BOSS PRODUCT CATALOG 2014

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Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound.
The material and configuration of the instrument, the electric/electronic/magnetic amplifying system, the air and the reverberation of the room all affect the final sound.
Sound modeling, the latest DSP technology, “virtually” reconstructs these objects. Roland’s breakthrough Composite Object Sound Modeling (COSM) uses the advantages of
BOSS
PRODUCT CATALOG
multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.

Roland/BOSS’s innovative Multi-Dimensional Processing (MDP) analyzes audio signals in many dimensions and applies ideal effects to each. By giving different dynamic

2014
changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

All specifications and appearances are subject to change without notice.

Roland, BOSS, Accu-Pitch, Blues Driver, COSM, eBand, LOOP STATION, METAL ZONE, MICRO BR, RHYTHM COACH,
ROTARY ENSEMBLE, SLICER, SPACE ECHO, TSC, V-Guitar are either registered trademarks or trademarks of Roland
Corporation in the United States and/or other countries.
Gracenote is a registered trademark of Gracenote, Inc. The Gracenote logo and logotype, and the “Powered by
Gracenote” logo are trademarks of Gracenote.
ASIO is a trademark and software of Steinberg Media Technologies GmbH.
Company names and product names appearing in this document are registered trademarks or trademarks of their
respective owners.
It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work
(musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell,
lease, perform, or broadcast it without the permission of the copyright owner.
Do not use this product for purposes that could infringe on a copyright held by a third party.
We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your
use of this product.
This product can be used to record or duplicate audio or visual material without being limited by certain technological
copy-protection measures. This is due to the fact that this product is intended to be used for the purpose of producing
original music or video material, and is therefore designed so that material that does not infringe copyrights belonging to
others (for example, your own original works) can be recorded or duplicated freely.
The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data,
audio loops and image data) is reserved by Roland Corporation.
Purchasers of this product are permitted to utilize said content (except song data such as Demo Songs) for the creating,
performing, recording and distributing original musical works.
Purchasers of this product are NOT permitted to extract said content in original or modified form, for the purpose of
distributing recorded medium of said content or making them available on a computer network.

Printed in Japan May 2014 RAM-4875 JB-GEN-SS ACE00

 A Sound
Not Reissued…Reborn Innovator
In 1977, the OD-1 Overdrive was released to wide acclaim,
praised by guitarists everywhere for its warm, natural tone.
Introduced the very next year, the DS-1 Distortion
featured a more aggressive tone, inspiring
countless players around the world with a new
high-gain sound.
Since the introduction of these landmark pedals over
35 years ago, BOSS has continued to refine and perfect
the technology of overdrive and distortion design.
The new OD-1X Overdrive and DS-1X Distortion represent the
roots of BOSS craftsmanship and decades of experience in
pursuing the “ideal distortion sound.”

Reborn in 2014, the OD-1X and DS-1X keep the innovation going.

Starting in April 2014, BOSS now offers a

five-year warranty on its entire line of pedals
in the compact series.
The packaging has also been refreshed with
a simple and cool new design.

*The product warranty will be provided only within the territory of the authorized Roland distributor where the product
is purchased. Regardless of any statements on the product package, the scope of the warranty (terms of validity
Distortion DS-1X and applicable conditions) is subject to the laws of the relevant country and the authorized Roland distributor’s rules.
For additional information, please contact customer support for the authorized Roland distributor in your region.

OverDrive OD-1X

*The BOSS compact series was awarded the

2011 Good Design / Long Life Design Award.
A Sound Innovator

CONTENTS
n COMPACT SERIES......06
n TWIN PEDAL SERIES......10
n TU SERIES......11
n VOCAL PERFORMER......12
n AD SERIES......13
n LOOP STATION......14
n MULTI EFFECTS......16
n GUITAR PROCESSOR......20
n BOSS TONE CENTRAL......21
n eBand......22
n BR SERIES......23
n DR&DB SERIES......24
n OTHER EQUIPMENT......25
n SPECIFICATIONS......26
 Distortion Tera Echo
Feedbacker/Booster Combo Drive SUPER OverDrive
Blues Driver Distortion OverDrive/Distortion
COMPACT SERIES OverDrive COMPACT SERIES
Tera Echo Multi Overtone
Combo Drive SUPER OverDrive OverDrive
OverDrive/Distortion Tera Echo Distortion
OverDrive Distortion
Multi Overtone Feedbacker/Booster
SUPER OverDrive OverDrive Blues Driver
Distortion Multi Overtone TURBO Distortion

Not Reissued…Reborn OverDrive

OverDrive
Distortion
Feedbacker/Booster
Tera Echo
Combo Drive
OverDrive/Distortion
Blues Driver
TURBO Distortion Feedbacker/Booster Mega Distortion
Distortion Tera Echo Multi Overtone
Combo Drive SUPER OverDrive
Blues Driver OverDrive/Distortion Distortion
OverDrive Mega Distortion Combo Drive Power Stack
Tera Echo Multi Overtone Feedbacker/Booster
Special edition BOSS Nu-School Distortion with British Combo-Amp Tone
SUPER OverDrive Authentic amp stack
OverDrive
overdrive pedalDistortion
with Massive LowOverDrive/Distortion
EndStack and BeyondDistortion TURBO
sounds fromMetal Distortion
a stompbox
Power SUPER OverDrive Zone
next-generation sound, l This pedal’s dualMulti
Distortion and Gain l Wide range of tones from classic crisp l Based on an extensive analysis of
Overtone clean and punchy Feedbacker/Booster
crunch to creamy Combo Drive
feel, and response Boost circuits take thick, heavy OverDrive classic guitar amps,Blues
this pedal provides
Driver
distortion soundsDistortion
to a whole new level overdrive with long TURBO
sustain Distortion
and beyond the ultimate in distortion
Megatones l Simply
Distortion
l All-new design provides a superior
Tera Echo Metal Zone
l Special Gain Boost and Bottom l Natural and dynamic response to
OverDrive Metal Core
twist the Sound knob for super-dense
playing experience that’s unattainable
controls let you shape your tone for
Feedbacker/Booster picking nuance l Combo
ProvidesDrive
warm combo crunches, intenseSUPER
drive, and powerful
OverDrive
with analog overdrive pedals
maximum volume and low-end punch tones and authentic Blues
combo-amp
Drivercabinet OverDrive/Distortion
ultra high-gain tones
l Powerful real-time processing TURBO Distortion resonance Mega Distortion Power Stack
delivers rich, wide-range
Multi sounds with
Overtone Metal Core Blues Driver Fuzz
natural compression Combo Drive SUPER OverDrive OverDrive
OverDrive OverDrive/Distortion Distortion
l Current Draw 45 mA (DC 9 V) l Current Draw 18 mAMega
(DC 9 Distortion
V) l Current Draw 45 mA
Power
(DC 9Stack
V) Metal
l Current Draw 36 mA (DC 9Zone
V)
Feedbacker/Booster Fuzz OverDrive/Distortion Bass OverDrive
SUPER OverDrive OverDrive Blues Driver
OverDrive Distortion Distortion TURBO Distortion
OverDrive Power Stack Metal Zone Compression
Metal Core
Combo Drive Bass OverDrive Distortion Sustainer
OverDrive Blues Driver OverDrive/Distortion
OverDrive Distortion Tera Echo TURBO Distortion Mega Distortion
Distortion Compression
Metal Zone Metal Core Acoustic
Fuzz
SUPER OverDrive Sustainer TURBO Distortion Simulator

