, bat "edhe ude way the cn ly for Prag Spring was rupture au we were eataputed ato thal more hase Kastor Buen mentally of bal scores to sete ng memoriam tat Russian pi maya med ed, ete ame hi an his Fa jist incase the millennium of ste serarries Has Mee tha as ely lids human ion the commentary at an esas irs, ‘There are esysticclmonts tat color certain las by Chris “Marker, Alea der Khge, Jon Jost. Ralph Arbck, Jou ae Gad, Jean Petre Gorin, Joris ons, Per Palo Pasi, Dua Makineyes, Je Mare Strub, Yoonne Haine, Woody Allen, Wins Wenders, Hartt omy, Orson Wells, Ross MeEhwee, Rab Mos, Alain Resa shorts, Folin’s Roma, Micluel Moores Riser ed Me, Taw falas Looking for Langston, Toy Bubss Lightning Over Bruck, Margin hers Academy Lead, Contents Tien of Ors, Las alles [My Dinner with André, Jonathan Denne’ Simuning t Came, ad Vin sure many others that te forge or overonked By no mea wl 1 ed uc alloted, By ering ion a haf, hope to eonmey «sae ofthe petals and pale of beable tosbleto dss ll ds nthe i the form, as well a¢ wi ont the tre esis fn merely tneture of est, ‘The one peat exsist nthe wes is Chis Marke. eter Prom Seri (1058), The Kowa Mystery (15), al Some Sole 1982) ate is pret esas, though tees th a has a iver say Isic tooney Hat peeps ot even i hi more jateriey-atente doen metres, sch as fll Malo his compton is, sch as Gri eth out the Ct, Thre 3 tension in Markers is hetcen the poiiealy ‘omited,sel-flacing. it wine doeunentanist aye of he thieves tenders and an nepresily Montages sonal tone He hat a ep ato for ois and sh the st uli, on the Fe of foru personal esayist—and yet, pera hecise he woes diverse a ‘complicated a se ex Resistance iter, novel poet, inher, ea ‘mit enough patices of this wo camey a tong sense of indy ill ep his sees, He ao has ths esa apart gt which bles him to asertacolctive histori persona a frst pers pha cvonyen tbe Rt peron sagas eld nay. Fall, Marker has the esi ipo to tll the tts not aay efor ae fon engag ats A film such s Letty From Siberia, chic soe Bist he pathetic testimony ofa Westen fllmetraneert the Senet Ma, ed by cong usin on cotati afer sr What hops ito the Lat the gaxbIumor rather than sister, tae ia wich Marker ues the problematic wopects of Siberian if. In a characteris wity pass “Marker iterpeets the se Rots tee diferent wins, bated on tice sepa idol el postions, thus deny stifing the sparows jetty of cuenta bet with or touch than that with which ths opera tions wally pero A. Tye sexe alo pits fo oe of Maker key approaches as Aln-essyist, which to meditate onthe soundtrack after "he ton the fae he shoe. In Marker ther ote prone ig teachin or even yrs ater—the meaning of wb this dea seo os for a certain wostalgafor the capa eset and over the inerenly receding eay of photugrapheimags Kt 1s he thit psage in Tastes Tropes, in which Clas Levitra laments thatthe ravelevantoprogst ahs are cry or ae In Marker’ ease, his carnera aves in ime tn reer events this ine sd bert ake tw the coment, Tas te dey al allows Marker to project hier under standing onto otheraise bland or cute foage, The mat drama stance of dis ues i the medal besten ceremony i Cape Nerds Afr, dn in Ses Sol, yor ater, Marker telson the sunehrek the Psident would ho depose by the maa he pinning «mca As a expt he ary ce hy {his pticular med, we have the ching sense tha we ae watching Ay tragedy Whe acl nfl tthe sme the idea fit ers the upstate Bu as Mark tells elewhere in the ln: “Ah well sb Sans Solel is Markers 1a serps am paps the en piece of the es lin genre, Huw irom, then, that Marker chooses the fetive srt of a wma vice (Alesana Stats) sealing pss fra the eters fa end, Sandor Krsna Tis Krasa fellow is bsiusy ‘lib tional stand-in foe the ator ke Lal El The la was assole ince ing the sero «period when Marker was part of 1 prefer down Tine “Conception and eng Cris Marken” bure i the Lng st of ht hs) whic may puts ens the difident shiny af hing ichind “Kram” On the other Ccnrs saarner sans Soe rtand 1 properly ons