BY JOE PASS Tablature Included & ROLAND LEONE Mel Bay Publications. Inc. Tee nese einen eter fem re eectMEL BAY PRESENTS JOE PASS NOTE NOTE BY JOE PASS & ROLAND LEONE Table of Contents Eric's Smoozie Blues 3 TablAQUIE sesurnnnnnninninnnnnannnnnn stn 15 Blues For Yano San so py Tablature a 32 Blues For Sitges 38 Tablature 55 Blues For Val 39 Tablature n Blues For Martin 81 Tablature 91 Cover Photo Courtesy of Hibler Astereo cassette tape (95019C) of the music in this book is now available. The publisher strongly recommends the use of these recordings along with the text to insure accuracy of interpreta- tion and ease in learning. : ® ‘© 1993 BY MEL BAY PUBLICATIONS, INC. PACIFIC, Mo 068, i ALLRIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. 8 Mi MADE ANO PRINTED IN USA ‘No par ths publeation may be reproduced in whole erin par, or stad na eval sytem, or ans in ay orm ‘ry any means lacroe, mechani, phlaenpy,racorsng, or ohare, wihout itn prmision othe poner Visit us on the Web at www.melbay.com — E-mail us at email@melbay.comPreface These transcriptions contained herein should be executed in much the same fashion as that which was delineated in my previously transcribed books: “Joe Pass Plays the Blues,” “Soe Pass Live” and “Soe Pass’ Off the Record” — in so far as a stereo cassette is available to assist in the elucidation of particular subtleties in Joe’s approach. Due to the sophistication of these works, certain passages (such as rubato and/or anticipatory phrasing and the like) are by in large written academically; since certain syncopated figures that could have been ascertained would have obfuscated these works unnecessarily—utilization of the audio cassette will render these nuances more lucid, Explanation of Chord Symbols ‘There are two distinct classes of chords implemented above the staff, i.e., chords that clearly define chordal stacks of clusters, above which they are located (written), and those chord symbols written in parenthesis used as filler chords. These filler chords are incorporated to add continuity so as to constitute a 2nd guitar accompaniment. Roland Leone Dedication “To my sister Darlene for the selfless act of donating one of her kidneys. It enables me to go on.” Roland Leone Photo by Bette Edelman“Eric’s Smoozie Blues” Joe Pass (Gmaj) F7 F87 G7 (G7) Gb7 G7 (J = approx. 