— KEYBOARD 1 / CONDUCTOR SCORE — Book by JON HARTMERE and DAMON INTRABARTOLO Music by DAMON INTRABARTOLO Lyrics by JON HARTMERE bare received its world premiere at the Hudson Mainstage Theater, Hollywood, CA on October 14, 2000. Produced by God Help! Productions (Danny Feldman, Erie Anderson, Daniel A. Miles, Damon Intrabartolo & Kristin Hanggi), John Ottman & Donnie Land Directed by Kristin Hanggi Orchestrations by Deborah Lurie Music Preparation by Christopher Deschene and Brian Benison Theatri@al Rights 1359 Broadway, Suite 914, New York, NY 10018 866-378-9758 toll-free 212-643-1322fax = www.TheatricalRights.com The materials contained herein are copyrighted by the authors, are not for sale, and may only be used for the single specifically licensed live theatrical production for which they were originally provided. Any other use or duplication is strictly prohibited by law.KEYBOARD | bare 1. — EpiphanyKEYBOARD 1 1. ~ Epiphany » m no = mi = ne pe tis ut NADIA, RORY, AND KYRA: tn no = mi = ne in no - mi - ne pa is _p PETER, MATT, AND ZACK: In no = mi = te in no - mi = ne pois LUCAS AND PRIESI In no =) = ne pe . is BL WARM CHURCH ORGAS: Foe us EL spi hw sane = ti e io ows — le wo. i - be ad al - tore li we eB spi fi tusKEYBOARD 1 3 1. Epiphany Powe so [Be], REST Tmo wetome yous Hope css tacit you nde a cone) PRIEST (cont Jesus. [ wan: you to imagine what the journey must have boon ie, a journey resting _ z Toda is the Feast ofthe Epiphany, te celebration ofthe arrival ofthe three wise men to py hommage 1 the baby irely on faith." (coat)KEYBOARD | 1. Epiphany PRIEST (con‘d)s sh they wold know where they were Eoing Once they arived. inagine what joy it ust have been Zein nay ehh desir Snr ve coin a efor SCs a — + _ PRIEST (con’d) "You hase lived together, sade togetherand, me mporanly prayed lopether Strength forthe journey. ‘We begin now in he aime oF the Father, tne Som and the Holy Spirit.” (com 6 _——$———— v PRIEST (contd): "Let us take a moment now to call 0 mind those times when we've fllen Samo God's Grace. {cons PETER, IVY, NADIA, MATT, LUCAS, TANYA, DIANE: "To almighty God ano sou my brothers and sisters tht have sinned Inough my es al, ny aoa my words, 8 wht Have dane arin wha aed do. And Tate lesed Mary ever VE, alte angela saints and yeu my rotors ane Se."KEYBOARD | 3 ~ Epiphany (Prayer fades out excep for PETER) PETER: pray for me to the Lord oor God Fo oo oo NN OL Faster Spay od? im the Land your a Bee wee #€ es - . = = =—t Fe ee One of these doys— just ain't like the others. — Loves his fe - male sing6 = Epiphany ra KEYBOARD | Rory a oS S ers, Loves to cook Looks a ~ round in gym, plea ~ ses him. ‘Sauners, Thouelis = slave him. Some bo % save him sy 2 2 — pps s s—$ — i Thoughts: en slave him. Some - bo dy save him. Aten, Ben ing. chan-ees. And he knows that his. ‘Cua be knows — that he isk lo feed his view. 1 - mance is doomed. He'd sacri = fice his soulKEYBOARD I oe 1. ~ Epiphany { a = ez 4 j will take your soul Grave mis-takes. your soul Grave mistakes will take. their tol their tol Ev = ery sin is emer ed inKEYBOARD 1 8 1. ~ Epiphany Pere t If t | all make sense, is veal ener NO Oe le ing God is watch = ing wis 2 £ 2 gE ~~ Peers $$ 5 $e fas * E => = No more dade ine Go wath = ing ts O ; ———— ° " mn =KEYBOARD I —9— 1. Epiphany =p — Sah * SS a | ee tls tw 5 wm wos The —~ a ge a " is + £ £ = f= — 6 = ttt s y= $= we ison he tw gr the ee = = = S +t — Fass cer ; Tr z 2 44 = rad is tong te path is nor ew f tt 2-9 a “sg: = cod ise the wh nae = ee = ey DK v ¥ And your moth - er, God how she will suf-fee Will your Fath = er break— & 5 Aus = = = E . $2 aoe 59 33 0937 to bat the shame? Ye you wee mE cere ri ] e ete ee — =KEYBOARD I 10 1. Epiphany Trust the shep ~ herd. God, make an 2 wu ALA will you drag that poor. boy down therewith you? Ifyou love. him so youl let him go.KEYBOARD 1 u 1.~ Epiphany ¥ is pa sa SE = life vines tive by our 0h ees Lite is choi - ces, Live by ove voi = ees, Dig down deep and save. your soul — . T 7 will take. their ol. Evy sin is emer = Grave mis-takes will take. their toll Ev = sin is enter fe t + —=—+ 7—+ o o * tm we L DE = = ‘ a v at ¥KEYBOARD 1 R 1. Epiphany vere Bm it ed in Heavy - en comes with discipline 2 ef in Heay = en comes with dis ci + pline does - nt . is strong. watch ‘* No more dodg - ing God is watch - ing. His eye is onthe lowKEYBOARD 1 B L Epiphany ly spar = row The road is long— the path is nar = row yu, AEE FF stg gg ng 21s gs ss F ee y— 4 | gar + ow The fond long the pth is nar = rom == ery SS Saree CLAIRE: "Our first reading today.” (entiaved) = SSS Eb Fm CLAIRE tount: "is the tary of ow esp the best fons a sale mote 3 hid can go habe wrong.” PETER: "Mom." CCLAIRE:"For his eighth birthday Peter asked me fran Easy Bake Oven; his father asked fora divorce.” (continued) 6 + Fm fe bs 4 CLAIRE (cont'd? "To me. the link benwees these two events was as rong as Pees aration my makeup table." (continued)KEYBOARD I 4 1. Epiphany CLAIRE ¢cond"We seat hiro boarding schoo. thinking it might help, bu wha he set his roommate Jason, the two of." (continued) ga CLAIRE (con's. tacked eyes and sid to nyse, ‘lave, you warned grandeitdren, and nscad youte pong to pet ambiguous Christmas cards rom South Beach Slightly Slower (¢ =¢ 136) 1g DIANE:"Please join usin signing our ofetary hymn, Number 279, "9 Bender Am bender mong us He must be ex = posed Hell kid = nap our = = e then take-off their clothes, be & = mong us. There'sKEYBOARD } —is 1. Epiphany Se pink in our flock, boy without con = science whe’s ed by his, ry Slightly Faster (J = 142) CLAIRES*Cockamamy! CLAIRE: (contd) "Pure cockamamy that this ist choice. Dont do his a CLAIRE: (cont'd) *.. me, Peter. fees The peace of the Lord—— be with — And ‘Sturges And al = so with you Em Dsust >KEYBOARD I offer cach oth-er fon = ly say the worl. sign of Christ'sKEYBOARD 1 ” 1. ~ Epiphany Sruve | Fd tke to stat with just a I we could take a mo~ mentKEYBOARD I 8 = Epiphany I may - be we were we had spo = ken PEYER:"Mom, whot i it? [vy? Nadia? Matt” (dso) s i i Lord?KEYBOARD | Faster fim = 0 low voicings Ro Co 1. Epiphany a | Tim - 9 Hae fin = thi fin = thi ans, Le leKEYBOARD I —20 1. Epiphany mans, Co = tin-thi-ans, Le- vit Fim--thy, Ro Tim-v-thy, Ro - mans. Co ~ in-thi Tim-o-thy, Ro ~ mans, Co — na ton A-bom-i = na ~ tion A bom =i na tion, A bom =i sin thi-ans, A= bom =i rin thi-ans A= bom =i na = tion. Asbom-i + na tion, TSKEYBOARD I =] 1. ~ Epiphany the | - _ 705s, Bear the cross. Bear the toss beat — the cross. Bear the cross. Bear the cross. Beat theKEYBOARD 1 2 bare "THANKS BE To Gon” 2.- YouandI d=14 Coa? PETER (Delivered berwoon mn 58) "Hail Mary, ull grace the Lord ic wil Tee, Blessed an thou amongst women and blessed iste teu of thy womb, Jesus, Holy Mary, mother of God, Pray for us sinners, Now and at the hour of our death.” == == JASON: Hey, little boy. Cass me | ar cssKEYBOARD 1 2+ You and} é Sr SSS - SSS = e = —SS= pa How 9 = bout a base = tall ba?) There's one in. my pantk—— No, thankyou - —— 7s > Se oF 7 es 2 a JASON: 4 _ == & > SSS My om, she stid tne ser tak stag = em, So FS 7 ss oF = 7 PETER: _ = = © te - iss oF the ques -tion then? 1M tke a chance whore were you?.—KEYBOARD I 24 2.-Youand 1 JASON: JASON: e — On = ix A-sleep! Like half the con = gre-ga = tion So, PETER: JASON: are we damned? 1 stayed a - wake as tong asf could. Good Cath - lc, be PerER: Fes = < se = oe ? 7 = 1 say wee fll asslesp__ t= ge = thee, you? Should ms you should —KEYBOARD | 28 2.-You and 1 LUCAS: Youre a st per-siar__ man. Kid, they couldnt guard— you, pet pe = 4 £ ae - —= 7g? O° Ug “ergo 3° @ PETER: Jason: 5 — + = ———s SS sa oe Wis abs ways the same No Lets ck in hore — ane sat 7 Z 7 zt 7 J Zs Z = * * piane: kyRA =F = 5 Vine 4 te for rome ye? Did you foe my mim be cams: Le a = L Lay —— = 5 ‘2a 3qe a + = = = —— ” + “ = a a Zz 7 =KEYBOARD I 26 2+ Yow and 1 JASON: This is all just a game You and 1 you take my hand Jason! 4 — Es SSeS ci —— look. in these big bis eyes 0 ——_ —— — = Soo = SSS — lun = der = stand, and know why, we whis = per, in hall - ways, c e » MM be with you al = ways run = ning to - geth etKEYBOARD 1 me 2.- You and 1 PETER: For ev-er you and Tal me #. — fe e st Sp. ———_ JASON: - - - - a e —SS Sa ¥ * why {should trust you wien the gis, all ust to touch you. "Cuz 4 e —— — = 7. Fe S 3 sg 2 2 ge 2 @ th —— = = = - ss SSS a2.- You ond I KEYBOARD I be JASON: - ze SSS oe —- = you could tend a hand ere? had the time oo 7 4 7 = Pe-ter, dont you wor - 5 ‘Cur 1 would-nt leave you oi Ss Not ev = en for Zack? Hey, looking good. man. © son! Yo!KEYBOARD | 29 2.-You and} PETER: What we hase is per = feet Then we'll tell my moh - er, Boys: GIRLS: 1 you take—— my hand, leav - ing me breath lessKEYBOARD 1 30 2.- You end 1 Take @ lookin these big blue eyes so youll un - der- stand. and_ know why, hall - ways, ways. Run-ning to - geth ever you and ‘There's some - thing that = 1 want task you,2+ You and F KEYBOARD 1 a3 +c — gts ——— ae == - Don't say no, just hear me out, Af - ver school they hold bs tm BE JASON. ES — — e Se SSS SSS | & es (3 5 fe ——— — > — zy ==: Pe oe know act ings nt my ing — Pius 1 might go out fo ase = bal and nei ther dance o¢ sing You have nev = er men tiowed base = ball youKEYBOARD | 32 2.- You and I have rs z= 15 TKEYBOARD I 4 2.-Yowand I os ot = - === === a se ae 1, you ake my hand lenveingme breath = less Take # lookin these big blue e368 50 —— — ———— —— you'll un der ~ stand: and know why. we whis + per, in hall- ways, MIL be with you al = ways Run-ning 10-geth = — Miss me! PETER: er you andKEYBOARD | —35— bare 3. — Role of a Lifetime Tempo (4 =72) =e : : + -———— 7 °- es = ; = SS Peter: 3 oo = . Sa SS SS = Everythings. on set, when you're pleas - ing evs 'ry-one, ‘And a =— SSS = = (2 = fe se ee = (+x = Sa z = : a ~ ‘Ped, continues throughout - 7a SES z oS he ass-umes— that roe (© sich renown He 7 ; oS SS SS SSS SS = = a ——$—— ¢ a plays © per - feet pact, straight from his heart, Knowing the risk he takes —— andKEYBOARD | 36 3. Role of w Lifetime SS — ho- ping the house — rot brought e F a role ofa life = time, its liv-ing a fan = tay, A dra-ma_ that you strug-gle to. ¢ - ase, Thoughts bat-ile words o-ver deeds, a war with such cas - val-ties all “su"geKEYBOARD I ” 3, — Role of a Lifetime Played out. bechind @ ~ tee = — God, 1 need. your gui - dance. Tell — me what it means, is i JT. yy SS jr) Er live 8 ite whore noth = ing’s as it = : = Tee seems Spen-ding days in si lent fear and. spen-ding nights in lone - ly. prayerKEYBOARD | 38 3. Role of @ Liferime _— = pea SS © — oe pe —_ a SI SaaS thee. eS con fased com - plete with him wee a-lone—— it all. some - how. makes sense 1KEYBOARD | 39 3. = Role of Lifetime Look in - t— his eyes. for some com-pro - mise ee-mem-ber the wor8 for-get rin [apt = oy some = ine 50m veme vou a aa ye ; Le —_ pms Tad PP pPPPLPaPer cz - - f= lea 10 play. the. straight evan, your lines be-come——_rou--tne. = =KEYBOARD I 40— 5. = Role of a Lifetime [=] SSS = mean Bur | know the scene — will change.