must move forward in tom. ing espct a weight to thea ey night a ave comand lie sve Ay Stewart reas pases i Krasner, prefaing the ih rina, Marker apes uniting snd celiting, wich in rel, his evo sth, prog mare thie fof ins the He wrote, ve bro aro the wor eve Sine nl his tip ve tached it ie bounty hater in Tyo C aul estar) thal ever pla ting Wo Tok ke ven inpert—Marker hs an petite for geography al al places, Patel dr ts apn, vss ie morte To ts hin th then” MarkeKrasna is oun of the cr, who rove snomymig: & romantic who Jn San Franco vss all the lastons Hitchcock used in Vr: a collector of memories have spent sy lie ‘eying fo understand the Fanton of remembering” ho expt aso es rellcting ith etn “Marker erie Japanese la, The Koko Mystery, can ere as a sort of polgant power stage here ively young woman ling In the presen and idl nmaker determined to tum her its pst and memory though dhe process fatto, He sls om ber vitae ihe “ewntes herby editing her fled nae, ory, perhaps, sessing her and eystery in the only way be can, Sou Solel ager ek, about everthing bu the proverbial bichen sik tine pti. apan, Mic. videogames, omic sips, Se Shmagon’ ss pet burs ks, polite dementratons, det, images, sppenrances, suicide, the fate, Tarkonly, Hltchock, eligi, and the slbolite. What ontes itis Markers melancoly-shinwel, bachelor approach to the agment of the edern orld loking ee moment by moot an! eying ta make a les a pti sense of them, "Poetry is bom ofinsceuity. ho i, and the npremanence ofa ding,” a which point we see a samira ord igo oenso, Given Marker’ sterling example, andthe vie acces “revel ion. and with nee and more concep ass al defied adem taking to Portapas ad cheap nue ngs, Halepect tse 9 who schol af esl develop ia the seventies an eights Nt only he technieal potent ex hv tation cro of undead es rofl an seus was place. promoting “perenne” atemutie 10 the commensal pradaet But the esy-fin meer ely us an expan of ms that incor ppt essayist hotest en of ra nes a ee arto. Wha ook its pla nt chamber of aesthetic erasrefeene that ultnaty "abverteL” ts nse erent arg, the very notion of single personal wie Teas the ad ick of the ess tht jas a i onal leet eof the hou—eeonsteton, pos meer, appropriation at, dhe ne for of Kinsman Mars retraite wath seit me sion questioned the aly the se author view, pcre nto demonstrate re ander howe ‘much we are condoned and Brava bythe images aroun ws, Not that these points ae saad ut they mate the esti ee: for fe sol suing bt a scl constrict, ant lta bouges s intended to maintain the satus quo then the hip, trnagese” Bing o do atiricqutition, appropriation, sod collage Some ofthe bight experiment yng lnakes, such 6 Abi ‘gl Child, Lie Dunphy and Anita hatter, preted “found fokage™ films, hic make the paltry by deconsttonist eting, Others Au. Minlcha mae what U would all “tn le” (Rosen Mage, Suruane Viet Given Manne Nam) hich sucrose sch such 06 1 colnilom or oppression of women through a ellling of woke a oetored footage Steve Fags sido on LawsAndvess Salm and Flares Bowen! and Réouet sd Siberberglike poet stains, ith ress tht woe trig, cup and case, DeDe Haleck and Anny MeCall inate and sy enacted F 1s hat the Glnmhers’ pis were never in dab, ba thie oun Interpretation ofthe cise reine cles ‘These Bho are ighilly intellect and efictne up to put us Dor cae nich in eting thoi chosen tenes and yt the Lat hing any af thir eaters oul do tells deeeth; connie what hey otal think bot their chosen hj. A recent “collage fn’ by Yost Rainer, Pir (000) is ease in point: snes drat sens, ond focage faites, wa ten ets, decomentary sence, and so fn it stnnaing, bred explora 2m of menopuse aril risen. Jorn Ronenbonm,defeding the in the Chios Ror, won Apgrachel a. aati, Yo aime setae tas finer to gt tated and an tem end. between ts llulfined borders the plo sel srt inerapte ‘nde delaed oF prtietd,feyuenthy eee to the back baer and all but forgotten Yet appa axa esa, Prien ike single mulated agin, sie lluinated