1 SCAHAFENE Profiles of Text Bes - SLAP, “LSE” (EG, 1947-1950 48 195346, #4 - i244 - BEAM ( Peter Reyner Banham )' "5 (8) CF aS vi + SCA ae “1a Ee” AEE HOALIP SC: AES CE LEI Z ARR AEF CAERIPIE )( Architectural Review ) FAX WH), C5 “1 AE" HEE APE EME “YF TPE X" ( Roman eclecticism ) (2025 HL BEATA. TE He CFR RA Te ST ARP AD) BE Te A A HE A RAAT MK, EZ HE 1953 A AIHA, EE MEET TT CER a A Oh PS TI EA REAR OG I LEHR AS A OE SE AEE BR TE TT AE He — EE AE LEA AL SUI AGS SL REARS, FRAP LDA Dy SO ETD “TH SC” — ig SLE «1 AT SILTY. ALMERIA , FE 1953 46 , BES MiP HL th BL CRE CL 8 OT ARLE (style). ALI, ALAN SE TT ETE BST BUC RE SE ATE Sk i BEG BABA 2 ir, Zee, SET AR AY “Toy TR” EE TOP AEAS + SCF 1966 45 9 fe ( HESALNY S¢ ARTES A IYE )( Complexity and Contradiction in Architec- ture ) 469 BES REA STEM A, NS FD He Se EAD A PL EB TABS SRE). PERE ATEA IE SF PT AY HPL Z Ke, 47 BE KS, NE 1968 AES aT, AEE SE + ELD CB DTA WL EAT AZT, AT ART ET AT TE aE 1h SCA APE NY Ji 45 FE ( Post-structuralism )* HEGEL APPT 5 ASU IT WE. LE AH AY BES AAT VAL SEAR AEE ELF, MER SL TRIE. BIE EAT TRALEE AE “ASTD ASHE” HARE. CETL F , AEBE A EAT EL WA ERE TTR, EB es SUIT — CBG — AARP BARN), AAT AERA AES PI EAT AS. TITER AP AR SEME” FAROE EAE TALKED “Tay ELBE” EEE, Oi Se EE a AC AS A Ee 1 HEA iA - BEAL ( Peter Reyner Banham, 1922—1988), SLY F sMIRIRIOS Mea. MEARE EAT CAL He DECOM BLEED. Com REIL, DURA Mm ee) 9, IRAE 2 SEH: ( Post-structuralism ) JE SEITE A IEA 20 the 60 #8 70-E( ALLL IN EAM CRU AEC ERLE SP AEA fe IAA AIS A ELAR HE SON A, SHIMLA, Se He. LOG PH E+ Gs ARMAS 4E 2% 2 (i ( Sant’ Andrea ) “sh f') 4 Mii 18 IE fii ( vernacular Greek temple-front ) b AY WOK, BECAME HM . DAL 3 GAS] SA I EST SAGE RC AE HT SR, OT OR RT Si LF AON 8 LEE PE a DT AE A L2H AB AA A Ae IE RP, PEG EAERENOAE A, VEAL TRON TE TARAS. EHS TM RLESE AAS EB Sk ts PHRF FF HE HY BES FER EGR SY Bos AT EY TU EE SE BA CAC He TG HOF AEM BGR. HER AH, AGRA (hierarchy ) Aw A OY, IHEUET AAT ANE KR, TAR PADI LEAS TE AES EE i 2 8 5 BAR EA AY AS DH GE AR, SA GL ABR AE HAIL. TERA, MSE X (cubism )? AACA XL ( futurism )* sit), AE A Se aS (neorealist cinema )*#1, LACAN UR HCA 45 28 HA AN TAR AR FH BEE ARIES LH ARE DG HSK TIT (Open City ) A ¢ fh 47 FAA YC The Bicycle Thief ) 5: 5° IEC WY 4 90 FF TE EX (empirical existentialism ), PC (1 ist PA 46 dh @ itt ri Hee — BG AAT By SC” AT it DEAT AG AER a OP is AEE Ak BLS SE ARR A AG 5 SE thn eT HOMECP SENN (didactic ) ASUALIE. IFLIT TANSHE