OSCAR PETERSON JAZZ PIANO SOLOS Transcriptions & Adaptations from the Original Recordings Transcribed & Adapted by KAYO MATSUNOBU AAN—-E—F—Y PREP) IO [1 NoRL A—K—- gi aae NIGHT TRAIN Night Tia 2 C Jam Blues Ea 3. Georgia On My Mind My -2063, 4. Bay's Groove POLYDOR (VERVE) 5. Moten Swing 6. Easy Does it 1. Honey Dripper 2. Things Ain't What They Used To Be 3.1 Got It Bad And That Ain't Good 4. Band Call 5. Hymn To Freedom 1. Someone To Watch Over Me 2. Perdido 3, Body And Soul 4. Who Can | Turn To MY FAVORITE INSTRUMENT (AANA F HA) Cea 1. Bye, Bye Blackbird TEIGHIKU (MPS) 4, Bys, Bre Bia 3. Lulu’s Back In Town 4 Little Girt Blue 5. Take The ‘A’ Train TRISTEZA 4. Tristeza ARNE — FY LORLAR) oe orgy UPS - 2121 4. Triste TEICHIKU (MPS) 1. You Stepped Out Of A Dream 2. Watch What Happens 3. Down Here On The Ground 4, Fly Me To The MoonOSCAR PETERSON JAZZ PIANO SOLOS Contents erate orem ar ener NIGHT TRAIN gg gy night Train aa C JAM BLUES 17/83 —Night Train___a2 GEORGIA ON MY MIND_______ 9} /gg —Night Train ______a3 BAG’S GROOVE —___ 95g ——Night Train___ ——A4 | GOT IT BAD AND THAT AIN'T GOOD 39/99 Night Train__B.3 PERDIDO ____________47 My Favorite instrument ___A-2 BODY AND SOUL —____-__ 50 ——My Favorite Instrument. AZ WHO CANI TURN TO 55, __My Favorite instrument__A.4 TAKE THE ‘A’ TRAIN ____________¢5 | My Favorite Instrument. BS TRISTEZA 72/92 —Tristeza Ad ORM RR: TLE MR, RUN MR RRL EM PMme mB NIGHT Fake BRIE TI Jb RANA RSL CFUAY—BTNAAT, 1952, WTR ~ THRLALSAAN—- Deeb etm, Se alah trea, PUMESUR HOLA rE— rl—r2. toe|of LOL, RM TEV Eb BRER—ROF EY J2a-FARMRseToKKoK, OTUT¥ DE ASI, OTHE KY KTG Fa PRAMS, EOS £5 C12 eB E LT, FRTOI—F RM EA EA MRE TRAIN beay) vareMa, REMADE 7 7 -#—T YXEANEO,ELTOTCHEP OA S—-TF- BEY YEN-ROTLAPTHEEN, TOBE PRYTIERSAATOS, COR, LAK TE ROMA. A-AaPHUZ(2 Chorus) | © © © | Composed; Jimmy Forrest, Oscar Washington, Lewis Simpkins Album; Night Tra Polydor (Verve) MV - 2063 Side A- 1 ee; 1962/12/15,16 Persone. ltt (Oscar Peterson Fiano Ray Brown Bus Ed Thigpen Drume C JAM BLUES (Cites 7n—A) FanP EYER LOMRER FY PREC OMMME TAYE OO, GRUMBLE BOM, F—FARIOMRT — ARATE Eo AML 8 AEDKKME, £04 LORMMTRBTA DH FOTEGE COMM CMT SE (ETE TENE BETA COEF) LOBOS, EID HEA —TAbIOSIAI RE LTMASEPF. AbOMEDCO. FIT KMRT, ORBM MM SIFRIE MOE DHE VAS, CMPUAKAT (ZR DE BOC LW FMS MMTE DAML OF AT VEBATUSM, LIZLEBDFT I TIC VLA TMRL TOSS FH, CARRIE bP LEED TRI Sy DME EIA, HO Fine inne Ps en rn ee ‘rio Break eas8 Vrs Drums intro) or Fine gn] —e poe i [i | List Chorus Break BRONAID, TUL bYASRGECELOT POREMOE, HOYAL + Kr eT BRDOWH Io hOTEBON AIM, MMOL FY riRD FLOR ABOMERT ARMOR, MRAAEREGAT, MEL oT PEO RUMAH ORS Es, MMS BO EAS TUBLETH IPAS, HFEROLENTH a 3 times ©Repeat O ep ie ieee] DiSal Fine Oo © et Pie J ie Pea ri2g] Ist __w 1st _ 2nd__0.S.al Fine ‘Chorus Chours ChorusLM FOOLER K YR YOFaAFELS Av hAC ES y y eMALDOF—VORR, ELT EY TEMG OTH, OTEL—2AE KS AD ABT ETD tHE, £0 4B RT > REMC ROE MOIZM Eb OMA DEL T WS, BUF YROTEA FEM, TO TOTL ADP KEY Tk SmMMIERE LEN TL Fe DUBE, SHMCRMETL TIES, OF Ry Dik stA—-Fr2oAwML HE, OCTET OEM LEAFLET, DoTAREDSEOOIN BHO) 7 OMMT— MIME LIS DIT THS, HM OOE t Ist a-FAOA, MN bAoKeE LATHUPEUTEAN, OCRF-VERTED ORME LTRBS HS, OOWME 2nda—-F2% oa, LEO LICHMOTHOEORE, 29547 ORE, Fa-7 Ey by REEL OF—T ALA Sa MRM ES EOE TRONS 4 Composed; Duke Ellington Album; Night Tr Polydor (Verve) MV - 2063 Side A -2 Rec; 1962/12/15,16 Personel; Oscar Peterson Piano : Ray Brown Bass Ed Thigpen Drums GEORGIA ON MY MIND (Sa SP EBOT) PROMUE LS EMOEMELEAIR FC, MOMAL LC OM EET C2 CHR C ESRB OMM TH, EF EARIERY ARSE AERO E > EMO EEE MMT SBE, ALH— KORO ALE Bw, PIL “NIGHT TRAIN” T& “Hymn To Freedom” DAYLE IET Ch, LP LIER LO, 1A ISTE DT We > SH ARLOMTE, AM 2M EL ERS OFYFFMELSEOT, MCI S rahe AUF EIEBO THC, LOL, WNT OME £40, PROMRICL oT EMM OBOE EHD SE COAFANELIFNME, BLOEOEL TROARS ENTS SOME, MURA EROM, BEDET HAAN CHEELTG PL FY LHR (MATERUM) HEN CMEDTS DTREOMEDFBBHHS, LEM &, 1962 SEICSRHE StU “NIGHT TRAIN” (ARO ~Z b 2PHE BEE, “Georgia On My Mind” OL4%, F—VOML SeMOC SME, AA THMY ABE SOT BMRTHEM, b1- TIOVERK Eo Ry ye {iie9) (Solo) @(Trio) ® BB, EB LOPL-XOBPELAK-L, BED YAORMMTES, Jim /~ PE & MEER S ht £5 GHFEROKOE DLE RLER, hYLEEE PMR SEEN, Te-y—w, Upwsd SPOOR A SIE tM TH CERT BS, BITE, RMIT TED EL RR ENSER EXCH OEOETETAUERDT ED OCHS, ER RBI ET ERA ED LOREM, FAUT LT 2O72 LPPAITEUDEEDHENIEDS, STAMCRSE, HTERDESD, WB MMR bh AME Dr Hs TID te MA FEAB IB OLE THB. Composed; Hoagy Carmichael, Stuart Gorrell ‘Album; Night Train Polydor (Verve) MV -2063 Side A-3 Roc; 1962/12/15,16 Porsonel;.........4 Oscar Peterson Piano Ray Brown