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..............Jack Kimball.............
Tony Towle, a New York art critic and poet, makes playful general
statements (using words like every and always). He develops these generalizations into
even more playful, elegant and specific (that is, detailed) observations. When reading the
following two poems, consider the beauty of his logic and his fascinating generalizations.
Highway
For Rachel
Match the words from Tony Towle's two poems in "A" with words in "B" that mean the
SAME.
drain _______
creation _______
repeated _______
provoked _______
everywhere_______
moment _______
sink _______
in all places
point in time
water basin
opening to a water pipe
existence
duplicated
incited
Match the words from the poems in "A" with words in "B" that mean the OPPOSITE.
A
tossing _______
departure _______
normal _______
confusion _______
necessity _______
previous _______
limitations _______
option
odd
calm
future
freedom
arrival
clarity
In Highway "the world is understood" is a generalization. What words later in the poem
make this generalization more specific?
How does the writer explain the generalization, "the rest is history"?
Quoting from Highway, refute (that is, disagree with) the following statement: The eye is
blind but at peace with its freedom.
Quoting from For Rachel, disagree with this statement: No one ever fails.
Step 1: Create a few general statements of your own. For example:
Step 2: Develop some ideas that refute (or disagree with) your generalizations. Like
these:
Step 3: Write down some details that develop both your generalizations and refutations.
For instance:
TV is a waste:
TV is educational:
lots of news
variety of information
Now write a poem using two or more generalizations and at least one refutation. Be sure
to give specific details to expand your statements. Try to include one statement that is an
outright lie!! Have fun!!
American Poetry
for Students of English Worldwide
..............Jack Kimball.............
Tony Towle, a New York art critic and poet, makes playful general
statements (using words like every and always). He develops these generalizations into
even more playful, elegant and specific (that is, detailed) observations. When reading the
following two poems, consider the beauty of his logic and his fascinating generalizations.
Highway
For Rachel
Match the words from Tony Towle's two poems in "A" with words in "B" that mean the
SAME.
A
drain _______
creation _______
repeated _______
provoked _______
everywhere_______
moment _______
sink _______
in all places
point in time
water basin
opening to a water pipe
existence
duplicated
incited
Match the words from the poems in "A" with words in "B" that mean the OPPOSITE.
tossing _______
departure _______
normal _______
confusion _______
necessity _______
previous _______
limitations _______
option
odd
calm
future
freedom
arrival
clarity
In Highway "the world is understood" is a generalization. What words later in the poem
make this generalization more specific?
How does the writer explain the generalization, "the rest is history"?
Quoting from Highway, refute (that is, disagree with) the following statement: The eye is
blind but at peace with its freedom.
Quoting from For Rachel, disagree with this statement: No one ever fails.
Step 2: Develop some ideas that refute (or disagree with) your generalizations. Like
these:
Step 3: Write down some details that develop both your generalizations and refutations.
For instance:
TV is a waste:
lots of news
variety of information
Now write a poem using two or more generalizations and at least one refutation. Be sure
to give specific details to expand your statements. Try to include one statement that is an
outright lie!! Have fun!!
Look Out!
Points of View with WALLACE STEVENS
Wallace Stevens creates poetry which asks us to look carefully at the world. People,
things and ideas change, of course, when we shift our viewpoint. Look at friend, then
move to the left and a few feet forward or backward. What changes? Imagine all the
changes you and your friend will go through an hour from now, a year from now, and so
on. Point: when we consider how easily everything changes, we are thinking more
completely. The following verses demonstrate this.
Valley Candle
1
Among twenty snowy mountains
The only moving thing
Was the eye of the blackbird.
2
I was of three minds,
Like a tree
In which there are three blackbirds.
3
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
4
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
5
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes.
The blackbird whistling
Or just after.
8
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
9
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
12
The river is moving.
The blackbird must be going.
13
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar limbs.
From reading these poems, write words that mean the SAME as the following words used
by Wallace Stevens:
In the poem Valley Candle, there is a shift in view. What difference is there between the
first time the wind blew and the second?
What causes the "beams"? And what are the effects of the "beams"?
In reviewing the short verses from Thirteen Ways of Looking at a Blackbird, find the
verse that describes the sound effects of the blackbird.
The blackbird "whirled." The blackbird flies in circles. It is "whistling." Find other
images that describe the blackbirds' actions.
Using words from the poems if you like, explain why the speaker states: "A man and a
woman are one" and "I was of three minds."
Here are some responses other students have made to Wallace Stevens' poems. Notice
how each presents various points of view.
Four Ways of Looking at Scissors (by Valerie Goodall)
Re-read the verses from Thirteen Ways of Looking at a Blackbird and Valley Candle.
Write a poem (or a few!) about anything you look at from different viewpoints, different
angles. For example, think about something at night and during the day. Let it move and
make noise. Then let it be quiet. Change the seasons. Like it and dislike it. Hide it in
some bushes. Throw it high in the air.