176) (C) BT BT CT (c#e) Gr oF? (&) (Bb7) AT DIGS) G7 ATNEDET 5) AD DI9 le Gn (G7) ai(*3) (C9) (che) (G7) FD) E7 (5) AD DI49 (5) Gn 0733) (G13) cr BT(B74) (9) Bb7 AT (ATS) (A?) (AT) H(A) (AT) (0773) (G79) (Cmaj) (CH) (Gmaj) Ab7_G7_—-B7 cr cD (cto) (Gmaj) (E749) (a7) (D7) (Gmaj) (Cmaj) (Fmaj) (Bb maj) (Eb maj) (Db majyD7+9— (-5) GIs G7 Ab7 G7 cody 49. r +5 9) «7d (Gmaj) (7) (At) 743) bd(Gmaj9)(Fmaj9)E7 (5) Ao D9 AbI3. «G9 (F9), ET (Eb-7) by D7 AbIZ. G13 poss C9 Aq Ab-IL = G-7 CHI. C13. Gb 945 y Fo E9 FO E9 EDO E9 Eb9 D9 bo D9 Db9_-D9 (Gmaj9) (Gmaj6) (B7-9) (B7-9) (E79) (E7-9) Bb x 9) (D745) (Gmaj) GI3. G13 FRA G7 Db7 byc BT cr G9 E749 (5) ET ao D749 (5) G7 (F#maj)(Fmaj) E75) AD (7) cy (c#o) (8-7) (7-9) (B49) 73) (Gmaj9) (D7-9) gen ry C9) (cto) AT (Gmaj) (e7) (AD) (073) (Gmaj) (Cmaj) (Cte) by(Gmaj) (D7) (Gmaj) (Fmaj) F#7— (G#7) AT_—-BbT_ BIB (B7+5) (E9) (13) AT (Bb7)A7 by AT BT AT (7 (E77) (D7) (Bb7) (D7) by (Ga) (G9) (D7) (Db9) (C9) 3) 9) (Eba9) (Ab maj/D) (Gmai) (Amaj) (maj) (07,2) (G9) (D9) Coo) BO co 9) F#7(add)Gis. maj) E75) AD po cho G9 Gh9.G9 E73 b7t2 E772 fy #9 pt pat? AI3 AbI3A13. DTS DPTESDT45 (G7) «Gr Bo by b, co (cts) Gmaj (F#7)(F7) E7 (5) Ao D749 Gb74+9 G749 (D7+) (a) by (E9411) e7?) (A703) (a7-9) 9) 69) (AID (D749)7) (Ab7) G7 (7) G7 (BCT. FT sBT EBT Ab7? DbT C7 CHO (Gmaj) (Fmaj)_E7-5) ao D7 (Gmaj) (D7alt) G) (G9) BO co (C9) Ab7 Gb7 (sus) G3 (E749) (A) (D7) (Gmaj) (0749) (E49) (73) (Gmaj) 3) @ Ab7. G7BO. co (che) (Gmaj) (E1)(a7) (p75) (G7) cori) (Gmajy G7 BbT by (E13) «D an (a7) (D7alt.) (D7alt)) (749) 772) (6749) «9 9 (cho (Gmaj) (E7) (A) (D745) (Gao) «ey (A-7) (D745) (G7)(Gb749) G49 by 10G7+5 Gb7 G7 Bo © (c#e) Gmaj) (E749) (A13-9) 7t3) is) (D745) AT D7 Ab7 G7 -Bb9_ AD Abo Go Db9__ (B9) co EDD pe Db9 co cr Fo E749(-5) Ao D749 G19 (E749) (ATs) (p74) a FRT (FR-7) co (B7) FO ED FI3 E13 Bb9 AQ (alt) (ATalt),(Eb49) (D7alt.) G7 (Ab7+9) Gb 7(sus) G749 Db7 cr b (Che) B7 E7 Bb7 AT. (Db7)_- DT (Gmaj) (E7) (A?) (D7) (Ab7), GT) (D7) (Db7) co ch) Gis (E749) (a7) (7) (Gmaj) (Cmaj) (Fmaj) (Bb maj) (Eb maj) (or ab7i2 G3Db9 co (Che) (Gmaj) (ET) (an (07+) (Gas) (7) (A9) (p13) (FRA) (Cmaj7) (FB) (E9) (E7) (FT) ET B79 AD. Bbo BO GIL) C9 BD Bb9 AD «BDO Bb9 BO FO 59 Eb9 D9 Gb9 bi AbT—-DbT. CT. C#e — Gmaj(Fmaj) AT DT Ab7Gis Ab7GI3. B9__C9_ CO (es) Ebo Eo (E>) G9 c7 (FE) (EBT) BMD (-5) Ag B-ll add(open?) — C#7(add+9) 9 749) DIB pe7(y2) ET E149 ag Ag D9 (open) 7 D9 7 BA Bb7"y! AS on) (add%) —— C8(dim.7) D7 Gmaj (Cmaj) (Cte) (Gmaj) GI49“Eric’s Smoozie Blues” Tablature d= Gmajy) FT F7.G7 (GG? (ch Bir BT C7 v4 ce) G7 FT ED) (Bt) aT ae) GT FNENET 5) or) « ro 8 1S 5 - — = 4 - + ai fae - “asd I HER aia a | o —_ 9 o one Ere) DES «GD OED a) © BT (a7) (e9) BH AT (ar (ay) (A) @) (A) (A) 