Bass Ed Thigpen Drums © Oo Ta J —2 3 [ 8 f 2 4 J 2 J re], 8 —\—. gy "(Bridge)" —BAG’S GROOVE IRIN FAY KY PABIAMBOTH—AT, LETT OTL S 5 OE LUREM EEF vie, CHRTOS, RARMREBAK PLEX he * }-+8—,— WLT, FERNMRK, MLASTUMTHD, BAEKOE SOA, HOBROOUT IE SCOHELE, +——0 © Bt estas Concied neel Let l Fol Cee Cel eed tt Ca Theme: Bass Adlib BRUAUABT LAE ao CHRD EC BATARFOTED, FOMGLIEOU TEA BUTHAL TH SOME OMOEA T, —* E-s-yre@tewa=ver, Same ME ALEMBOMNERL—ALMBLTOD MOTA-AD4 PIRI eA yarcAenlt HB, AP BATEA MUP DO, Ky DT DOLE OF 4 RRR TR RA TUS, RI OMENT BIRD, SFU RT TERM
TOHORE OST UILXeHOTUT, KUFOMMOMS ED TEAPMAE NS, OFROI-FAOMLOHT COMET LTR 11 arr bRDA—-> iano Adib D.Sal + ATRNENT, OOTY YAX—vareby HU, BEY UMRL, PITTI PRE LE Utes SFbonMmTR, hohs7L-—akoms SCO, REMATRRL TARMOOMAK AMBEOMMOIT SE Dt E, MTA CMPRC + 2 MN” DML EHS, Album; Night Train Polydor (Verve) MV - 2063 Side A-4 ‘ec; 1962/12/15,16 Persone; Oscar Pet Fiano Ray Brown Bass Ed Thigpen Drums 1 GOT IT BAD AND THAT AIN’T GOOD Paro bk ty bers BY Fad ZV yb yoteRtent °C Jam Blues” DEF VBMELY Yb rOt x—SREL, RAOPYALDAREK oe RY, Ets FIVLEDIEA, EHV R-EPTEBIS RO, CAwM ETE EES PRR HERHOOMUTLT ERUTAR, EOHTH “I Got It Bad And That Ain't Good"ld MA DHE E ts FRE EOEML, Sr AORMEhees, & MARY EME Dh OTE EA TRI TES, EYL ARM CMRP XIAL- =7aOw® BIS” CMRL EI ES, MATH SIE EHD EBs TUR ELS SEM OMRLTEMOIET DAI, PAV AY =PROBE Ds TEA EMRTASBOEO TERK, LUTOAETY KARAOKE GUC EERE T—-2O8R MeBoMOr ee, U-s—yr ator h VORREED 2 SMRL ELS ERMMED C4 wots, Polydor (Verve) MV - 2083 Side 8-3 ec; 1962/12/15,16 Personel;MTEROE SO. ® ® © gS Ft} a— [ 2 4] Hs 3 |] fi nating — a—_ a Ba (Rubato) PERDIDO C74 FD 1965 EO = ORT, MROEE MRT | 85, DMEF OMHLIL—XEAHBOGTT SGU, HC, HRS RMR EMRE T MOTE MLAE TONS, EMOTO BP OO~B~ OI Bi LSF—VORT, ML THRU TNE MMT SHUTH EM, OHS MHA TOT 4 1S IMI BOT, HCE, ORO EHS Ist, 2nd EMIEL, TOKE cm, cm, Gb, Fy Bb Fy Fr/Eb G Oostht -Faseet var is, dway(C- lose) + Double Cead(@vb) Oy YE THUS 5 AE BBN E FY BRMOAT1 LAUR S, MECOOKEST, CO CURD bd Kame O28~ 26 GO FMT SIL ATHME CFL, MCOOIAR - 4 Fadi et var cas THA LEBDUSEICMLET, REIT SFIS-FRIVCBL, MMS nS a AEWITOS, Bho ale S| D3rdh math PIRI 14 Yar SE ELAR, athe e 4 EL ATO SEPA KaHKT AY AK CMSA OH, BFOL VENA Hoth HOMERED EE BULTOANERL, CAEMATH SRO bo TH TRE STH 8, HELTOI— KOM REEDS EAL