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Chinese Illustrated Propaganda Books

1950-2000
1 蘇聯經濟及文化建設 成就展覽會紀念畫冊 [Commemorative picture album of
the Exposition of the Soviet Achievements in Economic and Cultural Development].

[Guangzhou], Guangdong People’s Publishing House, 1955.


96pp. 4to. Black-and-white and color photographs. Original cloth (lacking dust-jacket).
Parr/WassinkLundgren: The Chinese Photobook, p.169

Due to the shared Marxist-Leninist ideology, the Soviet Union was an early supporter of an
independent China. Held in 1955 in the newly built Sino-Soviet Friendship Building in Guangzhou,
the Exposition of Soviet Achievements in Economic and Cultural Development showed how the Soviet
Union was not only a useful ally and trading partner but how it could also serve as a model for
China’s development.

2 3
2 中國 [China].

Publisher unknown, 1954. 3 中國婦女 [Women in China].


Large 8vo. 48 loose black-and-white and color plates with printed captions on verso. In original
Publisher unknown. 1954.
cloth folding case.
Large 8vo. 36 loose mostly black-and-white plates with printed captions in verso. In original folding
Parr/WassinkLundgren: The Chinese Photobook, p.162
cloth case. Text in Chinese, Japanese, English and French.
Parr/WassinkLundgren: The Chinese Photobook, p.156
This publication was printed to mark the fifth anniversary of the founding of the PRC. Soong
Ching-ling, the widow of Sun Yat-sen, contributed the preface. She states that the book shows “a
Published in 1954, the fifth anniversary of the PRC’s founding, Women in China depicts the “women
picture of over 500 million people overcoming obstacles and progressing enthusiastically and
of New China” - at work, at play, and even shaking hands with Mao - in a series of black-and-white
victoriously toward Socialism.” The photographs cover agricultural and industrial developments,
and color images. Presented as a set of loose plates in a brocade box, individual photographs could
cultural projects, and social life. The text is in Chinese, English, French, and Russian. The images,
be hung as inspirational decor in homes and community centers.
mostly in color, are loose in a box, the cover of which features the title in Mao’s calligraphy.

4 5
4 China’s Women Workers.

All China Federation of Trade Unions, ed.


China Workers Publishing House Beijing, 1956.
4to. 38 black-and-white plates. Softcover. English text.
Parr/WassinkLundgren: The Chinese Photobook, p.158

Each of the above volumes illustrates the important roles promised to women in the People’s
Republic of China: “For the first time in history, Chinese women workers obtained equal rights in 5 China’s Workers.
society, they now hold their destiny in their own hands, working for their own interests, as well as All China Federation of Trade Unions, ed.
the prosperity of the motherland.” [Unknown publisher] 1956.
Folio. Original decorated covers. Numerous b.-w. plates. Unpaginated. Softcover. English text.
The book’s preface furthermore states, “According to statistics of 1955, the number of women workers Not in Parr/WassinkLundgren: The Chinese Photobook
in China has increased approximately four-fold since the early period of Liberation in 1949.” They
constituted an important human resource and now worked in jobs that were hitherto the preserve Due to the similarities in layout and design this magazine was almost certainly published by the
of men. China Workers Publishing House in Beijing. “Our people all over the country are enthusiastically
working to build our country into a great socialist state.” (Preface).

6 7
7 幸福的中國青年 [Happy Youth of China].

China Youth Press Beijing, 1955.


6 內蒙古自治區畫集 [Pictures of the Inner Mongolia Autonomous Region].
Large 8vo. Black-and-white and color photographs. Original cloth-backed boards with (slightly
damaged) dust jacket. Good ex-library copy. Unpaginated. Text in English, Russian, French, and
Ethnic Publishing House Beijing, 1955.
Chinese.
Large 8vo. 
172pp.
Parr/WassinkLundgren: The Chinese Photobook, p.160
Black-and-white and color plates. Original cloth-backed boards. Good ex-library copy.
Parr/WassinkLundgren: The Chinese Photobook, p.166
This promotional book was intended to showcase the enthusiasm with which China’s youth engaged
in every aspect of life in New China. Its optimistic images illustrate the notion, stated in the preface,
China’s autonomous regions are often centers of ethnic minority populations and each has their
that “we, Chinese youths, have already become masters of our country.” The roles of children and
own local government with certain legislative privileges. Inner Mongolia formally became
young adults were radically reshaped in post-Confucian China. In traditional Confucian society
an autonomous region in 1947, two years before the founding of the People’s Republic, when north-
people knew their places: sons obeyed fathers, wives obeyed husbands, younger brother obeyed elder
eastern China was already under the control of the Chinese Communist Party. Pictures of the Inner
brother - and everyone obeyed the emperor. With the overthrow of the imperial system in 1911,
Mongolia Autonomous Region introduces some of the economic and cultural developments in the region.
things changed irrevocably. Their newly developed sense of patriotism encouraged people of all
ages to identify with the state. This feeling reached its apogee during the Cultural Revolution (1966–
76), when China’s youth assumed the right to destroy all that it identified with the old society.