Special edition OverDrive

BOSS BOSS’s Most Blues Driver
Popular Extreme Metal in a
OverDrive/Distortion A DistortedDistortion
Blast from the
Distortion Tera Echo Multi Overtone Mega Distortion Power Stack
distortion pedal with
Tera Echo Pedal! Acoustic
Metal Core Compact Pedal
Fuzz Past Bass OverDrive
next-generation sound, feel,
OverDrive l Features dual-gainSimulator
circuitry for thick, Mega Distortion
l The ML-2 delivers massive distortion l The FZ-5 uses Equalizer
COSM technology to
OverDrive and tonal response
Distortion tube stack distortion with heavy mids
OverDrive/Distortion and gain with heavy lows for music that
Distortion authentically reproduce
TURBO three famous
Distortion
Tera Echo Multi Overtone Feedbacker/Booster OverDrive
and lows and long-lasting sustain Power
requires a crushing soundStack
l The ML-2’s Metal
of theZone
vintage fuzz effectsCompression
’60s and ’70s
l Powerful real-time processing adapts to
Multi Overtone Fuzz Bass OverDrive Sustainer
your playing to provide
Bluesideal distortion
Driver l A 3-band EQ with semi-parametric
Equalizer ferocious and biting toneStack
Power will slice l Turn the FUZZ knob to BOOST
Bass and
Equalizer
tones in every register l High-clarity mids takes your sound to the extreme through any blast beats your rhythm you’ll create an intense distortion that
OverDrive Distortion Tera Echo Distortion TURBO Distortion Mega Distortion
Feedbacker/Booster distortion sound that’s
Combo never muddy or
Drive Distortion section can produceMetal Zone even exceeds theMetal
originals
Core
Acoustic
Multi Overtone Compression
boomy, even whenFeedbacker/Booster
playing two or more Bass OverDrive Sustainer Simulator
OverDrive/Distortion
notes at the same time Bass Equalizer Metal Zone Chorus Ensemble
Distortion Tera Echo Multi Overtone TURBO Distortion Mega Distortion Power Stack
Feedbacker/Booster Combo Drive l Current Draw 45 SUPER
mA (DC 9OverDrive
V) Tera Echo
Compression
l Current Draw 20 mA (DC 9 V) Metal Core
Acoustic l Current Draw 36Fuzz
mA (DC 9 V)
l Current Draw 36 mA (DC 9 V)
Combo Drive Sustainer Simulator Equalizer
Distortion Chorus Ensemble Metal Core SUPER Chorus
Tera Echo Multi Overtone Feedbacker/Booster Mega Distortion Power Stack Metal Zone
Combo Drive SUPER OverDrive OverDrive Multi Overtone
Acoustic Fuzz Bass OverDrive
SUPER OverDrive Simulator Equalizer Bass Equalizer
TURBO Distortion SUPER Chorus Fuzz Bass Chorus
Multi Overtone Feedbacker/Booster Combo Drive Power Stack Metal Zone Compression
Metal Core
SUPER OverDrive OverDrive Blues Driver Feedbacker/Booster Bass OverDrive Sustainer
OverDrive Equalizer Bass Equalizer Chorus Ensemble
Mega Distortion Bass Chorus Bass OverDrive Dynamic Wah
Warm, Tube Drive Sounds Natural Overdrive with The Perfect Tone The New-Breed Booster Crunchy Overdrive Effects Improves Your Overall
Combo Drive Metal Zone Compression Acoustic
Fuzz
Feedbacker/Booster
l Uses BOSS’s asymmetric
OverDriveoverdrive
Endless Sustain!
Blues Driver for Blues SUPER OverDrive
OverDrive/Distortion with NaturalCombo
Feedback
Drive for Bass Metal Core
Sustainer Tone Simulator
circuitry for warm, smooth overdrive l Classic BOSS overdrive, based on a l Get the tone of a Blues
bluesy,Driver
vintage tube l Wide tonal variety, from flat,Equalizer
Bass clean Compression
l An overdrive effect designed
Chorus to
Ensemble SUPERsignals
Choruswhile
Dynamic Wah Sustainer l Compresses louderSUPER Octave
sounds that respond to your picking dual-stage design for bigger, fuller amp in a compactPower Stack
pedal capable of boost to powerful mid-boost and bright, cover the entire frequency range of boosting lower signals for smooth
style just like a tube amp Drive
Combo l Includes a sounds l VariableSUPER
Drive and Tone
OverDrive anything from warm OverDrive
overdriven sounds clear treble boost Metal
l Boost characteristics
Core Acoustic
bass guitars, including
Fuzz 5-string basses sustain without degradingBass OverDrive
the original
OverDrive/Distortion Distortion SUPER OverDrive Simulator Equalizer
Tone control to dial Blues
in just Driver
the right controls create overdriven sounds from to full-on distortion l Leaves the subtle
OverDrive/Distortion
can be changed continuously and l Overdriven sounds can be blended
Acoustic sound quality l Onboard EQChorus
Bass provides
Chorus Ensemble SUPER Chorus
sound mild to extreme with almost endless nuances of your playing
Metalintact
Zone smoothly from one knob
SUPER Advanced
l Octave with dry bass signal for maximum
Simulator precise tonal control; low-noise design
Tremolo
sustain feedback function provides smooth and clarity and punch Compression
SUPER OverDrive OverDrive Blues Driver Fuzz Bass OverDrive
for super-quiet operation
Sustainer
OverDrive/Distortion Distortion TURBO Distortion natural amp feedback OverDrive Equalizer Bass Equalizer
Distortion SUPER Chorus Bass Chorus Dynamic Wah
Metal Core Tremolo Equalizer Flanger
Compression Acoustic
OverDrive
l Current Draw 6 mA (DC 9 V) Blues
l Current Draw 9 mA (DC 9 V)Driver OverDrive/Distortion
l Current Draw 13 mA (DC 9 V) l Current Draw 45 mA (DC 9Bass
V) OverDrive Sustainer
l Current Draw 15 mA (DC 9 V) Simulator
l Current Draw 11 mA (DC 9 V)
Distortion TURBO Distortion Mega Distortion Blues Driver Bass Equalizer Chorus Ensemble
TURBO Distortion Bass Chorus Dynamic Wah SUPER Octave
Fuzz Flanger Bass Equalizer Digital Delay
Compression Acoustic
Blues Driver OverDrive/Distortion Distortion Sustainer Simulator Equalizer
TURBO Distortion Mega Distortion Power Stack OverDrive/Distortion Chorus Ensemble SUPER Chorus
Mega Distortion Dynamic Wah SUPER Octave Tremolo
Bass OverDrive Digital Delay Chorus Ensemble Digital Delay
Acoustic
OverDrive/Distortion Distortion TURBO Distortion Simulator Equalizer Bass Equalizer
Mega Distortion Power Stack Metal Zone Distortion SUPER Chorus Bass Chorus
Compression
Power Stack SUPER Octave Tremolo Flanger
Distortion and Overdrive Used by Pros Everywhere Two Distortions for the
Sustainer Advanced Electric-To-
Digital Delay Powerful SUPER Chorus
7-Band EQ! Precise TonalPhase
Control
Shifter
Together AtDistortion
Last! l A classic! Add some hard-edged
TURBO Distortion Price of One Mega Distortion Acoustic Guitar Modeling
Equalizer l Shape your sound and eliminate
Bass Equalizer l With a frequency rangeEnsemble
Chorus from 50 Hz
l A flexible pedalPower
capableStack
of producing Metal Zone
distortion while preserving the subtle Metal Core
l Features twin modes for an expanded TURBO Distortion Bass Chorus to 10 kHz, the GEB-7Dynamic
is idealWah
for any
l The AC-3 is a new-generation feedback with seven bands of
Acoustic
Metal Zone Tremolo Flanger Digital Delay
overdrive, distortion, or a combination of nuances of your playing dynamics range of distortion Simulator
— taking you from compact pedal thatPhase
employs COSM
Shifter equalization l IncludesBass
frequencies
Chorus bass guitar, including 5-string basses
Harmonist
both l Get “in your face” distortion while l A Tone control is provided for easy blues-rock rhythms to searing leads at modeling technology to transform any ranging from 100Hz to 6.4kHz with a l Seven bands of EQ are available,
TURBO Distortion sound shaping Metal Mega Distortion Power Stack Bass Equalizer Chorus Ensemble SUPER Chorus
maintaining the subtle nuances
Metal Zone
of Core the press of a pedal
Fuzz or twist of a knob electric guitar into aMega
variety of beautiful
Distortion powerful 15dB boost/cut per Wah
Dynamic band affording greater control
SUPERover the
Octave
single-coil guitar pickups Metal Core acoustics Flanger Digital Delay crucial midrange Digital Delay
Equalizer Harmonist Dynamic Wah Digital Reverb
Mega Distortion Power Stack Metal Zone Chorus Ensemble SUPER Chorus Bass Chorus
Metal Core Fuzz Bass OverDrive Power Stack SUPER Octave Tremolo
Fuzz Digital Delay Digital Delay Phase Shifter
Bass Equalizer Digital Reverb SUPER Octave
l Current Draw 12 mA (DC 9 V) l Current Draw 4 mA (DC 9 V) l Current Draw 12 mA (DC 9 V) l Current Draw 39 mA (DC 9 V) l Current Draw 10 mA (DC 9 V) l Current Draw 16 mA (DC 9 V)
Power Stack Metal Zone Compression
Metal Core SUPER Chorus Bass Chorus Dynamic Wah
Fuzz Bass OverDrive Sustainer Metal Zone Tremolo Flanger
Bass OverDrive Digital Delay Phase Shifter Harmonist
Chorus Ensemble Tremolo Loop Station
Metal Zone Compression
Metal Core Acoustic
Fuzz Bass Chorus Dynamic Wah SUPER Octave
Bass OverDrive Sustainer Simulator
Compression Metal Core Flanger Digital Delay
[Compact Pedal Effects Specifications] l Nominal Input Level -20 dBu l Nominal Output Level -20 dBu l Power Supply DC 9 V: Dry Battery <6F22/6LR61 type>, AC Adaptor (PSA series: Optional)
06 l Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 2-3/8") l Weight (depending on the model) 400 to 450 g/15 oz to 1 lb l Accessory Dry Battery l Option AC Adaptor (PSA series)
Sustainer Phase Shifter Harmonist DigitalBass Limiter
Reverb 07
SUPER Chorus Loop Station Flanger Enhancer
Metal Core
Compression Acoustic
Fuzz Bass OverDrive Dynamic Wah SUPER Octave Tremolo
 Mega Distortion Metal Core Chorus Ensemble SUPER Chorus Bass Chorus
Metal Core
Compression Fuzz
Acoustic Bass OverDrive Dynamic Wah SUPER Octave Tremolo
Sustainer Simulator Equalizer Flanger Digital Delay Digital Delay
COMPACTBlues
SERIES
Driver OverDrive/Distortion COMPACT SERIES
Compression SUPER Chorus Bass Chorus Dynamic Wah
Power Stack Fuzz Sustainer
Fuzz
Acoustic Bass OverDrive SUPER Octave Tremolo Flanger
Simulator Equalizer Bass Equalizer Digital Delay Digital Delay Phase Shifter
OverDrive/Distortion Distortion
Metal Zone Compression Acoustic Bass Chorus Dynamic Wah SUPER Octave
Bass OverDrive Simulator
Bass OverDrive Sustainer Tremolo Flanger Digital Delay
Equalizer Bass Equalizer Chorus Ensemble Digital Delay Phase Shifter Harmonist
Distortion TURBO Distortion
Compression
Compression
Metal Core Acoustic
Sustainer Dynamic Wah SUPER Octave Tremolo
Sustainer Simulator Equalizer Flanger Digital Delay Digital Delay
Bass Equalizer Chorus Ensemble SUPER Chorus Phase Shifter Harmonist Digital Reverb
TURBO Distortion Mega Distortion
Acoustic
Acoustic
Fuzz Simulator SUPER Octave Tremolo Flanger
Simulator Equalizer Bass Equalizer Digital Delay Digital Delay Phase Shifter
Chorus Ensemble SUPER Chorus Bass Chorus Harmonist Digital Reverb
Mega Distortion Power Stack
The OriginalEqualizer
Chorus A Chorus Pedal Tremolo
Choruswith
Bass OverDrive A Unique Stereo Chorus
Equalizer Create three-part Pro-Quality Reverb
Flanger — Digital
Fender® Reverb Delay
Pedal
Bass Equalizer Ensemble Digital Delay Phase Shifter Harmonist
l Produces everything from mild,
SUPER Chorus l Delivers a clean chorus sound
Bass with
Chorus Built-in Crossover
Dynamic Wah harmonies, de-tune, and
Digital Reverb In Stereo l Recreates the legendary sound of the
Loop Station
natural chorusing to the penetrating
Power Stack crystal-clear highs Metal
and a Zone
unique stereo l A split-frequency chorus capable of bend with ease! l The RV-5 Digital Reverb gives you six 1963 Fender Reverb via COSM technology
Compression
stereo chorus popular in contemporary
Sustainer effect, variable betweenBass
the left and right
Equalizer applying warm, rich chorus to higher l Latest DSP delivers high-quality,
Flanger of BOSS’s best reverbs — Delay
Digital including l Easy operation with threeDelay
Digital classic controls
music l Covers a wide Bass Equalizer
frequency Chorus Ensemble SUPER Chorus Phase Shifter Harmonist for Dwell, Tone, andDigital Reverb
MixerBass
for creating
speakers l An EQ function adjusts the frequencies without muddying the lows natural sound l Three-voice harmony, spring reverb emulation, gate reverb, Limiter
range and includes bothBasshigh-Chorus Dynamic SUPER Octave
and tonality of the chorus sound Wah l A space synthesis effect guarantees a pitch-shifting, and de-tuning l Powerful
Loop Station
and an all-new “Modulate” mode — in a sounds from buttery warmthEnhancer
to sparkling
low-cut filters Metal Zone
Acoustic Metal Core natural and spacious chorus effect super-bend effect enables amazing true stereo pedal twang l Road-tough BOSS metal
Simulator Chorus Ensemble Digital Delay Digital Delay Phase Shifter
Chorus Ensemble SUPER Chorus Bass Chorus multi-octave effectsHarmonist
l Pitch can also be DigitalBass
Reverb construction
Limiter Bass
Dynamic Wah SUPER Octave Tremolo controlled with a Roland
Loop EV-5 external
Station Enhancer Synthesizer
Metal Core Fuzz pedal (sold separately) l Controls MIXER, TONE, DWELL
Equalizer SUPER Chorus Digital Delay Phase Shifter l Current 37 mA Harmonist FENDER® is the
SUPER Chorus Dynamic Wah trademark of FMIC.
l Current Draw 22 mA (DC 9 V)
Bass Chorus
l Current Draw 22 mA (DC 9 V) l Current Draw 22 mA (DC 9 V) Digital
l Current Draw 45 mA 9 Reverb
(DC Bass
V) Limiter Bass
l Current Draw 50 mA (DC 9 V) l Weight 420 g/15 ozLoop Station
(incl. battery) All rights reserved.
SUPER Octave Tremolo Flanger Enhancer Synthesizer Noise Suppressor
Fuzz Bass OverDrive
Bass Equalizer Bass Chorus Phase Shifter Harmonist DigitalBass Limiter
Reverb
Bass Chorus Dynamic Wah SUPER Octave Bass Loop Station Enhancer
Tremolo Flanger Digital Delay Synthesizer Noise Suppressor Line Selector
Compression
Bass OverDrive Sustainer
Chorus Ensemble Dynamic Wah Harmonist DigitalBass Limiter
Reverb Bass
Dynamic Wah SUPER Octave Tremolo Loop Station Enhancer Synthesizer
Flanger Digital Delay Digital Delay Noise Suppressor Line Selector Chromatic Tuner
Compression Acoustic
UnbelievableSustainer “Talking” The UltimateSimulator
Octave Pedal Classic Tremolo Sounds! Stereo track looper with Smooth Tone, Every Time Synth Power Under Your
Wah Effects! Digital Reverb Bass Loop Station
SUPER Chorus
SUPER Octave l The OC-3 SUPER SUPER
Octave
Tremolo
Octave
puts new l Reproduces the Flanger
classic tremolo up to 3 hours of Bass Limiter
recording!
Enhancer l Smoothes out your playing by
Synthesizer Foot Noise Suppressor
l The world’s first Digital
compactDelay
pedal to polyphonic octave effects,
DigitalaDelay
Drive mode effects of vintage ’60s amps
Phase using a
Shifter eliminating harsh Chromatic
volume peaks,
Tunereven
Acoustic l Diverse loop performances with up to
Line Selector l Utilizing the latest in DSP technology,
produce human-voice type wah sounds with distortion, andEqualizer
the original OC-2 Low Frequency Oscillator (LFO) l LFO when using dynamic slap and pop
Simulator 99 phrases and approximately three the SYB-5 faithfully reproduces the
Bass Limiter
using a “Humanizer” effect EXP Pedal
lChorus effect in one convenient pedal that’s waveform is variable from triangle to techniques l RatioLoop
and Threshold
Bass
Tremolo
Tremolo Digital Delay hours of recording timeBass
l True-stereo Station classic sound characteristics of analog
Enhancer
mode allows foot control, plus dedicated ideal for bass, too Flanger square for producing a variety of classic Synthesizer Noise Suppressor
knobs allow precise control of limiting
Line Selector
Phase Shifter Harmonist input and output. Chromatic
AUX IN accepts
Tuner
audio synthesizers l The 11 internal sounds
Digital Delay
Bass input for processing bass guitar tones
from MP3 players l Connect to your PC parameters are supercharged for thick, aggressive
Equalizer Bass Equalizer Bass Limiter Bass
via USB to import and
Loopexport phrases
Station tone Synthesizer
Dynamic Wah Flanger OverDrive Enhancer
Flanger Digital Delay Digital Delay Noise Suppressor Line Selector Chromatic Tuner
Phase Shifter Harmonist Digital Reverb
Bass Equalizer Chorus Ensemble Bass Limiter Bass
l Current Draw 50 mA (DC 9 V)
SUPER Octave l Current Draw 50 mA (DC 9 V)
Digital Delay l Current Draw 20 mA (DC 9 V)
Distortion l Current Draw 70 mA (DC Enhancer
9 V) Synthesizer
l Current Draw 17 mA (DC 9 V) Noise
l Current Draw 50 mA (DC Suppressor
9 V)
Digital Delay Digital Delay Phase Shifter Line Selector Chromatic Tuner
Harmonist Digital Reverb
Chorus Ensemble SUPER Chorus Bass
Tremolo Digital Delay Tera Echo Synthesizer Noise Suppressor Line Selector
Digital Delay Phase Shifter Harmonist Chromatic Tuner
Digital Reverb Loop Station
SUPER Chorus Bass Chorus
Flanger Phase Shifter Multi Overtone Noise Suppressor Line Selector Chromatic Tuner
Phase Shifter Harmonist Digital Reverb
Bass Limiter
Loop Station Enhancer
The Flanger Gets a Modern Phasing with Tap
Dynamic Wah Expressive Compact with A “Must-Have” Pedal! Simplifies Your Setup The New World-Standard
Bass Chorus
Face-Lift Digital Delay Tempo Sync Harmonist Distinctive, All-New Tones
Feedbacker/Booster l Eliminate unwanted noise and hum
Line Selector l The easy way to switch settings
Chromatic Tuner Tuner Has Arrived
Harmonist DigitalBass
Reverb Bass without altering your tone l A unique among several effects or amplifiers, or
l The thickest stereo flanging sounds l Vintage BOSS phasing Limiter
effects l Impressive, harmonically rich sounds l Smooth 21-segment LED meter with
Loop Station Enhancer Synthesizer
ever in a BOSS pedal l Ultra mode including 4-, 8-, 10-, and 12-stage noise detection circuit preserves the route input and output signals l When a High-Brightness mode that cuts
that compliment and enhance your
Dynamic
produces BOSS’s deepest Wah
flanging SUPERand
phasers, plus new “Rise” Octave
“Fall” natural attack and envelope, leaving used with an AC adaptor, the LS-2 can through the harshest outdoor glare
Digital Delay Digital Reverbl Tap straight guitar sound l Works
Combo Drivewell with Chromatic Tuner
sounds ever, while Digital
Gate/Pan creates
Reverb effects for unidirectional phasing Loop Station your playing and dynamics intact supply power to several BOSS compact l Accu-Pitch Sign provides visual
Bass Limiter Bass both clean and distorted guitar tones,
spacious flanging with a Enhancer
cool Slicer tempo sync or realtime Synthesizer
control of rate Noise Suppressor pedals verification when tuning is complete
and also bass guitar l Three different
effect that seems toSUPER
“swirl” around
Octavethe via an Expression/Pedal
Tremoloinput sound modes; wide range of tonal
listener Bass Limiter
Phase Shifter adjustment with simple
SUPERcontrols
OverDrive
Enhancer
Bass Loop Station
Synthesizer Noise Suppressor Line Selector
Foot Volume/Expression
Tremolo
l Current Draw 40 mA (DC 9 V)
Flanger OverDrive l Current Draw 20 mA (DC 9 V) l Current Draw 25 mA (DC 9 V) l Current Draw 30 mA (High Brightness mode: 85 mA)
l Current Draw 50 mA (DC 9 V) l Current Draw 40 mA (DC 9 V)
Bass
Harmonist Bass Limiter
Loop Station OverDrive
Loop Station Enhancer Synthesizer
Noise Suppressor Line Selector Chromatic Tuner
Foot Volume/Expression Foot Volume/Expression
Flanger Digital Delay
Bass Limiter Distortion
DigitalBass Limiter
Reverb Bass
Enhancer BluesSuppressor
Noise Driver
Enhancer Synthesizer
Line Selector Chromatic Tuner VOLUME PEDAL SERIES Foot Volume/Expression Foot Volume/Expression Volume Pedal
Digital Delay Digital
BassDelay Tera Echo
Bass Synthesizer OverDrive/Distortion
Synthesizer Noise Suppressor Line Selector
Pro-QualityChromatic
Delay in a
Tuner The Next Step in Compact Make Your Playing Soar
with Majestic Ambience Foot Volume/Expression Foot Volume/Expression Volume Pedal Volume Pedal
Compact Pedal
Digital Delay Delay Phase Shifter Multi Overtone
l A powerful delayNoise
pedalStation
Loop with three l The DD-7 takesNoisethe best features
Suppressor l Dynamic new Distortion
stereo ambience effect
Suppressor Line Selector Chromatic Tuner The FV-500H (mono, The FV-500L (stereo, The high-impedance The low-impedance
distinct modes l A variable Delay Time from its predecessors and expands the that goes far beyond traditional delay FV-50L is designed for
high-impedance) volume pedal low-impedance) die-cast FV-50H is designed to
creative potential with Modulation Delay and reverb l Dramatically enhances the Foot Volume/Expression Volume Pedal connection after effects
control creates delays from 12.5 ms to
Harmonist offers a new stylish design, a volume pedal is built for Volume Pedal be connected before
PhaseBass
800 ms, while a Hold Shifter
function Limiter
is capable mode, classic modeled Analog Delay direct tone, but never overwhelms it
Feedbacker/Booster units or for use with
road-tough build, and a comfort and durability, ready guitar effect units in the
of producing repeats
Linefrom
Enhancer
here to infinity
Selector
Line Selector
mode, external pedal controlTuner
options, l Freeze function TURBO
holds theDistortion
ambient keyboards.
Chromatic comfortable, smooth action. to meet the needs of the most signal chain.
longer delay time, and more sound for lead backing and sound effects
Volume Pedal demanding pros. Volume Pedal
Harmonist
Bass Digital Reverb Combo Drive
Synthesizer Chromatic Tuner Mega Distortion
Chromatic Tuner
l Control MINIMUM VOLUME knob l Dimensions 110 (W) l Control MINIMUM VOLUME knob l Dimensions 110 (W) l Control MINIMUM VOLUME knob l Dimensions l Control MINIMUM VOLUME knob l Dimensions
l Current Draw 55 mA (DC 9 V) x 289 (D) x 72 (H) mm (4-3/8" xVolume 2-7/8") l Weight
11-7/16" xPedal x 289 (D) x 72 (H) mm (4-3/8" x 11-7/16" x 2-7/8") l Weight 86 (W) x 200 (D) x 54 (H) mm (3-3/8" x 7-7/8" x 2-1/8") 86 (W) x 200 (D) x 54 (H) mm (3-3/8" x 7-7/8" x 2-1/8")
l Current Draw 35mA (DC 9 V) l Current Draw 53 mA (DC 9 V)
Digital Reverb SUPER OverDrive 1.6 kg/3 lbs 9 oz 1.6 kg/3 lbs 9 oz l Weight 400 g/15 oz l Weight 400 g/15 oz
Noise Suppressor Power Stack