TOSRMF YY aveLTBRE DECOR, REM LEO CHAE LTOREE EL, cm; F, Ab, G a om, Gbs|F, By JAby G Db, |~ 5G, (MEDALS COZLAL hE ROAST LAY-RDEUTHAIL, ROT LERLOSELZ TET, CORY rots ( Ova-cCMMLEDE SI EHOS, Composed; Juan Tizol ‘Album; My Favorite Instrument Teichiku (MPS) UPS- 2116 Side A-2 Persone! (Oscar Peterson Piano BODY AND SOUL HTLV) SMRRL RAD FY N-OYyaAL, 20 “Body And Soul” & “Who Can | Turn To” 028 ES, BOA KE XO, NT SME'B ody And Soul” DB MERTUSEBI. ELT H F-OMLEL EHH, MOMNTMEL BTU BEDCONAI, MABRDESO, @ ® © ® [intro — | —s— | —s— | —s— ] —s—]| intertuse | @'@' OO | Ending I Wg gst pole \ | ‘Tempo Rubato Hin Tempo 4H ‘Tempo Rubato:10 RBCS SRMOBRL, TAI ety BU BEFORNORUBOMAD EL, RITA~RIEBRAH ROTM, tr hat, ® ~OOFAVEELF ZENS RM OYT ALORMTA HORE &, Co THROLT BERL. DEW FEARIMELOF-EOEM, EHOA MEORLY, Fem ws beset ba E@D-OOF—-VR, EHOFORMHRSC AM LENSES —Y POBROMBEREN, SD LAPEER CENTOS, ARHST hE ERAT“ LORTAB, OOMMBRE WEA ES— EMAL ERLUT EY FETT vs, WA b OMMORD Hla ML C,H HENS IED ATC SHORE EEOS EEO RAN LAW EN THE TL Ai eA L EOORMT SOT, TE-TSMOBMTO END Mbot sre es TRMURL, ¥y Favorite Instrument Teichiku (MPS) UPS -2116 Side A-3 Personel; Oscar Peterson Piano WHO CAN | TURN TO (2 FAH bo) HANA EBV LOYAL E “Perdido” EU GEFEBGESbOL, RA KZO ET BFOUE EMO LS EDDZ2WAB{ WHHS BREF ROAST PRS NU CRAVE 2, MINED AA ORBT HS. ME LTOF—TORRRBIES ( BLOTED, LENT OMOMREORS LCBO ATMS DTRONTOS, ELTUE RUF EV TEAS E, ELSI RRGARE-MELITHS. Jes ZS 2A “Who Cant Turn To” EHS R~ BE, EBV VE HMORER IO BOT DLOELTUSIEMBHS, MMIC RE (> ERE, BM EBRL TRE TURRORL eRe25 THA. BUSERAA AIH FOYAEF ER: WA bHDEEOT, RUMOTHLY, =37 PR EMTE £5 ABE EIR ML UOTE, AMCEE SRO BREMT DBOEIE femee wa mani [164] 16] oaenmote BT, HED ORE AAERE OUT KEL EE Forme s, Wound, Es —y -aee POT OR OME IE LEFT &, BOC TE DRET OMA LI ALOT HUTCH. BOB Y LORD FIN Ea—OML AE BUTI CURD LOM, MELT, HOKE BBFOMMEM NS EITM TER, BRET MT SEORY MENS OE, ENSDRT— WE, DIVYDT ~ (Turn) EWARHEHS BGHE (FD) oO EREL TOS. OD GB, t0200RMI: ESewAMbans ble a (Pe fareams tore, @mbiemc PELE) MAREE, ATELY FCRELH BED 2OOMP OM TOS, EKOOUTY FM, RE ATER OREO ROD EM, AF —- WOME EMIME E (28S THD ED THO, EORTA—ESHEH LTRS OH BEEK S TEM TI pr RE MERC REL HEOODEL—F-Y LOND — FORME BbNTUS, LP LOOMONMORMO 2 HLL Mi, RMS REEL ERM ROTH BOPEBS, HSOUMMOHOL GS e, ME CR TMEL EOE EMbSETLE