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8 新中國水利建設 Water Conservancy in New China.

Ministry of Water Resources of the People’s Republic of China, ed.


Shanghai People’s Fine Art Publishing House, 1956.
Large 8vo.
Unpaginated [148pp.] Black-and-white plates. Original cloth with dust-jacket in printed
slipcase. Text in English and Chinese.
9 中国穆斯林的宗教生活 The Religious Life of Chinese Moslems.

Parr/WassinkLundgren: The Chinese Photobook, p.172 Beijing, Minzu Chubanshe, 1956. Large 8vo. Original cloth in dust-wrapper.
59; [iv]pp. Numerous photographic plates (several in color).
Published in 1956 as publicity material for the new engineering projects depicted, this book was Not in Parr/WassinkLundgren: The Chinese Photobook
also sold abroad through the China International Bookstore. The design of the book’s cover, printed
in green with repeating stylized waves, stands in stark contrast to the rather austere, predominantly A fascinating propaganda book about Muslims in China produced at a time when China felt
black-and-white photographs inside, featuring dams and navigation locks, sluice gates, and river confident that they had established full control over its minorities. “We hope that the free religious
dredging operations. The term “water conservancy” is popularly understood to mean not wasting life reflected in these pictures will further inspire the patriotic enthusiasm of Chinese Moslems,
water, but the focus of this book is more in line with China’s perennial water issue: how to control increase non-Moslems’ understanding of Moslems in our country, and promote mutual
water. A country both rich in water resources and subject to frequent floods and droughts, China understanding between us and our Moslem brothers and Non-Moslem friends throughout the
has always prioritized development of large-scale water management infrastructure. world.” (Foreword).

10 11
11 哈爾濱 [Harbin].

Heilongjiang People’s Publishing House Harbin, China, 1958.


Large 8vo. Unpaginated [96]pp.
Numerous black-and-white and color plates. Softcover with dust jacket (minor staining).
10 黄河 Yellow River (1957). Parr/WassinkLundgren: The Chinese Photobook, p.192

Yellow River Water Conservancy Committee (ed.) As the PRC approached its tenth anniversary, books recording the achievements of individual
Shanghai, Henan Peoples Publishing House 1957. provinces became popular. They were inspired by gazetteers (difangzhi), a historical book genre
Folio. Unpaginated. Numerous black-and-white plates. Original cloth in dust-wrapper. Chinese with maps and illustrations that goes back to the Han dynasty. Their modern equivalent showcases
text. A fine copy. local characteristics and cultural traditions and highlight its special contributions to the New
Not in Parr/WassinkLundgren: The Chinese Photobook China.

In the early twentieth century, Harbin had a certain international flair that led to attributes like
“Oriental Moscow” and “Little Paris of the East” for its architecture and sophisticated lifestyle. The
photographs in this book present Harbin’s unique history and culture and some of the important
transformations experienced by the city since 1949.

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13 全國勞動改造罪犯 工作展覽會畫冊 [Catalogue of the Exhibition on the National
Criminal Reform Through Labor].

