Poetry Terms:
‘Types of Poetry: Pao) Ayitee
Narrative: 9 92M pet telly 4 aa
bana poten af sgelity, on, fe tt ky
a He = chan cle
copes Cor e0-f lion Ler saee cheracter
wes Lyprassing emobfors
sonnet: 7 i ote fm Faebre pertonele
eh chy SHUmL
Poetic Devices (sound and oa
Metrealverse: follows a set ha thon ul pettern
oe
i forte iter! ceetlege pelt jitoeees
weal
7
spe fet a
iam: ¥og alike ruly ashamed
teehee: Chine (i at Ebne Pothier shen
Koch v
dacty!: sere, dry clang
[Number of fet pein: empl my eak sb
Mongmeter,dimeter,trimeter, tetramete, none oa
Amber of ings pe stra
|
~ poetey uuhilunt a
2 Cove pecegraph
* Feipek Here
q- Quateninrithms pattern of beats o- Streamed in
a lie vf ROR
mine rechten, off sack! ot wh
wo
mm nb He wd of ~
Internal rhyme: chy ol wit a
stantityme:/ off hy ne
eek ae ee
inslend of
of inte think yet
~ Alliteration: ~p etch Lon
Cantonent somes. ahah a seartd tf
MM Assonance: woul
Lp inpzltion 0 =
ve sheesun us oS ae
i — codsa. nan
scene Pa eye
oh « andi |
BP co NBER CSE Sf
an of wo rhs
date sounk J
Sgsests (1 Rete
ee) hoo L
*- plop < fool} cake
eler y na Pate
squish v
ties ern
he . theo og boat
on :
y Biore epee on
dn CRMy Papa's Waltz by Thzodore Rothke
ee
The whiskey on your breath__
ace a
FE co te sa 4h of
But we ike oaths,
5 beerf
We romped until the gas wet pair gy
Slid from the kitchen shetf;
‘My mother's counterianee ) 1
ae i ‘4
Could not unfrown itself ee
ie eel fom
The hang that el my it Wy
=P was pitteréa oh one lruekle | wets
At every step you missed BAK mi!
ny ‘
Fy Manca seeped bee, Liner ine ove
Lelt Ba
Youbgatime on my head
E With @ palm caked hard by dirt Dad works
‘Then waltzed me off to bed Keck ~ manner’
sei{Einginelto your shirt. Weel‘am not there; | do not sleep.
wz
‘Fam ne nat a
«Tals hovizha vinas vide bow, b
TT vy Re fiona
b
ic
c
S
+ Lam the dianiond’glints on snow,
Z
5 «Lam the sun on fipefied gain,
2 e
es : :
wen vidadoeianbnigsnGa. ft Co’ Shift
* Lam the swift uplifting rush
+ Brides ct ae tame
Do not stand at my grave and cry:
Jam not there; | did not die
Rhymes Rhy oe Tort aoc
RQ Ning Couplets
Exrk Lame
Tre ely Me
Meters lambic te bamebe@
*
TITLE
adler what the poam
‘wile about bated on
thet.
Name: Date:
Aan ol
\
rarkagrocte Wh ae §
PARAPHRASE
Bry describ in your
cm words what the
poem is about.
BA desk dad dan, opr
with Ws yours Son Suns) Me
CONNOTATION
Analyze fie poem
ts the folowing:
wae, Sdeme- akal — some
tive Language + We
‘grime Woke” Thon btc trimet+er
Shin es vothe Cote ce eke Tye
“etn tee _ Coe Se ot
beg pth | ce don ayy
say Ane in weekeefr Ales slow
Ricco row (rs slop PY:
ATTITUDE TONE) | ng YOu — Ir om We dae
‘Rbjec vows .
‘Sipressed tough
eon = Imagery
“beta “Langue
exci led~ “romped” es
nostalgic — pest Ase
SHIFTS
‘re there any changes
‘he poem? Why might
‘ese bemening?
Ext Webley fa nee
(2,04 -» shaus bo al, Aas
ee) ty Sloppy wk off—
TITLE:
Now that you've read
the poe hat might
the tile mean?
rear PY dan ctng
wit
THEME
‘wat mightbe the
thame amessaze/
opinion about ope)
ol the poem?
You con Gre Someore
on ce Bae lem.TITLE
Predict what the poem
‘it be about based on
the te,
PARAPHRASE
Biey describe in your
poem Isabout
CONNOTATION
‘Arlyze how the poem
tse the Folowing:
“Figurative Langunge
Meter tyme
“imazery
Sound devices
Dien (word choice)
‘ATTITUDE (TONE)
What isthe speaker’
ude toward
subject? How this
fopressedthoveh,
Detalis” “Language
1 Sentence Stature
SHIFTS
‘are there any changes
inthe hy, tyme,
structure, or another
consistent element of
‘the poem? Why might
these be meaning?
Tite
Now tatu ead
theoem what ment
thetemean? |
THEME |
unsemsntde tne |
theme amessee) |
erin about 2p)
ofthe poem?
EESonnets: The English (Shakespearean) Sonnet
Women, 99°
Historically, sonnets were writen about
however, Shakespeare's series of | S“f_sonnets spans a vatety of topics and themes
seengihsomettas “ftw mi L 7
nametnes hale dcdefet 9
Temetr ster ie
on os Stet a
eae . teehee ven (nar) ype otra)
ca SA gy e6iN ome LOLOL tereisa ALD rts
change inthe tone, mood, orstance ofthe poem or the presentation of resolution toa prablem
posedand ron nt ami. } 2 aeotniny
hi
: net 130” by William Shakespeare
bo sll bles
dell Wry lawn
Tver ned
oe eae
‘gn eaeeinonosinirtess
ee
ee ee
veto hearer speak yt wel Ke
Cafedin Tt msichath farmer pleasing sound
ee
My mistress, when she walls, treads onthe ground:
inayat Ray eR
7 4 Turn:
serosa cmp ong any Log.
=
wong 1 jples L
ely — Hy git 6 ose is Dewmtihel
bn Big betelyou ort
Yow Someta bition sae
if eit sme eo ie Gaia)
[that aroce tov and more temperate thon SiamrAgr
Rough winds do shake the dating buds of May, bene SL a)
_ tndsmmetsinaiiifitssnersante 13 fern p9 OF incons diol
Sonetine toot the ee ofhenen ses, ay ica ct ise. {oo
Lot o- foo colA
‘And every ft from far sometime detes, ~ thins fide nue it
By chance or nature's changing course untrimm'
sufferers ae Sek foes
rem te RES OT red / wend ben!
vert oh on hee \
Ee wait oe 4
‘Solong as men can breathe cr eyes can see, ~ 0S Cone oF peep eke
So tong ved is: fgets yore ya Fa
‘ ele ON
Vy
poe
{And often Isls gold complexion dimm'ds