15Gs) (0749) (G79) (Cmaj) (C#)— Gmaj) ab7. GTB CT 24 ae © (cr) (Gmaj) (E749) an 07) (Gmaj) (Cmaj)(F maj) (Bbmaj) (Ema) 9s) GB GT AT G7 coll) 32 (Dbmaj) a oo) 3) en ec) en wn (wr) 8) 3 4 > —— ps 3 + —| +S ca - | Ft 4 + a | bl o”™ bo AB Go) ETE DT AMD GB Dies co AT abil G7 CHS CD Gives FO ED FD ED EO ED EA DI ESO D9 DOD Gm) a (Gmaio) (7-9) (B7-9) (E79) 4a(E7-9) BIN-9) Ad (AB) 82 Cony (rs) (maj) as 5 GIB FAA GT DAT cr By OCT Gro EMO (5) ET 58 = SS ao pm9cs) G7 Fm) ETG5) ADT) «ny oe 2 (taj) ‘ i gg OP (ars) (© cB co (ce) en (7-9) 5) 5149 19 8) (07-9) (Gai) Cs) (G78) oo 14 OD (C9) cy) AT (Gai) en v7«9 an (0745) (Gai) (Cimaj) (C#)— Gmaj) __ (Gmaiy Fs 18 (D7) (Fmaj) (Gt) AT BT BB (B78) (9) B) AT (BST) AT AT BIT AT (07) (&7)(7) (D7) (EH) (D7), (Ga) (G9) wo 8 on (D9 © 3) (9) (E49) 90 ©) (AbmajD) (Gmaj+) (Aaj) (Gmaj*) (DTS) (9 (09) P FET Gs (9 Bo o (c9) (odd tt) (maj) © ie AB AB. pits? pre ace 49 Gp EMS” ETS Drs Drs Gn ton D9 G9 G9 G9 Gi EsT45 Ab Dies (en 0910 so ti 18Gn Bo co cr Gmaj (FT) ETS) 106 ©) AQ DT G149 wry cn cr9) aio ang oy em ey hhh ors a4 (AT) (9) 69) (AT) (0749) (G7 (aor) ue tag 07 (7. G7 (BI) CT FT BHT BT ANT DAT CT CP (Gmaj)_ ETS) ay D7 S (Fai) — _ (Gms (Draley Gn (G9) Bo oo « ABT Ghil(sus) GIS (E719) wy on 19(45) (Gmajy (D749) (E449) (079) (Gmaj) (3) GAT G7 5 3 vy © (Gmaiy «ED iw (75) 139 (Gai G7 BT oBT (9) (ER) «en an an (otal) (Drak) 2 ce oo om _(Gmajy (ET) ay rs) (Gas) «D wy (p75) 15 32 20(G7) 9 ans G 1") re tears, 09 G7 Bo oo (ce) 44 st Gs) (Gmai) (E749) (AB-9) (079) GB) «D75) Al bp? AT 165 FO ET9(-5) AD p79 ano (E749) (ary) won Fe cy BD OED FB EB Bio Ag (alt) (atalt) (EbA9) (ran) aga 5 (v9) G9 + . 185 — Gh(sus) DIT ¢ (cr)37 7 BAT AT (DST) D7 (Gnajy «en way (D7) (7) 189 @ on (ony oo cy “9 8 (Er9) a 7 (Gmaj) (Cmaj)_(Fmaj) (Boma) (Ebmaj) (D1) asnes 1 GB bio © (roa) gosta) ED) (ay wry Ga) (E7) (a9) By Gu) Fie) (Cmaj7) FB) (9) (ET) (FT) ET 200 | 7 (FB) (7) (F7) BI7-9 ag BS BO Co BO BID AD EM DO 9 EO FO Fo Eo DO Gio 22ro) bs CT FT BAT EB AST DAT. CTC Gmaj (Fima)) £7 AT pr ay GB ATG Bo Co a Go ; (add open?) (add+9) aa FT ee) o ao pa OO ‘ch (9) (open) rm gag PB DENS) BT ETS AD AD DEB) DCT Bn : 0919-9 0-9 9-9 9-9 _ 0 —9— Ei 3 8 $ o ees at : : p38 Hts 3 9 9 4 Perera 1a é 4 + IEE te thi) (ie ae (ada?) gar 9 6) “Cr CHeim7) BF Gmaj (Cm) (CH) Gira) a 23“Blues For Yano San” (d= approx. 