Ministry of Public Safety and Exhibition on National Criminal Reform through Labor. Beijing, 1959.
12 北京风光集 Glimpses of Peking. Folio.
89pp. Black-and-white and color plates. Original flexible boards (slightly worn at extremities,
but good inside).
Beijing, Art Photo Press, 1957. Parr/WassinkLundgren: The Chinese Photobook, p.196
8vo. Unpaginated. Black-and-white and color plates. Original boards in dust-wrapper. Text in
Chinese, Russian, English, French, German and Arabic. By 1959, there had been about ten nationwide purges of different natures. The Exhibition on
Not in Parr/WassinkLundgren: The Chinese Photobook the National Criminal Reform Through Labor was held in Beijing in the same year. Initially it was
opened for party-members only, but it was made accessible to the public on June 1, and concluded
This book has the feeling of an illustrated tourist guide to the Capital, featuring many of the attractions on July 30, having received over two hundred thousand visitors. According to the preface, the purpose
that date back to the imperial past, as well as some of the recently constructed University campuses, of the exhibition was “to report to the people of the entire nation on the status of reform work and
factories and amenities such as the Worker’s Club. The book was clearly intended for a foreign to solicit further support and monitoring from the people, so as to reform criminals more effectively,
audience within the Communist sphere of influence. transform negative elements into positive ones, and more rapidly and effectively contribute to the
development of socialism.” This book was not for sale but published for official use only.

14 15
14

北京國慶工程落成紀念 1958.10–1959.9 [Commemoration of the completion of building


projects on the occasion of the anniversary of the founding of the People’s Republic in Beijing:
1958.10– 1959.9].

Publisher unknown, 1959.


Oblong 8vo.
20 pages, 1 color gatefold. Black-and-white plates. Hardcover.
Parr/WassinkLundgren: The Chinese Photobook, p.174

15
16 上海 [Shanghai].

People’s Fine Arts Publishing House Shanghai, 1959.


Folio.
328 pages Black-and-white and color plates. Deluxe edition, clothbound in cloth box.
Parr/WassinkLundgren: The Chinese Photobook, p.189

This deluxe clothbound book, housed in a brocade box, was published in 1959. Another edition
北京國慶工程落成紀念
(not shown), clothbound in a paper box, was also published. In pictures full of color and life,
highlighting technology and modernity, Shanghai is shown as a happy and well-ordered city.
Same title, green cover. This version not in Parr/WassinkLundgren: The Chinese Photobook
Hobbies and leisure make an appearance too. In editorial approach and layout, the book is similar
to China (pp. 176–79), published in the same year. Here, however, the emphasis is on the changes
To commemorate the tenth anniversary of the founding of the People’s Republic of China, the Central
undergone by Shanghai in the course of China’s modern development, and the city’s importance as
Government undertook ten major construction projects in Beijing and in February 1959, stipulated that they
a role model in this process.
be finished for the anniversary on October 1st (China’s National Day). These small booklets were published
as a gift to some of the units responsible for the projects, which became known as the Ten Great Buildings. It
illustrates nine of the ten Great Buildings excluding the yet-unfinished Diaoyutai State Guest-house.
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17 上海 [Shanghai]. 18 黑龍江 [Heilongjiang].

Shanghai Branch of People’s International Cultural Association of China, ed. Heilongjiang Fine Arts Publishing House, 1959.
Shanghai, Xinhua Shudian, 1958. Folio. 272 pages Black-and-white and color plates. Hardcover in cardboard box.
8vo. 
Unpaginated [124pp.] Parr/WassinkLundgren: The Chinese Photobook, p.192
Black-and-white plates. Cloth-backed boards in dustwrapper (damaged). Text in Chinese, English,
French, and Russian. Heilongjiang, the northern-most province of China, possesses rich mineral deposits and energy
Parr/WassinkLundgren: The Chinese Photobook, p.188 resources, notably oil, coal, gold, and graphite. Many industrial enterprises were established here in
the 1950s; extensive land reclamation projects were undertaken, and large-scale farms were created
When Shanghai became a “Treaty Port” in 1842 the city acquired a new and ostensibly western to exploit some of the country’s most fertile land. Celebrating Heilongjiang’s achievements during
dimension. After the founding of the PRC, almost all foreigners had to leave the city, but it the first decade of the PRC, this book shares the editorial approach and layout of both Shanghai and
maintained its status as an important industrial center. The photographs in this book showcase the monumental China published in the same year.
Shanghai’s achievements since the city’s liberation from Nationalist control on May 27, 1949. The
image captions and preface are provided in Russian, English, and French, as well as Chinese. The
message of this photobook can be summed up in the following quote: “Universal grinding machines
- the precision rate reaches international standards. These are now produced on a large scale by the
Shanghai Machine Tool Factory which formerly could only produce simple farm implements.”

18 19
20 人民大會堂 [The great hall of the people].

19 中國 China. People’s Fine Arts Publishing House Beijing, 1959.