by wit ne and vit fal and weaning excpony tn whic al the vies a sph ‘vel ap one anaes” Mack a sympathise with Ronebaun’s poston, e ny of woes and scones to be are, I pers ‘almost saying atl one todos cats ne lakes sew 15a ema an oti ricey blog Brn nay hw po Now thar tat ie Rainers ln, bt tl came! borg ysl cept “ophony of ices und ious” van en: Wen {el the theater Tv il wise what eal Raters agent ae! mens fw she was ting a ell at he aon ween tan ain tert a bah ke fol ea ot ste She wold probably Tm eigen anthing im ie 0 ik Fine wo cs an ea ta sy ho el ‘what its author thinks, . Jom Jo ater ndependea nar whe as experimen lon and ith esenstio eens T mec chek ot Jats Speak Dy Some Amerkam Noes (1072-1974, which the Bh saber lf el a asym’ in au tend tng Tn prt my ration Jot ae, I es hating, ‘eons retming persona. Grated alles ae the option to bring toute obnains aspect oftheir perma, hey usually bale it svi smth charming in Joss ese L wanted to hide wader he seat ‘every tee came on ere, Stil fhe had mide a trees ‘ould have apple, But stead he created oe more hybrid collage ‘ith Vietnam ate stones ad nigh ews Invades quite sm snl fr ionic ele; with tionary dition suggesting onething coresher abt i istics: with fulninatons against ner, ine ‘rite interviens of his send ind over an lar, sly efeive alos fornia us dha ths ws mie, fe tow Jost ato biographical passages when be ales the eum sgt the sat peter for an essay bathe abe uch vgie, anproing tate ‘ments aut his ie or relanonships-—dssng his parts ane fence apcee asa war ein and phe, respctineh—tha the sol canals cues of seas a hall Perhaps i intentional self-portrait oan unbkable allow: le ally seems to me, thong, hat Jot tas no ell attempted to understand hil, ply some Ms sal portrait in lagrand mone ogg sister tees (Fa tld Hat Js eer hms eth a mc ter esi ald Pan Tle el Connon Soe, Mo, ek foward to being ped wrong) [eae tt yj oa a ibid ls sah Talented yi ct an otc ON Cd Be ln pene i ta ef ove le pete Da ty tenga of yo ea een ced nasag Sue tsk God carci heck ee Jolley os le pn, wh a ‘Mente wp crates Ter The Thing fe lt er, howe ethe alipion?Hes me me cet ng cat el obec den erent Sto sridtirvendy (Ta aust 1 at hyve be welt el mea tc ene? Coat tsa as fora gu def ngventatn a ign a yet {epee le pi, easing set og he power of a sessing, perwnal vice with it ld hioned mast saniriptins) Gnd has often wed the word researches” in deserting bs ‘ne sprouch, particulary after 1968, “Researches” ips «scientific aie, enabling Canard to pesent iy, deadpan ten-minute hot ofan sembly lin, eaten noking, Hrgh weal.” the tum that vill escmrage ns to emthine wth the fitory worker (That es wo, tla, ot only aks ws ptt wih the serene what [wo call lly wate ne thik 6a goa ten for Cans isin ffs wot “esas” The bn posible exceptions ae At Aller) and Letter Jone (197) [eit Allows (Hevea Ehewhere both Gada sunpisg by sincere ft ip reflect onthe ftration of making mie ao the Palestina tog anda ellen attempt Yo weave att aid adie Generally speaking “research to tour o pees to Dull ton and torn ts pretension Blaiasen), Tw woes. a “He” and a °She” case eal other om the soundtrack, saying thing ie “Too simples to way to die the word |. Ta eat spy sy that the wealthy are eongand He por ae rahe Ton easy To ey alto spl: Tae and a snp di the world int Godard oe ing the i nator repetition an slight variation ty ereate a cubist experience of te Steins of anu. 1s ofetive in making ux contemplate whether a truth 90 ‘eos vaid for being simple, But I woo hardy cll the ext, thts rt ‘slogans undercut by verbal arabexes an atm at reasoned esi ie dace eter to Jane on he other hands a cle reasoned i mas, roocation by two male-bonded ingrtes, Gena and fean- Pere Got, ‘ast the female mse star who so generat elated with he ‘om heir otherwise unbudgetable feature, To Vt Ben. There some ‘hing so preposterous nl out theic personal dct inset Gant acl Gori, ke tho pliee erring iti he spp ‘ay neaeanis, thnaceutse angle of Jane