88 ) Joe Pass (Db7+9) (Gb 13) D9 -Db9_—(Db749) (D9) (Db 749) G7 Gb7-Gb7 (G13) (Gb 13) D7 Db7 b, (Db7) (Gb 13) (Db9) AIL AbIT ADIL by (Ab Talt.) (Db7)(B7) Bb? Bb7+I1 Aq Ab7 C9 Db9 (Db 749) (Gb 13) (a) (Db7+9) (Ab7+) 46 ports (Ab-7) (9) G9 (G9) GI) (Gb 13) C7 Db7 b, (Db7) (Gb 13) (F-7) (Bb7+11) — (Eb7) (+9) AT AbsusAb7 (ab745) (D9) (B78) 75) cab738) fa p eetie cide ee SS e i ithnins thes Se oer atte 3 a = - 3 (Db7) FO G9 (D7) (ab?) (Db7) A-7Ab-7— G7 Gb7 GT Gb7 (Gte) D7 3 Db7 (Gb 13) (Db7) (Bb7) (Bb74) (Eb-9) = (E>-7) (AbT alt) (Bb7+) (Db maj) (Eb9) eee? 25(Db7) Db749 (5) Gb13. (7) Gb 13 (-9) oF Db7 (#9) (11) Db749 (67) D945 Db 11 D945 Db11 D9+5 Db 749 Db7 (5) FT 3 OT GI3 GbI3 G13 Gb7_ G13 Gb? @ bb bao =O) (obo) (G13) (F-1) Bb7t3 ET ars) ; A AbI3 3 +9, “iy AIS Ab IS (Db maj9) (Bb 74) ce7t5) (ab7e3) 3 3 3 (Db9) an (Ge) (067) AT Db9 Ab-T, Ab-9, Ab-11(9) (9) (G67) (G7) (Gb7) (Ge)Db6 FA-7 7) (Bb7) (Eb9) (Eb-1) (ab?) (Ab 13) (Db maj) (Bb alt.) (&-9) 5 (Db7) Db735 G9%SG9 —Gb9 Abi? Db749 AbTS 7 7 Gb 13 (9) Db9 (+9) Db? Gb7 Ban Gis Ab-7 (9) a Gb7 Gis Dia D7 (13) as 7 (addl 1) (add11) (addi) +5 F749 Bb7 ©) Eb 27Do+s Eb-9 AbT+S Db (Gh7) (G)_—_ (DP9)GTABTAT A945 C5) DBI 3 bo (G7) 9 D9 (D9) AbT GT (G7) «Gey (D749) (G13) (Ab?) (G7) FETS) B7+9 (E749) 3 3 3 (A7#9) (D749) (B79) 3 (E9) AbIB 3 (D749) 3Gi Gto Bb94S —A-7(9)(11)(A-7)(9) 7) DI49 5) Gb7 37 GR a7 G7 Sai) BPS D9(A7)(Ab7V(G7)_ 13 45 (2 ra7t§ Gs) B7+9 (F-7) (E-7) (an, (D7) (B7) (E7) (an) (p79) Gn Gt) (D7) AbT G7 G7 GiB (addi) Abe Dimaj6 BbIl All(Bb LI) A (EIA) (A13) DI+9 Ab? Gia co FI3 BbII AT (E749) (a7) (07) (G13) GH? A796 DIA EVA (>) D7 Ab7 FAX G7) GI3. GT GIR9 GIS D6(D9) Gr Gite Dmaj9 Eb 945 po AbI3 +5, oo aa ate Dma C749 BBS ET Fa7 Ga Gte A139 D8 _BbI3 GIB (A739) Retardando (D9) C9 CHO opp «Dmaj9) (G9) (CH) ——— 3 —“Blues For Yano San” Tablature 88 con (GB) D9 p69 (D749) (D9) (DIT9) Gr r 24 4 4 x > Ae é sf a4 3 5864 435 A Ce 4 vo b= Gb7 (GbIB) (GB) D7 DST (Db7) (GPIB) (Db9) All AbIL 5 oe J = Tan + 4+ $ + 3 3 +35 - : 5 5 5 ———— + abit (arate) (057) By Bre AT alt co pis 6) — 44-4: => += +) = canna == ae 4+ a 66 en 3 oo Coe 7 u Oi o7Tru 9) (05749) (cans) ©) (win) (abTy (a1) pitts’ Gio 2 $3 5 4-5 +33 88s Bee Ps t ———F ert t 7 5 ft aan al N vy (09) GB) GHB) CT iT (D7) (GHB) «7 ei +— —— 2-4 : 13-5 69 — 3 + = po t T =] [oe Fe +? tot : mm) ¥ 5 9, (7) 9) AT Absus Ab (a+) (D9) wis} a — 4 = _ +8 —= ae ¢ i + 6 ¢ Se So ep ee rT f t “T+ Sa = - LE 3 ws ; 32ws) os) (E#7-9) (ary on FD Gio + 2a Fi = fs 64 toe + —+ “+ 4-5 4 * + A + a SS OT eee Lit | J ; Gh (GF) DI DLT (Gb13) (Db7) (BbT) (9) (Ber) (7) (abralt) 40 f sans (Dimaj9) ary, 5 oe . Hee ee =—=—— + eta pee Teen 7 OD ae) ame) DET cesycit) 67) Dell D795) FTa GB. GB aoe s GT GB GB ‘Buy GAT (D9) (Gh) 7 Rial a 4 