Large oblong folio. 20 color plates. Hardcover box, original hard-cover edition.
Liao Chengzhi, ed.
Parr/WassinkLundgren: The Chinese Photobook, p.182
Publisher unknown. Beijing, 1959.
Folio.
544 pages. Black-and-white and color plates (many tipped-in). Blind-stamped decorated
The year 1958 marked the start of China’s Great Leap Forward, a campaign that was intended to
cloth in plain cardboard box. Two editions.
rapidly transform the country into a modern Communist state through rapid industrialization
Parr/WassinkLundgren: The Chinese Photobook, p.176
and collectivization. Like many of the celebratory projects and events of 1959, the completion of
the Great Hall deserved a proper publication. The vast complex was constructed within a year. The
Edited by the China editorial committee, this “super book” was created in an effort to present a
large-format folio box The Great Hall of the People shows the brand-new parliament and congress
grand survey of Chinese history and culture, bringing together almost 550 images, including 27
hall through twenty wide-angle photographs, printed on loose plates. The photographs depict the
photographs of ancient Chinese artifacts. This book comes in three parts, the main one showcasing
building’s exterior and interior with its array of auditoriums, waiting rooms, banqueting and
the achievements of the first decade of the PRC, and the other two dedicated to fine arts and historical
conference halls. Within the genre of the Chinese propaganda book this is an out-standing publication.
artifacts. It is particularly interesting for its combination of politics and art objects that harks back
to the old concept of the ‘mandate of heaven’ where ancient cultural relics bestowed legitimacy to
those who ruled the country.

Planning for the book started in early 1958 involving the Ministry of Culture as well as Xinhua
News Agency. It was meant to showcase the high-points and achievements of the first ten years
under the rule of the Chinese Communist Party.

20 21
21 The Face of Taiwan. Fred Foley.
22 The Peking Institute of Iron and Steel Technology.
Jesuit Information Bureau.
Tokyo, 1959.
Large 8vo. 128 pages Black-and-white plates. Softcover. Beijing, 1959.
Parr/WassinkLundgren: The Chinese Photobook, p.360 8vo. Original decorated cloth with tipped-in image of the school. Unpaginated. Text in Chinese,
Russian and English.
Fred Foley was an American Jesuit priest who came to Beijing in 1946 to learn Chinese. Following Not in Parr/WassinkLundgren: The Chinese Photobook
the Communist takeover, he moved to Taiwan and spent his spare time photographing the people,
culture, and landscape. The Face of Taiwan was one of the first English books to focus exclusively on Iron and Steel production became the central focus during the Great Leap Forward when Mao
the island. Foley modeled his book on Edward Steichen’s The Family of Man (1955), and it matches demanded that the country transform itself from an agricultural society to an industrial one in the
the work almost page for page. But whereas The Family of Man advocates a message of universalism, shortest possible time. “All the teachers, staff members and students in the Institute are now pooling
The Face of Taiwan takes a strong position against the Communist enemy. their efforts, working with courage, perseverance, revolutionary drive, and resolutely advancing on
the road of being Red and Expert…”

22 23
23 中華人民共和國 第一屆運動會[First National Games of the People’s Republic of 24 第二十六界世界 乒乓球錦標賽 The 26th World Table Tennis Championships.
China].
People’s Sports Publishing House of the People’s Republic of China Beijing, 1961.
Small folio.
140 pages Black-and-white and color plates. Hardcover with dust jacket.
Propaganda Office of the First National Games of the People’s Republic of China, ed.
Parr/WassinkLundgren: The Chinese Photobook, p.207
People’s Sports Publishing House Beijing, 1960.
Folio.
Unpaginated [228pp.] Black-and-white and color plates. Original cloth in dust jacket (minor
The Table Tennis Association of the People’s Republic of China regularly issued publications to
wear to extremities, lacking box).
commemorate major tournaments. This volume was published in 1961 as a record
of the 26th
Parr/WassinkLundgren: The Chinese Photobook, p.206
World Table Tennis Championship, held in Beijing, in which China won its first men’s team gold
medal in addition to gold medals in the men’s and women’s singles competitions. Of considerable
The People’s Sports Publishing House produced a number of publications focusing on the role of
importance within the history of table tennis, the book documents the entire championship in
sports in Chinese society. This book documents the First National Games of the People’s Republic
photographs and includes the schedule and lists of participating athletes from the various countries.
of China, which took place in Beijing between September 13 and October 3, 1959. Forming a
It also reproduces promotional posters, sketches, cartoons, prize medals, and commemorative
comprehensive record of the games themselves (soccer, parachuting, and Chinese chess!), the book
medals and stamps.
also publicizes achievements and developments in sports and exercise in the PRC during its first
decade. The volume opens with portraits of and inscriptions by Chairman Mao and President Liu
Shaoqi, signaling the importance of sports to both Party and state.