Loop Station OverDrive

Line Selector
[Compact Pedal Effects Specifications] l Nominal Input Level -20 dBu l Nominal Output Level -20 dBu l Power Supply DC 9 V: Dry Battery <6F22/6LR61 type>, AC Adaptor (PSA series: Optional) Metal Zone
08 l Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 2-3/8") l Weight (depending on the model) 400 to 450 g/15 oz to 1 lb l Accessory Dry Battery l Option AC Adaptor (PSA series)
09
Bass Limiter
Loop Station Enhancer Blues Driver
 TWIN PEDAL SERIES TU SERIES

CLIP-ON CHROMATIC TUNER

DUAL TRACK LOOPER DIGITAL DELAY
Clip-On Tuner with “True” Color Display
Stereo 2-Track Looper with Effects BOSS’ Most Powerful Delay Pedal

Silver

Black Metallic Red Metallic Blue Metallic Brown

l Proven BOSS quality and reliability in a clip-on format

l Dramatic advancement of visibility with multi-color LCD
l Flat tuning up to 5 semitones
l Accu-Pitch function, and Stream mode l Cent mode l Stream mode
l Store up to 99 phrases, ultra-long recording time of up l Up to 23 seconds of delay with easy operation lAccu-Pitch Sign function provides visual verification when tuning is complete lTwo meter-display modes: Cent (needle-style movement) and
to three hours l 11 delay modes including classic tape delay and Stream (flow of lights indicates pitch deviation) lStylish design and robust body lFive color variations available
l Two stereo channels for input and output sound-on-sound recording
l USB 2.0 port allows you to connect to a PC and import/
export WAV audio
l New “Smooth” and “Twist” modes for subtle or radical delay
effects l Memory function for changing delay modes seamlessly The world-standard
l Push-button knob for setting delay time in fine or coarse
family of tuners …
l Built-in effects for processing loops l Mic jack* for recording CHROMATIC TUNER
voices and instruments l AUX IN jack for recording audio from adjustments
your MP3 player l Runs on batteries or optional AC power supply
The World-Standard Pedal Tuner
BOSS TU
*Supports phantom power. Mode
SOS DUAL TWIST PAN
WARP SMOOTH TAPE MODULATE
Built-In Loop Effect l 21-segment LED meter with brightness control

Double-barrel power,
ANALOG REVERSE STANDARD
BEND DOWN This effect bends the pitch down rapidly. l High-Brightness mode enhances meter visibility outdoors
STEP PHASER This phaser varies the tone in a step-wise fashion.
l Flat tuning up to six semitones below standard pitch
SWEEP FILTER This effect varies the frequency in sync with the tempo.

creativity, and control! TEMPO DELAY

Lo-Fi
Tempo-synced delays.
Unique lo-fi effect.
l Accu-Pitch Sign function provides visual verification when tuning is complete
l Chromatic and Guitar/Bass mode (with support for 7-string guitars and 6-string basses) l Two meter-dis-
play modes: Cent and Streaml Signal is automatically muted when the tuner is on l Supplies power for up
to 7 BOSS compact effect pedals

CHROMATIC TUNER CHROMATIC TUNER

Famous TU-12 Features with Exciting Enhancements Designed Exclusively for Brass and Wind Instruments
ROLAND SPACE ECHO RE-201 AUDIO PATTERN PROCESSOR ROTARY SOUND PROCESSOR

The Rebirth of a Roland Classic Instant Groove and Melody Maker Supreme Rotary-Speaker Simulator

l Holder attached to
music stand

l 23.9 mm thick body for easy storage in guitar cases l Reference Pitch allows for long-tone practice
l Flat Tuning of up to six half-steps down l Quick Response mode offers faster needle response
l Accu-Pitch verification with an audible beep l Includes clip-on contact mic and music-stand attachment bracket
l Oversized needle indicator for superb visibility plus LED tuning guide l Extended tuning range of E0-C8 l Needle-accurate metering
for a variety of instruments l High-sensitivity built-in mic provides accurate and stable tuning for acoustic l Accu-Pitch provides audible verification of tuning
l Clip-on contact mic
instruments l Auto power off prolongs battery life attaches to the bell
of the instrument

MICOR MONITOR & TUNER TUNER & METRONOME

l Amazing simulation of the famous Roland RE-201, with
the spacious, analog tone
l Features include 11 types of echo and reverb effects
l The classic chorus effect produced through tape speed,
compression, and saturation are meticulously reproduced
l Tap input pedal allows delay time to be set by foot
l Instantly transform a guitar, bass, keyboard, or vocal
into a pulsating groove instrument
l 50 slice patterns onboard, with adjustable attack and
duration, including Harmonic Slice
l Up to 40-second recording/loop playback function l Tap Tempo
via onboard pedal switch; internal and MIDI sync l Variety of
output modes, including the unique 3D Panning for spacious
sliced FX
l Authentic rotary speaker sounds by COSM technology Triple-Function Tuner for Guitar and Bass The Pocket-Sized TU-80 Provides Tuning + Metronome
l 4 types of sounds, from standard rotary speaker effects
to rock-oriented tones and more
l Slow/Fast transition time is adjustable from gradual to rapid
change; optional Expression pedal can control speed in real time
l Onboard Overdrive effects l Dazzling virtual-rotor display
TU-88BK TU-80

TU-88WH TU-80-WH

l Three tuning modes; Chromatic, Guitar and Bass l Smooth, high-resolution needle-style LCD meter
l Built-in headphone amp lets you tune, warm up, and check your effects in private l Supports chromatic tuning, plus 7-string guitars and 6-string basses
l Built-in metronome with selectable rhythmic patterns and volume control l Metronome features eight rhythm styles
l Chromatic and Guitar/Bass mode (with support for 7-string guitars and 6-string basses) l Accu-Pitch function sounds a tone when tuning is complete l Flat tuning of up to 5-steps below
l Flat Tuning function, and Accu-Pitch verification with an audible beep l MIX IN allows jamming with an l Available in black or white
external audio player l Available in black or white
10 11
 VOCAL PERFORMER VOCAL PERFORMER

New creativity for vocalists!

PHRASE
LOOP
VOCAL HARMONIST VOCAL PROCESSOR

n Preset Sound List

Enrich Your Vocals with Beautiful Harmonies— The Essential Stompbox for Vocalists No. Sound Name Features

Just Plug in Your Guitar and Sing! 01

02
HARD ROCK
POP
A powerful preset suited for hard rock
Great for pop songs with clear vocal distinction
03 BALLAD Ideal for ballads with rich resonance
04 OLDIES Suited for oldies from the ’50s

l Auto Harmony function automatically detects chords played on a connected guitar and 05
06
ROCK
JAZZ
Direct and full sound tailored for rock
Create an intimate sound as if you’re singing in a jazz club
generates perfectly matching harmonies, even during mid-song key changes l Specialized effects for vocalists, including 07 ECHO An echo effect that makes great use of short delays

l Solo singers can create harmonies by manually setting the song key with a dedicated Double-Track, Dynamics, and more 08
09
ARENA
CATHEDRAL
The sound of singing in a spacious arena
The grand, stately reverberation you’d get in a cathedral
panel knob l Create 3-part harmonies and layers 10 HIP HOP A great hip-hop sound with a touch of distortion
11 VOICE PERC A crisp sound that’s great for voice percussion
l High-quality reverb/delay and an enhancer with real-time pitch correction l Special FX, including distortion, radio and strobe 12 HARMONICA Pleasant distortion for blues and rock harmonica

l Runs on four AA-size batteries or optional PSA-series AC adaptor l Phrase Looper with 38 seconds of recording time 13
14
DOUBLE VOICE
TRIPLE VOICE
Stack your vocals with this realistic double-track effect
Add another voice to create a 3-part harmony

l 24 harmony types to choose from (12 one- and two-voice n Harmony type List
l Runs on six AA-batteries or optional AC adaptor 15 6 VOICE Combination of double-track and delay creates
a 6-part sound
Harmony in 5ths suited for a broad range of songs
harmonies plus variations that provide even fuller sounds) UNISON OCT UP OCT UP&DOWN OCT DOWN 16 5th HARMONY
HIGH HIGH& HIGHER LOWER& HIGHER LOWER 17 3rd HARMONY Beautiful harmonies in 3rds
l Hybrid mode creates harmonies based on both guitar chord input HIGHER LOW& HIGH LOW& LOWER LOW
Mic
18 5th + DOUBLE Harmony in 5ths + double-track effect
Harmony in 3rds + double-track effect
and the manual key setting, perfect for songs where the guitar part 19 3rd + DOUBLE
20 3rd + 5th LOW Harmony in 3rds and 5ths (two lower parts)
transitions between rhythm and lead playing l Friendly user interface 21 3rd + 5th Harmony in 3rds and 5ths (lower part and higher part)
Harmony in 3rds and 5ths (two higher parts)
that’s simple to use, even for vocalists not familiar with using effects 22 3rd + 5th HIGH

Mic Computer 23 DISTORTION Wild distortion effects

l Runs on four AA-size batteries or optional PSA-series AC adapter Retro-sounding radio voice
24 RADIO
l XLR mic input with phantom power (phantom power is available 25 STROBE Great for rhythmic phrases such as in rap
26 CHORUS Chorus effects add a pleasant thickness to your sound
even when running on batteries) l USB audio function for capturing
Footswitch 27 FLANGER With its unique undulating effect, this was designed
processed vocal sounds into your computer Headphones PA Mixer specifically for vocals
28 PitchCorrect Natural pitch correction in half-tone increments
Guitar Pitch-corrected sound that’s a staple of modern pop
29 CHROMATIC
30 ROBOT Robotic voice, a techno staple
Amplifier Headphones PA Mixer