9) APB AD - ¥ as) “9 ed ATS) (ay Abb (Dhmajoy wre) (E49) (ares) (cb) «G Gn Ge) D6 rea 7) ey 33 7 7) (as) (Dsmaj9) (ByTaley (Eb9) (Ab) 59 Pao “9 pis P% oq a9 sig pe anes(add U1) (add 11) a] D9 DIT guy (add oe) 64 (9) FH) 9) GT Gb Dy (3) “Gi Gh £ 4 tea +4 7 Hees _s t C Lode Fro pit (3) Eo Gi) 68 i - - 7 7 [ 9 9= 4== fos 66 See : (=—* ra Ses > + E ; te © eee a - 7 a es (09) 47 -ADIS ; ea AS c5DH DB «7 Do (bs) = 8-H 1 7 at 68 6 6 8 +8 p= + t tps | tt 64-5 | 6—s— ove es 2 i PO a6 5 a a Si Wa Ee —— 9 65 3 3 7 o Ebge: ® 1 5 A os G ar Bs 4 AM) png 6) 354 (add 10) D9 (As) a F G7 GB BB (a7) GI) en (aT) (0759) GG) wn air rt a Dmis Bel All (E-9) Bu Boil 14-17 14.10 104 (Bei (E91) (ap) pio oa GB © FB 36DIA EA Gs) (a7#9) (0) DT A (7) FG? GB. GT _— % ] a 12 wn, (D9) Gr ce 6 pemanane Dma> ps CH BIm9 Bro AB Gd (3) GE Daj E7 FLT GA GP ao GB (5) maj i9) (C9) (C#9) (D9) C9 CH DO 130g aa” a8) (Dmaj9) (G9) (€9) (C49) (D9) bine 1410-8 4- = = eee === L : 3 == ot 2 eS = | TT TT t ritardando Joye 37“Blues For Sitges” Joe Pass Rubato (C7) Freely y (G-7) any « (C9) (alt) be (C7al.) (C13) (C-9) (cil) (FI3+11) FI3 (Fo) «9 eh (ATalt) (D9) (dh 67) 9) (D-11) 38D9 G13 (Gn) Oo) cn) (C9 (Fmaj) (P49) (Cmaj) Ab 13 Gis (cr) cH C7 Gb7 FT (CT). cr) (c#7) cm (Dba9) ca (Tal) GIs mq FI3 iq (FI) (FHS) (G74) c) 55 «c7) B7 Bb7 AbTAT7 (D-9) (D-9) 395745 (a7) (a7) a cn (Fmaj) F#e — (Cmaj) Ab7 G13 Db9#S CO (F7) (Fe) «c7) cn) (C9) BT EAT _AbT-Db7-C7_ (45) CO _GH7 FT ic?) (Db9) (C9) B7 Bb7 40AbT AT oy (D7-9) (Ab7) (G) sena (G74) (Db9) (C9) (G67) Fiaj Fae cmj9 AT? D149 -GI3. Db945_C9 (C7alt.) by (FI3+11) «7a a (Po+tt)(F13) ; (D7-9) fon E749 (45) Bb7 AT-S (45) ATES poo ©) «ED ED b bs AD A- 7 A-TD9 (5) Ab7 G13. GHI3.A13 BbIS. (ab) 3 3 (G7) cr) (Fmaj) (7) (Cmaj) (D7) (Cmaj) (Eb?) (D-7)— (Db maj7) ch9 C9 cb9. C9 fret] FOF FRO FO C9 C9 cb9 C9 coco 9 C9 Gi, (C9)(Db49) (C7alt) t Fb9 FO. Fb9 FO Fb9 FO (Fa) (F9) (FRO) (Cc?) +9 ETS 5 eal (c7) (GH (G74) 3 AT45 (D749) (Ab 13) GIB (G74) «cn (Fmaj) (FE) (C9) seers Seg eeA Tempo (d = approx. 128 ) cor) 7 FT B7 ca oc Db? C7 co c7) Gb7 7 (Fe) cn) 59 Fo Eo FO OED Fo (E9) A732 (49) Eb13 Db9 DO by(Db 9) (cn) Fimaj Fae on AT BbI3 pe Gbi3GI3 Db749 C749 C7 FT Fe) « Ga cn Fn) (F#°) (c?) (D9) D9%-5) (13) (9) Dll D7 D7 (Gi) cs BbI3 aT} EbI3bg, Ab IS. Gi3 Db 13 co Bo CO BO co Eo FO £9 FO E9 FO By C9 C9 B9 C9 B9 CO (G-7) (Gb7) (F7) (F#e) BO co (C9) (Bb 7) (any ATs D749 ore} 9) GT CA Bb7T.A7.