— ro-phy bride and chil = dre that’s what be wants, — But Ja-son, what role do. — I play? Am 1a saysior or. a phase?— _ Am 1 here 10 damn— you oe help you nav = t= gate thisKEYBOARD I 41 J. Role ofa Lifetime So you fll your le with sound — oe oa sae ae © —— SS —— and if you dave like hell you hope youll _— sev = er touch the ground ooo et a or e SSS = f ———— =| — One day fell real - ize thot these feel = ings arent go. = ing @-way.— oo = Be ;KEYBOARD 1 42— 3. Role ofa Lifetime So we drive our-selves—_in-sane. Spinn-ing cir-cles in — our souls tele = ee as we dance a-round— and. play pre-tend. —___ Then once —a-pain,— 7% f — reprise our roles SteueKEYBOARD I 4. 2H 168 6 bare — Auditions MATT: -—— = = = — — e But soft! what fight through yon der wind dow breaks? he east, ses the sum, Asse fair sun andKEYBOARD | 44 4. Auditions bill the en = vi ous moon, ZACK.ALAN: = *: = a a ¥ = 2 — = > = © Who is al-ead = sy Sick and pale. with grief 4 Lucas: ZACK: That thow fie than she, Her ves-tal liv = ry isKEYBOARD I 45 4. Auditions +A wz And none but fools. do wear__ it! Cast it off Cast - = but sick. and gcon but | ts thy name that my ene = my wy * — Ei Se Se SS SS SS ae ee Thou art thyself, though no 2 Mon ue Whats Mon-ia-pue? tisKEYBOARD 1 46— 4 Auditions ht is nor hand, nor foot nor arm, nor face OS 2 wal an, 2 (NADIA: some oth er name—— be = long-ing to 2 man _ Would smell as sweet wy — a == On fe ee Sa oe = That which we call a-rose__ by an-y oth = er nameKevaoaRD 1 anion van aS : — =: —t 2 —s = a ee SS=5 == re — —S Tt t tn UCAS: Thy dope ae ick te th : e v ad - * 7 - Tie tomes a rik of ZACK, ALAN: Fa = ——— . » lage o SADA ORY Aaa == == = e yee rehearse vy ee ee Te We aes nee a ts dens, edad, es Ge, fh den Aes den, eh Ge both your hous 7s os, etek, ek as dea =; *KEYBOARD 1 —s4— 4.~ Auditions —=—S ————— = SS Re = min « de Well meetin Tan = ya's room — on Be 7 == = © 4 $ a SS = me m7 > 7 oe = day nigh Lucas: 1 dost row might z i . or aes ‘S 4 FI =—— SS zg SS TS =KEYBOARD I ~ Auditions we were fresh = man Wy: LUCAS: Gx + cept your skin No more cat fights once we ry ~ thing was clear é = = = Le io __# 108. * leave for the rave. IP we drag her be-hind VII be = AIA: ——— = Then put the princess inthe trunk?KEYBOARD 1 56 4. Auditions: 1B CHANTELLE? tm gonna announce the (CHAN TELLE:"And I dont want any drama uni ‘ast st now.” (duloeue continues) the ist rehearsal, go har?” (dialogue continues) (CHANTELILE:"I said no drama, Or youte gonna need a nurs." NADLA¥es, sister dilogve continues) NADIA:"Yes, sster® CHANTELLE:"Morcutio, Poe Simonds; Benvoio, Lucas Carter Tybalt, Mathew Lloyd (CHANTELLE (contd:"Romeo, Jason MeConne Juliet, Ivy Robinson. ry be 7 hs (CHANTELLE (contt"Lady Capulet, Tanya Garon: Lady Montague... mmm..” bereKEYBOARD 1 37 4. ~Auditions CHANTELLE (conta"Diene Lee, ues your father have eameorder™ DIANE: Yes, sister (CHANTELLE!"Lady Montague, Dian Lee [s ALAN: DIANE: Did you 7 ~ ‘ _ a SS —= 5 e " _— don think —KEYBOARD 1 58 4. Auditions b RORY: eee fs SSS = = ¥ o f _ And you think you. know ime Bt li Bb | Awaa9 © ne aa z a Would you real ly know. ——s + # Ebm/Ds Bom JASON: : war e — me. — Hear my voice And you think you knowKEYBOARD | —59— 4.— Auditions ww eo S= - ——¥ = = e Wee ee me But you did ~ mt he me eae 1AS0N: —_——— = = : = And you think you bs Enm bm Bom As = = —= = + rs See me. know me, And you think you —— : —~_o # know me —KEYBOARD | — 60 — 4. Auditions = MATEDide't know you were atoning: e 173] SASONs"Neither did, Decided this morning" MATT" lke tht, hub.” JASON:*Yep." MATT:"Kcl congratulations. te PETER. CLAIRE:*#es ends playing best ens Hw got! & r= se SS = = oi vo 7 — = Mon, we bo got cas, were inthe show. — CLAIRE:"Well, you know Fa love you PETER: either way. But love you more now 1 knew that yout would want —. 1 know, -KEYBOARD | 6 4. Auditions PRTER!0h Mom, Hers Jason, PRTER: CLAIRES"What? Ob, okay PETER: CLAIRE:*Call me with dates, Peer we have te go. CLAIRE (cont'):"The whole Family wil come, even your father FI make sure oft. (dialogue continues into next scene)KEYBOARD I —82— bare 5. - Plain Jane Fat Ass oe 168 IVY: "Hey, Romeo, you coming?" 4 JASON: “In a seo" NADIA: "Congratulations! (Imitating IVY), Romeo, Dad will be excited." JASON: “Yeah, I'm." (continued) JASON (contd): "ooking forward 1 that conversation NADIA: "Now don't." (continued), NADIA (contd): forget that behing every great man i. dim-wie sster who just wants be fed. Nurse! Who knew? | thowgh."comt'd)KEYBOARD I 6 5. Pluin Jane Fat Ass 1A cont. Forsune tl pet Peesunt 8. oF Holly Spinstess #3 NT ow you have more confidense a You acting than tha. NADIA:"Oh, 1 do NaDne > —S—= — z = 1 know a fitful ot con = fi-dence— Yes, when ete = — SS Po = saa 3S Fig F ees er she’s full shes a con = f= dent wir, She'll om « c te = = SS : eF age jeu = zugserr” your piece of pie then in = hale @ = nother ten, Theres a =KEYBOARD I — 6 5. Plain Jane Fat Ass = = side her with twelve Hips at could bear you a 7 Long-horn? NabIa: JASON: ——— az = ee —— Ass thats 0 vast it could lockout the sun You know that youre in - sane Pm a cau = Hon for the vainKEYBOARD | 6s 5. Plain Jane Far Ass - Moth - ers say. ‘Well, dear, there's fa sine Plain Jane fa As = z . - * = —— = * “= oF. © a whole, Plain Jane Fat AssKEYBOARD | Plain Jane Fat Ass Keep il at ease and lov role — ose eg fae t oo oT fm NADIA: (Imitating FATHER)" Kiddo, | didnt spend thous ‘nds of dollars on private... (cont)" é NADIA (conta)KEYBOARD 1 61 5. + Plain Jane Fat Ass JASON: “Its mind over mater." = NADIA:' Keep your mind focused.” JASON:"We just want you to be happy.." NADIA:"To make us happy. NADIA: why cant the plump = est roles so. thenKEYBOARD 1 68 ~ 5.~ Plain Jane Fat Ass NADIA: show Soys the dash = ing Ro-me =o But my yea - 4 wre, ia@so * d Te been cast last forfour years ina row! Bu et = Pl have the last laugh, you bet your ass. sul mounds of thickKEYBOARD I 69 5. = Plain Jane Far Ass SS High Schoo! doesn't tas. ‘And, some ~ day have a hunch hat 10 —— fe eat them — for break ~ fast shit them “for Plain sane Fat Ass. love, she's5. - Plain Jane Fat Avs KEYBOARD 1 10 f a tet 7 . = Plain Jane Fa Ass 4 = Es z = z © + 7 - Keep - ing 0 -oche lox = ing her NADIA:"Dad’ birh-.."(conta) == = F = v= ~ te NADIA (cont) day package arived, two Weeks late a5 Usa.”= Plain Jane Fat ass KEYBOARD 1 ? NADIA: "Here's your binhday check - financial proof that Dad loves you And, oh, surprise. A note. NADIA: Dear Ja = son, Grand Piano ~. fret Please find en closed this very thikKEYBOARD 1 Re 5. - Plain Jane Fat Ass talked 1 Fath - a eld me you Dame! We al = ways knew thar you'd keep the = Me = Con = nell flame burn - ing Love,KEYBOARD 1 B 5. + Plain Jane Fat Ass - Dad JASON: "What did Dad. "eonté) (oa 98 er we JASON (eont'd):* get you” NADIA:"You mean what did Dad’s..”\eontd) NADIA (cont'd): ".. seoretary get me? these earings 1KEYBOARD 1 me S.- Plain Jane Fat Ass think theyte —simming vat do you thik — a: z f+ JASON: “Come her: —_ & —KEYBOARD | —5— bare 6. — Wonderland Rock (J= 114) 1 vy's bin - day's a week Fant to gether some ~ thing SSS SS SSS (95 5 == How "bout a pair of fak = er boobs? — An S$ - she has-nt hadKEYBOARD 1 16 6.— Wonderland TANYA: . e * a = You should throw — her Lucas. ‘ze J ee eo — — We help you make it upeper mst e Marr = SSS SS ——+ Yeoh, some shing clas 2) somecthing mal Youll help? NADIA. % de « — Matthew, where's the Iw: Lucas: rust for what? Un se were t= king tout the rave NADIA: Fa — = a —— ine That youve done smutKEYBOARD 1 & —n- wy Wonderland rs sade the snacks guess wore TANYA} Wwe got the guide Lucas: —— We need aide “he chur-ci's vant PETER TANYA. es SS = z 2 You have the keys Bor = row Mart: LUCAS: Well, where dot One fit tle sin My a ts ar we gn 2 SSS =KEYBOARD 1 B sant 4B wweasy = le —, 2 ie — —— ae ee eo Come wy wonderland where —ne-ver_me~ ver finds yor. For one en=chan -ted night of oe t _ St YN D Ta wo SSS ——= == j dreams dis - guised in swirl - ing igh Ten thous - and friends 10 make, an a = 3 oe-sta-cy of yaa = tion you're floating, rol-ling free and We is as i ought 10 be is this raver Just make sure the tank is = == ¥ = —- =KEYBOARD 1 = Wonderland TANYA: LUCAS: Just come When were close we'll feel the pull MATT: full. This map is kind of vague, os as ts bs Marr of — _ = 2 = o — Aad what is that sup-posed 10 mean? — ee = 2S SSS SS SSS have some clothes that you can wear You look like a mill lion bucks, wear something cheap - er {0 this seen.KEYBOARD | Mart: -80 PETER: 6. Wonderland $ = wae oS SS SS =} = = = SSS SS 4 who can s100ve 10 that? whats with spelling with your hands? 4 ee Ee SS 2 God, they ev = er ume der = stand —KEYBOARD 1 81 6, ~ Wonderland 6 s) aw Of — to wonderland where —ne-ver_ne~ver finds you For one en-chan-ted night of on) oy tee | ————————— —— — Of te won der-land_ where ver ne-ver finds you For one en-chan-ted night of sams dis - guised in swirl = ing light Ten thou ~ sand friends t9 make, an seg dreams dis - guised in swirl « ing light Ten thou - sand friends 19 make, an 4 = oS — — =r Coe w eS S—3g a ma ar oe oe re ps eS sia-ey of mo tion Youre floating, — rolling tee and Wie is as it ought to be of mo ~ tion You're fl. ing, toi-ling free and life is as it ought 10 beKEYBOARD I 82 ~ Wonderland [3] EI pueas: SS 2S <3 Now, there’ more than one way to eek ave Ths why the par = ty never ends a == nf os oe as es bs = = = = = = <= — zi = Sg & SSS SS = Though X is sill the wat of choice, have brought alone some —S : Z Ss SS = SS a Ec ra = - a eames] comes clear bak 1 color it Bue 0 you won we the “Movght WH wad waste exe Liauid = — = => ws o “ 2 = + * p je ee ee = re ee a —— a ——_— SSS X76 im efeet Thats Her formal mame Take er ou onge and youre ne-ver the same all my ai] IYYAND NADIA: "Hun? LUCAS: "All my ladies?"TVV AND NADIA: " LUCAS: = = = = — = Ta + dies! To my PETER AND JASON: “Yeah PETER AND JASON: "YeahWonderland KEYBOARD 1 ” 3 eae SS ee ee inthis is 1s ‘cuz class iS in ses-sion, ‘The lesson won't lessen so take the point Cm ste steong-er than "K" —Q-ver-dose ain't a joke Too much is a co-ma, breath-in’ slow til ya choke! So to beware, It's show me you care and par-ty hoe-dy a-ware, | ain't in! your ass home, IF you = fan for ally’ all and i's all for fun — but in the back of your mind re-mem-ber rule num-ber 1, som 1KEYBOARD | 88 6 