VE-5 VOCAL PERFORMER

PHRASE
LOOP AD SERIES

Attach a VE-5 to your mic stand, and operate the unit from n Preset Sound List
No. Sound Name Features
ACOUSTIC GUITAR PROCESSOR ACOUSTIC INSTRUMENT PROCESSOR

an easily reachable distance while you perform. 01

02
BRIGHT ECHO Pleasant echo
Deep echo Models Six of the World’s Finest Acoustics! Floor-Based Acoustic Processing
DEEP ECHO
03 ARENA Simulates an enormous arena
04 CATHEDRAL Deep and rich reverb

l High-quality effects for vocalists, easy to operate 05

06
ENSEMBLE
POP
Spacious ensemble sound
For vocal definition

l Perfect for live performances 07

08
BALLAD
ROCK
Ballad tone with reverb
Rock sound also suitable for simple backing
l Attach to your mic stand for convenient control 09 JAZZ Jazz club setting
Processed vocal, lightly distorted
onstage
10 HIP HOP
11 HARMONICA Setting for harmonica; simulates amp distortion

l Available in two color variations: 12 SAXOPHONE Setting for sax, with crisp reverb
Parallel-fifth harmony, suitable for many styles
white or red 13
14
5th HARMONY
3rd HARMONY Parallel-third harmony, emphasizing the feel of the song
15 DOUBLE VOICE Double-tracking effect simulates two voices
l A variety of high-quality effects are onboard, including reverb, delay, 16 FOUR VOICE Double-tracking effect and delay simulate four voices
dynamics, pitch correct, distortion, radio, and strobe for unique and 17 UNISON Unison sound that adds depth to your vocal

VE-5-WH impactful special effects l 30 preset effects are easily accessible with 18 PitchCorrect Natural-sounding pitch correction in semitone steps
19 CHROMATIC Chromatic voice sound, pitch-corrected in stepwise fashion
a simple turn of a knob l The handy Favorite Sound function lets you
20 ROBOT Cyber-robot voice
instantly access your preferred sounds with a press of button 21 ElectricTune Stepwise pitch correction in large steps l Floor-based acoustic guitar processor featuring COSM Acoustic Modeling technology l Compact acoustic instrument processing pedal developed exclusively for gigging
l Phrase looper enables sound-on-sound solo performance with 22 DISTORTION Vocal distortion l Turns ordinary piezo-equipped guitars into six of the world’s finest acoustics acoustic-electric guitarists
hands-free control via optional footswitch l In addition to the balanced 23 RADIO Radio-voice sound ideal for instantly changing the atmosphere
l Body and String Enhance controls simulate warm, miked acoustic sounds l Bi-Stereo Chorus offers split-frequency processing (Low and High) for natural,
24 STROBE Rhythmic Rap setting
XLR/TRS microphone jack, a built-in microphone is provided as well 25 Chorus effect for vocal depth
smooth chorus effect
CHORUS l Sculpt your tone with high-quality reverb and 4-band EQ l Auto Anti-Feedback function eliminates
l Take it onstage and attach it to a microphone stand for real-time 26 FLANGER Flanger effect that adds a sense of modulation feedback instantly l 4 preset memory locations for l “Bottom” and “Top” controls offer variable tonal shaping to eliminate “dry” sound
performance, or bring it to a studio or home and use it as a tabletop 27 HEAVY SCREAM Hardcore vocal
switching acoustic sounds instantly l Balanced XLR from piezo pickups and add rich, resonant lows and brilliant highs as desired
28 SPACE LOUNGE Outer space announcer
processor l Battery operation makes it an ideal tool for street 29 OPERA QUEEN Lustrous high voice
outputs allow direct connection to PA systems l Stereo balanced outputs allow for direct connection to PA l Dual Anti-Feedback function can be
VE-5-RD The VE-5 can be
performers who want to bring a new dimension of creativity to their act 30 REFRAIN Distinctive echoed voice l Battery or AC powered, chromatic tuner onboard manually set to eliminate feedback l Battery or AC powered, chromatic tuner onboard
attached to a mic stand.

12 13
 LOOP STATION LOOP STATION

Accelerate your creativity with

a BOSS Loop Station!

LOOP STATION

The Triple-Stereo Mega Looper

■ Built-in Loop Effects
TRANSPOSE Transposes the sound when you turn the effect on.
FLANGER Produces a metallic resonance reminiscent of a jet airplane taking off
and landing.
PHASER Gives the sound a swishing quality by adding a phase-shifted sound.
PAN Moves the stereo position (pan).
TREMOLO Cyclically modulates the volume.

SLICER Repeatedly cuts the sound, transforming a conventional sound to

create the impression of a rhythmic backing.
BEND Produces pitch-up/pitch-down effects that can’t be created using
a guitar’s tremolo arm.
CHORUS Adds a slightly modulated sound to the direct sound, creating beautiful
spaciousness and depth.
ROBOT Adds robot-like qualities to the voice.
LOOP STATION FEMALE Makes the voice more feminine.
MALE Makes the voice more masculine.
GT->BASS Transforms a guitar sound into a bass sound.

Tabletop Loop Station that can be operated with the hands, FILTER A filter with an extremely steep slope (a steep cutoff).
Adds a delayed sound to the direct sound, giving the sound greater

perfect for beatboxers, vocalists, and club performers

DELAY
depth or creating special effects.
LO-FI This effect intentionally degrades the sound to create a distinctive
character.
DISTORTION Distorts the sound to produce long sustain.

■ Types available for both Input FX and Track FX

FILTER ROBOT PAN l Up to three hours of stereo recording and 99 onboard memories
PHASER VOCAL DIST SLICER
FLANGER VOCODER DELAY l Three stereo tracks with dedicated footswitches and controls for each
SYNTH
LO-FI
DYNAMICS
EQ
TAPE ECHO
GRANULAR DELAY
l Dedicated fader per track
GUITAR TO BASS ISOLATOR CHORUS l 16 onboard effects optimized for looping
TRANSPOSE OCTAVE REVERB
l Expression pedal for effects control in real time
■ Types available only for Track FX
BEAT REPEAT BEAT SHIFT BEAT SCATTER VINYL FLICK l XLR microphone input with phantom power l AUX IN jack for recording audio from your MP3 Mic Audio Player Computer
player l USB storage; import/export WAV files

DUAL TRACK LOOPER LOOP STATION

l Five simultaneous stereo phrase tracks, with dedicated controls and independent Stereo 2-Track Looper with Effects and State-of-the-Art Looper in a
volume faders
l Wide range of Input FX and Track FX for processing loops, including DJ and
Support for Battery Power Compact Body
sampler-style effects
l Independent play mode and tempo sync settings enable a flexible combination of
track behaviors and advanced performance options
l 99 phrase memories, each containing five phrase tracks, custom effects/playback Computer Audio Player Mic

settings, and more

l The innovative loop indicator shows you a track’s status, loop position, and playback level for instant visual confirmation
l 85 onboard rhythm patterns, including odd-measure beats l External control via MIDI and optional footswitches or
expression pedal l USB for phrase import/export with computers; USB audio/MIDI functionality for integration with DAW ■ Built-In Loop Effect
software l XLR mic input with phantom power, mono/stereo instrument inputs, and stereo AUX input BEND DOWN This effect bends the pitch down rapidly.
STEP PHASER This phaser varies the tone in a step-wise fashion.
SWEEP FILTER This effect varies the frequency in sync with the tempo.
nLoop Recording Examples TEMPO DELAY Tempo-synced delays.
Lo-Fi Unique lo-fi effect.
● Record/overdub on a single track... Build complex sound-on-sound phrases using just ● Record to multiple tracks... Capture unique phrases onto different tracks and create complex
one track. structures by mixing and manipulating the tracks as you perform.
l Up to three hours of stereo recording time and 99 onboard memory l Compact and powerful stereo stompbox looper
a REC a Loop a Loop a Loop Track1 a REC a Loop a Loop a Loop phrases l Up to three hours of stereo recording time and
Overdub l Two synchronized stereo tracks with true stereo I/O 99 onboard memory phrases
RC-505 b REC b Loop b Loop
RC-505 Track2 b REC b Loop b Loop l USB port allows you to connect to a PC and import/export WAV audio l USB port allows you to connect to a PC and
Track1 l Built-in effects for processing loops import/export WAV audio
c REC c Loop Track3 c REC c Loop l AUX IN jack for recording audio from
l MIC IN jack for recording voices and instruments
Automatically Loop l AUX IN jack for recording audio from your MP3 player your MP3 player l Rhythm guide with
l Runs on batteries or optional AC power supply real drums l Runs on a single 9-volt
battery or optional AC power supply
Player Player

a REC b REC c REC a REC b REC c REC

Track1 Track1 Track1 Track1 Track2 Track3 Track3
Mic Audio Player Computer
14 Audio Player Computer 15
 MULTI EFFECTS MULTI EFFECTS

Powered by BOSS’s latest technology, the GT series

deliver mind bending power and performance.

Ver.2
Version 2.0: Full Power for Stage and Studio Flagship GT Power on Your Desktop

l Advanced COSM amps that model vintage classics and deliver l Pro-level sound for recording and jamming
never-before-heard tones l BOSS’ top-of-the-line COSM amps and effects equivalent to the
l Two new amp models: BGNR UB Metal and ORNG Rock Reverb GT-100 Version 2
l New MDP effects powered by innovative BOSS technology: l Advanced multi-channel USB audio/MIDI interface for flexible
Tera Echo, Overtone, and A-DIST recording and efficient re-amping
l BOSS TONE STUDIO editor/librarian for Mac/Windows and l BOSS TONE STUDIO editor/librarian for Mac/Windows and
custom patches available at bosstonecentral.com custom patches available at bosstonecentral.com

l Advanced Amps excel in not only cloning classic amps, they also provide a new world of l Panel knobs for adjusting sounds and dedicated buttons for calling up favorite tones
unimagined tone by delivering ultra-natural sounds considered to be physically impossible l Newest MDP effects powered by innovative BOSS technology: Tera Echo, Overtone, and
with existing amps l Vintage Amp mode reproduces 19 different types of masterpiece amps A-DIST l XLR mic input with phantom power; specially designed effects patches for vocals
l A/B Channel Divider for creating dual amp and effects chains that can be blended together and acoustic guitars l 1/8-inch input for connecting a stereo device such as a smart phone
or toggled by footswitch, frequency, or picking strength l Monophonic guitar-to-MIDI or music player l Monophonic guitar-to-MIDI conversion from normal 1/4-inch guitar
conversion from normal 1/4-inch guitar input l Enhanced USB audio/MIDI interface with input l Jack for connecting an expression pedal or up to two footswitches for real-time
multi-channel operation for flexible recording and efficient re-amping l Equipped with effects control and patch changes l Powered by USB bus or included AC adaptor
Phrase Loop function l Polyphonic tuner function

n DUAL LCD n EZ TONE n ACCEL PEDAL

l With its dual LCD display, the GT-100
puts you in direct contact with the
editing functions you need without
having to switch screens. You can
control the parameters on the right-side
screen while viewing the audio routings
on the left screen. The large LCD offers
excellent visibility even on a dark stage.
l The EZ Tone function makes complex l Step on the new Accel pedal and
editing fast and easy. Patch Create modulate your sound dynamically in real
mode lets you design sounds based on time. The pedal enables real-time control
musical genres and song concept. Amp of multiple parameters simultaneously, as
Customize and OD/DS Customize let well as time-variant effects such as
Mic
you tweak the characteristics of your Feedbacker, S-Bend, Twist, etc.; Laser Headphones
Audio Player Computer AC Adaptor
amp and overdrive/distortion to your Beam and Warp add extreme effects that
preference. resemble synth tones. Expression Pedal
Guitar Monitor Speaker

■ PREAMP ■ Effect List

A Powerful Tool for DAW Music Production ADVANCED VINTAGE CUSTOM EFFECT OD/DS FX1/FX2
NATURL CLEAN JC-120 MS1959 I COMP ADVANCED VINTAGE CUSTOM T. WAH DEFRETTER ROTARY 1
Via a single USB cable, the GT-100 Ver.2/GT-001 functions as a high-quality audio FULL RANGE CLEAN TWIN MS1959 I+II OD/DS MID BOOST BLUES OD AUTO WAH WAVE SYNTH ROTARY 2

interface for your Mac or Windows computer. It’s easy to capture great amp and COMBO CRUNCH
STACK CRUNCH
PRO CRUNCH
TWEED
R-FIER VINTAGE
R-FIER MODERN
PREAMP CLEAN BOOST OD-1 SUB WAH SITAR SIM. UNI-V
EQ TREBLE BST T-SCREAM ADV. COMP OCTAVE PAN
effects tones directly into your DAW, and four audio channels provide lots of HiGAIN STACK DELUX CRUNCH T-AMP LEAD FX1 CRUNCH TURBO OD LIMITER PITCH SHIFTER SLICER

flexibility for recording, re-amping, and mixing. For example, you can listen to the bosstonecentral.com POWER DRIVE VO DRIVE SLDN FX2 NATURL OD DIST SUB OD/DS HARMONIST VIBRATO
EXTREM LEAD VO LEAD 5150 DRIVE DELAY WARM OD RAT GRAPHIC EQ OVERTONE* RING MOD.
GT’s amps and effects while capturing an unprocessed signal in your DAW, CORE METAL MATCH DRIVE BGNR UB Metal CHORUS FAT DS GUV DS PARA EQ SOUND HOLD HUMANIZER

simultaneously record processed and dry tones on separate tracks, and listen to BG LEAD
BG DRIVE
ORNG Rock Reverb REVERB LEAD DS DST+ TONE MODIFY AC.PROCESSOR 2X2 CHORUS
METAL DS METAL ZONE GUITAR SIM. PHASER SUB DELAY
your mix while re-amping and adjusting guitar tones through GT-100 Ver.2/GT-001. OCT FUZZ ’60S FUZZ AC.GUITAR SIM FLANGER TERA ECHO*
A-DIST MUFF FUZZ SLOW GEAR TREMOLO
16 *FX-2 only 17
 MULTI EFFECTS MULTI EFFECTS