SHE F EM OTE, Composed; Lucie Bricusse, Anthony Newley ; My Favorite instrument iku (MPS) UPS -2116 Side A-4 Persone! Oscar Peterson PianoeT (AWM THE 3) AMEMET LCF 2-7 EU broth e POCRML EMITS TLE OEM, ROTC WMT OES —y VEMo RIE TEES EUV REO hMe, MMAHO THC, EU Pb RREMRETHS EY -ARLT a wa PROMPT HUT, EHS40>( BHK ORY PRET REY TREK Sek ART WOL BEML TOS, SATRRTEEMEC EEE BU ARRRALOTOO THE, 5 a Poe | | 8] 2] B32 AMO BL CUS, 2nda—F2% £ 3rd a-FAlt | DOEF—7 OT RMLED, ENENDA—FABTHOVF—7 CML TH 2th 8, AMMEUA, OCS: Y—K ORCL, OTHITIT MEM DES LIT FLED LEBRE, MOK SR HI RETOS, OTRL A HDS CMK CIOL PRILERSONM, PEI IBTL—ATH s Tremolo eats pf ~cucRML, Composed; Billy Strayhorn ‘Album; My Favorite Instrament (MPS) UPS-2116 Side B-5 TRISTEZA POEMUT, TUR KOLERL ER ROK FOVEPLANTREL (DB), OP HYNDE BAT AT eA aricAs, RPORMEL Lik, MOM ORR ELI-FAL DKS DEEEN, See Me mR ERM, EO SS ERDT, OO(Ist tr Fads et yarn Andichk S1hMX 2GWKL, OOTY FY OF ERE2—92 FOO 2 GH OIML KE, OTSAMMHO<—A+7 II, 3, AIDE PL REDS FILOTES FRONT & ML, HUCKABEE ety Fadeet ye Lee bs, DOF YS—Ya—KEMET, F-ViERotHbs, AMWORAL ERT “Tristeza” Ey our FOS RY, LA TIOLEDOR UAE, AURA BAR EAS AY LORENT BEBO TOMER DATOS, Composed; Haroldo Lobo, Niltinho Tristeza Teichiku (MPS) UPS-2121 Side A-1 Rec; 1970/2 Piano Bass ob Durham DrumsR NIGHT TRAIN By Jimmy Forrest, Oscar Washington, Lewis Simpkins tremolo 1A (eee) ®, « cf oh!) _os") OS eer ees Sol) Pk | ons) Pow” | 2 Ie oy I 8 | a I13 Gok) Pc Pohl och 3 8 pe 3 bo-3 3: pov@ea noni 6 9 @ An) Amn An a bo (psoas amt Dre) Night Tain 5-2“4 3 Night Train 3 Rs oo | ca APs Bo©, oft itt) 8"! a) OAS) rf’) = by bg Ss Se Ant of} G7) oF” gol) dt | gilt) ogo) ' I~ 3 Night Train 5-416 D me 3 3 35 | SI — Night Train 5-5 35 I 3 Fr rs civ) 4d? 3 3 oS ———C JAM BLUES By Duke Ellington Intro. Os em?” An) A Dm?18 Cam Blues 4-2C Jam Blues20 ‘@ Coda Cam Blues 4.4 Finea GEORGIA ON MY MIND By Hoagy Carmichael, Stuart Gorrell Intro. ed F(a) (91) 5109 ci ttm cf dy roo Bn : wn HG) a? a E® : a? SER RES Mone MS NSE ince Ut2 on go Om on 35 oo —3— ». aI Sg 6 —3— ) Bh @ 13) cm ga Pos eos alt cah"b ali’) = soc © { Fe | Abe tia a os sa 3 no Pl gn oft) oT un . ap &éy (Fm7) 5 “ 9) G9 poo ah? cata) | ot Ga og b —3— he a go go 4 4 Georgia On My Mind 4.22B Dbms od) (-8%unis oe -— 3, 3-4 3) #9) it An” SAbMT(9) Georgia