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25 宮燈 [Palace lanterns].

Architectural Engineering Department at the Institute for Architecture, ed.


Cultural Relics Press Beijing, 1960.
12mo. 44 leporello pages (printed on one side). Black-and-white and color plates. Hardcover
(lacking slipcase).
Parr/WassinkLundgren: The Chinese Photobook, p.201

This book was compiled by the Architectural Engineering Department at the Institute for Architecture
and published by the Cultural Relics Press in Beijing in 1960. According to the book’s preface,
Chinese palace lanterns are “well-known in the world as a distinctive kind of arts and craft.” In
order to provide reference material for architects, the editors of the book selected thirty-nine palace
lanterns from new products, as well as some from Beijing Palace Museum’s collection of seventeenth
26 中國攝影作品選 [A selection of Chinese photography].

and eighteenth-century lanterns. People’s Fine Arts Publishing House Beijing, 1962.
Folio.
Unpaginated. Black-and-white plates. Hardcover with dust jacket.
Parr/WassinkLundgren: The Chinese Photobook, p.195

This book was compiled by the editorial department of Chinese Photography, the official publication
of the China Photographers Association (then known as the China Photographic Academy). The
twenty-four images featured are prizewinning works selected from photographs published in
Chinese Photography between 1957 and 1959. According to the editors, the photographs chosen
offer “compelling proof of the victory of the Party’s cultural policies in the art of photography and
the success of their focus on workers, farmers, and soldiers.” The book was issued as a deluxe
hardcover edition, with an initial print run of 1,500 copies.

26 27
27 湖北 [Hubei Province]. 28 北京站 Peking Railway Station.

Exhibition Bureau of the Ministry of Railways, ed.


Wuhan, Hubei Peoples Publishing House, 1964. Exhibition Bureau of the Ministry of Railways
Beijing, 1965.
4to. Unpaginated. Numerous color & b.-w. plates, several tipped in. Original decorated cloth in Small folio. Unpaginated [48 pp.] Black-and-white and color plates. Cloth-backed boards in
clear plastic dustwrapper and slipcase. dust-jacket. Text in Chinese and English.
Not in Parr/WassinkLundgren: The Chinese Photobook Parr/WassinkLundgren: The Chinese Photobook, p.186

Hubei province is located in Central China north of Dongting Lake. With the Yangtze running Edited and published in 1965 by the Exhibition Bureau of the Ministry of Railways, this book is a
through it from West to East its capital Wuhan has always been an important commercial hub. collection of photographs of the Peking Railway Station, (one of the Ten Great Buildings). The 1965
During the 1960s it became a center of the steel and heavy industry. The book follows the example edition revised and improved upon an earlier volume that had been published in 1959. According
of other provincial photo-books but the present tome is characterized by a particular high-gloss to the preface of the book, construction of the station began on January 20, 1959, and concluded
finish to the plates. The first double-page spread of the 8th Communist Party Congress has been merely seven months and twenty days later. The present volume records the infrastructure of the
cropped on the left, presumably to erase Liu Shaoqi from the image. station, combined with scenes of happy passengers boarding trains. Most of the photographs are
staged, with conscious management of visual details. In many copies pages at the beginning of the
book have been glued together in order to hide photographs of Party leaders who had fallen from
grace. The cover features Mao Zedong’s calligraphic rendition of the title.

28 29
29 The People of Vietnam Will Triumph! U.S. Aggressors Will Be Defeated!

Foreign Languages Press
Beijing, 1966.