BASS MULTIPLE EFFECTS

Top-of-the-Line Bass Station

l Optimized for bass, with essential effects such as OD/DS,
Comp/Limiter
l COSM bass amps provides top-quality sounds without sacrificing
richness and bottom of the bass tone
l EZ Tone enables intuitive tone creation by using an interactive user
interface based on graphic icons
l Phrase Loop allows instant sound-on-sound loop creation
l Parallel Chain offers two separate effects paths that can be blended, switched by playing
dynamics, or with the onboard pedals l USB capability offers audio- and MIDI-streaming in real
GUITAR MULTIPLE EFFECTS time l Comes equipped with XLR outputs as well as 1/4-inch jacks

The Top Choice for Live Performance

l Compact and powerful floor multi-effects with a simple knob-based interface
l Includes a massive selection of top-quality effects, from classic BOSS
stomps to the latest MDP effects BASS MULTIPLE EFFECTS
l Updated flagship-level COSM amps derived from the GT-100
l Free BOSS TONE STUDIO software allows you to edit and organize tones
on your computer, and also preview and download free patches directly Floor-Based Bass Multi-Effects Processor with Easy Control
from the BOSS TONE CENTRAL website
l Powerful COSM Compressor/Limiter and EQ
l Eight simultaneous effects categories, each with multiple effects types l Dial up tones with the ease of
using your favorite stompboxes l Eight multifunction footswitches and expression pedal l Manual mode l Get creative with Filter/Tone and Drive/Synth features
for stompbox-style on/off; Memory mode for switching complete patch setups l Phrase Loop function with l High-quality Delay/Modulation and powerful Pedal FX
38 seconds of recording l Runs on six AA batteries or optional PSA-series AC adaptor l USB audio/MIDI
interface built in l Free BOSS TONE STUDIO software allows you to edit and organize tones on your l Innovative Sound Hold function for sustaining a low note while playing on top l Sound On
computer, and also preview and download free patches directly from the BOSS TONE CENTRAL website Sound recording with new Kick Drum effect for keeping time l Dedicated knobs for each effect
section—no menu-surfing! l Easy Tone effects with Preset EQ templates for quick tone editing

bosstonecentral.com

GUITAR MULTIPLE EFFECTS

Powerhouse FX with Stompbox Simplicity BASS MULTIPLE EFFECTS

l SOUND LIBRARY provides extensive collection of ready-to-use tones Performance-Based Effects for Bass
l Powerful COSM amp models onboard, from classic to contemporary
l SUPER STACK adds immensely heavy low-end and punch l A wide variety of effects for bass, including
l Phrase Loop function with 38 seconds of recording time compressor, distortion, T-Wah, chorus, delay,
defretter, synth, and more
l Functions as a USB audio interface, Cakewalk SONAR LE software available
for free l EZ EDIT lets you create sounds quickly and
intuitively
l Select a performance category and a variation; simple steps let you find the perfect sound quickly
l Six categories with 10 variations each for a total of 60 powerful sounds l Runs on six AA batteries or
l BASS ENHANCE function for instant
optional AC adaptor presence boost
l Easy-to-use interface with BOSS tone and quality l Unique
effects such as Synth, Octave, Defretter, and more l 30 user
Librarian software and
memory locations l AUX IN allows jamming with an audio
additional SOUND LIBRALY
player l Battery or AC powered l Built-in tuner
are downloadable!

www.boss.info/sound/ME-25/

18
 GUITAR PROCESSOR BOSS TONE CENTRAL

Unlimited Sonic Possibilities Your Web Home for Free Patches,

Instructional Vids, Artist Tips, and More

GP-10GK: Includes a GK-3 divided pickup and GK cable

GP-10S: Comes with the GP-10 only.
*Requires GK-3 divided pickup and GK cable if you want to use all the features of the GP-10.

A universe of amazing tones and tunings at your command, all in one compact
processor that’s affordable and easy to use

l Instrument modeling powered by COSM technology, including conventional

electric, acoustic, and bass guitars, plus sitar, banjo, fretless guitar, and others
l Instant access to down tunings, open tunings, 12-string sounds, and your own
custom tunings
l Analog guitar synthesizer modeling driven by real-time DSP allows you to play
expressive, ultra-responsive synth tones
l High-quality COSM amps and multi-effects derived from the GT-100
l 13-pin input for guitars equipped with a Roland GK-3 Divided Pickup or other
GK-compatible pickup
l Standard 1/4-inch guitar input allows for use of amps and effects with any guitar
l USB audio/MIDI interface for multi-channel audio recording (including individual BOSS TONE CENTRAL is the ultimate destination for all players
string output) and guitar-to-MIDI conversion with GK pickup that use BOSS products. Evolving to include a growing selection of
l BOSS TONE STUDIO editor/librarian for Mac/Windows and custom patches BOSS gear, this newly launched site gives you access to lots of
available at bosstonecentral.com premium content, including demo videos and free patches created by top
pros such as Steve Lukather, Gus G, Marty Friedman and more. Check back
A World-Class Collection of Classic Guitars, Synths, and More Natural, Ultra-Responsive COSM Amps and Multi-Effects often for new patches, how-to videos, artist interviews, and much more.
With a Roland GK-compatible pickup on your guitar, the GP-10 lets The versatile GP-10 also functions as a full-featured multi-effects
you transform your sound into numerous classic electric and acoustic processor for both GK and normal pickups, giving you a huge selection If you love BOSS effects, BOSS TONE CENTRAL is the place to be!
guitar types, basses, sitar, and even analog-modeled synths, of COSM amps and effects for live playing and studio recording.
including the legendary Roland GR-300. In addition, “Poly FX” deliver
unique sounds allowing you to take your playing into exciting new USB Audio/MIDI Interface Built In
territory. With a GK-equipped guitar, you can record the audio output of each of
your guitar’s strings on separate tracks, either processed with the bosstonecentral.com
Instantly Change Your Guitar’s Tuning GP-10 or captured dry for later processing. When you record
lGT-100 Ver.2 lGT-001 lME-80 lGP-10
Using a GK-compatible pickup, the GP-10 allows you to change your Up/Down
p Shift
unprocessed sounds in this way, you have the ability to not only
guitar’s tuning with the press of a pedal. There’s no need to change re-amp the tracks through the GP-10’s amps, but to “re-guitar” as well,
instruments or manually re-tune for different songs or styles—just D Modal
using the GP-10’s instrument modeling to change the sound to

BOSS TONE STUDIO

dial up the tuning you need in the GP-10 and go. Play slide in open
tunings like G and E, enjoy shimmering 12-string tones, or drop your
entire guitar down in semitone steps for massive, ultra-heavy riffs.
There are many tuning presets to choose from, and you can also
create your own customized tunings for any application.
Nashville anything you want after the fact. The guitar-to-MIDI function allows you
12-string guitar
to stretch your creativity even further, using your guitar to play soft
synths, capture MIDI sequences, and input MIDI data into notation
software on your computer. BOSS TONE STUDIO incorporates three convenient functions; ‘Automatic Downloading of
Additional Tones (Live Sets)’, ‘Tone Edit Functions’, and ‘Tone Library Functions’. These
GK-3 Divided Pickup
functions are easily available by downloading and installing the application on your PC/Mac.
A slim, divided pickup for sending individual signals from each guitar string
to GK compatible devices.

You can attach the GK pickup to the end pins of your Patch
favorite guitar. Download USB

BOSS TONE STUDIO

bosstonecentral.com
GK Guitar Guitar Effects Amplifier Audio Player Computer

20 21
 eBand BR SERIES

Jam with your favorite songs and

rock like a pro! Feel the power of For first-timers and pros alike —
COSM FX and full-range 2.1 sound! easily create pro-quality music.

DIGITAL RECORDER

AUDIO PLAYER with GUITAR EFFECTS SD Memory Card Included SD Memory Card Included

eBand, the popular audio player for guitarists, is more powerful than ever! The ultimate new portable recording and jam-along tool for guitarists
l Plug in and jam … it’s that easy
l Three modes: MTR (multi-track recorder), eBand, and
l eBand can store and play back up to 4,000 WAV or MP3 files Live Rec
l The included SD card is loaded with backing tracks — over 350 songs l 64 V-Tracks and eight simultaneous playback tracks
l Equipped with authentic GT-100-class COSM amp and BOSS effects 2.1-ch. Sound System l eBand function for phrase training and play-along tracks
l Two inputs allow dual-musician jams
Connect Choose Jam along l World-class COSM amps and effects onboard
l 2.1-channel sound system with subwoofer delivers powerful sound your guitar your song
with pro-class
sound and power! l USB audio interface onboard
l Cakewalk SONAR LE available for free

n Plug in and start jamming right on the spot. n Dual input channels let two musicians jam together. eBand mode for phrase
Experience live-performance power with dynamic 2.1-channel sound! Enjoy jams with your family and friends in combinations such as Jamming training and play-along
Jam along with hundreds of onboard songs. eBand JS-10 is self contained and small twin guitar, guitar + bass, or guitar + vocal. Since eBand lets you [eBand mode] sessions
but fills the room with full-range sound from its 2.1 sound system and pro BOSS effects. assign individual effects to each input, you can dial up custom

Record
Rock your living room or bedroom as if you’re on a concert stage. sounds for each musician. Record your band
[LIVE REC mode]
performances or ideas
n Recording your performance is a snap. Headphones or
Digital Audio
Player
Mixer screen
To capture your jams digitally, simply press the REC button anytime you wish. The Preview Computer Monitor Amplifier Electric Dynamic
Check all settings for a
Guitar Microphone
2.1-ch. Sound System
leBand’s internal subwoofer delivers powerful,
dynamic sound
function lets you check your recording without actually saving it as a file. This is a handy
feature when you want to re-record your takes multiple times. eBand also has features to
Compose Create fully produced
songs
single track with simple
scrolling.
[MTR mode]
assist you in practicing, such as Center Cancel for “minus-one” style play along, an AB
n Capable of storing up to 4,000 of your favorite songs. repeat function for looping a particular part of a song, a speed variation feature for
The eBand Song List Editor application lets you import songs from your CDs or audio files changing the tempo without changing the pitch, and pitch variation feature for changing
DIGITAL RECORDER SD Memory Card Included
via your PC. Store up to 4,000* of your favorite songs and jam along with your own key signature without changing tempo.
custom library.
*eBand Supports SDHC memory cards up to 32GB.
Supported operating systems: lWindows ® XP SP3 or later / Vista® SP2 or later / 7 lMac OS X v10.4.3 or later / v10.5 / v10.6 / v10.7
n USB and AUX IN jacks expand creativity. For Guitarists, for Vocalists, the Hands-on Music-Production Solution
In addition to its many cool play-along features, eBand can also be used as a USB audio
interface. This means you can record your eBand jams into your favorite computer DAW
n Over 350 high-quality backing tracks included. program. Conversely, you can mix the playback from your computer with your live
l 4-track simultaneous recording, 8-track simultaneous playback plus
eBand is pre-stocked with over 350 backing tracks optimally suited for guitar playing,
performance and record it into eBand. You can also use eBand as a real-time USB
dedicated rhythm track
from simple 3-chord songs to full arrangements.
streaming mixer, and as a player of audio files* stored on USB memory. eBand’s AUX IN l EZ Recording interactively guides through the recording process
A wide range of genres is onboard — from rock and blues to jazz, Latin, country, and
jack allows easy connection to an external audio player. l Powerful guitar, bass, and vocal effects derived from BOSS’s flagship
more. Also included are variations for bass, as well as for bass + guitar jams. *WAV and MP3 formats supported. processors
l Song Sketch recording for quick stereo capture in WAV format
n Pro BOSS effects built in. l Built-in advanced drum machine with editor software l Loop Recording function ― a convenient tool for
Computer
Get creative with the awesome BOSS effects built into eBand
USB Memory
songwriting l Functions as a USB audio interface and DAW control surface l Cakewalk SONAR LE
Headphones
JS-10 (equivalent in quality to the flagship GT-100), including software available for free l Built-in stereo condenser microphone l Runs on six AA batteries/USB bus
Footswitch SD Card
a coveted collection of COSM guitar amps. You can easily power/AC adaptor (included)
Expression Pedal
customize the amps and effects to create your own unique AMP
lWide range of GT-100-class effects AC Adaptor BOSS CLEAN DELUX CRNCH VO CLEAN MS1959 I T-AMP LEAD BOSS METAL CONCERT 810
sounds. Design your sounds in detail, or skip menus of setup built in JC-120 BOSS CRNCH MATCH DRIVE MS1959 I+II T-AMP CRNCH 5150 DRIVE BASS 360
JAZZ COMBO BLUES FAT MATCH MS HIGAIN T-AMP CLEAN METAL LEAD T.E.
options and jump to the EZ Edit mode. In the EZ Edit mode, FULL RANGE WILD CRNCH MATCH LEAD MS SCOOP BOSS DRIVE EDGE LEAD SESSION
LINE OUT Jacks (RCA phono type) INPUT Jacks (XLR)
Footswitch/Expression Pedal Jack INPUT Jacks (TRS)
just choose a music genre and a preset tone, and then steer CLEAN TWIN
PRO CRNCH
STACK CRNCH
VO DRIVE
BG LEAD
BG DRIVE
R-FIER VNT
R-FIER MDN
SLDN
LEAD STACK
SUPER FLAT AC BASS
LINE IN Jack USB Connector
FLIP TOP
the pointer on the matrix table until you find the right sound. TWEED VO LEAD BG RHYTHM R-FIER CLN HEAVY LEAD B MAN