Wonderland ls 2 eee eo 6 ———- == oe OS SS == know you know X. bout this shits got i's fim-its Play the gate, play-ah, but play to stay in it = Ane: SSS SSS SSS aoe a We would have 10 leave — by nine . + ee == 2 "TANYA: "Come oil be fan” Marr: MATT —— + zs = i re 7 7 2 What tine? 1 dont know. —KEYBOARD | Biz bare —A Quiet Night At Home NADIA:“Oh thank Goo, {haven't seen your belly bution Tor hours IV¥E-Does i look foo!” 1 ont have he advent = you do of i being way out in Sront of me Piano (Solo) ———_—_— 4 ) : cP c B € Es c Er c em je em m m gaat | td Dio ad dis tad) Xe. i Ke. eo ° . IWYeYou know: Ie noticed some of my cathe re mising* ‘NADIA: Yea, ink we've alloted tha” MATT*Ready lis." Wow are you performing eS \ WWE" you're lucy, MATT:"What do you mean” NADIA:"Fin not going. NADIA:"I mean no. Fucking go aleudy \ IVY:"Wel, you have a good night ‘snd ont ouch nythingKEYBOARD | 90 =A Duiet Night As Home NADIA?"Said the whore, uncharacteristic. Nabi = — ZS a quiet night at-home, Silent nigh joy 10 pass—— 2 qui-et night & z == SS SSIS cad home A qui-et night at home, All. my_ fiends ore gone and eee ee once a grin, 1 find omy = self a= lone AKEYBOARD I on A Quiet Night Ar Home 4 _ - ee ———————— = = © ~ - ~ - * . ~ © tm . le im , yp et 2: “ He and a mil-lion sheep. A quiet night at home, 4 —— SSS Sa ee > = © * - filling up the time—— Wl fin-al-ly—— 1 gett sleep, A —e SS | qui-et night at home, moth wor tied flan - ces=A Quiet Night Ar Home KEYBOARD J 2 > ake my hand, smile wisdom. € 7 SSS Sooth-ing sa-yas laced wits tov-ing tis fav = ‘rite place Ho-ney it 1 be okay, Slim dawn, dear eSKEYBOARD 1 —93 7. -A Quiet Night At Home 9 —_ py ~ % a a ee ae ——— oe Z things wil change For after lL you've sich a pretty fac. A Wie sit home ploy my en omg a tS = SS =: = > e - - T = - c bm , fe em 1, sig by Pi iL —S | asting_none—— my ship just wont come in Cling = ing 10 the Fig-id rock of a - ges. Never, eveeh even, Get the chance to sinKEYBOARD I 94 7. =A Quiet Night Ar Home SSS 55 = e Se Pass = ing two pro=due_ tive hours Tear ~ ing through a hun red pags What a tle of star crossed Jov-ers, Life is ived on SS Al-ways think + ing, think = ing. Sink - ing neverKEYBOARD I —95 - 7. =A Quiet Night At Home . = — SSS Fee eee QE ka HS in why why the, 7 F Zz zz F = = = + Freely — = = SS = = a= — ‘ie oy Far 100 cleveee Bie et Bie ot es & == = = 7 = . za Se od ES = Dm F ¢ - — — as = — 7 srempo Ship. and prin-ces All gone home fone gain ——7.4 Quiet Night At Home KEYBOARD 1 96 & ===> = — 4 a SS gain a Tone quiet nigh at home = — L= == _ = z = = o = = ¢ fm c my \ z: * =» “ 5 —S—— SS SSS 3KEYBOARD I —0 bare tee here® 8. — Rolling LEDSTNTH]KEYBOARD 1 98 = Rolling z davis 3 Feeg te MATT: “Lucas, what's wrong with hea” LUC e's Falling out. Sh'l be fine, Fl take her oulside."MATT:KEYBOARD I 99 &- Rolling JASON: "Lor get some aie” o PETER: "Why can't you kiss me inside?” © BOWED GLASS FVOX FAD, G aKEYBOARD 1 100. bare Nome wes we wire” 9, — Best Kept Secret 3 12 Time Feet L. JASON: J know this world can have @ place for us, If we can try to find a oo ww AD coy we ae 2 £ 24 Ie " | ie 1 — “ way to trust. that time will be. kind. 4 Ele a >. rR Cr ' i mr. Dan ne Wye FE sede Pt seg ~jis eeBest Kept Secret KEYBOARD 1 —101 ya faneta-sy 1 dream awake but reeactinty is give and take— e T "a Dee Tan ol 7 a You take what you can you give time a chance _____ We have wo wait un © ast assleep wipe a-way the doubi— = basi and show youKEYBOARD | 102 9. ~ Best Kept Secret ret. — ‘The best kept se ret of ai All 1 c-ver eat is there in your eyes.~ They tell me I'm al-cight and a 3 1 recline 1 aleways knew We whisper words when were a —p — ceo = = met eer B49 ca —— lke sake ae »a7 677 2 FF | JSE= def! |.) 2] J =) Dae = lone at night 1 want to hear them in the mor = ning fightKFYBOARDt Be ~ neath side, — 103 May-be we'd be a seed sight. pre Best Kept Secret tend Bbwa9iD re . oa SS ees SSS F Eous2KEYBOARD | 104— 9, — Best Kept Secret [s] Faster Rock Feel (é=155) th : = ‘ 3S SSS SS foes 5 . = : Oe tr OF oF a > uP ww ple saw us dan-cing there. you have (0 give the world a chance,. A chance-— to what? @ This is alla fan t= sy then, Wego back, to schoolKEYBOARD 1 103 t= Be Kent Scr , SSS = —s = r ee SSS ee = : = ° = shut out, Yowire_ sch co-ward! And youre foo —— ee You know we cant go. on for ever this way. All this for +e = re | mit = ver cant you to day? Ss We have 1 grow up A 2+KEYBOARD | 106 9. ~ Best Kept Secret 3 JASON: There’ so much more to love, Ws post kept se 1 Io 1m ce Ir a = . = = ret The best — kept se : cnet cor 2 ja yt = = = = The best kept seo ret PETER:"L love you, Jason" con — fee con 7d via J favesKEYBOARD | 107 bare 10. — Confession gg : é SE = - — SSS ; RVIASNADIA, Werte do-ing time in confession, Ws the sae = ra-mem— of op-pres Wete do-ing time in con-fes = sion Ws the sae = ra-men——_ of op-pres Lucas Were do-ing me in con-fes sion Ws the sac - ramen of op-pres We have no need for for give ness Be-cause sion, We have no need for for-give - ness Be-eause sion We have no need for forgive ness _Be-causeKEYBOARD 1 wos, 10.~ Confession b —... tanya % a 3 2 our one of his bus 1 got so high 1 famed a _ SS Sa © —— 2 SS =| = Paavo a _ Tee = 5 t to a oe SI = — == a —s =| " 22 geese ALAN ZACK: ee oe - — e re ¥———= Some = times 1 dont re = ey = le fin = ly nailed my gir ~ ‘fiend, N & =e — 3 — & Bs - as z = = =4 3 * z Lteas. vee ee = = SS SS SS SS SS 6 SSS SSS —————— <>109 18. Confession KEYBOARD 1 piave: BRE . } : — S = z zi oS eee ee + = ——s 2 ‘ “1 sins ‘no more. Ym sor = ry, Lord __ — 2 de ond sin 90 more my Land : ———, 5 $s $$ ft tog SS Were doing time in cones poor mas thera py se = — — — 2S SS SS a We'e doing vine jn confess Hes the poor man's thera py. aes « = —. = ee ee ee = ze as ——— Were doing ime ia con fos Sion———— ts the poor mas har =a = yes = ———— = ze B tags. Zz 337KEYBOARD L no 10. ~ Confession meee a te S$ = 2 SS SSS SE = od —— — Fa Z ee Se eee th SS = SS 2 Sp sion We fave no nec for” for give ves Be-case . | BE Sega ‘e ST iz =! SS za Sj ow shit's none of his bus ¢88_ _—————_ 3 | % our shit's mone of his bus ‘ness. —____ of Eas =z qe man shold wid TE ous bsKEYBOARD 1 ut 10. ~ Confession 2] atans Roy: KYRA: ! How docs the “Glo-ry be" go? He gave -me nine 6 onty five "Our Fathers DIANE: ——— ——. — — This isso arbitrary 1 don't think God intended Con-Fes-sion to be sea-ry, IVY. TANYA: RYEX-AADIN me, Lord, Were do-ing time incon fes - Say that you for = giv. ZACK.ALN We're do-ing time in con -fes me, Cord We're do-ing time in con = fes Say that you for give10. ~ Confession KEYBOARD I sion Where were work - ing ut some: s sion, :s 5 a See = sion. Where we've work - ing out some ag gres sion. at “ “ sul su We have no need for for-give — Because our shit's none of his bus We have no need for forgive Be-cause shits = — a = We have no need for for-pive ~ ness Beveatse our shits none of his busKEYBOARD 1 =13 10.— Confession \ SS = — ees, 5, SSS = Fe eo ness Hell no! Ow shits none of his. bus nest eas + SS =| ¥ - "ness. Hell, No! Our — shit's none of his bus mness!!1, a = Se — se a ess He Not Our shits none of is bus = pest # = = = = = & = I em ® ce = = —— 7 # $ oF veda ad Ballad (¢ = 150) {PETER and MATT step into adjoining confessional, the PRIEST is seated center)KEYBOARD 1 ua bbe wrong? 10. ~ Confession hat you Fo = = 323 fei the ta wat do yo SS SSS SSS re al — Something. tat you saw goes aginst the aw, LE = ae =— = = ® 3 —— = + F 6 yKEYBOARD | Hs 10, Confession PRIEST: The chur - ch’s teach-ings come from cen ~ tures of sturdy. lesee—e ze Ques + tions of ee wine are best teh 0 {great -er minds than = yours This isnot say the chuch is nev - er wrong but if you hold to her exoed you will nev = er find your = self letKEYBOARD I 6 10, ~ Confession PRIEST. "Is here anything els, son” PETERMATT:N, Hear my voice.— art: oF Ge Aim Bbm De —a ~ ea a wy Hear my voice reat = ly. hear me And you ° o abKEYBOARD 1 —ute 10, Confession ZACK: oa = — ~ | ——= = o SSS Did you real = ly heat me ‘vaNyas DIANE: Would you real = Ty know — think you know: me NADIA: = And_you 5 Hear my voice think you see meKEYBOARD | gs 10. ~ Confession = z hoy ° ss = ——— told yo. —________ aay ry 17 usKEYBOARD I 119 bare 11. — Portrait of a Girl day, now attitude, three, four 142) CHANTELLE:*Ok. Let's just try to pt yesteay’sohcarsal behind ws z ve PETER/MATT/LUCAS/JASON/ZACK/ALAN/ DIANE/RORY/TVY/NADIA/KYRA/TARVA: Two hous = es both a = bike in aig nis yy. : In CHANTELLE: People, your first nove is a C-naturl fiir Ve = on a where we lay our soene11. Porsrat of a Girl KEYBOARD | 120 CHANTELLE:"Ain't nothing natural about what you're singin F SONIZACKIALAN! DIANE/RORY/IVY/NADIAIKYRAUTANYA: er SS SS SS SSS SS = * From an = cient grudge break to pew mu ny Whee as os £ — = ay 3 £ £ — 3S } civ + il blood make civ hands un ss 4 _, Have mercy! Go practice somewhere I cant hear you IVY: "Sr Chantelle, I id some sketches, you know, like forthe poster or the program (CHANTELLE Ds Gs bs cs FS Cig S55 4KEYBOARD I 121 11, ~ Portrait of a Girt JASON: "Hoy, that looks 3 IVY: "What? Oh. Thanks. Ds Gs GS, ° oO « = = St Te =r e ye ts 130) 4g _NADIA:"Batroom sls dont ie. She's good wih her ands, : et = 3 © wwe rovo0es Por-trait_— of @ Dasaoirt ete = z = = ee a sir. Canvas of The stage — is hers Dasao/Ft de mure— beau ace =KEYBOARD I 122 II. ~ Portrait of a Girl — Por-mit__ of age Ob - ject of 4 Ss = 2 ee J SS SS ee * pom ley they say shes fa = et of them al oo Pain beri,KEYBOARD I 123 11. ~ Portrait of a Giet way whats say add a fin-isheing touch, The rap = eure cold ve ae ee — | EES f f+ : 3 fe oe . so SOT TF - - ¥ SS as pearl, Now the por-trait has cap = tured the gir) —— Now the por 1 _— ee an = ¥ = — =~ ot, ae te has cap - tured the Por-teait.— of a Em? DaaadIRe onKEYBOARD 1 124 11. ~ Portrait of a Girk Z : = = = ware et = = Fe at —— — Se = Don't mind me, Pm just wateh ing. Shetl_ player it looks just like — you, -—_____ Just un — der = stand, Pm a= ken inKEYBOARD | 125 11. = Portrait of « Girt [+] ~ |e = =| = 2 SS re = ~ ws. 7 one color ends and one — te = gins Brush a= way whats stray E pt —— = : 2 * a ed a SS a a = there's is-gute in her eyes Add sha-dows that dance a= ross her skin = Don't know wha. say rm ¥ Hide the doubt that cries out — say 0 _— much Stripped. bare. Stripped bare. be-neath— be-neath—KEYBOARD I 126. 11, = Portrait of « Girl fs : = SS — all the ay = ers, 1 know there's love ly = ing. there: a Tike a par Now whe —por-teait has eap-tured the girl — = 72s Now te por tat Mk ap ed a a wee a e ——— 4 f= —s f 8 2 bm é 4 ® v ima » eS Z =KEYBOARD 1 —127— 11. ~ Portrait of a Girl te ce = So set = z Dead emt Dawa A [ues SE = =! 