—«EbI3. «D9 ABT. 94S co co FI3 Fhe G7 G47 AT (Ab-7) GT C13 65) FO (Fo)(Cmaj9) FO E79 5) ATH D7 Dal Gn49 E749 Db7#9 cr9 ET AT Do D9 G7 Db9 C749 FT Fie cr49 FT Gb 13 FT ae C749 ca D7 EI F Fee D-9 (G13)(C13) AT ABT GT. CO DbI3. C9 Gb94S, Gb 13 FO \FRI3. FO Db. C93. CODD Dbo CT. Gb b by FT Fd on) (F9) (Bb?) (a?) D9 (9) 45) D749, G745 (49) cy AT DIS AbT. G7 GS. C1349) Gbi3 FO (13) C13. DbI3,—Db 13 | b b crs cn * FT (Fe) Bo Co(py (D-7) Gy oust (G13) «c7) (FI) (FES) «) cis (G-7) cn Ey FT Rubato freely cr) cmBb7 Al AbT AT AbT a7 Gb3. GIS. (C7) G3 Db 945, co Gb 13 FIS. «c7) (Fmaj) (F-7) (C9)(D9) (G79) (C9) (G-7) (Crate. Gi3m fy G7 Gb7 (ED) (FI) (G79) (c?) b, ss FT BT+9, AT D9 (ab7) (0-7) n (G13) F-7 BbI3. Bb-7._— ABI Gb 13. G13 c) cr Fmaj Fie 3 (Gsus)G13 Ab13 G13. iA (7) FT Fo (C9) Bb7 AT EO A Tempo (Double Time Feel) D9 Ab7T GB co Cho C9 Cho C9 OCD CTH ED Fo FOO FO Feo FO FeO -GTES CHD COBO? BD CD BD CO CTH C138 ChI3 C13 re) Gn on)(ATI) (PHo (G7alt) G7) (C749) cr+9 (G7) Rubato (ATalt) Da D-1D-7D-9 G13 Ab13 A13 Bb13 A13 Ab 13 G13. D-11D-7D-9 nm GIS4bI3AI3 BOIS AIS AIS GIS ——D-IID-7D-9._D-11D-9. G13 Ab 1B AIS B13 AIS AbIBGI3 aBb7 AT AbT (cr) FT (ob) es cies G7 cbs FT Fal e (E*) (ATalt) DIET FA Fo pe pal (Gab) G75) (G13) (cy (F7) (F#e) (ciG) BLT AT Bb IS. D9 Ab7 GI3_AbISGI3_—AbIS 3 Gis Abs G3, cn 54“Blues For Sitges” Tablature Rubato Freely ~ 13 Ss =| ———— ——— 08 oto tet ; SS SS a = cB co» cy (B+ a ee «© ey (analy, 10 a t —— 3 0» ab () @) Dy D9 GBw cn (C9) (Fma) FF) ra ie I t FB ra a a co « BT AT A (7-9) em) (G79) 56cn (Fmaj) FP (Cai) AST GBs 33 L} LLL} LLL | « cr) or «cn (C9) BHT EB? AT ob cr 1) Gin 7 37 9) ta) cP) 7 ar cm (9) ©) By BhT i 44 (at) Ds) (C9) (G57) Fmaj Lcmj9 29,7, Diots C9 we oS ; a — a Fy PEs et | 5 GB 5 ra © 58 4 [fs =a a it & — pe SS = p ny os @sy ; F ~ = pees — Ee == aes Soe 4 ee ee ee ro ae : ® ; ~ 9 - 3 + t [ Tae qos oe SoS (07-9) Gm) (C9) (FAVFT) pag Bb? (65) EBD ete —8— 4-5 23 SS TSS = etioae Peg 7 MS an $ 3 45-65. Ae : 3 Vos ty sy: 7a +56 qt EE LL Ly = ; ‘ “ (maj) F-)(Cmajy (C1) Gus) (Cai) (ES") (D-7)_—_(Domai7 6 a Bee ee Se = +—+ 58“Blues For Val” Joe Pass Ab9+S A945 DO A945 D9 (d = appros. 128) i ; D945 Eb9+5 DD Eb9+5 Eb DO D7 Ab7 «GT Ab945. G9. by — Ab 94S G9 EOS D9 D5 Eb9+5 DI Di3 D749 C#7+9 C749 B7+9 ET ET (An) (Dmaj) (Gmaj) (Gio) (Dmaj9) (ATH) (D9) Eb9+5 DD Eb 945 D9 Eb9+5 D9 Eb9+5 D9 Eb9+5 Eb9 D9 bv AbT7 G7 a Abo+5 = G9 59AbO4S Go D9+5 Eb9+5 DO oe GiB FHT45 —BT49 E7 «D (a7) (alt) (Dmaj (7)) (Gmaj) —__(G#e) +5) (Dmaj9) (D9) (AID (0749) (G13) (G#13) (G13) DIs9 (ab7) G73 G13 C9 BO (49) 7) (AD) alt) 60(D749) (B749) (E749) (AT#5) oD, Ab7 G7 cee D149 AT D749 ADT G7 ADT (G7+11) DI49 G7 FH, BIH9 