Each song can store its own effect settings, so all you have Audio Player VOCAL
Connect eBand to a portable PA system SOFT DISTORTION DOUBLE RADIO
to do is select the song and play. lEZ Edit lets you quickly and intuitively
(such as BA-330) for small live settings PITCH HARD RADIO
DOUBLE/
HARMONY -1OCTĝ+1OCT LO-FI
VINYL
Guitar/Bass/Mic such as vocal+guitar performances CORRECT ELECTRIC TONE/SFX STROBE UNISON DIGITAL
create the perfect tone
ROBOT CHORUS LOW CUT
22 DYNAMICS FLANGER 23
 DR & DB SERIES
Essential Session &
Practice Partners
BOSS’s famous Dr. Beat and Dr. Rhythm series ― whether your
needs are for simple, play-along timekeeping or full-blown rhythm
programming, the world’s best tools are right here.
Metronome Dr. Beat
The Versatile and Professional Dr. Beat
lQuick rhythm customizing with Note Mixing function lRhythm Coach
features four training modes to help build your accuracy, speed, and
endurance l4 metronome (including human voice) sounds lPractice
with the Rhythm Coach by connecting a Roland V-Pad (optional)
lDirect connection with guitar and bass, plus headphone monitoring
24
OTHER EQUIPMENT
Dr. Rhythm BCB-60 Pedal Board BCB-30 Pedal Board
World’s Best Rhythm Machine
*Compact pedals and tuner are not included. *Compact pedals are not included. Parallel DC cord Audio cables
l Lightweight and tough pedal board for transporting a range of compact pedals and effects l Padded l Holds up to three BOSS compact pedals lComes with audio cables for connection between pedals
interior can be customized to fit anything from a compact pedal to Twin Pedal l Onboard AC adaptor for lComes with parallel DC cord to power three compact pedals (with optional AC adaptor: PSA-series)
powering up to 7 devices; includes all cabling
l Dimensions 330 (W) x 300 (D) x 81 (H) mm (13" x 3-3/16" x 11-13/16") l Weight 1.2 kg/2 lbs 11 oz l Accessory 4-pin Parallel DC
l Power Supply DC 9 V: AC Adaptor l Dimensions 670 (W) x 370 (D) x 100 (H) mm (26-7/16" x 14-5/8" x 3-15/16") l Weight 3.8 kg/8 lbs Cord, L-L Cable (130 mm) x 2 l Option AC Adaptor (PSA series)
7 oz l Accessory AC Adaptor, Pre-cut Insert x 3, Spare Insert x 1, 8-pin Parallel DC Cord, L-L Cable (short) x 5, L-L Cable (long) x 3
l 440 world-class drum and percussion sounds, 40 bass sounds
l EZ Compose allows complex patterns to be constructed without note-by-note programming
l Guitar/bass input, plus multi-effects and COSM amp models
l Three independent insert effects (EQ and compression), TSC featuring dynamics and high-quality
ambience l1,000 patterns (500 preset, 500 user); easily add fills, ghost notes, chord progressions,
BA-BR80S Silicone Case/Pouch Set for BR-80 FS-6 Dual Footswitch AB-2 2-way Selector
and more l Digital and individual outputs; USB port for importing SMFs
Dr. Rhythm
Your Own Personal Drummer
*BR-80 is not included.
lMade of soft silicone rubber, this case guards against dirt and lCombines latch- and momentary-type switching into one unit lAffordable A/B selector with 1-click operation and silent
scratches, and keeps the MICRO BR BR-80 from slipping on smooth lEach footswitch can be assigned latch- or momentary-type switching l 2-way selector for using A/B input with one output,
surfaces l Custom pouch is also cushion-lined to absorb impact lCan be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) or vice-versa l Instantly change guitars, effects setups or
for extension amplifiers, or switch between an amp and tuner
FS-5U Footswitch FS-5L Footswitch EV-5 Expression Pedal
l BOSS’ most affordable drum machine for jamming or practice
l Realistic drum, percussion and bass sounds with velocity-sensitive pads
l Rhythm Progressions with 3 variations each for Intro, Verse, Fill and Ending
l TSC with Sound Shape function and Ambience for professional drum sounds
l 100 preset styles and 100 user styles programmable via realtime or step recording lTSC with
Sound Shape function and Ambience for professional drum sounds l Footswitch input for easy live
control; runs on battery power or optional AC adaptor
lA metal-cased momentary “unlatch”-type footswitch l Can be lA metal-cased latch-type footswitch with a LED to indicate status lCan be used to control a range of functions and effects parameters
Metronome Dr. Beat Metronome Dr. Beat connected using an ordinary guitar cable in real time lCompact, travel-friendly body fits perfectly onto guitar
lCan be connected with a standard guitar cable
pedalboards
More Than Just a Metronome The Take-Along Timekeeper
DI-1 Direct Box RH-300 Stereo Headphones PCS-20A 8-pin Parallel DC Cable
l 8 x DC Plug; 1 m
MSC-50 25 15 MIDI Cables
lHigh-quality direct box with crystal-clear sound for transforming
l 5.0/2.5/1.5 m
high-impedance, unbalanced instrument outputs to the
low-impedance, balanced inputs of a mixing console
lNote-Mixing function lets you create new rhythms quick and easy l Portable, ruggedly built, and packed with fun play-along patterns
l Frequency Response 20 Hz to 40 kHz (+0.5/-1 dB) l Nominal Input Level -20/0/+20 lRoland’s top-of-the-line headphones for the ultimate in sound PCS-31L Audio Cable
dBu (selectable) l Max. Input Level +45 dBu (1 kHz), 390 Vp-p l Max. Output Level quality l Newly developed driver provides ultra-wide frequency
lA variety of rhythm patterns such as 8-beat grooves, waltz, l 24 beat variations with complex beats, and 9 rhythm patterns +8 dBu (Balanced: 600 Ω load, Unbalanced: 50 kΩ) l Residual Noise -110 dBu or less l Stereo 1/4" ↔ 2 x 1/4"; 2.2 m
range l Snug fit shuts out external sound
bossanova, and more lTap Tempo, Timer, and Stopwatch functions including “CLAVE” l Large LCD with smooth tempo meter (IHF-A) l Total Harmonic Distortion 0.05 % or less l Current Draw 6 mA l Power
PSA-series
lStandard Pitch function for tuning instruments l Tap-tempo feature l12 internal chromatic reference tones Supply DC 9 V: Dry Battery <6F22/6LR61 type>, Phantom Power 24 V to 48 V DC
l Convenient Phones jack and Auto Power-Off function l Dimensions 97 (W) x 125 (D) x 46 (H) mm (3-13/16" x 4-15/16" x 1-13/16") l Weight AC Adaptor
480 g/1 lb 1 oz
25
 SPECIFICATIONS ME-25
VOCAL PERFORMER Recommended Load Impedance 10 kΩ or greater P18
Accessories
AC Adaptor,
Divided Pickup (Roland GK-3) (only for GK included model),
Conversion in one track,1 GB: 8 hours 40 minutes,
32 GB: 272 hours
Maximum Recording Time: Approximately 3 hours (stereo), AD Conversion 24 bits + AF method*
VE-2 P12 Recording/Playback Maximum Phrase Memory: 99, Number of tracks: 3,
Data Format: WAV (44.1 kHz, 16-bit linear, stereo)
DA Conversion 24 bits
GK Cable (3 m, 10 feet) (only for GK included model)
Recording Time
* The above-listed recording times are approximate.
Times may be slightly shorter depending on the number
Divided Pickup (Roland GK-3),
TWIN PEDAL SERIES Nominal Input Level
Input Impedance
MIC IN: -40 dBu (MicSens = Center), GUITAR IN: -10 dBu
MIC IN: 4 kΩ, GUITAR IN: 1 MΩ USB Interface
Hi-Speed USB (USB Mass Storage Class),
Sampling Frequency
Program Memories
44.1 kHz
60
GK Cable: Roland GKC-5 (5 m), GKC-10 (10 m),
(for multi-track recording) of songs that were created. * The above number is the
total for all the tracks that are used. If each of the eight
[Twin Pedal Specifications] Hi-Speed USB (USB-AUDIO) Options GK Parallel Cable (GK Pickup <--> GK Connector x 2): tracks contain an equal amount of data, the length of the
XLR OUT: -40 dBu, PHONES/LINE: -20 dBu, 7 segments, 2 characters (LED), Sound Library 60 Roland GKP-2, Unit Selector (Roland US-20), resulting song will be approximately 1/8 of the above.
●Power Supply DC 9 V: Dry Battery <AA type> x 6, AC Adaptor Nominal Output Level Displays
GUITAR THRU: -10 dBu 16 characters, 2 lines (backlit LCD) Nominal Input Level INPUT: -10 dBu, AUX IN: -18 dBu Footswitch (FS-5U, FS-6),
●Dimensions 173 (W) x 158 (D) x 57 (H) mm (6-13/16" x 6-1/4" x 2-1/4") Output Impedance XLR OUT: 600 Ω, PHONES/LINE: 33 Ω Expression Pedal (Roland EV-5, FV-500L, FV-500H) Recording Time (for SONG SKETCH) Stereo recording, 1 GB: 90 minutes, 32 GB: 48 hours
Power Supply DC 9 V: AC Adaptor Input Impedance INPUT: 1 MΩ, AUX IN: 22 kΩ
GUITAR/BASS jack: -10 dBu, INPUT 1–4 jacks:
DD-20 P10
Number of Memory
Effect Types
3
HARMONY, ECHO, ENHANCE
Current Draw
Dimensions
320 mA Max. (9 V)
536 (W) x 231 (D) x 76 (H) mm (21-1/8" x 9-1/8" x 3")
Nominal Output Level -10 dBu Nominal Input Level -50 to -20 dBu (XLR type),
Output Impedance 2 kΩ -26 to +4 dBu (1/4" TRS phone type), LINE IN jack: -10 dBu
Memories 4
GUITAR/BASS: -20 dBu,
Number of Harmony Types 12 x 2 (VARIATION) Weight 3.9 kg/8 lbs 10 oz
Power Supply
DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6, eBand GUITAR/BASS jack: 1 MΩ, INPUT 1–4 jacks:
Nominal Input Level DC 9V: Rechargeable Ni-MH battery <HR6(AA)type> x 4, Accessories AC Adaptor, USB cap AC Adaptor (PSA series: Optional)
GUITAR AMP SEND/RETURN: +4 dBu Input Impedance 3 kΩ (XLR type), 47 kΩ (1/4" TRS phone type),
Nominal Output Level
GUITAR/BASS: -20 dBu, Power Supply Alkaline battery <LR6(AA)type> x 4,
Options
Footswitch (FS-5U, FS-6), Current Draw 150 mA JS-10 P22 LINE IN jack: 10 kΩ
GUITAR AMP SEND/RETURN: +4 dBu AC Adaptor (PSA series) Expression Pedal (FV-500L, FV-500H, Roland EV-5) 300 (W) x 191 (D) x 72 (H) mm (11-13/16" x 7-9/16" x 2-7/8"), Capacity SD/SDHC Card: 1 GB to 32 GB Nominal Output Level LINE OUT jacks: -10 dBu
Current Draw 200 mA Current Draw 200 mA Max. (9 V) Dimensions Maximum height: 300 (W) x 191 (D) x 93 (H) mm eBand Songs (Recording/Playback), Output Impedance LINE OUT jacks: 1 kΩ
Weight 1.2 kg/2 lbs 11 oz (incl. batteries) Dimensions 156 (W) x 116 (D) x 64 (H) mm (6-3/16″ x 4-5/8″ x 2-9/16″) RC-30 P10,P15 (11-13/16" x 7-9/16" x 3-11/16") Data Types MP3 (Bit rate: 64 Kbps to 320 Kbps, Playback only), Recommended Load LINE OUT jacks: 20 kΩ or greater,
Accessories Dry Battery <LR6 (AA) type> x 6 Weight 600 g/1 lb 6 oz (incl. batteries) Nominal Input Level MIC IN: -40 dBu (variable), INST IN: -20 dBu, AUX IN: -10 dBu Weight 1.9 kg/4 lbs 4 oz WAV (Quantization bit rate: 16 bits, Playback only) Impedance PHONES jack: 32 to 100 Ω
Option AC Adaptor (PSA series) Accessories Alkaline Battery <LR6(AA)type> x 4 Nominal Output Level -20 dBu Accessories Dry Battery <LR6 (AA) type> x 6 External Memory USB Flash Memory（Optional, sold separately) Residual Noise Level LINE OUT jacks: -85 dBu or less (IHF-A, typ.)
Options AC Adaptor (PSA series), Footswitch (FS-5U, FS-6) Maximum Recording Time: Approximately 3 hours, Option AC Adaptor (PSA series) AD Conversion 24 bits + AF method* DC 9 V: AC Adaptor, Size AA Dry Battery x 6
Power Supply
RE-20 P10 Recording/Playback Maximum Phrase Memory: 99 phrases, Number of tracks: 2, DA Conversion 24 bits (Alkaline batteries recommended), USB Bus Power