Fonds ead as heap tolisteasympatheticall toa Vituanesepeasint. eter ta Jane does ope ap mow posilies fr esa, though, by daca essing sy preset daz the oye the sls consi tly of the Fula nese sper phot, with few othe til thn, analog the woceonee tally Als, Late 0 fone wes ome ofthe hey Doble assy what tc or is, by making emit nage wali very suber, The esl ike tot, sf. An or ll Ws Robespiemean coldness, I mostly Uke iF ony because of is usable conden inthe power of eapesioy prose Gadus partner, Goes, went on to develop & woh more ‘ely persona essay fn sli isc fstnes Pound Cab (1982) aul Routine Pleasures (1985). I Foto end Cabe! te dominate unapg 2» Go ahs his departure point a sceningly semantic te story about tw sisters ‘sh inent heir ne ay peaking turin a meditation oa la fier action, Just as Joan Di and other New Jourvlintraine ‘sayin thonsoles iat the sory, Goris martian ise is wake "here interrogating net oly hin i the assumptions of te dot entry genre While ha bo li of the New Documenta wo dns an consis abot it sort of fl be ing re the deat of geting the neces og te gt ofthe ise flim. Gorin brings to ths deve Hele, lank ice the expat ae flume with the Frew accent, tow sat an hey fr his on 0 Oat is very engaging In Routine Moores he dagen ently ‘ith anes hak checily allemating beten tn things he happend to take footage of, tyra abyss and pnt crtc Manny Faroe, and ying to weave connection betacen these ueated subjects (something about recreating the world Selly), for no ether season ‘han to jai is having spent ‘The wml ca perersly willed, unpredictable pee bout the thin line Ietween art and habbyism (the fl itself sem a demonstration of his, ner, sects integent petsonaliy. By deawing me to himself as «sujet, homer, he ase the ante of our expectation: fr insta, having acknowledged Faber at hic mentor, Gorn seroot refusal tobe sore cand bat Farber p= sonality snd the dynamics mentoriplesves ne dsappintd tn bath rope television prodxtion money. in which we lr stil mone abt or Fees, Gorin sens ht on the tral of heen, hut is sil too ey a withing about sharing the allo fis thonghs (One ofthe tral sujet for personal esey-Alin move make) ing itself since itis often wha the anne sanders bon Theres alteady a whole suigrane of esse about the Mone That {Cou Have Been, Or Wa, Or Col Sl Be, Pslins Note Tard an Aiea “Oreste(19T0) snort cela motewek into which the l= snaker pt is preliminary ideas abot ating, mise, o bal polities or prj tat never cue to pss. Mae by sinking thee “tes” he sc up the ents that night have ge ino filing the ask le {Given the murine of his Medea, dus soon wall ey ‘oF Pasi thinking ahoot hon he woul doa Ores An an atl ly ew the Hise product. The epening sequences ae promising he cant by shoking passerby in he seat, eng This ong a could Fhe Orestes Shows newssel of an Asean mary pr, sng "These could be Greek seldies and conjectures hypothe kxations “This onl be the eam fo the crecs." He delves amiguos toursic Impressions stehas, "Tho tereaspectaf fre eit slit #e nw stra fra that Natore ca sme” He ell hse, “the prog of sy ln... st be he Rope," and Keys cen ava the ston ‘ofa chors. So ar 30 go. Bt then the is bso dese ths or ten mines of Gato Herbier nog aro i eben dn 0 svar, staged caer which Psi aks gro of pec Aen ‘eang students how they fl abot the Omi oie, Me tells cally “ke a tale fom Casa.” ezseing back snd forth in his dhvonoloy getting bend of himself igesing fom ‘meat Shakesprarian analysis to ancedte teria rspimse, "There eno ‘ay to avo these—lupses into antbngapl” he apologies, a he bogs ‘ur pardon iter fr rambling an fling to ete negative reviews. These poles te weal ru and rggportin the clas manner of the personal exit lady Pets notes Fling Ol,” in Libnery Quarterly, 1950) that, aftr reiting soldogies bth Obl and Lago aa hie of impensition forthe Fat tht the snd nthe oiginal print i pone” elles alii that hs ell ‘dees ot do fl justice tothe play’ ne 1 think ‘hat too young for this para wih coll have