AN ITT MEAS AY JE ROTATE BY A SLI Pet JL PAE BE EI ES ELS, BRE AE dT EL SRG AB ESE 20 tHE 50 4 1A IM Ht ARAYA aK ETB] YL Spazio ( Space ) ] ZH, WHMIS AEA T feat FUR SH GE BBA EIA) 5 CASA AS AE HS SE CD 5 FB) ) SELB TES A ID LE BE BRAG BEM 1920 46 By - Hl Ai PE MBN Ae ks CREA CL” Esprit Nouveau ) #11923 4E-4 3 «KL + 8 - B 1 ALAN CARON - ACI ( Leone Battista Alberti, 1404—1472), BCALRRSUIN, ARIUS. MARLEE MM Pe ew RECA. TEAR NC RRC CLAM ERE T-15)). — Pett 2 SARA: Cubism ) EPIC LAM EAA ah ALIEAR, LOOR SENET HI, AAR MVR UAE. Sr PRE ALL ACER ET. ACM AE AER MC A A. Le A CANS Oy, ICP A Le PAM RADIA A FEAATE RAE TOS ROE ML HE) Ah — a 8, — SR 3 AACE X (futurism ), 20 Hf A FEA A AS AE Sw, MN LS EI A 9 HL AT A SE BAR WIA MBIT ES ML, TM RH, ZA SEL RA mh MY AIL TM AT LB FA BERETA ML. TECH AAT HALA (Filippo Tommaso Marinetti), HFIE( Umberto Boceioni ), HW ( Antonio Sant’ Elia), —i#ve 4 BRITE LH (neorealist cinema ), JE20 NCI TE 1A ACHE AA AE ah, SFE eH PULSAR LBL, SLOP ATCT ELA, CANA i, FEA IAC LE, J RE I: FSR: ARREIRALEE AAT”. RAMA. (CARER AT PHILA (Roberto Rossellini) (7, AEB MTT. AE FENN HUE TAC AY ij AS LS SE Ld BE A) 2 Ti ea A SEAT ETT BET BE SH 9 A ER «ES AB ME ES BL, SRE BR TOR HS EAE. SP WR IG Mb AB Ae Be OS fd SA As SE Pg RO AOL ESB 9 EHR TALL, EMBL 25 fel A, SDE MER ( void ) 3B SEH ( solid ) MESES Ma, TEMA EP, BEAT i Bis Aa SL AT «ba SA I FRE 08) 7K —§ 2A ERE ICH ZA Seb eC AE Hy LH Ul] SIL RIL 25 fi AS Ae AGE. BE FEE A NF ALT TE, A as TO Ae Pe PT A GTR le A SR FERC IRE, 5 — FT HL, A ETE PRT A AR RL, EA EE A GOR, AR ECA NE FE PIT AES BAY BA RE HAY TH A ABE 9 dE Fn fe — A18 SMBH, 1950-2000 Ws “Hoe ee, Ho “HOR ee, SATA. He A ON ETE Bilas Th ie 2 FP, AE “ed SE” AEE — A RT ee 3 “Tay SE” AEA A SS — ENG, SEAS LS i he Zl AS EI IG A TP 9 CE A Je Ji BPS BE $e EM ( aedicular motif). i% EMILE is FAL dE, (EL SA aR SEP HERAT SEAT AE RT ME SE 0 HD, ENP SA RCS BY BP + CEA cit ( Carlo Rainaldi )' 44K 8 4€4!| ( Campitelli ) (94554 WAL ( Santa Maria ) HEARS. SO ALET AY Xe tl AS fie EAR PE IE DG SBE Th, SL AS OE OR ies FG 2 SE, SE “TE EE TH Se MAY HRT A A RR TE RE (AN SRE, EAT a tM CASAS FF. Me TTT A GE tH PT AE NE, TE STI AT A {EL SAE IDE, TE ST Sy ab OE, tT A — BL. 1 fe ek — 4 A ST A BL AR AS ZT RIK AR, CE (5 AO Mb fed BE AG Ae NE WBA FA (the corner ) Je air eT ML AE KAY Se RCE BT TE iT (from Ley WS, — iH (Carlo Rainaldi, 1611—1691 ), ARIEL SE MN CSB ICI. BEA AEM ATA He ARI I A1 XARH#EMF Profiles of Text 19 B10 “HEM Ee, Wak tal picture plane ) J BU(RF: LY ACHE EAH, OB SOAR Ae ee re) BE” AEST ET i WY BR A 6), PALS 32 FD A EP A AE “TL LR” FE A PP AE Xe AVF AB FA) WR A, RE a EB b, HS ZA. HIRE GME HO IR Z ah os tt A TAS YE SA AT Ge a5) AT, AE ye A Ce ate Tt RE EAS Te “Ty LSE” EE AS PH Se AES. i HE AT MER, SEMA SEAN , AETLASE MK ( profile ) GIB AK( shape ) JE — (14S, “16) HE” FEE PA — SEI EMAIL, LETICIA a TEAR PEE AA) SL , AE EBA) 5 Sh — A dE 0)” BDA EWR AR A HAE ZS FP, UT HL OR PE BC G2 fa] ef — PATE TR RE AAO APH, IFS] de PE AY AE (otherness ) AUFFIE. Dk RE BALE A - BEM ( Adolf Loos )' fH Sb ab Et cA. Me BLE ( didactic ) (exterior envelope ) $5 PY M4 #4 (inner volumes ) #15} 85 HY Jr sk — PE. AOR IB A eZ id AT A St) PAL,“ Ht OG A 1 BAMA PME Adolf Loos, 1870—1933 ), RLM PLA RE IN sR SLE: ‘es ets 5A), MSL FEES. — i aa ICM EAR IE A A AM. IEC20 sBMLBH, 1950—2000 RAZ ETT WET BARE MT he F 09 BE Sb JE: BAN ts A Be HO TEs ARE, BD AE PARE PEACE AY AS TRG, BEA 9h AB OIC HO OT TER, SH Ea HAL TAL AR oh JER. MAR EE, EF RABI. Bae TEES AB CHAS Tel, REP ERS Rp REZ BRE, VARIES. ARTE BEE AA a HE BL, BRIT — PAS TdF Ba PE PBT 3 J RATER FAT TBA AS 1 A BY sf ths BLE TS Ge) SUES AR He IF) HORS. Die, Sea amr mat TA ee (925 — BCH. RAL ARIS (notation ) HHS Ah. HEPAT WT TEBE. CERT A A 95 EB SAE J SCZ BE SRE EL ES A 19 tk 2e 8) HBT Chétel-de-ville ). XH MUON Hi “Moe ee, ERM AS Je i — BOK Fe SE ORE TAS 85 AS EASE F004 Th HR PARAS IS PA “Thy HSS" CEH EE (materiality ) FE XEIRAC TE SH SHE NY 93 — AE BR LE He He RE: JE. EE AE LUE, WUEEREAS Sf WAEOS T BORSTAL, LIRIAS «AL HE ( Peter Zumthor ) 847 to AH AYA. AASB, BOR PE SURE ILS. ED AT Si HORI] DS, RP AC AAR 20 Tc a Tt eA T]HE eS APE, SIVA BARES BEE i, WIR EE BE RIG ONL BEIT SE PEAY IFA A BOBS BSE. PDB SF DE" AEE TT AL FEL AAT FA J. EU. BEALL, “EATS AS a AT SH AAA SETAE HL HE AO Se DA ABA A, tHE AS A A 8) bias PEAY AAA, Dike UT ETE RHE ARIST AE. POR CK La AS A AEE AR PEASE AL EE AE TEIR MET: FEAST RELA fd CAME. SAS WY PA ae ES ES A I EL, PAA AE Me SAE al 1 EE MSP AE PBB IR ICA — Rh Be EAL AES TH A Ae LL a PE RG SR A EE LR TT ES 2 Wei. fe aE” AE. RU AY” ie SE AL SO AOC, A BE EE of, ALR 1 IUCR Pe =A AY AS LE, AL RETR, A AR Sh ‘Hy.1 ScARAHECIE Profiles of Text 12 “MER RE, we BME TAPE Hey ELBE” Peet, AL rH SA A, EU) 16 HE NL + ( Giulio Romano )' fe AAS Ht ALANYA FFE ( Palazzo del Te in Mantua ) fi). CEES MEY , AE BE DHL HA SEA RTT, TH AL ER 9 I, TBE SR BSAA. PES AS IN fil, Hi EG AP ZT , AE RS TAT bee HY HE Hf 05 Se HCE EO She SPE V IEPA. MEA PALI 17 Sh mo Ds EPL PEA a Se. CELI HT % BLAS . SCART AEA — ANI AR TB AB AMET GRAIN AT GN A, MA iy SE PEO AL Pi XP BERT Hi EA ET Ae AL AL DS. ASE SE A i AY i 12. FAY, MEME Ee RE TEAL, BRERA, BCE YEE SEtE (arbitrariness ), (KIL T BENE MT RED NY AP PDRERE APE LAR AS OMIT. RM AEC ASIA FATE, BET AUCH TE RET HY, (PL BRIBES FEAR BO, UG AE AL SUAS PERE RIE . ROR A A ME Mb AO AE EL AAT ELE 1 SARGL. BNAETE PAE PAE TASB SS MRE CAS ACY) «TG ASE AT EY 1 FRA «BABE (Giulio Romano, #9 1499-1546), EIA AI HE NO ME TEESE RAT CAsBgU%. 1950-2000 rege FE AR HOE ak — HE 0 HEI. eB yb —§$ RAE “Fa AL Eh, RM MVUAT Hse st Seta PRAT th RSH 4 34 Sea Ae HE “ey BE” AEE i A fp Se TTR, SLA TERA TALE. MARL EAE * Ta E LAE BAS CEREAL BE SESAME LEN RIC, A SFC A 4 fl ok I EAL A IIE BEA BLA A T, PAIL AS HERE EEE f ATE A, SRE TY AE 119 fi MBL AE TS vad 4k aR a Py AAI I ie ARES, FB Ze Ae SE Oy SA eT (0 ARF ERA, MACHER Soh A AA “Tey BE” RL. “OAT A A a “Til SE” HEE ATES A eH oT fe HEA AR HE SARI. MU ARE AT LA we AR fd TT a BH HB BP SLOP ARSE RE WE ECG TARAS TES AY, HG 8 wa A SLA BAAR 8 ee 088) — i EPS A A AR IN, EPR TAS TR AR tT AS SEAR HE ind CE, HE TG eS AS YS iE EAR TK. ELE” HE AT KK MIE AY ES (EES TS A SHAK 5 BGP rH1 XCARMIEM Profiles of Text 23 WIS “HAR BERTI SMS — AE PH HHT DAT ORG A A SH, AE HK +k, FUER SLER ES, LEMS Ae AB AAT A OTM ERR A Fe OE fi, GARR, SLBA AM, SEAT AE A A, HAFEL, ARBRE TBH. B16 RRS AMO EP ART, FEE AR ERRATA UDR. Ob LRRD RIRFRA Hat hh, CA — MSS A EP ARAN EBA. BR, MA BRERA BED Be TA RARE Re AN at Hb, MARAAH ETH LAS AO,24 HIT “HER” EHR R T Raea, SEE BRB HE UE RO PB, HL Hs SR 3 FP OL SB LL LAR Hh, HEE A Te Dm NE IEA ALE RAE SRL RTP LAER IE aR, BAe NEMO LA, aE SEALBR. 1950—2000 WAS SL Oy RL Am a Oe IE H, -RPRTRARM. HT EMM ORE, OH PORE TEAM, ARAL HAAR BH, CEL GHA DAR, MRARE ARAB Hh LRAT AM RH. ELAS ED, EAN A AB RRS CR ty A AT Hk, EXRORAAA BG, RRRART — APR BRET eT HE1 XA AHEM Profiles of Text 25 19 ARR TAR, Ha FR NH, Ca RE RE A, OME TOR He AL EMEP LATA SAT TA, FERRARA. 20 £“WER” REP, RO TRRRRR, GERRARD T Hh, AERRAP, RMA ELAS. ME, RM PRBHED HE, BORE REESE HIT26 HBMBR, 1950-2000 M2 “HOR CENT HTT ARERR PH (frontal plane ) WARE, BRT — APM. 2 AAA, EA SAB He Ey ae He, IE HE ERRURER HEA. AMM ARE, RATA FRR MAP HE, AE ER A OR Hh, ERT RAE TEAS SRSA Ly OR a a HAL T AFM AAT AB fl (gasket space). KM 2 AGAAAE, SRR-ASWLHBARMO—z, PME TRERAMRAER, BATNEBAER P—-RARUCP HZ MRA.1 