4to.
 Set of 5 volumes. Black-and-white plates. Unpaginated. Softcover, bound in contemporary
cloth-backed boards. A good ex-library copy. 30 The Palestinian and other Arab Peoples will win!
Parr/WassinkLundgren: The Chinese Photobook, p.210 Foreign Languages Press
Beijing, 1970.
4to.
Black-and-white plates. Unpaginated. Softcover, a slightly worn copy.
As a supporter of the Democratic Republic of Vietnam (North Vietnam, DRV), China actively Not in Parr/WassinkLundgren: The Chinese Photobook
opposed the U.S. presence in Vietnam, and engaged in various propaganda campaigns criticizing
American actions in South-East Asia. It was edited by the Foreign Languages Press, which specialized Published in the year after the 9th Party Congress where Lin Biao had been designated Mao’s “closest
in internationally oriented propaganda and publicity materials. Many of the photographs originated comrade-in-arms” and his official successor, this book features both on the frontispiece. During the
in international journalistic coverage of the Vietnam War. Each volume is filled with statistics of 1960s and 70s the PRC strongly supported Yasser Arafat and the Palestine Liberation Organization.
military and civilian casualties, graphic photographs of injuries and ruins, and vitriolic statements
against the United States and its military.

30 31
31 我們必勝! 港英必敗! The Upheaval
in Hong Kong
– We Shall Win! British
Imperialism in Hong Kong Will be Defeated! 32 紅太陽照亮了大寨 前進的道路 [The Red Sun Lights the Road Forward for Tachai].

Foreign Languages Press
Beijing, 1969.


China Books & Periodicals, Inc. Hong Kong, 1967. 4to. 148 pages Black-and-white and color plates. Softcover, slightly worn.
4to. 200 pp. Black-and-white photographs. Softcover, slightly worn. Parr/WassinkLundgren: The Chinese Photobook, p.224
Parr/WassinkLundgren: The Chinese Photobook, p.348
“In agriculture, learn from Dazhai” was Chairman Mao’s famous exhortation to peasants across
A fascinating piece of propaganda relating to disturbances instigated by the Communists in 1967. the country. Dazhai was a model commune in Shanxi Province that far out-performed other
Inspired by the Cultural Revolution on the mainland left-wing sympathizers turned a labor dispute communes in its agricultural yields - despite frequent droughts and severe flooding. Millions of
into large-scale demonstrations against British Colonial rule. There were instances of strong violence people visited the commune to learn from the miraculous transformation.
on both sides which left some fifty people dead and eight-hundred wounded.
Ostensibly, the purpose of the book was to extol the determination of the Chinese people
in triumphing over nature. But it also documents the growing deification of Mao. In 1980 the
‘Dazhai miracle’ was revealed to have been a sham.

32 33
33 光輝的《五‧七指示》 萬歲 [Long live the glorious May 7 Directive].

People’s Liberation Army Pictorial Publishing House, 1971. 34 中國雲圖 [Chinese clouds].
4to.
128 pages. Black-and-white and color plates. Clothbound in slipcase. Together with 8vo
Central Weather Bureau, ed.
printed pamphlet.
Science Press Beijing, 1972.
Parr/WassinkLundgren: The Chinese Photobook, p.232
4to. 244 pages Black-and-white plates and illustrations, color photographs. Hardcover with
dust jacket.
On May 7, 1966, Mao Zedong wrote a letter to Lin Biao, supporting the “Report on Further Developing
Parr/WassinkLundgren: The Chinese Photobook, p.238
Agricultural Production and Side-Occupations in the Armed Forces,” drawn up by and for the PLA. It
called for the education of troops in politics and military affairs, and recommended that they engage
Clouds hold important clues to understanding how the atmosphere behaves. The secrets of their
in additional occupations, including agricultural work, and running small factories to produce
formation, their constant motion, radiance, and color has been the subject of intense study going
goods for the army’s own use. Mao’s reply - written just days before the launch of the Cultural Revolu-
back to Imperial times. The atlas opens with a photograph of auspicious clouds in a blue sky above
tion - came to be known as the May Seventh Directive. Welcoming the report’s recommendations,
Tiananmen. The book is divided into text and images of clouds, detailing precisely when and where
Mao went further, proposing that all fields of endeavor should become schools of revolution; soldiers,
each photo was taken, and often juxtaposing a line drawing to explain particular features. As with
workers, students, officials, and others should all experience working environments other than their
most books published in the 1970s this album begins with a statement by the Chairman.
own. The text of Mao’s reply to Lin is reproduced in the book, and the photographs reveal the close
relationship between the two, as well as illustrating the ostensible impact of the directive on the
working lives of the people.

Lin Biao was a key military figure who was Mao’s designated successor. His alleged coup attempt
against Mao in 1971 resulted in his death. In this and other books of the period, Lin’s photograph has
been defaced. In many copies, Lin’s name is also crossed out. The owner may have defaced it to show
solidarity with Mao or as a protective measure in case anyone discovered the book in his possession.