On My Mind 4-33 Georgia On My Mind 4-4 ehBAG’S GROOVE By Milt Jackson 1-73 @sBoy's Groove 8-2—3— 3 cs. # — Bags Groove 5-3 = 19) i And)” Baim ort) yl?) of) ony) — 3°28 orl) Caim 7 ad” Bhaim & oii) ge! Bay's Groove 5-429 oi) | @ Bala) orbs) |o7 > Coda Am? Be cea faysGroow 5-530 | GOT IT BAD AND THAT AIN’T GOOD By Duke Ellington, Paul Webster 13) = _) a 1 Pd on? oi gs ao 35 35 = 3 | exis) dy) ft a v b.$5) 7 a oy 1 Got It Bed And That Ain't Good 7-2 -—s32 —3— z = ® = —3— Fey} Fr —3— {Got Bed And That Ain't Good 7-3Ferhat = ae = = Gu 7 See EE] £ : e | Got It Bad And That Ain't Good 7-4@ =— “se er 19 5 eM gr og - i So © == = 9) oF 35 3 Gm79 1g, 3 css ogg = os g™ "Got it Bed And That Ain't Good 7-5Domes ey 5 = — 1 Got ft Bad And That Ain't Good 7-6oP o” ' Got it Bad And That Ain't Good 7-7PERDIDO By Juan Tizol SSUES TREE en 3738 Perdido 13-240 Perdido goa 134 —3— ——3 ss a42 8 Gre! F7(49)/Eb F7(69)/EbPerdido 13-7 G7(69)/8 4B“4 Perdido 13-8 F7(soy/Eb |Perdido 13-9 D7(sus4) 45Perdido 13-10Perdido aH a48 Perdido 3Cadene. Perdido 13-13, ‘@- Coda 4950 BODY AND SOUL By Johnnie Green Rubato 4 — & ed Gly) | 6 t a ® Go s cn? Ebm7 Bb7 ® © 2. eo ee ¥9 Drisysa)07] 087” Gb7(sus9G7 ceo n0 oy neon 8a. Ls51 ® eS : a F ar > of af ol | ew of Ban of 3 us ee © Eby (sues) Body And Soul 5-252 at 8, Bin bm!) oy) 7 © . 2 ay Gully) FaggEmz Emrafeley om 3 Omz ret sw seatsEm? Ebgim hg 4 i nd Body And Soul 5-4 Em? or 5354 Body And Soul 55 o> 3 Di7 GH/Db Gbmvob | DF Db7 GHB 7(sust lay & f Ebm7079"") byWHO CAN I TURN TO By Leslie Bricusse, Anthony Newley Rubato ~ --8¥@unis -~ * EMA ane!) a aa Ent? aiff) copnran: 004 by Conon ua Londen En Signe Yor Sepa conta by PRO ts loan Cid, Tnve (hou agreement wh Mute ComtyProduson, Ine, New York,NY: UALAL)56 +7 pr> MixoLydianscale ~~ all an eH) Who Can | Turn To em BL (Emp) Fe 6 Bem) 78) 10-2 (oe),Gmi/C C7 Fim7/B 87 Fm7/B>Bb7 yan Fim7 : DO — Who Can Tun To 10-3 oF AT (sus4)My eo) eS 35 : 5 DIAGtdimGm7 — [crs) oe eves DA Em7a aris) Ox ea [ Rubato Cr(sust)C7 Cm In Tempo =e Who Can iTumTo 10-4gn ny Ma I ony ots) Who CaniTumTo 10-560 —) p= 8¥@unis-=-----5 © 16 poo se — > ble | Who Can Turn To 10-6Dm? Dbm? Cm? 7 8@unis - - Who Can Tum To 10-7 Gt62 Who Cant TumTo 10-863 1+ 8¥@unis- © ale a abibis) Who ContTumTo 10-9gna 8%@unis5 4 a lar )ay s Leva Who Con | Turn To 10-10TAKE THE ‘A’ TRAIN By Billy Strayhorn J oi” P 266 —— 3 =, G7(suse)G7(sus4) 6768 Take The ‘A’ Train 7 4‘Take The'A’ Train 1 6970 ‘Take The ‘A’ Train 2‘Take The ‘a re nTRISTEZA By Haroldo Lobo, Niltinho 3 3‘Tiere 9-2 B"4 Tiers 9-3Tristeza 9-4 66 Cr(sus4) Tinea 9-5Triveze 9-8 nTriswza 9-7Cm? Bom? Aniy"/Abm Tria 9-8 980 1 r—8"2unis. —* a DwW/Ebm # 7 ‘@Coda . 80a 4 DS. Tine 9-9NIGHT TRAIN By Jimmy Forrest, Oscar Washington, Lewis Simpkins Benes fae Bee A fig 61 by bx Dy brby 61DY 61 a setts ra = = So spire S| 4 Sa tT IS eS lp GEGH » M450 Sana nan. a fe op a a boar Apis, Baas Sete tatie “pst a —S =; A lo OREG bn Boa GARG mb ied} oopad sil gele uf Cet &j ees a Dr 61 D1 G1.Dr Gr D161 br t Ant Dr fr ar i np G1 hamonici83 C JAM BLUES By Duke Ellington Brushes 08 Sn. Drie ——— & or att a — (DS. fine Sticks on Hihat ) ry Brush on Sy Drase 2 Petr e a a Fr © Sticks 09! Gym, ? t ¥ ‘©coovign 1042 by Roto muse cap ‘enor laren Une are ose aan ne.(9 ite ee) a oe a a 7 a ar PE) a Cite trie re ee fr en Dot or a Laas 6786 GEORGIA ON MY MIND By Hoagy Carmichael, Stuart Gorrell Intra Aur a Braces on Sm. Drum. ei) fata fm,» thr ah Dal? Dhatch anh Ab hater im Fm DY Fm ve Fm FBI SS 0 by Fm 6101 Fmt Dib? emer Fr BY Aba bm £7 Fm hn AY Dat ye Diet GY Lm FY Bh thy ay Fr ar By ee a ¢ 7 7 ‘© conyan 169009 Per insrationa Cory. Snr Sang Rae n pan, Hig Nom Pubining Co, Ls,87 lage oh a leah ea pay th vine fH ab abo} Bh thy ab88 BAG’S GROOVE By Milt Jackson P Brushes on Sn Drum (D.C Tme Sticks on Hibat) ¢id aga Preriviverr? emer! 4 fa é PN Sticks on gb. Bem — vet G 61 £1 Cain t t t (© copyright ytd by wart Cor, Naw YorD> br Am biim or 8990 | GOT IT BAD AND THAT AIN’T GOOD By Duke Ellington, Paul Webster Fe Ar Dm or y bat yor ah er ® ab cie aes Ff Bur Ee fat gg th Ber Fr ddd ddd Dwints th By Gm £1 Fut Dr bmi oan PD bs pr Dy tr 4 J Jd’ ‘Srconrngne 141 wy Rosina Mune ery Sci Yor sonenso Uni Are Mon onan) ne£4 br Dr er F ry 192 TRISTEZA By Haroldo Lobo, Niltinho 4 Got a Fay oy ° : k pradstib style, uniso dd Leg ie gg yg ata 7 TF Cony 1868 oy Lahore Arpun (arma rou fan Pal, Sevrgn 10P8 egret Sarr to Wie Americana ds Pa Co.Amt br 6 bm aIk Fell in —— pangeger. ark Amt 7 br a Aur — Bhat Cnt Boral Fill xn Z 2. + 77 ? watson Dor br Dior br Lomi FUnison