Nominal Input Level -20 dBu (INPUT VOLUME knob: center), max +4 dBu
VE-5
Data Format: WAV (44.1 kHz, 16-bit linear, stereo) GT-10B P19 Sampling Frequency 44.1 kHz Current Draw 280 mA (DC IN), 480 mA (USB Bus Power)
Nominal Output Level -20 dBu
P12 USB Interface Hi-Speed USB mass storage device class AD Conversion 24 bits + AF method* Effect Patch Memories Preset= 130, User= 100 Dimensions 289 (W) x 184 (D) x 58 (H) mm (11-7/16" x 7-1/4" x 2-5/16")
Nominal Input Level MIC IN: -40 dBu (Mic Sens = 40), AUX IN: -20 dBu DA Conversion Weight 890 g/2 lbs (incl. batteries)
Current Draw 75 mA DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6, 24 bits eBand Songs= 4 hours (1 GB), 130 hours (32 GB),
Input Impedance MIC IN: 4 kΩ AUX IN: 22 kΩ Power Supply AC Adaptor (PSA series: Optional) WAV/16 bits/Stereo= 1.5 hours (1 GB), 50 hours (32 GB), Accessories SD Card, AC Adaptor, USB Cable
Weight 1.2 kg/2 lbs 11 oz (incl. batteries) Sampling Frequency 44.1 kHz
Nominal Output Level XLR OUT: -40 dBu PHONES/LINE: -20 dBu * Rechargeable Ni-MH batteries cannot be used. Program Memories 400: 200 (user) + 200 (preset) MP3/128 Kbps/Stereo= 17 hours (1 GB), 550 hours (32 GB)
Accessories Dry Battery <R6 (AA) type> x 6 Recording Time
Output Impedance XLR OUT: 600 Ω PHONES/LINE: 33 Ω Current Draw 195 mA Max. (9 V) * The above-listed recording times are approximate.
Options AC Adaptor (PSA series), Expression Pedal (Roland EV-5) Nominal Input Level INPUT: -10 dBu, RETURN: -10 dBu Times may be slightly shorter depending on the number
Memory Sound: 50
DYNAMICS, PITCH CORRECT, TONE/SFX,
Dimensions 173 (W) x 158 (D) x 57 (H) mm (6-13/16" x 6-1/4" x 2-1/4") Input Impedance INPUT: 1 MΩ, RETURN: 220 kΩ of songs that were created. DR & DB SERIES
SL-20 P10 Effect Types
DOUBLE/HARMONY, DELAY, REVERB
Weight 1.2 kg/2 lbs 11 oz (incl. batteries)
Nominal Output Level
OUTPUT: -10 dBu/+4 dBu, SEND: -10 dBu,
INPUT 1/2 GUITAR/MIC IN (INPUT GAIN = GUITAR)= -10 dBu,
Nominal Input Level -20 dBu Phrase Loop 38 sec. (Mono only)
Accessories Dry Battery <LR6 (AA) type> x 6
Output Impedance
SUB OUTPUT: +4 dBu
OUTPUT: 2 kΩ, SEND: 3 kΩ, SUB OUTPUT: 600 Ω
Nominal Input Level INPUT 1/2 GUITAR/MIC IN (INPUT GAIN = MIC)= -32 dBu, DR-880 P24
Options AC Adaptor (PSA series), Footswitch (FS-5U, FS-6) INPUT 2 AUX IN= -20 dBu 32 voices: Depending on the bass sound selected,
Nominal Output Level -20 dBu DC 9V: Rechargeable Ni-MH Battery Max. Polyphony
Dynamic Range 100 dB or greater (IHF-A) INPUT 1/2 GUITAR/MIC IN= 1 MΩ, max. polyphony may be lower
Current Draw 110 mA Power Supply <HR6 (AA) type> x 4 or Alkaline <LR6 (AA) type> x 4,
Weight 1.1 kg/2 lbs 7 oz (incl. batteries) AC Adaptor (PSA series: Optional) RC-3 P9,P15 Power Supply DC 9V: AC Adaptor
Input Impedance
INPUT 2 AUX IN= 47 kΩ Instruments Drums: 440, Bass: 40
Nominal Input Level INPUT: -20 dBu, AUX IN: -10 dBu Current Draw 800 mA Nominal Output Level LINE OUT= -10 dBu Kits User: 100, Preset: 100
Accessories Dry Battery <R6 (AA) type> x 6 Current Draw 190 mA Max. (9 V)
Nominal Output Level -20 dBu 542 (W) x 272 (D) x 77 (H) mm (21-3/8" x 10-3/4" x 3-1/16"), Output Impedance LINE OUT= 1 kΩ Rhythm Patterns User: 500, Preset: 500
Options AC Adaptor (PSA series), Expression Pedal (Roland EV-5) 178 (W) x 108 (D) x 55 (H) mm (7-1/16" x 4-1/4" x 2-3/16"), Dimensions Maximum height: 542 (W) x 272 (D) x 104 (H) mm
Maximum Recording Time: Approximately 3 hours, Internal Speakers 2.1 channels (2-channel Stereo and Woofer) Songs User: 100
Dimensions 178 (W) x 159 (D) x 55 (H) mm (7-1/16" x 6-5/16" x 2-3/16") (21-3/8" x 10-3/4" x 4-1/8")
Recording/Playback Maximum Phrase Memory: 99 phrases, Number of tracks: 1, Rated Power Output 12 W (Stereo Speaker 3.5 W x 2 + Woofer 5 W)
RT-20 P10 (including mic stand holder)
460 g/1 lb 1 oz (incl. batteries), Data Format: WAV (44.1 kHz, 16-bit linear, stereo) Weight 4.9 kg/10 lbs 13 oz Display Graphic LCD 132 x 64 dots
Power Supply
Power Consumption
AC 14V: AC Adaptor
600 mA
Nominal Input Level -20 dBu Weight 700 g/1 lb 9 oz (incl. batteries and mic stand holder) USB Interface Hi-Speed USB mass storage device class Accessory AC Adaptor USB Audio, Mass Storage Class Dimensions 273 (W) x 242 (D) x 72 (H) mm (10-3/4" x 9-9/16" x 2-7/8")
Current Draw 85 mA Mic Stand Holder, Audio Cable DC 9 V: <6LR61 type>, AC Adaptor (PSA series: Optional) Footswitch (FS-5U, FS-6),
Power Supply Options Current Draw 700 mA Weight 1.4 kg/3 lbs 2 oz
Weight 1.1 kg/2 lbs 7 oz (incl. batteries) Accessories (Stereo miniature phone type, Cable tie attached), * Rechargeable Ni-MH batteries cannot be used. Footswitch Cable (Roland PCS-31L)
Dimensions 264 (W) x 169 (D) x 209 (H) mm (10-7/16" x 6-11/16" x 8-1/4") Accessories AC Adaptor, DR-880 Driver CD-ROM
Accessories Dry Battery <R6 (AA) type> x 6 Alkaline Battery <LR6 (AA) type> x 4 Current Draw 70 mA
Weight 1.8 kg/4 lbs Options Footswitch (FS-5U, FS-6), Expression Pedal (Roland EV-5)
Option AC Adaptor (PSA series) Options AC Adaptor (PSA series), Footswitch (FS-5U, FS-6) Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 2-3/8")
ME-50B P19 Accessories AC Adaptor, SD Card, USB Cable
Weight 450 g/1 lb (incl. battery)
AD Conversion 24 bits + AF method* Footswitch (FS-5U, FS-6), Expression Pedal DR-3 P24
TU SERIES VE-20 P13
Accessory
Options
Dry Battery <6LR61 type>
AC Adaptor (PSA series), Footswitch (FS-5U, FS-6) DA Conversion 24 bits Options (Roland EV-5, FV-500L, FV-500H), USB Flash Memory
* Use USB Flash Memory sold by Roland. We cannot
Max. Polyphony 12 voices
Nominal Input Level -40 dBu (Mic Sens = 40) Sampling Frequency 44.1 kHz Instruments Drum and Perc: 120, Bass: 12
TU-10 P11 Nominal Output Level -40 dBu, PHONES/LINE: -25 dBu Program Memories 24 (User)
guarantee operation if other products are used.
Styles
User Style: 100, Preset Style: 100,
11 patterns for a style
Reference Pitch A4 = 436 to 445 Hz Memory Sound 30 (Preset) + 50 (User) MULTI EFFECTS Nominal Input Level INPUT: -10 dBu, AUX IN: -10 dBu
Songs Songs: 100, Song Length: Max. 250 patterns for a song
Tuning Range C0 (16.35 Hz) to C8 (4,186.0 Hz)
Power Supply
DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6, Input Impedance INPUT: 1 MΩ, AUX IN: 100 kΩ BR SERIES DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6,
Tuning Accuracy ±1 cent AC Adaptor (PSA series: Optional)
GT-100 Ver.2 P16 Nominal Output Level -10 dBu Power Supply
AC Adaptor (PSA series: Optional)
Display Mode Cent display, Stream display Current Draw
Dimensions
190 mA
173 (W) x 158 (D) x 57 (H) mm (6-13/16" x 6-1/4" x 2-1/4")
AD Conversion 24 bits + AF method* Output Impedance 2 kΩ MICRO BR BR-80 P23 Current Draw 200 mA
Flat Tuning Regular to 5 semitone lower DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6, <MTR Mode> Tracks: 8, Simultaneously recording track: 2,
DA Conversion 24 bits Power Supply Dimensions 213(W) x 185 (D) x 53 (H) mm (8-7/16" x 7-5/16" x 2-1/8")
Power Supply Lithium Battery <CR2032> Weight 1.1 kg/2 lbs 7 oz (incl. batteries) AC Adaptor (PSA series: Optional) V-Track: 64 (8 V-Tracks per each Track)
Sampling Frequency 44.1 kHz Weight 710 g/1 lb 10 oz
<Color display mode>: 12 mA <Monochrome display mode>: Accessories Dry Battery <LR6 (AA) type> x 6 Current Draw 140 mA <eBand Mode> Tracks: 2 (stereo),Simultaneously
Program Memories 400: 200 (User) + 200 (Preset) Accessories Dry Battery <LR6 (AA) type> x 6
4 mA, Expected battery life under continuous use Option AC Adaptor (PSA series) Dimensions 384 (W) x 225 (D) x 78 (H) mm (15-1/8" x 8-7/8" x 3-1/8") Tracks recording track: 2 (stereo)
<Color display mode>: Approximately 12 hours Nominal Input Level INPUT: -10 dBu, RETURN: -10 dBu, AUX IN: -20 dBu <LIVE REC Mode> Tracks: 2 (stereo), Simultaneously Options AC Adaptor (PSA series), Footswitch (FS-5U, FS-6)
Current Draw Weight 3.2 kg/7 lbs (incl. batteries)
<Monochrome display mode>: Approximately 24 hours Input Impedance INPUT: 1 MΩ, RETURN: 100 kΩ, AUX IN: 47 kΩ recording track: 2 (stereo)
* This figure will vary depending on the actual
conditions of use. AD SERIES Nominal Output Level OUTPUT: -10 dBu/+4 dBu, SEND: -10 dBu
Accessories Dry Battery <LR6 (AA) type> x 6
AC Adaptor (PSA series), Footswitch (FS-5U, FS-6),
* Either the playback or the recording. DB-90 P24
Output Impedance OUTPUT: 2 kΩ, SEND: 2 kΩ Options Capacity SD/SDHC Card: 1 GB to 32 GB Tempo: 30 to 250 (Accuracy: ± 0.1%), Beat 1: 1– 9,
Footswitch Cable (Roland PCS-31L)
Dimensions 73 (W) x 33 (D) x 62 (H) mm (2-7/8" x 1-5/16" x 2-1/2") <MTR Mode> Linear (Bit depth: 16 bits)
Weight 45 g/2 oz
AD-8 P13 Displays Graphic LCD (132 x 64 dots, backlit LCD) x 2
<eBand Mode> eBand Songs (Recording/Playback),
Beat 2: OFF, 1– 9, Pattern: 8-Beat x 4, 16-Beat x 3,
Shuffle x 3, Funk x 2, Jazz x 2, Blues, Techno, House,
Power Supply DC 9V: AC Adaptor
Accessory Lithium Battery <CR2032>
Nominal Input Level -20 dBu
Current Draw 600 mA
ME-20B P19
Data Type
WAV (Bit depth: 16 bits, Playback only),
MP3 (Bit rates: 64 Kbps to 320 Kbps, Playback only)
Metronome
Country, Reggae, Clave 3-2, Clave 2-3, Salsa, Rumba,
Nominal Output Level -20 dBu AD Conversion 24 bits + AF method* Bossa Nova, Samba, Waltz, Tango, Mambo,
542 (W) x 271 (D) x 80 (H) mm (21-3/8" x 10-11/16" x 3-3/16"), <LIVE REC Mode> Chachacha, March (30 kinds)
TU-3 P9,P11 Tuner Reference Pitch
Tuning Accuracy
A4 = 438 to 445 Hz
±3 cents
Dimensions Maximum height: 542 (W) x 271 (D) x 102 (H) mm DA Conversion 24 bits WAV (Bit depth: 16 bits, Recording/Playback), Time Check, Quiet Count, Gradual Up/Down,
Reference Pitch A4 = 436 to 445 Hz (21-3/8" x 10-11/16" x 4-1/16") Sampling Frequency 44.1 kHz MP3 (Bit rates: 64 Kbps to 320 Kbps, Recording/Playback) Rhythm Coach
Step Up/Down
DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6, Program Memories 30 (user) AD Conversion 24 bits
Tuning Range C0 (16.35Hz) to C8 (4,186.0 Hz) Power Supply Weight 4.8 kg/10 lbs 10 oz Reference Pitch: A4 = 438 Hz to 445 Hz (1 Hz step),
AC Adaptor (PSA series: Optional) Reference Tone
DC 9 V: Dry Battery <6F22/6LR61 type>, Accessories AC Adaptor, USB Cap Nominal Input Level INPUT: -10 dBu, AUX IN: -18 dBu DA Conversion 24 bits Reference Tone Range: C2 to B6 (5 octave, 12 semitone)
Power Supply Current Draw 120 mA
AC Adaptor (PSA series: Optional) Footswitch (FS-5U, FS-6), Expression Pedal Input Impedance INPUT: 1 MΩ, AUX IN: 22 kΩ Sample Frequency 44.1 kHz Memory Metronome: 50, Reference Tone: 10
Dimensions 250 (W) x 180 (D) x 60 (H) mm (9-7/8" x 7-1/8" x 2-3/8") Options
Current Draw 30 mA (High Brightness mode: 85 mA) (FV-500L, FV-500H, Roland EV-5) Nominal Output Level -10 dBu <MTR Mode> 1 GB: 3 hours, 32 GB: 100 hours Auto Power Off function Turns unit off after 60 min.