die eo rts fe clas that dhe lk sag his Foie wos sin” The prevent ln, na sent, the “dang it over” Welles ether calle esi, # fr Fake (1975, much ess succes as sch, Lge Becatne Wes ses more intent ti ing and showing of is ag expers perena thn in opening his ‘mind tous. an never coment Wells working a oy al he va gi efonse faite hat he fangs to conte his on since. something a esa ‘oon the sujet of contre abe tao ‘seams dy Me won rare ort agement at ala nd Fi than ove. Academic iy, nn erate eat sl fit alent ena fr alae he che joe he rolls on vs be proms tha een thet nl witht hin | tldesthe sty ines ser Stl ntl fr fr ate eae | iso wig ll ik ape ll enone he woe 1 ystems tin “Orl™ thon makes psc eect al soy toward the Hele be ed, Welles was png to make yotanaer eine ‘hate seas, limag “Ue Tia” Hom eon nek Welle pro ect with esate lene such a Porta of Cina aa AU Tit ‘sclar that ha boon seriou devote to the esi. Wiles al msn a 1982 interes “The ess dws not date, bea epi sens the athor'scoatsbtion, aver rast, tothe moment a which Aas ade j | 1 cowld be said that al ist peron naraion tens toward the 53 nthe sense tha, as soo a a “” begins define iso be pos ton n and view of the wld, the petal Foresite dnc comes "ato pla: Fist-person aration i Bn i complete hy the disjuetion Fetweun the sjetne voice on the souack and the thin peran, material objets thatthe camera tends to bestow a whatever i pho ‘grap, ke tor wot. Tis tension hasbeen curing elt hy the Almnakers whe are dawnt the at penen, such as Hebert Bresson, Joseph Mankiewicz, and Woody Allen, Fist-persin nant in mus ‘lten brings wth a aki alt, party Decne it has often been sed in movies ated fom rowel, but abo bees: sperms a though perspective, hooking backwards on the fim, Eve an 1 Wate with a Zombre begin to sem steal Hern pose a” of de te moment we hear Frans Dee marti sole renting ust events that began in the pt, Fine person naratise also awakens th appetite fr confession ‘Thinkof the strana accents of Men Steep Ik Diesen nth ist Out of Aiton voce: we wate the shaky ell protetivenes ofthat vice to beak down, become more ungated thereunder ofthe len ls catndtanonse with ths emission promise Jrgel broken, it (ne gol place to start aking rsh fhe exay-in ight ‘ve muvies with ist person uertors Pastry atainrplie ls, le Ross Methvews Skertn'’s Ment and Backyor Michal Moons Roger and Me, Su sich Te Tes That Ba nl Sinko Sn Ralph ArhekS Alms, Tony Babs Lightning Oter raddock, Wim Weds’ Lighting, Oter Water an Tekyo Ga, Caetans Tistanont of Orpes, ad ors ene Story of the Wid Jus as thea igh ode ten "he esa, 30 diay ns sch a8 Sherman's Mactan Das Helznots os by following near ts, aher than evn metal ee ti fro iany obey a diferent structure than ssn noni se reacting to daly ngunent. Stil ther are many aveaps tween the tas Mee (Bong digessive narrator in Ye dtl Sherman’ Marc (1888) emonstrates: How Mee plas with eran, ostensibly idling ar ‘our sympathy whe asking viewers to tg bs Dutelor persona aio liz and eased odo helt quarter fhe fn tens into a ‘contemporary neal play which the nator relinquishes his power Fjudgment wo his ea Charlene, who becomes the woe of wom and itl, elling in ate doing cng with women, This pt tr bout des prvi a cncison, bt al reinforces the suspiin tht Metvee wants us to ead ls “Ros” the wy wr wl «Beton, se Seludng charter ‘se ofthe fist person ives the peti for an uve a ator, device we usualy thik of ay reserved tet for ton: asst fiom Hult to Edward Abhcy have toyed wilh & perona balanced between charm an olensiveness eratelyimiting reader cseness ad allenation The diferenci that ests ep the ft with thee aratrs, while MeBlvee fal eaves “Ros aging to dy. i effective. even paratively epslying tess, ut Mt wns the works identity as anes: however deluded he maybe, the syst rst have the fl word in is ne esi Michal Moores Boge ad Me (1980) promis at it to be noel essay, lnahor sets up, inthe Bet meenty mites, ery strong, beyulng autobiographical naretor we se