E15) (a7) (alt) (F-7) (87) (7) (a7) D9 Db9 Do (Gr) (Gio) D9 Ded D9Ca) carey (Dmaj) (GI3) on Bre (E-7) (8-7) maj) (Gio) (A7) ors) 6 (Dmalg) (37 7) (ar) 7) AbT brig C7 FT Bb7 Eb7 D7 Ab7 Gb7— G7 AbI3 GL Gis Gis Dbo D9_(13)_D9_&5) G13 co Bo (FE-7) F-7(E-7)an alt. (Di) G7 cr FT Db7 Bb7 AbT AT +9: D7+9 Db749 D749 D7 AbT G7 G3 Db7+9 D749 D7 9 D9 (Gn (ATalt) (07) (G13) an, (alt) (0749) 63Dro D9 G9 G9 Gb9GI —_G13#9 DIB , y pS Db13. DIS Eb13- D9 -Eb9 DT AbT or Gb? G7 GbT 1 b Gl Gh7 G7 Gte D6 Db6 D6 Ab7+5 G7 FANS C13 BO BTiS Eo (B>7) (0149) (B79)(E749) (are) p79 (#749) rag Ab7 G74) On) (A-745) (0749) (D9) (G13) FED) 5 3 BO), +9) (E74#9) (A735) E513 (5) bo EbI3 Dil Eb9+S G13. AbI3 G7 Gte byDmaj6 —-Eb9+5 DiI Eb 13 D9 = D9_—D7+9 (-5) AT AbT G7 i eo) (87) E7 ET AIL ALL (ary (p49) (B7+9) (E7) (an) (D9) (AD ) (G8) 66(FR749) (B-7) (69) (E-7) (ar) (8) (B7+9) Ell arg a DI79 p79 bo D9 (D9) @ Eb9 D9 (D9) 9) (B7-9) (7) 67(A13) (D7) (C9) (B9) (At) (D9) (G13) 68Bb7(+11) AbT AZ Eb 9+5) D9 Eb 945 De Ab 13 G7 (Absus) G7 Eb945 D9 D9_Eb9+5 Do Eb9 D7 (FE-745) B7+9 7) (FAT) (Gmaj) (Gio) 3 @ (B749) (AT-5) 3 (D7) Eb9+5 D9 (A pedal) D945 (E749) ca738) 69Eb945(A pedal) D9 Eb 945 D9_Eb945 D9 Eb 945 on Ab94S G9 Ab ONS GI Ab945 Go EbI3 po Dg. 3) Gis (PF) £9 E9 5, (E9) 70Db9 bo G7 Abo ADS +5 29 D9 = A7#5——GI3_ G7 Ab pu DIA9 AbT45 Cu Abe Dg cro BLS BIS Rubato Freely (ay (7) 3 Retardando © ctr (Ds) a“Blues For Val” Tablature = Aboes z Dos; As d= 28 ‘ngs DP Ads DB bors D9 EDS: = ij ee in B9 D9 DT A’T GT _AbO+5 G9 AS G9 Eb9+S D9, ore gig DP DL pro cn9 + a GHD BMS mor CD rai) Gmajy GP) (Bmp) (AT) (D9) B9+5 Do Bbets po B45 7 Fbss D9 EOS «ED DO DT_ AST. GHT_G7_ALOS: GD Ab+S G9 Dos + ts Biois D9 DB GS FATHS BTID. ET « (an (a)gy DMR! — Gna) (GE) (A) (ah) (07) aT (G (Gt) 5) (Dmaj9) (D9) (ap (079) GB) (G3) (GB) a ae 5 DiA9. (Ab7) GTB GB C9 BD (+9) 7) (AD alt) 31 35 07 (B79) Er9) (ates) (07 AT or or D1+9 Aq p19 abr a ai » or png a7 FT B19 EX-5) (any (al (FH) en «en an Do D9 De. 73cn or be piso ce) ww» E $ t _ (69 GD Gey (Dmaj) a) 9424543 9121-697 5 on ane (7) (FED (may (GH) (AD) (9 (omai§) «BD «n, AT GF) i GB Dio D9(13) DY-S) GB 5 —4 4 4 4 4 co 444 (om G7 Ma —— Lt be ° proea Deo DTH \on) D7 BI D9 (9) Gm 123 13 (Gn) (arate) «on, Gay (Fea) (7 1210 en analy) (or9) —- Ue oe © ws, bio po Gio Go G8 GG GB! DB DAB DB ED bo Eb9 DT Ab? Git G7 Gi G7 GIG? Ge D6 = bb Tit | UO pb PLL ang ES Bn (ay) BET ADn 6 a «9 vag (DET+9) os (0749) (B79) (E79) no bi9 Po 68 oO ary (79) (ass) (079) _ G7) (oF) (09) (a) 69) a (B7-9) (E79) (ars) oa) 7 ) Bb 5) D9 ED