23 pt avy rubato D> —— = == = o Fe ee Daring — you 10 fall fuir-est of them al Z __ marry Dar-ing you to fall fuie-est of them al rm ne we rr he BoE,KEYBOARD I — 128 bare 12. — Birthday Bitch Medium Rock (¢= 120-126) Wa ss fay) Sessa et ce ——— — : ° SF vee we oF 25 7 pict “ rm 4 4 i “4 Bese vaKEYBOARD 1 — 129 12. binnday Bitch 4 _NabIA 2ack: pitas — — = + = a + ot ee o - 4 © 17 = bead! 1 wow a song fr U1 ing They be tte a ay mine et SS SSS = SD 3a 9 se we iz Ws = e —— 7 t a a Yeh eye ple? ss — hie —— Ebene oe ALAN: Nats tats = 5 e = — T Got cap? Wien | go tke tis eh ne eee ee GS we 2335 72 i 7 [i] KYRA/RORY; ul RBxE —, = ae ee — 7 3 > 33 SS are the | spe- cial birth-day inch, __ got some va = gi-sih help clear PETER: up that nas = ty itch, Thar’sKEYBOARD | —130— 12. Birthday Bitch E] - # — o — = pretty Nae dia ZACK: ALAN: - E : Ft = She'll love that (puke or barf) Tow-els stat! e 8 cfm . 8 Dy = = — ae Lt 23 se acer age PETER: = = = She's gon = oma die! Be nice We should be 30 luck - y ‘Why? 5; ta eetedi gd fae 4 Theyre dope! KYRA: RORY: oe ¥ — — = = SS— ee = oes ? se 23%KEYBOARD | BI 12. ~ Birthday Bitch LUCAS: Lucas. PETER: 4. es : z z e ee = 00, Space cakes, Cool, who made these? Please I, RORY: ce SS Does he know? » Dat PETER (Mouth fal): -— pies SS= = © 7 f Know what? eed cap = z SSS SS SS ——S 1 may fave 10 crash hore tocnight ‘Ther’ mo way im gonsna make it home oS | SEE E ; = Nana: + ——_—— —— ete Ei SSS SS . —== --——= * | What the the beds ll warm and Es wy ver sles alone — & 4% = = = = * ee = i ; = = ae :KEYBOARD I -132 12.- Binunday Bitch #€ ae = = = Ee —— = eo = T Same old git ftom dif ent givers. Thwow the dop— a bone pid » : - == = Kya: = = : © =F — these her Sorry. o ee z = ag, Wwens: 1Ason: Lucas. . SS ——— Guess whos horny? Him. Acgred = pen stop take all you need fe] _. art Es 3 ——— 1 woukd—wetr hte. Maybe Tim oaKEYBOARD | 133 12. Birthday Bitch LUCAS: PETER: NADIA’ ALAN: ALL{except ALANS being clear, Theyre here! Lights ou Qui-et! These are © + = iz: = eS 7 oF es sees 2 2 5F © poking oon Lovet Gym whee ae the caps Shut Dat . tee «“? daddy dad oS — z up! NADIA: One, three, four!KEYBOARD | 134 1 4" KYRA, DIANE: 2. Birthday Bitch Hap py Binh day wy You're the JASON, PETERZAGK:ALAS ‘Meet LUCAS BAC Hap py Bith day ny Youre the tot = ~ ee =| > = —— the worst | ug = eet of ah You are the wort and a == ? == Pet —S- > = = + ae = = z 2 = SS most per-verse 0 roam Ce-ce tis's hal-lowed halls YourKEYBOARD 1 13s 12, - Birthday Bitch at Ce Se a ss re =: = 3 a Zz moth «et was a Book = er and your tih ver was dk He i g ¢ pe ee get ee hs et a : math - er yas a hook = er and) your’ =n ew wana dick he e Es poked ner inthe teaser andthe =p’ podiced aig Whose le 2 ep ee Pete : = ES SSS SSS | poked her inthe teaser andthe =p po dancd 8 pin Whose ——= + —— vain is awh ya = oy and whose asks awh ty bin Bis $5 32 5s brain is aw = lly, thon and whose bie.KEYBOARD | 136 12, = Birthday Bitch a ——_7r SS flap ~ py Birth - day, BITCH! Yap = py Binh - day, BITCH! Hap = py Binth = day. BITCH! Hap = py Birth - day, BITCH! 2 SS + “Pi ou n NADIA? "Sony © $ + SO ati Ooty Hap - py Birh-day 1 vy BITCH, BITCH, BITCH, BITCH — wrTcHr —__ ft Soto a 2 a sy $ a r = f Hap ~ py Birth-day 1 - vy BITCH, BITCH, BITCH, BITCH BITCH! Le} MATT: "Happy. binhday! PETER: "Matt.. (cont) PETER (contd) planned the party eS MATT: "Some of it.” IVY: "Thank you.." (cont'd)KEYBOARD 1 37 12.- binhdny Bite ef WY contd): "This is very sweet. MATT: "She's loaded. What happened to eS = = ” i = = =— You dort wan = me pny? = = = —S= = + z= — + = Pl [2] sas san Andwaith 0? = o = J = nee = = ——— > Fe ~ es12. = Biniiday Bitch KEYBOARD 1 -13s- FF] Jeno = 2 43S 2 S53 S+ wi He ks oe the woof ae So then whar's stop = ping us now? a - a= SS = SSS SSS 2 aos & c : me oe —_ aKEYBOARD 1 139 12, ~ Birthday Bitch JASON: What is vweong with you? — Ubink were mis-sing so much Ia = son, wish 1 could shout it Shout how much love you. "Ze JASON:"Hey"IV¥"Hey, you ay good with a tick JASONE'What have you. (contaKEYBOARD 1 140 12. Birthday Bitch IASON (conta: heed" IVY: "Come help me” JASON:"Suie.. give me one se PETER:"Dont go JASON!"Peer, sop! God" PETER:"But the rave.."SASONS"Bu! the a,c Was eiferen Ke doa ive aa rave, "(cont JASON Won't 0, you have to stop ating like this" PETER: "Like what? Your boyliend?™ SEQUELKEYBOARD 1 14 bare 13. — One Kiss (d=na) ELECTRIC PIANO Bitos, ~ Biteos) BItiv0 c Em G x = A ESKEYBOARD | M42 — 13, ~ One Kiss 5] Pop Battaa + ys 3 : x x SSS SS Let's make lat = er soon - & A\ minute can crawl by item you ha BIN(n03) Bitioas) some-thing you want real bad ve spent the who pars Just waiting for us tobe a= tome — S| =S e But, then you must have known, (Or per-baps, — se | B03)KEYBOARD 1 you have-nt no SSS — 143 ticed how z BIL (8) Are you 13. One Kiss zr = = = SSS eo 7s we sason;_——s — . is — = ER = = avy JASON. seit your eyes. —— Please, say you're not_sur-prised, At what? w 6 Em G Em? et z &KEYBOARD I 144— 13. ~ One iss avy pits > Z RS - SSeS Wiss you for But why? o4 (IASON? ay = % ——— e 7S os You're wassted. And this is. wrong G Em G Em could wreck a friend ~ ship 1 don know ——— [think you're in = ( © Bitiows) Bits, SASON: wy: — Weigued. And why ig that?) 1 ee what you're star-ing at = rie Could that be some life stir-ring in you jeans? How ob Bites) c Bie SEKEYBOARD I 13. — One Kiss scene! So, how ‘Boul that french kiss, fen tet? | i} Bm G fm A a. be we 3 Eee a SSS o Voul-cz vous cou che oh whats dhe rex? JASON: —— = o a’ Asvee moi 5 Eye =| ) Bto0s) « em s yt | — Ee = aS SSS = == ft could ts been quite 2 bith = day. You ee == = - e 7+ es think it goes Did you get an = y thing good? # = fe Em7 BI (003) cs Em | Eee, = =KEYBOARD 1 146 13, One Kiss do know I'm mis- under = stood. y Sit tight, and _ Did you make 9 birthday wish? Bilao!) G Em G whisper in your ear. Bins) G Em wy: a JASON: * + 1 don't think thar te gal here Don't you want 10 BitioayKEYBOARD 1 47 13.~ One Kiss a 5 Is se 4 is gt = = mo — fe a ze a a as (ike imo) a r 7 = 3 g Bit) é & Bitten b 1. = ae - : = * rieKEYBOARD 1 148 bare 14. — Are You There? Light Rock (« = 100) nave : _— ” aan = z a eee 2 ——— i — —+ SS F mf e we E Bik eS = 3 = Do you know? Bie + — se S Wel, of course you o,—— what ifs ike to stand_— outside To a 2 2 e a ye, —— ere F —= = = = € Be © ore Se = =| rs = > + z watch the world and wish you did = nt bur you cried 1KEYBOARD | —149- 14,~ Are You There? and {know 1 should - n't care But 2 2 * 2 a Eee SaaS SS SSS E Be a == SS hot 1 feel 1 wish 1 fel you there, And ———- s £ s* — = A ect ¥ = z = > PETER: I did — Td ask— you how come fe is so un-fair. —_____ Do you know? La D Bast Brust 8 7 “oe ood vd a f= = SS SS 5 SS © ¥ = - g 2 = = * e Be, eB BeKEYBOARD I —150— 14. Are You There? dot — pet => = = —— = © a SS a =| noth-ing will be-eome—. of all the plans. that you have made,— so s: a eg See — S A eG Fim = = — = = + . . — et ee ee = . SS SS SS == - watch the gis sur-round— him ond he says, "If just game ! 2 - — — — Ie SSS ———— a 4 # . ee : = e = all a-bout— this stu - pid act so wha am 110 blame? ___ Are you MATE Ate youKEYBOARD | 151 14, Are You There? there? Are you there? Do you waich——— me when there? Are. you there? Do— you watch me when 1 ery. And Bae = 7 Sims « 8 cn at “HH if its im your pow sr how can you sit id= ty by? 1 if its in your pow - er how can you sit id - ly by? uy so hard 10 please you but You: = onev er seem. 10 see, try so hard 1 please you but you. never seem—— to see is14, ~ Are You There? KEYBOARD 1 Woo-der what my struggle means it my fae 1 sit and wait? ' Are you there? There for me— wish [knew that some - one ut there cared, ——___ eared forme. eS: MATT"Wios out there?” PETER"Mat?” 6 Bie e BeKEYBOARD I —13— 14,~Are You There? FT" Are you alight PETER Ti ne pag MAPWArey00 at ia ware 7 ~ = ——— - a _ # See ree ——————— = — i = c Bie F Be es = 4 0 + Sa Father has-nit blessed it yet. Grab a chalice. shat case, Thank, life Here, have the rest So why'd you leave? Yea. sucks. the par-ty? 1 wasKEYBOARD 1 isa - Are You There? pte - + o 7 Me 100 Yeah? =~ — 2 FSS oe = SSS etsung Kind of bored — Theis ath er fea ~ s, it A ect al-ways fight 19 do. — what's sucks be— ig-nored 2 s vn 3 eee = ow we ra cae = SHS = a e SES oS Az f, — © = SSS — ' This is my—— ce ward? Are you—— yee ss Bact 8 ——S eee = =KEYBOARD | Iss Are You There? # as — eS See > = : t ea thee? Are you thee? —— Can you make ome time for mea — They thee? Are you thee? Can you make same tine forme They Sets = : = i t i yo Siw E B chm tell me that youve out there apd they tell me that. you see. we Se zi zs oe ee + tell me that. — youre out there and. they tell me that. you see Ne Blo Fim E Bast 8 ee ee eee = e == SSS SSeS eS zs tried 10 find— the mean - ing, God you know how hard Ive ied Bu 1 == So SS SS = —_ + * — —t = tried to find — the meaning, God you know “how ard Ive ed. — But 1 qT T a tm B A MiG5 14, ~ Ave You There? KEYBOARD I = 156 dont have any ie, et ————— ete = " don't know where Tm go - ing and t don't have an = y guide. 1 T T Po Fim e Bust 8 aed = — =— a > pee ae a SS SSS SS SSS SS SS ssid things would get bet = ter buku they lied e Marr: “TIL dein to that” reeds to give meKEYBOARD 1 (4.-Are You There? = pa fe oe i ut —= —_ cares what poo = ple think? Wele fine, Weve been through this before. + 2 = —— ry cy Fi r ast 8 One day Hell wake up ant va eal Be ees sme — ue - f Po cin 5 ‘ ict oe oe ed _ ee s ——— Pe # : tae et tte et = 3 ———SSS See —== | si ten God 1 wish 1 newt need a ae f 7 7 in c Bat14, ~ Ave You There? KEYBOARD I - 158 need to iow for sure. —~ that youll be there 2 ft E st f SSS fe a Boust B Bast B Bsus? B ae Shere for — me. Send a sign — so tha. 1 know you're there There for me.- M kee A >a oRKEYBOARD | — 159- 14. Are You There? Waltz (2, = 72) MATT: Who's lea z) - _ dont know : : — = =—= ~ ¥ + + ¥ ¥ E Bsust 8 : = — 22 = = 7 a 8 x [5] MATT;"Woll, who usually leads? = MATTE:"Look, 'm going 10 bed. I eatch you later, okay”KEYBOARD | — 160 bare 15. — 911 Emergency Stop! ‘CHH(cont: But now. | know Trgote rien person PETER: What's that sup = posed 10——mean? /ANTELLE? "Listen up, Peter may bea Vig tat ne tote game Dont be foi with Mary" PEPER: “Hol sha" KYRA: CHANTELLE: Ti preted Ia hear tat” TANYA: CHANTELLE: “Stop. stop sop do you ko how ted amor prayer? Whatcha know abot , Did) yeas a hy lb sayy te same pr ail — Ma + ry full of grace!911 Emergency KEYBOARD | 61 KYRA: poco accel aS Change is com int is) CHANTELLE: "Ina pesine KYRA: Lis-ten close CCH “Now where put CH-%o0 wi know he th, Altes posto Oh and shale yoo peu here KE Wheres ei shall SEk and ye) on fe on CH “Nevermind. TANYA: Tou ge-ner = ie Ma-ry loves her puns.KEYBOARD | ler 15, —911 Emergency Coke oe RA Cf Som ovet otge os root” RAS CS ar ae a2 SSS & Se =e Mery sew you = ( a a SF (ae 3 iE Cuca ofme " Now the se = CH: “There's pave call a no verde to yo er baby” Get him Ma-ma’s line — —7 . CHANTELLE = = z = = eee Fe a Hea-ven knows. its time, ie Kyra: eel =. __ & — rae = x [SS op-e + ee on-e \ A 4 \ 1 = (== Sj = = Bhm7 . . | - e— - 2 + a (a = $+ : — eSKEYBOARD 1 163 15, — 911 Emergency : as Can you put Bim tho Someones got aah wt ee 2 ¢ sot pg Some-on’s goa job 10 do! Op-e - You your Mama's joy.