SARBSHEM Profiles of Text 22 HTAAHEH, RALESR- TET HE RATNANEREH 1H 4, AWARE HAAK, RUBLE, HBR Sata, RMD 53 Hote, DORAL TRA AAR. ART, HHS HR, HCA ER RRM ET A RVF2HERM, AHEMGRT ERR. BR 2403.E, At A HEAE (slab column), #28 4938 4% HH, KEDAH AE, EAH EMRET, #2C #3C MA: RAH, 3C RMA BES 23 HM AME TEA RL EMS: IA/IB 4 #4448 2 MK WAL. ICID fACMD AH, WRACMD EAM. bE HE Mit, EA te EB SM eH LEE (AB/AF ) fe 1G/LH (AG/4HL) 4248 A At KA, BE SE FE PRE AE ON OD Hh. THD SAR —AEF, HID HID, EF #03E-F, 2G-H #3G-H MR Ah Hy mt ES 2703) AEE L, RATE TO EAE, ET TL Le a aH24 ARAMA ERRERAMWET, ROTEL WHEEIA MAA, FIA 53B HEH — Ht, 2A 5 EMMFERAK, WBRLTAKZ IH, 2A 3A LMARERME. RIA SDA RH HT AHEM, CUREMATEM. HSH MARE, MRA, AAO BP a PAHAAHRTPOR, CMMEARARGA TA. EMA, HFRAAA TREC, MATERA H CEMA, CMNDRAREEMARE RC, DAE RIAN MR, 1950-2000 H25 TAA, RWS MT RRR, ae SON Af BR ERAT ALE EE ERATE BE ROT OL AP ap AP a RK, CES HPESAMARHARATARR, Eee BPP RAN, SOR APT RB PRA AE HRS t, BAEIA GEL fh Oy Ee Ot aE, A ok th AR AR, LR HE SLR vectors ) HRP 2548 Fi, 1H Sin JE te 38 Ae A a AS Fe1 SORAHME Profiles of Text BRAT AA, TOL MR RH MLD RA AE CA) EAI TAB A 3 Fd HR, HE RAPHE 3C ABI A TAR Ma Aaa RA a D(A) SR ohh DHS OHO) HEE. SH CB) BRL TSU Ae i Ee AA AT AUER EAL AB EL RR PORADKGA REED ASB DE PR. 26 REPRREOH. ATRMBPET HARA ARARRHT HATH DAMS: —MREHRE ABA A EEDA RMAs BAER ES A th RAE ty, BATE AR DL Ak HHA. SAMHERRPARN. FORE ARNE KAP HGHLRS, RERGHATALAMAR i Mi Oy RA RO A a, RK I te he TAA, MIE A eS HR, OT B-DAY HATERS,SBABR, 1950-2000 27 RHF SRMEFARAHERAR, BAT RAHETEDRT ABAD EM: AR ABABA H8ft, RAR GMM, MSA RE, F AARP SRMRES OBA, & ty bP BEARS MAM TRA SB. RELMAAREFEAARA IN, PE A,1 XCARASSEME Profiles of Text Hi 28d ARE HRAA LO A LK, TARE HRM. TAH, BL (a) SAPAW SHER A: RGM TOS KOE AW A. RH, LETRA BRAD, AMP Rf SL RN A i, F(b), PM RL TO EL ARMED RAM, ROKR TH SRM AOE A HATE HCC). a mart BEB YP , He AR ea oA SHEERS, BERLE, REST ANS, SEH RUTH TON AL, ATL Sha Oe KEW, HRALALWV EPO RHR Hd). VFB MRA HLH, TR RE A Ciconic ). 2 HM Hy A RRP HE A, EMA A AAO A AE ME OME, ah EE ALE32 BMBR: 1950-2000 og} joo og pe oo} po 29a MBE GM EH TE ae LRAAMRRALAT, TH, LEAKE AOREABD, PKERHERT HR RKER DE. At, A-RRAV EONAR AM, OE SEUMRBAR LHR, HA, HFRAKHM, KALMRERFLGMBHAFER YY, BE, TP SLDFRADHERTHR ERMAN. 6. H30eb “HAR ESPARADARRD HH, TE AAA R MH, BERT SW RARE. — ALE RAIA, PTR HV FHELMHR (a). HLHLAM ART EX PLATT, HUEM POR ZI (d).1 XARHSHEM Profiles of Text eS, = NH, 31 “mE”VE < — SSS ye