Weight 1.9 kg/4 lbs 4 oz (incl. batteries)
Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 2-3/8") <eBand Mode> [eBand Song] 1 GB: 4 hours, Indicators LCD Display, Tempo Indicator LED x 2
Weight 390 g/14 oz (incl. battery)
Accessories Dry Battery <R6 (AA) type> x 6 GT-001 P17
Output Impedance 2 kΩ
DC 9 V: Dry Battery <LR6/R6 (AA) type> x 6, 32 GB: 130 hours
Power Supply
DC 9 V: Dry Battery <6F22/6LR61 type>,
Option AC Adaptor (PSA series) AD Conversion 24 bits + AF method* Power Supply AC Adaptor (PSA series: Optional) <eBand Mode/LIVE REC Mode> AC Adaptor (PSA series: Optional)
Accessory Dry Battery <6F22 type>
DA Conversion 24 bits [WAV 16 bits, stereo] 1 GB: 1.5 hours, 32 GB: 50 hours 85 mA or less (with reference tone sounding),
Current Draw 90 mA Current Draw
TU-12EX P11 AD-3 P13 Sampling Frequency 44.1 kHz 294 (W) x 179 (D) x 54 (H) mm (11-5/8" x 7-1/16" x 2-1/8"),
Recording Time
(conversion in one track)
[MP3 128 Kbps, stereo] 1 GB: 16 hours, 32 GB: 550 hours
* The above-listed recording times are approximate.
190 mA or less (with signals inputting to the INPUT jack)
Nominal Input Level -10 dBu Dimensions Dimensions 122 (W) x 164 (D) x 38 (H) mm (4-3/4" x 6-1/2" x 1-1/2")
Reference Pitch A4 = 438 to 445 Hz Patches 200 (User) + 200 (Preset) Maximum height: 294 (W) x 179 (D) x 74 (H) mm Times may be slightly shorter depending on the number
Nominal Output Level -10 dBu (11-5/8" x 7-1/16" x 2-15/16") of songs that were created. * The above number of the Weight 450 g/1 lb (incl. battery)
Tuning Range E0 (20.6 Hz) to C8 (4,186.0 Hz) Nominal Input Level GUITAR IN: -10 dBu, MIC IN: -40 dBu, AUX IN: -20 dBu
DC 9 V: Dry Battery <R6/LR6 (AA) type> x 6, Input Impedance GUITAR IN: 1 MΩ, MIC IN: 4 kΩ, AUX IN: 27 kΩ Weight 1.6 kg/3 lbs 9 oz (incl. batteries) MTR mode is the total for all the tracks that are used. Accessories Dry Battery <6LR61 type>, Soft Case
Tuning Accuracy ±1 cent Power Supply If each of the eight tracks contain an equal amount of
AC Adaptor (PSA series: Optional) Accessories Dry Battery <LR6 (AA) type> x 6
Nominal Output Level OUTPUT L/MONO, R: -10 dBu, PHONES: -10 dBu
Power Supply
DC 3 V: Dry Battery <R03/LR03 (AAA) type> x 2,
DC 9 V: AC Adaptor (PSA series: Optional)
Current Draw 90 mA
Output Impedance OUTPUT L/MONO, R: 2 kΩ, PHONES: 44 Ω Options
AC Adaptor (PSA series), Footswitch (FS-5U, FS-6),
data, the length of the resulting song will be
approximately 1/8 of the above. DB-60 P24
Dimensions 170 (W) x 156 (D) x 70 (H) mm (6-3/4" x 6-3/16" x 2-13/16") Footswitch Cable (Roland PCS-31L) GUITAR/MIC IN jack: -20 dBu Tempo: 30 to 250 (Accuracy: ± 0.1 %),
Current Draw 12 mA Recommended Load OUTPUT L/MONO, R: 10 kΩ or greater,
Weight 1.0 kg/2 lbs 4 oz (incl. batteries) Impedance PHONES: 44 Ω or greater Nominal Input Level (GUITAR/MIC SW = GUITAR), -40 dBu Beat: 1– 9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5,
Dimensions 148 (W) x 54 (D) x 24 (H) mm (5-13/16" x 2-1/8" x 1")
Accessories Dry Battery <LR6 (AA) type> x 6 Display Graphic LCD (132 x 32 dots, backlit LCD) (GUITAR/MIC SW = MIC), LINE IN jack: -10 dBu 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (23 kinds),
Metronome
Weight
Accessories
138 g/5 oz
Dry Battery <R03 (AAA) type> x 2, Soft Case Option AC Adaptor (PSA series)
Power Supply
DC 9V: AC Adaptor or obtained via USB port GUITAR PROCESSOR GUITAR/MIC IN jack: 1 MΩ
Pattern: 8 Beat x 3, 16 Beat x 2, Shuffle x 2, Funk,
Dance x 2, Country, Reggae, Clave x 2, Rumba,
(USB bus power) Input Impedance (GUITAR/MIC SW = GUITAR), Bossa Nova, Waltz, Tango, Mambo, March (20 kinds)
TU-12BW P11
Current Draw 240 mA GP-10 P20 6 kΩ (GUITAR/MIC SW = MIC), LINE IN jack: 10 kΩ
Reference Pitch: A4 = 438 Hz to 445 Hz (1Hz step),
Reference Pitch A4 = 438 to 445 Hz
LOOP STATION Dimensions 211 (W) x 135 (D) x 58 (H) mm (8-5/16″x 5-3/8″x 2-5/16″)
Modeling
Electric guitar (12 types), Acoustic (9 types), Nominal Output Level PHONES/LINE OUT jack: -14 dBu Reference Tone
Reference Tone Range: C4 to B4 (Accuracy: ±1 cent)
Weight 500 g/1 lb 2 oz Bass (3 types), Guitar synthesizer (3 types), Output Impedance PHONES/LINE OUT jack: 22 Ω Timer Setting Range: 1 to 60 minutes
Tuning Range
Tuning Accuracy
E0 (20.6 Hz) to C8 (4,186.0 Hz)
±1 cent
RC-505 P14 Accessory AC Adaptor Poly FX (5 types)
24-bit/44.1 kHz USB-AUDIO (Hi-Speed USB), Indicators LCD Display, Tempo Indicator LED x 2
Options Dual Footswitch (FS-5U, FS-6), OPEN (D, E, G, A), DROP (D to A), USB Functions USB Mass Storage Class (Hi-Speed USB), Power Supply Dry Battery <R6/LR6 (AA) type> x 2
DC 3 V: Dry Battery <R03/LR03 (AAA) type> x 2, MIC IN (variable): -40 dBu (typ.), -10 dBu (max),
Power Supply Nominal Input Level INST IN (variable): -10 dBu (typ.), +4 dBu (max), Expression Pedal (FV-500L/500H, Roland EV-5) Alternate Tuning D-MODAL, NASHVILLE, SHIFT (-12 to +12), BUS Power operation
DC 9 V: AC Adaptor (PSA series: Optional) Dimensions 129 (W) x 84 (D) x 22 (H) mm (5-1/8" x 3-5/16" x 7/8")
USER (12-string guitar function)
AUX IN: -20 dBu DC 9 V: AC Adaptor (PSA series: Optional), Weight 156 g/6 oz (incl. batteries)
Current Draw 12 mA
Dimensions 148 (W) x 54 (D) x 24 (H) mm (5-13/16" x 2-1/8" x 1")
Input Impedance MIC IN: 4 kΩ, INST IN: 200 kΩ, AUX IN: 22 kΩ ME-80 P18
Patch Memory 99
GK Pickup: 24 bits
Power Supply Dry battery <LR6 (AA) type> x 2, Rechargeable
Ni-MH battery <HR6 (AA) type> x 2, or USB Bus Power Accessories Dry Battery <R6 (AA) type> x 2, Soft Case
Nominal Output Level LINE OUT: -10 dBu AD Conversion 24 bits + AF method* AD Conversion
Weight 205 g/8 oz GUITAR IN: 24 bits + AF method* Current Draw
Accessories
Dry Battery <R03 (AAA) type> x 2, Output Impedance LINE OUT: 2 kΩ DA Conversion 24 bits DA Conversion 24 bits Dimensions
130 mA (DC IN)
138 (W) x 86 (D) x 22 (H) mm (5-7/16" x 3-7/16" x 7/8")
DB-30 P24
Piezo Microphone, Soft Case, Holder Recommended Load Impedance LINE OUT: 10 kΩ or greater Sampling Frequency 44.1 kHz Sampling Frequency 44.1 kHz Tempo: 30 to 250 (Accuracy: ± 0.1%), Beat: 0 – 9,
Weight 140 g/5 oz
Maximum Recording Time: Approx. 3 hours (stereo), Patches 36 (User) + 36 (Preset) GUITAR IN: -10 dBu, AUX IN: -20 dBu 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6,
Nominal Input Level SD Card, USB Cable (mini-B type),
TU-88 P11 Recording/Playback Maximum Phrase Memory: 99, Number of Tracks: 5,
Data Format: WAV (44.1 kHz, 16-bit linear, stereo)
Pedals Pedal switch x 8, Expression Pedal x 1 Input Impedance GUITAR IN 1 MΩ, AUX IN: 27 kΩ
Accessories
Dry Battery <LR6 (AA) type> x 2 Metronome
7+8, 8+7, 8+9, 9+8 (24 kinds), Rhythm: Quarter note,
Eighth note, Eighth rest and eighth note, Triple,
Reference Pitch A4 = 435 to 446 Hz Nominal Input Level INPUT: -10 dBu, AUX IN: -20 dBu OUTPUT L/MONO, R: -10 dBu, GUITAR OUT: -10 dBu, AC Adaptor (PSA series), Triple with center rest, Sixteenth note, Sixteenth note
Rhythm Type 85 Nominal Output Level Options
Tuning Range E0 (20.6 Hz) to C8 (4,186.0 Hz) Input Impedance INPUT: 1 MΩ, AUX IN: 27 kΩ PHONES: -10 dBu Silicone Case/Pouch Set for BR-80 (BA-BR80S) with sixteenth rest, Clave 1, Clave 2 (9 kinds)
Display 16 characters, 2 lines (backlit LCD) OUTPUT L/MONO, R: 2 kΩ, GUITAR OUT: 2 kΩ,
Tuning Accuracy ±1 cent Gt. AMP OUTPUT L/MONO, R: -10 dBu, Output Impedance Reference Pitch: A4 = 438 Hz to 445 Hz (1 Hz step),
Hi-Speed USB (Mass Storage Class), Nominal Output Level PHONES: 44 Ω Reference Tone
DC 9 V: Dry Battery <6F22/6LR61 type>, USB REC OUT/PHONES: -10 dBu Reference Tone Range: C4 to B4 (Accuracy: ±1 cent)
Power Supply
DC 9 V: AC Adaptor (PSA series: Optional)
Hi-Speed USB (Audio/MIDI)
Output Impedance Gt. AMP OUTPUT L/MONO, R: 2 kΩ, Recommended Load
OUTPUT L/MONO, R: 20 kΩ or greater BR-800 P23 Auto Power Off function Turns unit off after 60 min.
Power Supply DC 9V: AC Adaptor REC OUT/PHONES: 44 Ω GUITAR OUT: 20 kΩ or greater Track: 8, V-Track: 64 (8 V-Tracks per each Track),
Current Draw 30 mA Impedance Stores the settings when the power is turned off.
Current Draw 420 mA Recommended Load Gt. AMP OUTPUT L/MONO, R: 10 kΩ or greater, PHONES: 16 Ω or greater Tracks Up to 4 tracks can be recorded simultaneously, Memory function
Dimensions 140 (W) x 80 (D) x 30 (H) mm (5-9/16" x 3-3/16" x 1-3/16") (The Mute status is not stored in memory.)
420 (W) x 210 (D) x 68 (H) mm Impedance REC OUT/PHONES: 16 Ω or greater Pedals Pedal switch x 4, Expression Pedal x 1 and up to 8 tracks can be played back simultaneously.
Weight 190 g/7 oz (incl. battery) Dimensions Indicators LCD Display, Tempo Indicator LED x 2
(16-9/16″ x 8-5/16″ x 2-11/16″) Display 7 segments, 2 digits LED Display 16 characters, 2 lines (backlit LCD) Sample Frequency 44.1 kHz
Accessory Dry Battery <6F22 type> Power Supply Lithium Battery <CR2032>
Weight 1.4 kg/3 lbs 2 oz DC 9V: Alkaline battery <LR6(AA)type> x 6, Power Supply DC 9V: AC Adaptor Frequency Response 20 Hz to 20 kHz (+1/-3 dB) Dimensions 61 (W) x 90 (D) x 20 (H) mm (2-7/16" x 3-9/16" x 13/16")
Accessory AC Adaptor Power Supply Carbon-zinc battery <LR6(AA)type> x 6, Current Draw AD Conversion 24 bits, 24 bits + AF method* (GUITAR/BASS input)
TU-80 P11 Options
Footswitch (FS-5U, FS-6), AC Adaptor (PSA series:optional)
350 mA
251 (W) x 207 (D) x 71 (H) mm DA Conversion 24 bits
Weight 70 g/3 oz (incl. battery)
Reference Pitch A4 = 435 to 446 Hz Expression Pedal (Roland EV-5, FV-500L, FV-500H) Current Draw 200 mA Accessory Lithium Battery <CR2032>
(9-15/16″x 8-3/16″x 2-13/16″), Capacity SD/SDHC Card: 1 GB to 32 GB
Tuning Range E0 (20.6 Hz) to C8 (4,186.0 Hz) 447 (W) x 231 (D) x 70 (H) mm (17-5/8″x 9-1/8″x 2-13/16″), Dimensions
Maximum height:251 (W) x 207 (D) x 93 (H) mm
Power Supply DC 3V: Dry Battery <R6/LR6 (AA) type> x 2 RC-300 P15 Dimensions Maximum height: (9-15/16″x 8-3/16″x 3-11/16″) Data Type HiFi (MT2) Roland/BOSS original format,
16-bit linear stereo WAV format (SONG SKETCH only)
MIC IN: -50 dBu (variable), INST IN: -10 dBu (variable), 447 (W) x 231 (D) x 91 (H) mm (17-5/8″x 9-1/8″x 3-5/8″) Weight 1.9 kg/4 lbs 4 oz System Requirements (USB Connection)
Current Draw 3 mA (Metronome mode), 8 mA (Tuner mode) Nominal Input Level
AUX IN: -20 dBu (variable) Weight 3.6 kg/7 lbs 15 oz Please refer to the BOSS website www.boss.info
Dimensions 122 (W) x 68 (D) x 21 (H) mm (4-13/16" x 2-11/16" x 7/8") Input Impedance MIC IN: 4 kΩ, INST IN: 1 MΩ, AUX IN: 47 kΩ
Weight 117 g/5 oz (incl. batteries) Accessories Alkaline Battery <LR6(AA)type> x 6
Nominal Output Level MAIN: -10 dBu, SUB: -10 dBu • 0 dBu = 0.775 Vrms
26 Accessories Dry Battery <R6 (AA) type> x 2
Output Impedance 2 kΩ
Option AC Adaptor (PSA series)
*AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the AD and DA converters. 27