—— ype ip: Reach out by by touch some - one. — Get the do-in! done — a Reach out ba = by touch. some - one. —KEYBOARD I tea [0] 15. ~ 911 Emergency wae = =j a es = % SSS ae SS SS p+ SS SS SS SS SS SS We done gone and made the call that you We done gone— and made— the call_— that you Ring your moth er tell it all just fp SS reed 10 pick the phone up. need 10 pick— the phone — up. 20 ahead — and own, up —_ SSS 55 SS Fn ~ . eS FE é = 2 fo +KEYBOARD 1 165 15,911 Emergency 9 =—_ = = 4 = = = oe ey ee ——— © SS Stop your ly ~ in! drop the dra = ma, tell the world, but first tell Ma-ma Stop your Iy = i drop, the dra the world, —— but first tell Ma-ma CHANTELLE: “Tee rend he books, Pee “Saying tome ou tan youre ey, But doe' ak about, Be abou it" Op - rah picked — them!KEYBOARD 1 166 15.011 Emergency feo t-te mp ———_—— x w= =| . Baca t tee ee rere Come on— come on out boy! Go-ta tive your ie. ze z : ve z - w Be % SSS SS de = sus Anows— whats upl—— Ope 4 — = SS i = Ds ea z SSS sie * 7 * - [| és couanrenn . —t SS 2 — = ; a peers Help 2 boy con-nect,— Let him all col-lect— oN, Se—Ft = = oa s 4 1 ia = . = =KEYBOARD | er 15, ~ 911 Emergency “ Won't you put him through? «Some-one’s gou__ a job 0 do. - SS Ea ee SS SSS noe! Some-ones gsi 4 eh to do Ope « \ . . oct Ce = = —— SSS a Gov the change in hand — Time w ake a sad! iz ES v —_ tw! Op-e - Asis SS Ses Get the do-in’ done. Reach out = by touch some - one! — | ra tor! Reach out ba - by touch some - one! \KEYBOARD | 68 15, 1 Emergency [6s] i as eee SSS SS SSS SS 9-1 LB mer - gency, its time to be. a grown — up. aa aaa SSS z We done gone— and made the call that you need to pick the phone— up. = ———— = > = e SSS . ‘We done gone and made— the call_— that you need to pick the phone up. be SE a 4 SS ta on ° = A * eo os om rel _3 me I= SS j= a SS —F — = re Gece oe = Ring your moth - er ell it all just go. @=head_— and own up. SS SS Ring your moth - er tell it all just. go a -head— and own — up.KEYBOARD | — 169 15.911 Emergency Mop your mess up érop—— the dra - ma Tell the world put fist tell. Ma-ma Mop your mess up drop the dea ~ ma, Tell the world — but first ell Ma-ma, vet E = mer = gon ey Life is full of choi - ces But 9-1 1 B= mer - gen-ey. Life is full of choi ~ ces Bu bo-by her’ me 4 ede With ruth the world re = jai = ces © ee nS ba-by he’s the 4 = 1 LL With truth the world te joi = cesKEYBOARD I SS SS SSS Let it out let ma = main _ boy you 15. ~ 911 Emergency need 10 heed our voi = cos (° r —— rtd ae Tes at 2 7 a — = i Stop the se - erets drop— the dra ~ ma, Roll Rol it om but fist veh mama, ou but fist tell ma-ma, a iv. a ee ——S Let her know! ——— = . SS Let her know!KEYBOARD 1 —171 15,911 Emergency Mt (Ci: “That Gnd ss PETER: “But what if Got CH" This Conversation wih May In alt — that book — ba-by.— (Kyra and Tanya a (GE Toor youth nso outa aman eget of sched, Work work wok, sav, sve se, So many in need. But dows hehe feist. (come (CH (cota "fay Hf a wing help? Noaoo. Joseph eli me CH at "Now hat wa 2000 ja lex you ete donkey athe ay toBetnchem" (eon Fanuaing stow what hs he don or me Tate ‘TANYA: am wrovr this oe cod! Look. on gee ronal for you. Tm not ng eo ‘ny baty oe no manger bait the retest ory ever ld jou gonna ei vee Ave mamas KYRA: “Olay I mean, 30 Wn da faa yo dic ead. Ofcourse hz’ 000m {Tyousua myo oly. car he Four Horecn oe Apacalypue gona some tundeh down TANYA costs CHANTELLE fall sen. KYRA conti) KYRA: shel sll eating "out why the wine men dt bang me nates” (ay nang) ‘fet atc ston, KYRA and TANYA cater "One ello! fae he oy dlageavee ened [CHANTELLE: *Ksepit up Jst cept up ad know to Ides ot oe touch by an ae scan ih butsnouleng wns RYRAS sca ‘staal ine) (SYRA An TANYA 908) (CHANTELLE: ‘And Peter sms."KEYBOARD | 12 15, 911 Emergency 98 +. — ee ee ee ee ee ee a —— = past a SS SS Fe $s as ee o Emer - pense etme w be a own up We done gone—— and made the call, that you need 10 pick the phone—— up. SS —— * 9S SSS Ss SS We done gone— and made the call, that you need 10 pick-— the phone wp, = = + =e + ¥ = : — SSS Se 2: SSS + a ee ee ee SS re ——> SS —= —_ = fing your moth - er hit alh— just go ahead — and own op ee = Se 2S eee ES: Saas == | Ring your moth = er tel it all just go ahead and own upKEYBOARD 1 13 SS SS SS SS o == <— Sop you ly in op the dea = mn, tell te wor BL Sst — tell Masa tt ae eS ot ts a ee et Step your iy = i dpe = mg, he war tak loa Let her know! _KEYBOARD I bare 16. — Reputation Stain'd Rock (= 120) (The students are gathering for rehearsal. JASON enters, valking with IVY, MATT watches) ty = ere a 7 5 vt ~ ‘ We _ eet Se (a ‘Will 1 see. yeu la ter? pte _ 1AsoN: = ee . , ‘Yeai, 1 think. att = z aS —+ v aT T = = kay 1 won't ask when a SS me $e | : % Fim SEKEYBOARD 1 175 16. - Reputation Stain'd PETER: PRTER: i get CHANTELLE:"Okay people. fe’ ger anatear hour staned, Pete, you have ben staring at me all day. Now flove yout pieces, noney, bu Tm oT the market" (cont'd) 6 Faster ( = 160) — thee can term than_ this: viletainKEYBOARD | 176 16, — Reputation Stain'a JASON: © Ty bak, the was-son that {have 10 Tove thee doth mck Ex cose the ap-per @ ANS Dis: Cos: Ps. (35 = 4 — =a 7 Se oe x #23 3 3 ee SSS 5 = & 2 a a a Ss = taining rage 10 such gree ing. Vielen am 1 none, fare-well——- ee . BS AS Dis AS = Calm. dis: hon-or - a be Wis te submis — — x ie SSS SS see though knowst—— me not, ) Gos Cos (Bb ADS Ds 1 Me a ae BS Ee E 5 x Sa Sa a Gen = tle Mer-cu - 4-0, pathy pier up,KEYBOARD 1 7 16, ~ Reputesion Stain’ CHANTELLE:"Iy, run the next scene Ob, and Nadia, Inanswer 1 your question. ano pont does the nurse slap Jie.” ws es ps | ols bs bis Be = — SS = mS + eZ 3g * JASON: Wy: Courage rman the hur. Can heaven be So en Nabia: A-lack the day, he's gone he's killed___ he's dead! Why the devil came you be-ween. Bis Bis Des BS — = NADIA:"Shame come ro Romeo. IVYE"Blistered be hy langue for such." ont) Vi-ous? Hath Ros me = 0 slain him sel? — us? Twas slain un = der your arm!KEYBOARD I i8— 16, ~ Reputation Stain'a IVY (com: wit Hew matbomesbame” cone wy a SSS 2 = = = a ——— 7 1 tought for all he best Oh, what a beast was 110 eo t as Bs ba z = = Z. z 3 7 Active i tricumph, and Mer = cu ti 0 stain! = 4 Vamp cit ewe) on repeatKEYBOARD 1 “9 bare "NEEDS TRS TOR 17. — Ever After You stand be-fore me and —I--bare-ly._krow—— you. who said 1 was his soul - mate? Where isKEYBOARD | 1 17.~ Ever After & aS so SS SS climbed an escape — grown fiom seeds that you plane You slew all my grams ig = z = = 0 | B c Dm c Be ¢ = 5 Zz = 5 And that they faut you Ym left with my — cou-rage. a Bb Bb < So much for ou— ev-er af 1 thought the good guys would wi umpin 1 Be181 17. Bver After KEYBOARD | _— 1 did wt hear his good-bye, 1 guess it_ was Rock (« lost inthe talk of a straight act = ing coward. ae JASON: —— Who ae you 1 go and lame this all on me? You're the one— who went a-head and changed the rules What?—-You found your way and now i'sKEYBOARD I ts? 17. = Ever After clock is striking mid-night, can't you hear? all 0- kay? Is it that Simple then? ——Realely?—-Youte such &- foo 3 + 36 A SS —————————— = = = © = = Ws ime to wakeup Pe = ek Put away thei = sry tales the BE == Not all tales have hep-py_end-ings. = : i aS + + §KEYBOARD 1 183 17. Bver After [8] rubato.) queve PIANO—sol0 So much for our ev =r af — You cant be the 4 —— £= -- SSS SS SSS —— = —— . —i same boy 1 fol - lowed. Thowght Tal = ways fol low.KEYBOARD 1 Is4— Ever After ’ SS = = 5 "You hum ome moe than you so All that won = ted was you You wee my 9+ mor =m aS s ad 7] 4 5 eS = © c Em JASON: “Pete, Promise you wot say anything to anyone.”KEYBOARD | = 185 — bare 18. — Spring J=10 Spring, a time for love aKEYBOARD | 186 18. Spring & 3 = 5 7 7 = a = IVP Are you almost done with * (contd lick me. IVY cont". this prety ode? rm eying = 5 SSS spread the spi wit I swings offKEYBOARD I 187 18.~ Spring but = ter = thes then show small chil dren i you see men ground = hog tyKEYBOARD I 188— 18. - Spring r Spring 1 hate the word as 1 hae shove her flow = ers sight’ up her ass % % " 2 of | se ge fs Fe = =KEYBOARD | 189 18, — Spring SEGUEKEYBOARD | 190 — 19. — One Seductively ( SOFT ELECTRIC PIANO. 20) bare IVE Leaving son” Brit é Se $+ = — > + Ct JASON: "Tonight IW¥E"M 100. IVY (oon): Ate you okay?” JASONS"Hanging in hee IWY!"Good, wel apologizing fo the way I acted a my par” (ca) {didn want 10 whe fF without IVY (cont'd “twas wasted, dat mean, ike, throw mys yu lke tha JASONS"Is okay th was cue 2 $ x Fis SSS SS Bm Go Em GKEYBOARD | -191 19. ~ One = Gu | meant all those things told you My feel-ings for you are real and. = Zz 1 would-n't tie There's Somesthing a - bout you Jas~son. JASON: But why?. e aa 5 < ecr on the ~— But id (9% Bott 3 oe Em o likey, 1 dont — just what its Pmdoing ere whee poth-ings ————— JASON: You want me 10 woe kiss you? Dont you 8 be So, are g0-ing to, —— ; Kiss you what fm sup-posed 16: do. Am 1 = _ BSS = = SF f UF you like me kiss me, dont sop 1 want you, you see it in my eyes —KEYBOARD | 92 19, One es FE — —— SSS SS SS Ive tied ba ifs hard to hide chasing you SOx: _—— + _ (asoxs , = 7 2 Hide with me, such a game. of hide and seek, - Lie with me y Fil PIANO & = . oe © Bm © UASONS)KEYBOARD 1 19s 19, One Ey) 3 , et ; 5) 4 ae a SS SS pe oe oe mf’ cto Ns Fam chant 4 fm LL (35 F : = =a my = ad —, * ~ = = ge es 2 i ALLittle Faster (evn | Chn AG Fim ———— a . ra 15] qaptay, _ Dat, 2 3 : =——= SS SS SS © * = — keep on wait = ing ———__ And | keep on hat ing es E Fimo Chm a E EASE Zs = = «7 Vv o v aT 7KEYBOARD I —195— 19. One * 3 ea es SS = SSS | Pe = > a ant keep ont ig _— oe And 1 keep on dy = ing, Dy-ing to fit in Try-ing 10 be + gin Dy-ing 1 fit in. — wy: One for ev = ek can you fe i? | Ym so. hap = py does it show’?KEYBOARD | 196 JASON: 19.