34 35
35 The Chinese People’s Liberation Army
摄影作品选集 Album with a Selection of Photographic Works.

4to. Black-and-white and color plates. Original cloth in slipcase. A fine copy. 109pp. 36 鐵路橋樑 [Railway bridges].
Not in Parr/WassinkLundgren: The Chinese Photobook Ministry of Transportation Beijing, 1973.
Small folio. 117pp. Black-and-white and color plates. Cloth-backed boards with plastic dust jacket.
Published on the occasion of the 30th anniversary of Mao Zedong’s celebrated ‘Talks at the Yan’an Published for internal use only.
forum on Literature and Art’ in which he decreed that all art should serve politics and advance Parr/WassinkLundgren: The Chinese Photobook, p.239
socialism. The anniversary was widely celebrated in China with a number of large art exhibitions
and the present book features classic images by PLA photographers of happy soldiers and farmers The photographs in this book celebrate some of China’s most magnificent bridges. China was
working enthusiastically to build a communist society. All the images are credited to individual justifiably proud of these engineering feats. The Nanjing Yangtze River Bridge featured on the cover
photographers. of the books was the first double-decked bridge designed and built by Chinese expertise. The brief
preface to the book states that the working class should demonstrate their revolutionary spirit by
following the maxim of “Self- reliance and arduous struggle.” This hints at the fact that bridge
construction was a dangerous endeavor.

36 37
37 足球基本技術叢書 [Basics of soccer – A series on technique].

People’s Sports Publishing House Beijing, 1974.


38 革命樣板作品劇照選集 [A selection of stage photographs from revolutionary
model operas].
12mo. 16 leporello booklets, 32 pages each Black-and-white plates. Softcover.
Published as a series. China Photographic Publishing House Beijing, 1976.
Parr/WassinkLundgren: The Chinese Photobook, p.240 4to. 154 pages.
Color plates. Hardcover with dust jacket in slipcase.
Parr/WassinkLundgren: The Chinese Photobook, p.243
The China national football team was founded in 1924; they joined FIFA in 1931, withdrew after
the founding of the People’s Republic in 1949, and rejoined in 1979. The sixteen double-sided, Revolutionary model operas were introduced by Jiang Qing, wife of Mao Zedong, during the
accordion-style booklets combine text with black-and-white photographs to demonstrate basic Cultural Revolution (1966–76). In music and theme, they differed greatly from traditional Beijing,
soccer techniques. Diagrams on the facing page explain the text. Each of the booklets focuses on Cantonese, and other operas, and had as their purpose not merely entertainment but the promotion
a particular technique, such as catching the ball, passing, and scoring a goal. The photographs of revolutionary fervor, socialism, and Mao Zedong Thought. Most of the operas also had a mili-
illustrate each component move, and because the pages fold out into a filmstrip-like sequence, the tary focus, and dancers flying across the stage while pointing rifles at imagined foreign and class
complete maneuver can be viewed from start to finish. enemies figured in many of them. Traditional opera was banned as “feudalistic and bourgeois” and
replaced by revolutionary ones. During the Cultural Revolution, they were the sole form of
theatrical performance. The best-known operas were Red Detachment of Women, Taking Tiger
Mountain by Strategy, and The White-haired Girl. Although the purpose of the opera/ballets was
to
promote Mao’s brand of socialism and to excoriate “feudal” remnants and imperialists alike, they
were not without artistic merit; even today some of them are still performed both in China and
abroad, albeit with their political content toned down.

38 39
39 萬水千山只等閒 : 鐵道兵戰鬥在成昆線 [Fear not a journey across ten thousand
rivers, a thousand mountains: the Railway Engineering Corps’ battles along the
Chengdu-Kunming Railway].

Southwest Command of the Railway Engineering Corps of the People’s Liberation Army, ed.
People’s Fine Arts Publishing House Beijing, 1971. 4to. 154 pages, 18-page gatefold black-and-white
and color plates. Hardcover. 2 variant copies.
Parr/WassinkLundgren: The Chinese Photobook, p.228

Even today the People’s Liberation Army is involved in many of the major construction works
throughout China. The Chengdu–Kunming Railroad traverses just under seven hundred miles of
difficult terrain as it links the capitals of Sichuan and Yunnan Provinces. It took twelve years to build,
from 1958, and cost more than two thousand workers’ lives. It is considered one of China’s greatest
engineering feats, involving the construction of hundreds of bridges and tunnels along its route. This
book records the workers who built the railroad and survived.