he pnts the om were he grew up his misadventures tn San Francs eapwetnn bars, ‘Then disppoetingh: Moore pases ot the personal ke of his nario, ‘making way for east elo” interiewes the ri La; the evict Ing she the tice Feminist, the apologist far General Mois. Te, Tae inserts a ecu ni f isl ening to confront Roger Smith, GM claieman, but thie fan suspense structure Iecomes. too mechanically fare, and in any ease none of thes sibeqent ppesr tances deepen ou seate of Moors character o eis as thoogh the flaker hoaked wy fering himself at in order to cau into bis aticerporste capital serion. The ital Astortions of Roger anf Me, ts valor enaniplations of dent serie in the service of politic poles, ame Been analyzed at seat eth stil Ba the la wisn, pt pol cot ac rind Hs unfree to the tah especially the national news in regula dtr theater divin) Hots abaadonmeat of wha Fad seemed avery praia syn Yer perhaps thet ae lated: Moore's decison to fade ou his subjective, person, “Michael,” seems to colncde with his desie to have hs version ofthe Flin, Micigt, sory cept objective trath Teast abo be sail that unl a tue personal say, Monte resists the burden of elEunderstanding electing to edo the nates (oF the rich whe not beng hand enenigh on himself The issue isnt whether Roger and Me betas the es, frm that hay exis nd that Moore may have no conerpton of, The el question i why lima er find itso dificult to follow atria of thousht, asin throne persone alice and epesence o gue them? In Mone cas, tote semsto be wore pressing peal agenda But another seson cou he the huge | aifferenco been wig abut and lng oneself Flushes wally choose tat ever with the expect that they can sta bind he can rand [suspect tha mmoase retin or lashfiess mas stn nce 4 filmmaker who bas then center seen asthe geri concionese sud main pefonner af an stebiogpil ln ees baw exp he ot she's (Anthisesposire may fr exceed hala Mery esas eo, Hence the dee cones nd retreat mentioned ether nog to Gor, ‘Pag and Me lores the question of to what extent an esa sit can weleoue and ingest interes whe til rng tr to toe ti nature, At wt pint wl the aust of vies threaten a nied presentation of the personal views ofthe aathor”? OF course. fil can ho compose ently of interviews and stil eit person ison— Enoll Morisor Marcel Ophnl’s decunentaies, for example. Bt pre sonal vision is not nes personal esa eral! Moms’ works, ‘eccentric and personal as they are not seem to me esas We can ‘nly ges what hes thinking as be ets the weind man species ‘in Vernon, Frida Gates of Heaven, na our ot ovina ware suppose to ieterpeet them s recsely the atbiguoue point, Sich, ‘tier nntion meses with esa Havers, sac as Markers Le Jl Mat ‘or Rouch and Mortas Chromiue dun ft, employ a degree of intense nates tat wold se the esa. lin and toward the documentary at etn ny ind tp the seas ay Fo eal ‘The whtinship bacween dbcientay and exey-Alin s ney st best They ae often mistaken fr each other Fequenty a work starts fase andthe rns fr cer the pctve groves ofthe “locumentay. Attn, howeset they behave Hk twee ret beats, ‘When Michel Maro made spl wth gerard Me he was pst ell reporters, sumewhat chal, that he ate ost dace ventas and the standans of eal daxumentary prelate, He alo eft the Imprussin that he had nent 9 whole new tye of mene lnsteal of achnnsedgng hat there were oer ating fama fe such a Mew Bubs, and Avjch who hd goten thee fis. To my knownda Ralph Are, esos Marley, the ne cone stent esavlmwaker Are, whos stv movies Angie Tt {1981 an Cerrnt Brent 1989) were uth shou tthe New York kn Festival (and hardly arvhere ele, rept he was once on a pel dis ‘sion an dosened hell as «ane of es-As,a which point Sonne dsty pacer al witha inten er, "Yon mea ie ‘Thoreo?” Atle that, Alek hus bee ley of wing th ten ea-, wih maybe even ere baa pon than “deceit” An Acquired Tse sn fata hla habeus perl essay shout the maker’ Lick of comet succes is ely aid carter

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