~ One One to-mor + row mike me pro mise. Goth you have such pret = Wy eyes 2 I f Ls bis & 7S SS SSS & SS SSS SS = Ba = by you ae all 1 aed (have but ter ~ flies. ie (¢ : im a LE 2) a wy: a SS =a © SS SS) = — One con=nee = tion, one, yOu pro = mise, «One we fh = gion, one 10 - day JASON: os = — == —— cr ae ae Se = ——— == a One con=nee = tion, one, you promise. = One te = gion, one to - day. Lees By = < 4 © j DP am Gosus fa = Lot —KEYBOARD 1 ~ 197 19. ~ One 0-4 — ~ & 2 Se oe 2 = oe zs =< ~ you I am eer tain you can help me find my way ee ee ee é = = Here inside. you, 1 am cer = tin you can help me find my way 23) (PETERS) there? Please, pick up the phone, ve never felt 50 S10. mf sont o — es = — = & + — Dest » ébm D> oO oeKEYBOARD 1 198 19,~ One _ é Se SSS SSS SS = Gat i= i mo vat 0 dens te io i SS som on 3 o : = No re-grets, see the ight T os mT t oe & SS SS = SSS SF SS SS SS oS . = i? T Ess ES 4 : = om T or Wy: a = a One confession, God, 1 Jove you I~ son take me all the way. i Dos osKEYBOARD 1 = 19 — 19.— One & = = 5 = 5 FS & — 3 _ SS = Serew tonday—— and serew to-morrow Dont go, woe you stay? = v 1 Eom 3 rn Wy Fes = Doni 2 |__ JASON: = © Don't © Marr EES 4 —S —— = == And Tm not Levting goof What we tid so you should know tha . som Cust BE ie = we © Wort you say? i 2 tote eee = Wort you say? ie oe SSF o —— 1 will find you TM re-mind you. = You were once my ae = chy 2 Fm bb SF z oo — T a T 0 Lot — TtKEYBOARD I 16 Wy: # One One mission one sto len 19,- One ST One mis-sion one dare One, = ve, AS. vor | Ove dance, one One vi-sion, an-swered prayer One coves, one dance, one lover One prayer “ “ = One lover. One prayer St SSS SSS SS eo o a ae dare One toveer One vicsion, one an-swered_ prayer One dance, one One vi-sion, an-swered prayer.KEYBOARD 1 201 19. — One Wy ~ = = - Don't £0. ‘ JASON: eo ~ — Don't wo PETER: ie or — = = SSS = . =F ¥ SS Once 1 ad a he = 6, | gies he could = at. om Abmics 2 = re = Wort you say? lp ‘ _ ay = Won't you say? b ya ee = —-— Ss a a ee e — == * Fear took up his tem = ling and an ed hit a way es r bs oe - = — sKEYBOARD 1 _ 19, - One Wy: = =—- toe: a eae —-— o == == == One, 1 love you, One for-ev = et One trmor = row. One 10 day . JASON a * ra x = = — = = = o SS SSS == = One, 1 Tove you, One for-ev =e Ome former = To One te day gaa z = e + T bm Grus oS = —, SS —— Ea a SF eee e =| —— —— ——_— Dep inside you am set = tain You can help me find ny Ee Fe St ta St . SSS SS Deep inside you 1 am cer = in = You can help me find ay ; PETER: ne Gums — —— Help me find my f MATT. _ = SSS at — a Help me find my es NADIA: _ Ee = z a - Help me find my, | 8 Ds ( . —_ 22KEYBOARD 1 203, 19, One way, a way: __ —KEYBOARD I 204 bare 20. — Wedding Bells (o=80) Cue on SWNTH HARP [3] Gospeta=120) CHANTELLE: sa ey SS = ° 7 Cf it BF ———— SSS = = wwed-ding y'all so clap your hands! Boys in the house and these boys can dance!KEYBOARD 1 205 20, ~ Wedding Bells i 2—9— 9 — 09 9 : Bo Em. = —_ fase the coof— in pri of hem Ring out te wed-ing tel ghe7HETA-me! lp . _ . Be = z & = BE - 2 7s ae ~Z ral ANE, VANY, ReoD ORR a Wedding bells. Wording bells. Souls are ALAN, ZACK: LUCAS 3 sing = ing Wedding bells. & 2 ‘ oe $ FS SRS 5 nr a Wed-ding bells Wedding bells, Souls are sing = ing Wed-ding bells. Wedding. bells solo Gospel double-time fet Organ cue uns 46 Gm Ge e Eb Gm Gmir 2 Z se sus made the blind:KEYBOARD I 206 20. ~ Wedding Bells CHANTELLE pa Ses ue = aS SSS 3 Ivy, DIANE, Tana RAPE NN. . ‘ AS = —¥ = e + “¥ $ auantack: ist on ean hes zs e 7 = ¥ ,—+* ‘ == = + . t om Ga oe =: bics-sings are sent from the heav-ens a -bove Good book says to love your broth-er funky 360h ete grooveKEYBOARD I —207 20, ~ Wedding Bells KYRA: = CHANTELLE: Do un = to oth-ers as you would have done We can see you love cach oth-er Let's Love is seue! Chama i. espe melismas Wed-ding bells. Wed-ding bells. Souls are sing ALAN, ZACK: LUCAS wi Wod-ding bells. Wed-ding bell. Souls are snpKEYBOARD I 208 20. ~ Wedding Beis KYRA and TANYA “hoot many” with CHANTELLE: 4 FG —~——— 3 — 2 ———— so === SSS oe i f E rt Wed-ding bell, Wedding bells Truth is sing - ing Wedding. bells wedding. bels 4 2 Faas = = eee SF 3 Tee dea 44 ig bells. Wed-ding bells Teuth is ring = ing Wed-ding bells. Wed-ding bells com F B em ome | as = 7 Pease ae pes ope oe a aS Souls are sia ~ iy Wed-ding bells. Wed-ding bells, Truth ising ing lo = . | ay: —— + SSS SSS o =F == SS Dearly be-lov-ed—— We are gath-ered here to-day to bhese the union ofKEYBOARD I 208 20, ~ Wedding Bells IVY, DIANE, PARMA: (C. NABIA, RORY, KYRA be-lov-ed we are gath-ered here to-day 10 bless the wee vase e Dearly beloved we se gathered here 10-day 10 bess the aa of Pe- ser and Ja son Youre wel-come, vee ? % 1 Fon of Peter and Ja-son You're wel-come, —_ — show just cause why this un = ion should not take place. Let himKEYBOARD I 210 20, - Wedding Bells .NTELLE: "Now thas a surprise, Where are we PETER! Mascachoct CHANTELLE: Oh On tthe vows, > — = = == —————— = S = a S z = ea Ga] Watese ELECHRIC PIANO CHANTELLE (cont hate that, Stick with aciion.. whore you san” PETER: Plense? CHANTELLE: Go "esd You my be ~KEYBOARD I 2 20 JASON: 7 — can tll you've found ue love and blah, blah, blah, IS fate Ve telle has got her own dreams. Den - ze! ain't one —KEYBOARD 1 212 20. — Wealding Bells CLAIRE#*Jas00..° 08) change the rings sym = bol of — your per ~ fect love CLAIRE (cond. 1am so pro of you! Always Rist al everything! CHANTELLE: Sie, baby, I dit buy 84] You bot have rown up so fast” Now, Pte, dont Keep me Waiting too long, Where is she? tickets forthe ira Comp, Denzel ] IWYs"Tm sory, Peer You understand 90 sor: Beer You understand sn Toe . WY, DIANE, TANYA: is God hay ined et no man taf apart True love is forever PLANE TARA CLAREKEYBOARD 1 PETER: + 20. ~ Wedding Bells = 2 ete z v ve ee oT Je-son come with me—— sa. 1's time 10 change your mind We were meant 10 be— SS We can leave this all be pas eatKEYBOARD | 214 20. — Welding Bells Ce Ss oem ever and evs er and ever Asment or = as ex and ever and ever and ev-er and La A SAA A AAA AS 5 55 5 ott tht tt —_- = and ev et Asmen! For = ever and ever and ever and ever and | SS — al er and ev-er and ev- er A-men! ever and eh ser and ev- er A-men! For = ev aeee ae ek ser and ever and ev-e A-men! For = ev ce and ever and eer, A-men! a ourKEYBOARD I 215 bare 21. — In the Hallway Unrushed (4 = 120) = = Fe Womarrzen eee LUCAS: Well, wins a win™KEYBOARD i 216 bare 22. — Touch My Soul 1V¥2"Do you nave a sscond* JASON! Yoh wha sg?" IVVEHS uf Yeoh (2=80) PAyo be wo Gi Abs b> AnD» ety a Say vm IVY (cont haven see you ice. guess | hough youd el ver break [mean it fine thal you didnt ust. SASQN No, you'r eight] should have called ee oe Gorpb ANDi b> Abe cue AvD> Things. | have. don't ast for tong = SS = = = — FF oe oe ae Boys have come— and oys— have gone, VE grown ab ch toe ee ——_—= © oe ———— a b> abc Bim G . a == = = = ===KEYBOARD I —217 22. Touch My Sout my > = ——- SS 2 a SSS SSS Se © s— 3 pe ane Bom ra = = — et + se e ve ae know them, and what theyre a rouse - gee 3 : # * aS = — : a 1 tet — thm in we make sone me Be 1 = = z : oe — = * er s+ wee es They let themselves out that’s their choice. Boys willbe boys p = Hes = i= ———S re # t— i- PoP ee sy ele ee > Awe on co : J—3-d dKEYBOARD | 218 22. = Touch My Sout won't ring — and L an-ee-dote and shough 1 _ Es > SSS SS SS SS é > z SS = when came your, ad aL was ising was there jn your eyes, your lonely blue eyes. SoKEYBOARD 1 219 22. ~ Toneh My Soul —_S=—S_—— —— please cay you'll stay say youll nev-er go away, My dis-card = ed hear bas fin-ly found 9 home know its you toude— my soul e For-get_my When 1 see you catch my. breath, ——__ sor-rowKEYBOARD 1 22. Touch My Soul and om mds you Nelo — one Sov Se tomer tom se = = == ea Se SS SSS] Db ADIC @ 7 ” * Loe s pu a rl see — 2 SSS “F = mf 7 —— Here in your and 1 find_— 2 chance. to make it through, wo be some fe = —_—_—* e eee - se 2 / ore stay wih me — 1 SSS SS ¥ l= gst IS ae | - a | = = * 2 need. your kiss cause Ss was missing RS wail |e ——_ —— & ae re a a bur © — 2KEYBOARD | 221 22, — Touch My Soul 3 SS 55S 7 Gs —* - SoS > tee in__ your ge your lonely blue eyes so “Fo —F_ir lake my hand. —— let me help. you un = der 3 wz ———— —— = — = © —S= SF a — a ing hear can rest ond be made whole know its wo a jove please let me touch — your—_—_— soul Please let me touch — yourKEYBOARD | 222 22. — Touch My Sout = Atte slower IASON." WEY. te hom Hy wih, “ont soul ds ay Blo Hove yu G ! | # sf = * Dh af Bm Ga Da | mim Ei — z 7 ae = = ==] 1 So = - — = <= SS == e => SSS IS 1 think — youre such 9 spec - ial gi [really mean—— that 4 = a as ys 3 ¢ £ F wine A 8 2 = oe 2 oeKEYBOARD | —23— 22.~ Touch My Sout Bur what. we have — it does = n't work We isent you 1 sweay pro-mis, a bow you, wy: JASON: "Imade a mistake, Iv, I dont think we should see each oer" What do you met ad GinKEYBOARD 1 224 22. ~ Touch My Sour JASON: 4 f —- _ = & = = = == a wish to God — 1 felt thar way: You'll nev-er know —— But now, I have 10 atempoKEYBOARD | bare 23. - See Me 94 CLAIRE: “Hello” CLAIRE: "Hell PETER: d= ei ae ff SSS CLAIRE: “Peter? Honey. | was just going to call you. you. Theres some-thing that you need 10 know CLAIRE: "Gone a week, ‘miss you already Vm just gon = oma spit toutKEYBOARD 1 226 23. - See Me CLAIRE: “How are rehearsals going — You prob = y guessed ie years a= go ¢ An on ¢ a < —= —t — * CLAIRE: "Peter, we are so excited abou the play. Sul ids kind ot hard to say. ws some «thing that ve spent So long. not say = ing Some = =. _ SF ee BSS Sy = =a 8 — 2: . —— = aS =KEYBOARD I -27 23. - = fs = Git . 2 SS = : spo = en 3-oud a= lone while tm CLAIRE: “I like to tape it, but honestly, Peter, ‘Pm not going tobe one of those parents" pray ing CLAIRE: "Perr. perhaps now isn't the best time CLAIRE: “Hn 4 —_ Nana to lunch such 9 fone = fy bridge wo cross. Wve searched for ans = wers on my 2 “aKEYBOARD I CLAIRE: “She's so proud ot you, Peter 23. -See Me > a — oT — own Bat find that Fm com plete = by lost — s=s_s: = 2 $3 = t cw c — 7 = = PETER: “Mom, please -- don't si anything else, Just listen I dont know where o star. ee ee = sie eat ea om ¢ b aw cm an 2 sy SSS SSS == : =e 4 E CLAIRE: =z e Betk - ley list. When they called, Tal most died i 4 i Fe & i = =KEYBOARD 1 ~229— 23.-See Me : ———————__- x Se ——— _ 7s eee Would you really go te Bok = ty? id= nt koow that you app hed Me 2 e os 7 Bs \ bar PETER: "Mom, please listen 0 me . Z o Z whee did Not-te Dame go? T idnt know thar you with-drow. Be Be kp h = = e Peo- ple willl be dis - a~point - ed. Wave you real = ly thought this through? = st : ae ——— Mom, this is. im = por = tant Mom, you need to lis = ten z= : og: 2 theKEYBOARD 1 -230 23. -See Me BSS aS SSS SSS fe — —<— SS SS SS Please dort shut me ou re Mom yon nocd eee . 