DIT BLS GI Ab G7 Ge 1 4 3= = 4 Dmajé DIL Do 5 ) Ne yog) BS Do PHS al? G7 (Ge) Daj * cs 1 4 3—t4 4 b — a D (0) DT CTF) BI E ET All Al. «an123 0) (B79) «en “any (on ac) (09) a (09) wf) (em) on ©) ED «an 3 > ——s 9) 4350?) (BH) Eales) AB Dbm9 DTH BSD 5 T8408 110 Ht : : $—+-5—| = $ + 1 i— 4) : ee fee Ee — Oyu Y so bt AGT oG7 « B9 D9 1 10 0 Ww 6 5 = I z e e+ 3S f 44 = iB t 7 3 7 SS == te | Sa | —= == t | po y «co (87-9) «7 8 " & : : 7a So 6 a 7(ap) 07 ©) (By (Be) Ads DO. 10. (09) G@ BT DT (D9) ay (D9) G3) 2 313 1210-12-10 ————— ro GF) (D9) (GB) (FAT) CTBT FT) 54 ft (AB) prog? cy FT BUT(+II) AMT AT EL D9 E+5 DD AMIS G7 (Absus) G7 i905 Do D9 Bass DoE) D7 BHI DI) Gat 2BDg (om ets) Bre 53 3 (E) (FE) Gea) GP) 7 (149) 6s) - 0 # 109 86 ——— : zfs t | l + 6 6 tf a | 02) 23 co +t : 5 Hu LI aa F (D7) E945 D9 (Apedal) (Apedal) . en 3, TT sd DS pias bs Bios f 1 + =a $: = “e = ~ —s om ——— => 5 : i 46 4 8 ; ; 34 | coo ooo | bo Es Do BS DT br G7 AHS GO Anes us f r 5 —3 $ i i 5 cc 0 | Cee TT GU ADs Go BB Dy py ay GB Fis Br ta) (a9) aan) Sete 5 0 f | : = y Ses 79wn bs be 187 = 1 565 44 = ¢ 6 3 E 3 4 = or 5 ye — = E ==5 8 ae —5e x 3 +p i — ~ | LLL) aos ey 3 bo ans GB GT bu pty Nts 130 e _ —rp- + —t— - =? t + 5 3 | 3 3 i — i j 4 ; <4 SIS | 1+ +---4 Ni LOPLI or ae pg crs Bro BSE) 133 6 Eg Ej Cn ww Rubato, Freely vg an ras —_ | = = + - {4 i ee CC tt + i —_ t SSC Per Py Lt — ritardando cay woe crs fo) eo : ‘ _ — 3 + + ++ = E — 5 I ee 7 oo cp be |__® Fine 80“Blues For Martin” Joe Pass td = approx : 140) (on (G7) (G7) (E7) (Al) (D7alt.) 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ABT GT 19 13-153 — 8 5 2 LitJ Lit “s © ST ppg GT (D9) G79) +5 gg C2 HB CO DEB Co © pn GB (araly, (rats wy aa (ab) ee [34 (67-5) «cn Gr ) (9 (D7) 9) ct 94tne (D7) 5) Ab GbT GT 49 maj Gmaj G13 Ab3 GIB ASB GIB Ab 0 945 C9 pas 09 phos © Fi 3 13 DONS C9 DIS QGP) DHS CHL AIS GT Gt “9 GU pris G9 (749) (9) (CT) cr cer (G7) cH croatoctc ca oat oct oh69) {00 7 ca FT E En 3) > 7 y 5 7 Gr (E7alt) AB D9 DT Gn Gn « cn a Gn Gn E749 AT, pu vy 96Other Titles for Jazz & Contemporary Guitar 15 Sing Joc Gtr Licks — video Grove Guitar — video ‘Meladi Jention — book CD set tu Jex itr Lids —bookCD set The Gtr Sef We Montgomery — video Mode Suing Guiter book CD st rar Rel Hot Swing Guitar Lis —booldCD set Gy Je Gitar —ideo Wes Magner Baim, 1965— video AU Blas Fer Jer Guitar —boolCD et Gop Fe Gite — video Ves Mongo Jes Gar Arr — book ABs See Forex Gait —boohiCD set Hw ly Seen String Gtr — book CD set. 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