7 ba pegs ss: "6g SS =z Am o SoS = = eo Ss be ba bi caine: _ a — —— 2— SS — ——— = if Perey ese iy so sy tere Let me eal you er dean path ee eg T ———— ~ Boo | om acs eh = ‘ = = y = Sa = tC a =eKEYBOARD 1 —21— 23, -See Me 3 CLAIRE: ester, please. Ineed a break. What = ev-er it is. will bave to wait tim going (0 hang up— now ¢—real-ly need 10 hang-up now : : Ag s: _: 2g: ene beet = et fa = 2 boy 4 Bb ¥ Bb be ns or 38) PETER: Don't hang up-— this took— such cou = rage, Tm dy-ing here tm all alone — know you knowKEYBOARD | 232 23. -See Me one 6 Faster J= 120 pteieg —— : Fee eG etree 5 e g g @ . e Ben 4 be tg — te =+ SSS SEAS aS 4 | | om Dim — Base if —— oe “ ¥ tions. Just 19 be my Mom and— my—— friend. —KEYBOARD I 233 23.-See Me Slower J=73 | Ive been wai = ting oa you this since IL was twelve,KEYBOARD 1 24 23.-See Me “8 Faster J=c.90 ~ ee ef 2 + ‘< Be = e = Bm a . ey = = __ rene: —— = = = ot ? You dont wan to pear i — — —— me, can't bear. Em Peter you tend to dram-a-tize,— Ags: 2KEYBOARD I 235 — 23. See Me pam . ; s (SSS SS SS SI Theres a ret son fr hm Moines © + pen your $9 $$ —_————— 4:5 t-4 =a $ £3 $f 5 Bm wet > —- oo —= ES —4 SH ies = ai 7 P a =f really need to go right nowKEYBOARD I 236 23.-See Me [os] f=58 (PETER:) a == —- z =x + When Mom? When are you go - ing tall? a= SS =p — am et ae We can work this out to-geth er This is al ways on my Please me. Gm F B SEGUE AS one a uta)KEYBOARD 1 —237 bare 24. — Warning CLAIRE: So, thore it is, Clave, Fis aS you ered iano : : $- =: s #. = ae == mp cm Dota a Fm 2S : = i be ; z — —— = = oS SH oo 3 = ee Hf All these yeu of wor den titir elo = sure draws nea. . vee = + eo A qui-et kind of —— dis-tance 2 word 1 woul nok touch ge sg bwab ayKEYBOARD 1 238 24. Warning ace, a fs —Fj = SSS SS | 33 3 | Did T ev-er know ay son at all? Will, now 1 know to much = cme Dias a a E = P] Raster Jets so ee = ot * 7 Bu where was he wam-ing? How can this L, — = aS Ss _— = = Sa ge SS cm a cm Leta ELS ¥ a Tr ad 3 Fe SS S555 re be? 1 guess there are some-thing’ on ae St = ——KEYBOARD 1 239 24, — Warning Where was the wanting? To know this was coming? Now what do 1 do with this news 1 Bnd accel, = a — > = Where was the war = ing? AndKEYBOARD I 240 24. — Warning 38 Faster J=132 Es = = Cr a a se wht thea the ecard te —-—. . z Z iS > 7+ > so J ae zz es —S = = & he one sang, boy was born? All the dreams 1 had for him, they fade way24, = Warning KEYBOARD | 2al y e = v ee wish that could hold ‘And where was the wam-ing? paredKEYBOARD 1 22 24. — Warning His father will de How do 1 tell him? He cast see me ory Where was the wam-ing? 3 ~ Dont tell an-y one! 1 won't wont their piety ——— z 1 just want my son,KEYBOARD! 24. - Warning $ _ — — ces = =F = a = SS ge F a> a“ > 7) Stower J 120 , Gai © SS v +e se eee = Wes hap-penned i's hap-penned, — And life is so stcange —— = Sa e = s 2 34 Fm o = — 3 = —o = 7 Pe 7m — One sim-ple word ha Re whole world has changed. Could this real - ly be— my: ehild First born, my child? Who lay in his cra - dle So tender and mildKEYBOARD | 244 bare 25. — Pilgrims' Hands J=150 ig CHANTELLE:"Diane do | earawalr and nota ae? Wh ae you Kicking? Rory Fn ving you whe we cane 04" ean) S S 4g_ CHANTELLE (oont:"Gad ga 90 160 lf fst none hammer he pit home to the aon, And ack plete don cout out." coned) é. se loud ts ike white thre, whites tre, Everybody take fv.” LUCAS: Just a eminde: the pharmacy.” (cod) as we LUCAS font) cose ray a ‘oon Ge our odes bon then” DIANES*Wha pharmacy” IASON approaches PETER) ow’ living with Lucas?” PETERS" fine JASON"Peter we graduate next Sunday Are you relly newer." oom’KEYBOARD I 24s 25. ~ Pilgrims’ Hands WN (contdh”. going to speak —=stome—— agin” (con) BASON (cont sss you CHANTELLESOK, ots Hands" Ga f= 15) [2D TaNvarhys not tere, Sister Chante Asi? Wonder Who con” CHANTELLE (contd. jer understudy? DIANE: “lam” CHANTELLE: |lfrigh, Diane. Jason? a 1 pro-fane with my un worth = is est handKEYBOARD 1 246 — 25. ~ Pilgrims’ Hands lips, two blush-ing_ pil = grims, —rea-dy- stand to smooth that rough —— touch with a ten der kiss DIANE: "Good Pilgrim... Good Pilgrim." (eon) DIANE (eontd)"Wait, know it! swear! Good plarim..”KEYBOARD | 247 25. ~ Pilgrims’ Hands = PETER (stepping i Good pil = grim. you Jo wrong your hand to uch, Which man-ner=ly — do-vo tion shows in saints hands that pil-grims! hands do touch And aim 10 palm— is (ZACK laughs) hoo oy palm = ets kiss —KEYBOARD | —248— 25.~ Pilgrims’ Hands : £ E = — = e oe - 77 - ce Beau? CHANTELLE (contd:"..keep your sigaorance sy Whidden as possible. My sueuestion would be to stop breathing (con) [as] €H conan tas JASON: PETER: Have not stints y palm - ers too? they must use in prayer ©. then, dearKEYBOARD 1 249 ~ Pilgrims" Hands saint, let hips do what hands. do. They pray; Grant thou, ait (CHANTELLE!"Well dove, Peter Ivy, nie of you to join ws, but wee finished.” (cont)KEYBOARD I 250 25. ~ Pilgrims’ Hands CHANTELLE (con’¢):"Fhis room wil be left open if you decide you want vo get together one more time.” (cont'd) CHANTELLE (contd):"Me, Tn doa litle Pomus Pilate and wash ny hands of Val.” RORY:"Guys, we really need 10 run this” (con*) U2) RORY (cont: rect here eight 7-0." TANVAL“All of us. Don't be late.” IVVE" need to ale with you" (cond) IVY (contd):"Deo you not get messages"FASON:"Do you not get messages? Fine, what? What i i IV¥:"Not here." (cond) IVY (contd}:"Come bac st >” i JASON (cont'd: ca do the scene without you.” 1V¥E Took like you san ‘SASON: "Il meet you before practice" IVY!" come by your roam 4ASON:"FineKEYBOARD I 251 bare 26. — God Don't Make No Trash Upbeat Gospel (« = 120) dot know what Goa wants From me. Sitdown, JLE: "You don't have to say another word. you just listen to me, | PETER: iean omctine tem N - ¢ + + + ¢ ,3¢ 23 : = CHANTELLE: "You don't have to say another word, just ister to me. CHANTELLE When God sits on his migh-ty throne and says "What shall 1 make to-day He dont grab a draw - ing board ain't rho mis-take,—— the man—. don't play He sim-ply o-bens up— his heart Outcome aKEYBOARD 1 26, God Don't Make No Trash bi in’ works of PETER:"That's pice of you o say, but CHANTELLE:"Ur-huh. Baby, shut up!” CHANTELLE: —— God dont make the same you see. or ev'ry one would look like me Peo-ple need—— to stop and think ain't a rain ~ bow with-out the pink —253 26, ~ God Don't Make No Trash KEYBOARD I é = _ _ —— : | Ign-rant_ folk play-in’ judge and ju YY. they'ee the ones. gon-na know God's PETER:"T'm going to be late Gos don't. make CHANTELLE: Boy you better be-licwe— it that Gods on. your side, — Hel be your strengih,—— your frock, your truth, your sver las = ting guide ~KEYBOARD 1 —254— 26. ~ God Don't Make No Trash === ee _ —— = pie Boy you better be-liee it some folks will act aoa So caught up = with hate that they forget the gol = den rule o > och SE love is love! Love is truth Love is God and love will set youKEYBOARD 1 255 — 26, ~ God Don't Make No Trash om. + Mmm = hmm — ple poim a fin - ger you feel Two folks want to fall in love with mo one burt Whats wrong with that?KEYBOARD | 256: 26. ~ God Don't Make No Trash all the time Searelh your hear and 1 think you'll find. that God don't ake no— trash! And if youre CHANTELLE: "i's ‘cuz her's 2 Freely black woman inside the soul af = 2 2 sab gone _ Drum kick won-irin! why. Tm such a fan, evKEYBOARD } 287 26, - God Don't Make No Trash God don't make no God don't make no. God dont make no trash! Stower (d)=140) (PETER is overcome with emotion, CHANTELLE embraces him) PETER:"Everything is jst so confusing 2y(d=70) CHANTELLE: "PeterKEYBOARD 1 26. ~ God Don't Make No Trash CHANTELL sim 3 No + bo-dy has all the an - swe Re mem-ber the sae well Ir you hide from yourself. be some-one else for some - one cl - se’ sake CHANTELLE:"Now, say gousbye, And Peter, remember: God's got your back. And 50 do |yBOARD 1 vwipedal Choy NADIA (cont. rears 27. Wy: Hi" NADIA: “Ifyou say so, I ean’ believe you missed. bare — All Grown Up con’) NADIA (cont) Poor by Stucke wanting the one thing she can't have "You think you know me" bot, 2 a = = = z a 2 a i = Gi ' pate Fy = ~ Gi = : =—= Z _ ow ve esKEYBOARD I —260— 27, All Grown Up youre pretty. 1 rade places with you in a heartbeat Wy: Re 19 mem - ber back in seventh grade? End - less games fof ruth or dave, ef SH S = te = z ¥ Dou-ble dates 10 SI ar cade When 1 close my eyes—— Tm there 1 a oT fete = == o ee a a ad think my 0 = ther took this pie-tre back when we were all just friend, a = Z = . com Gam, bet Het # + = = 4KEYBOARD 1 261 27. All Grown Up 9 . _—_ ee fist —— Se —s = Mem = 0 = res that fade and Aick-er bun again when pretend 4 TTT ee ea = ———— = = —> Ama? cim7 fy t. eS + x o = + Ss > Life is sho and life is_ strange Tros-bled vO and trou bled past, — os © ne pt — & SSS SS Times have changed they re-ar-range—— And it tle girs. grow up so. fast262 20 ea How «bit slower eaueKEYBOARD | 268 — bare 28. — Promise Deliberately (« = 100) PIANO. 7 Am G Pro- mise Wob-sters de = fines "promise! as a tion that some-thing will not be done: [i] Fasterse= 130 Wy: 3 — Where have you been? [5 this some stu-pid game? meant it when ¥ said I need 10 ee 5KEYBOARD I 269 28.~ Promise JASON: 3 talk t you [unederestand but 1 yy. moth = ing’s changed (ees go = ing through, — A —<—S SS = PM say it one more time, Im = Sor-ry dont feel the same we e t ca « F & is SE had ur-selves a mo-ment but i's gone. My heads im thirty dif-fvemt pla = cesKEYBOARD I Please just wy 19 un-der-stand, Lb 270 > ' eave things at that and just 28, ~ Promise By JASON: — es a —s a = — zz =j é 3 ee (35 = ¥ don't have ime 10 hear what-ev = er tale you've spun have 10 write this speech deKEYBOARD I amt 28, = Promise fore 10 - nigh Plus, there are all these scones [have to run You know am saying make this up Youre a winsnee! Pat your perfect back Way 10 go, You got mt preg-nant = © F ass a | Gm? c LS | Gna —= Put THAT in your fuck ing speech They wanted real! — Well, God, you'll give them that. F Bs Is Gm Bb aKEYBOARD 1 2m 28. ~ Promise JASON?" Shit Why are you doing histo me? Shit Bb But were in this Got to pall to-geth - er Is this what [ wanted? time, Some-how we'll get through! And Ja-son, 1 still love Tell me tell me what to ot busier (88) arp. 8thsKEYBOARD 1 223 — 28, = Promise ayy 4 3 . SSS > = = = yo Some-day may = be Some-day may-be you ct leam, May be you JASON: ce — Love me? arp up sim. ral. can, Maybe you can team 10 love me Slower ( IYs"Pheas, gently & freely «KEYBOARD | 274 — 28. — Promise Mart: — =— — 2 = SSS SS SS May - he would love you May = be if he werent “that way" he accel — Is . —S OSS would-ai teat your feel = ings like his toy Gm © build F Asus A 20) = = 2 May-be hed make you feel real spe = ial, Like Tal = ways wanted 10 But Gm c F a hes al = read-y an love with a boy28. Promise KEYBOARD 1 an Rock (4 = 160) yea PETERTAm | tne? whats gine on” } # = = = = = 2 = = # re wen 1 wy 1 gues yo fave on 14508 = ——PF You brew? — bos ° ri SS & —— sce is af enon, . ever wart i — = = xe - SSS] =3 SS = Ievys ptegmant and your boyetiend’s the: Dad! so, Knew what?KEYBOARD I —276— make you? PETER:'Sh 28, wht? And what se fuk are you talking about my BoySiend™” JASON: "Get the fuck out of here, Mat. Promise — SS = = += 7 Dont play dumb. with me. Pe = ter! Should I tel her what 1st at the cave? Look, Tm not here to judge. Just Keep ev = = as es vs Bs —! = 7 ~ = = s = “FZ. FF yo fy one onthe same page And, hey, 1 think 1 found that strong s = Bs as Bs es ps os T T T » 108KEYBOARD | o7- 28. Promise JASON: "Whatever, Matt Whatever you saw."cont'd) © = pening AfaH]were look ing for apoespaschecs ES JASON (cont) *iwasarave” MATT ete i - = 2 Are yow gon-na stand) there and de «ay ehow JASON :"You know; huh? You fucking know, hub? What the ck do you know?" PETER:"He knows, Jason!" (contd) Tin ze Ss — Why ae you dan-cing? Why wont you am = wee You know what Il say YouKEYBOARD I 292— 30. ~ Cross God won't you wl me. Gos! know whar Tl say! Not You Slower d= 100 Pris know in your heart that the teach-ing is clear. Faith in the father has led your soul here. rit 3 Bear up the cross let the chureh be your spine. Don't quysction too much and you'll get_a-long — fine. sty ~ ie oe om 4 2 = as uo nd val vKEYBOARD 1 293 30. ~ Cross Whatever Live in his word you have done, know al-ways for = give God Go now for give in the spi-rit andKEYBOARD 1 —294- 30, ~ CrossKEYBOARD 1 ~ 295 — bare 31. — Two Households LUCAS: "Apathecan’s open... came get your shit Mititant . — > > . cs Aoma7 GNC) ve CHANTELLE: “All right. everyone, this ist Le relly try to focus on the opening - "(Noticing KYRA) "On the song, not yrs blouse- close it up, the buttons aren’ for show, Lady Marmalade, And z z so = z MN Vv Arma G(NC) Asma7 GINC) | - = = = = a 3S $ s s s = 2 CHANTELLE: "Dignity? How about same..." (cant) - ZDAT (unison): v 7 e 4 wee Fe wee Two house-holds, Both alike fm digeni-ty z ? =~ z z = 3 ve ve (CH (conta. armony” Diane that’ it Lip syne DIANE. TANYA: Y LUCAS, ALAN, ZACK: “Two ouse-holds, bom alike in > > > oN = = > —™ Arma? GNC)KEYBOARD I ~ 296 — BL, = Two Rowseholds (CHANTELLE:"Tany, et your had right out of tht boy's costume and simmer down, Ws not that Kind oF pa —$— so 2 = > zo AemaT GINC) Asma? G(NC) DIANE, TANYA: re = 7. 7 Tucasatan te reer aft Zack: Two. house-olds, both athe in digoni-ty. z z = z > build = z val 75] CHANTELLE:"Isson! Ivy! Youre not dea il he end! Youve in love - whatever. Pretend. | don't care how you do (cont'd) 3 —s a ol CHANTELLE (contay:"That best one hell oa kiss. Sister Cha ls miei siding on this. People pull it togethes (CHANTELLE: Ready 3. 4 Exe DbKEYBOARD 1 = 297 = HM. ~ Two Households Slower ¢ = 190 1D. ALE nh t Two households, both a= like in dig = oni ay In ti i70 Two house = holds, both a = ike in dig om where scene Bim sim. ad tb a break (0 new me my where From 2 From an - cient an cient grudge 2 whereKEYBOARD 1 298 Two Households ae = z e cy = Blood makes ew Wands un chan _f 4° ¢ ef 8 civ = it blood makes civ = hands) un clean es 5 = a . = — & ie m we ES _ (=) (CHANTELLE:"Thank you, Jesus!” (CHANTELLE EXITS, LUCAS approaches JASON holding a vial of GHB) LUCAS:"Never let it be said 1 don't deliver” JASON: ou know.” (cond) z - — - Et a ev — Nast299 H.~ Two Households KEYBOARD 1 LUCAS tn wee ol GN IASON ed Father Abou ~ at at pe ————| ye sat & — e oe wey PETER: Realy. And (OH _JASCW'S took) “On [56] sason: ‘s-caped this? tet, you Run a way just rev es look ingKEYBOARD 1 — 300 — 31. Two Households gee S = back? You cant hide an = y-more 1 cant ide an yrmoce.— eter SESE fate Dros Em PETER:"Jason, sop. 1 dont was to JASON: Ca But what if we Just think a-out— it, pleas. Ds B Diaada9 sin ab. PETER: “Jason, i's over. JASON: "Oba"KEYBOARD I = 301 = 31. Two Households 7 CHANTELLE:"TWwo minutes, veryene:"JASON stares a the via ia his hand. Unseen, he opens i. and swallows ts contens) os ae Ea Sa =—— BI (NADIA stops IVY to fix the back of her dress) ts 2 2 MATT:"Pete. aha | did that was messed up,” (cont'd) Nala: Wy Napta: You look great. Dorit feel great T= now MATT (cont):" didnt mean to. 'm sony." PETER!"W's done."RORY:"Actors ready.” fg eveKEYBOARD | 302 bare 24) PIANO) JASON:"Wait Do you mem = ber the day that_—-you met. me? 1 ee — . te —— == =: = z: = werk was yesterday 1 knew with Tha were the ques ‘and you were the ans That theKEYBOARD I — 303 — 32. Bare © — world would make sense iF Let your hand. Some A little faster (4 = 134) day you'll took back — and 1 hope — youll re-mem ber the mo - ment of truth when knew who was PETER: eam the th you gaveKEYBOARD | —304— 52, ~ Bare Faster (e = 147) als ways se-mom = ber that first sto = den mo ment - = = Kiss-ing_me and me seemed 10 freeze. stand ata crass = road And 1 ste ata ques = tion. ir * a sprayer were the ans wer Va fall on my knees But32. ~ Bare KEYBOARD I - ao for - ward is cal ing and can = not stay here A How do 1 for ~ get the dream — you — shared with me.KEYBOARD 1 —306— 32, ~ Bare Ive ney - er been this tare The nev been so sh MP Choy Ive ney = er fel sueh hon-2s-ty, A mo = ment seared, Doubts that will ney = er go away, of such peace, _ Know-ing what you mean to me— Fach of us siand- ing bereKEYBOARD I 307 32. Bare Know as you hold my Know = ing who we have tbe, 1 hope and pray that yout un = der-stand, 1 know youre here in myKEYBOARD I 308 32.~ Bare Please un ~ derstand Try see Ws not good-byeKEYBOARD 1 — 309 — 32. - Bare — = > be-gin The aud fence wait AsO _ —_ — SS = = a — Siwy it this, mo > ment where se = eres reveal —— Here in world Where there's safe - ty in false ~ hood. = ge = > = ——F — = f [ 1 nave dis a the one thing thatsKEYBOARD 1 —310— 32, ~ Bare [is real, —___ That 1 tove— you And (loved — you from — the sta. to you welll neveer be a-part.— Pe ter. God, 1 love— you.KEYBOARD I an 32. Bare ot _—.-_—————. ~ pete SS From the start. From the start.KEYBOARD I 32 bare 33. — Queen Mab Rubato (4 = 90) PETER:"Tut Duns sh mouse, the constables own word! (cont'd) PETER (con’d):"Uf thou art dun, we'll dew thee frory the mire of sit-reverence love, wherein thou sickest yp to." (eon) ‘we bur daylight, ho!"SASON:"Tis no wit go." PETER sum, why, may one ask JASON: PETER: a Well, what was yours? That dream - ers of -ten lie © > G EmKEYBOARD 1 33 33. Queen Mab JASON: In bed a= sleep, while they dream things Path been wit the fair = ies : = ces, of the small = est spider web... Pricked from the Ia = vy fin = ger slate, she gal ~ ops55. — Queen Mab KEYBOARD 1 ou eet —- 5 2 3 < - ee then he dreams of a= nowt oo ben - e- fice she dri = veth oer sol - die’s neck, and then dreams of cutting for-cign throats... Drums in his ea, at which heKEYBOARD 1 315 33. Queen Mab stars and wakes and be - ing thus fright cd, swears a prayer or two. And sleeps Sreeranraaeey This is she, JASON: "#eace, Mercutio, peace. Thou takes of nothing” PETER: "Are you okay. JASON: “Il be fine. PETER:"God Jason, you're fyingKEYBOARD I HARPSICHORD Faster (e —316— 33. Queen Mab eget 2 eis = re T ——~ i 8 I 4a bare KEYBOARD 1 34, — A Glooming Peace 2-90. Ra ROH NADIA 5 = eR 4 SS I 7 ¥ — _t ing with on Brings The secre 2) beings —— A aloom = ing peace this mom - ing with (Get SSS = > = ( Fries Dima? SSS have more talk ef faan have more talk of Eaves — =< these sad things, shall be par-doned and some pun - shed aia sittrdai ts =F these sad things —— Some shall be par-cdoned and some pun - 4 — shedKEYBOARD 1 318. bare 35. — Absolution PRIEST:"People come vo church al times like these For answers,but Ihave none Most words seems to fll empty. but I'l try. I's horrible thing that no one should have to go through, losing. friend at such a young age. You know, or you should know, ‘that he's an beter place, We'l always ask ourselves if there was something, ‘more that could have been done. Tha's natural «d=62) PETER:"Do you ask yourself that, Father?” Viunp (vocal las time) PRIBST:"Me” 2 PETER: WARM PAD mp went to you for gui = dance, = You. hid behind =a seroen, Know = ing how much em pathy sight | mean, Did you know how much he loved? -—-Did_you know how much he.Absolution KEYBOARD | 319 38, ———— = Tone and vared? Tost inthe teach ings was a boy so al. and nothing else brought — me. PRIEST:"I'm sorry Peter” PETER:"And| forgive you father" ape 2D = =KEYBOARD I —320— bare 36. — No Voice Deliberately (¢ = 1161 PIANO. A) napta: Dear Ja - son, there will be tears to-day, bu well get through z and you'll be there HL leave a chai for you you made it 100 . = Zz z so = = i You held your mys - te - ries so close but I knew 1 knew your wayKEYBOARD I 321 36, No Voice talk one day. SS Dear Ja ~ son, you cant be - gin 10 know the pain you caused. do make sense of what ve gained ve lost What a mess a per = fect mess Lehi a-tone to sont outKEYBOARD 1 322 36. No Voice = In the sor row, guilt, and rage keep com ~ ing o Ve Tike 10 star with just If we could ake a mo-ment If snay-be we were si-lent 1 ied to find the words to Just the right quo-ta-tionKEYBOARD 1 33 36, No Voice a IVY, DIANE, TANYA, CHANTELLE You a-lone, the Lord most ho - ly You alone, the Lord most high KYRA, RORY, NADIA: — You a-lone, the — Lord most ho = ly You a-lone, the Lord most high — MATT, ZACK, (OPTIONAL:PETER) : You alone, the —Lord_most_ ho - ly You alone, the Lord most high ALAN, LUCAS, PRIEST: You a-lone, the Lord most ho = ly You a-lone, the Lord most highKEYBOARD 1 324 36.—No Voice ; —— Se 2 oll bear us now Steor our hearts and gram our bear them in your hear us now Simer our rant our prayers we ear them in your hear us now Steer our hears and grant’ our prayers we bear them in your hear us now Steer our fears and grant our prayers we bear them —in_your Make us one with all done in your mame. Make us one with all done in your mame.KEYBOARD ! 36. No Voice 9 Dear Ja = son How did a sim-ple love wet com = pli - ca - wd? 1 Days crawl by. ask omy > sell a-gain should 1 have wai ~ te, Ins world thats quick 1 judge, Twill wy @ un = der stand HS so hard 1 find your way wiven you have m0 voice 1 guide youKEYBOARD 1 326 — 36, ~ No Voice 75] WYDIANE TANYA, CHANTELLE No voice (PETER is embraced by CHANTELLE) on No sound, No sound, KYRA, RORY, NADIA: No aie No sound No sound MATT, ZACK: No voice No sound, No sound. ALAN, LUCAS, PRIEST: No voice. No sound No sound n No word Ne song. No word No sone. No words No words No song, No words No word. 8 No song.KEYBOARD 1 327 = 36, — No Voice do sony No —— a song No rear — 5 —— —[ee & No. No heart — No son. One One heart One love. One love, + CLAIRE One heart On love. One love. + PETER y One hear, one love. One low heat One love. ne love.KEYBOARD I 328, 36. —No Foice light One Tight One Nigh ove south —~ he One Tigh One igh. One. ruth One teuth One lite One voice. > One truth One lite, One voice.