When the book was first issued Lin Biao contributed pieces of calligraphy and text. After his death
(and subsequent official condemnation) on September 13th 1971 all references to him had to be
eliminated, and certain pages were removed or pasted over. The two variant copies provide remarkable
evidence of these alterations: such as in the example shown opposite, in which a photo of General Wu
Faxian, who was also implicated in the plot, has been purged from the censored publication.

40 41
41 毛主席紀念堂 [Chairman Mao Memorial Hall].

& China Architecture and Building Press and National State Infrastructure Commission Institute of
Construction Science, 1978.
42 Folio.
107pp. Black-and-white and color plates. 2 variant copies: Original boards with bellyband in
slipcase (left) & Original cloth in dust-jacket and slipcase (below).
40 毛澤東主席照片選集 Mao Tsetung
– A Selection of Photographs.
Parr/WassinkLundgren: The Chinese Photobook, p.252
Foreign Languages Press
Beijing, 1978.
Folio.
200 pages. Numerous color plates. Original cloth in plain cardboard slipcase. English edition. Mao Zedong died in 1976 at age eighty-two. However, like Lenin and Ho Chi Minh, Mao lives on after
Parr/WassinkLundgren: The Chinese Photobook, p.248 death, his corpse preserved in a glass case in the Chairman Mao Memorial Hall, a specially designed
mausoleum that has become a major tourist attraction for Chinese and foreigners alike. This book
A photographic chronicle of the adult life of the Chairman. Most of the images are posed showing further memorializes Mao, while also proudly documenting the tremendous achievement of the hall’s
Mao as charismatic leader, teacher, thinker, general, and father figure. The purpose of this album, construction by the publisher of this book, China Architecture and Building Press. The building pro-
published two years after Mao’s death, is to glorify Mao. The artificiality of these images is of such ject involved hundreds of thousands of conscripted “volunteers” who completed the massive edifice
an order that they almost feel like paintings. Many of them are by Mao’s official photographer, Hou Bo. in only six months. The book’s title appears in English on a bellyband wrapped around the cover; an
English-language brochure is loosely inserted into its pages. The brochure identifies the photographers
by name, accompanied by numbers corresponding to the photos taken by each of them. The location
of the memorial hall in Tiananmen Square in Beijing ensures that Mao’s presence cannot be ignored.
He still influences however remotely everything that happens in the square, whether the annual
National Day military parades, or protests such as the huge and fatal June 4th Incident of 1989, when
students and their supporters rallied to demand government reform.

42 43
43 中國民兵 [People’s militia of China].

General Political Department of the People’s Liberation Army, 1978.


4to.
179pp. Black-and-white and color plates. Original cloth with dust-jacket in plain cardboard slipcase. 44 中國人民解放軍 攝影作品選集 [Selected photographic works by the People’s
Liberation Army of China].
Parr/WassinkLundgren: The Chinese Photobook, p.256
General Political Department of the People’s Liberation Army, 1978.
China’s militia, known as the “People’s Militia,” was formed in 1930 and still serves as a support
Folio. 168 pages. Black-and-white and color photographs. Hardcover with dust jacket in slipcase.
force for the People’s Liberation Army. Its members, both male and female, receive limited training,
Parr/WassinkLundgren: The Chinese Photobook, p.254
and its responsibilities are correspondingly limited. In 1958, Mao Zedong launched the “Everyone
a soldier” campaign to recruit large segments of the populace into the militia. Their deployment
The People’s Liberation Army (PLA) employed its own photographers to record and celebrate its
all across the nation was held to offer a form of national defense that an army concentrated in a
feats and activities. Parades, battle simulations, combat operations, mass gatherings in Tiananmen,
few locales could not provide. Before its reorganization in 1987, the militia had counted among its
and general duties are all recorded in the images of this book. The PLA began its transformation
duties patrolling China’s coastlines, pursuing bandits, and sending aloft hot-air balloons to drop
into a modern army in the 1950s with substantial help from the Soviet Union. Over the years, it
printed propaganda over Taiwan, some ninety miles off the coast of Fujian Province. At various
has participated in many internal and external campaigns, including the Korean War (1950–53),
times militia units were also responsible for internal security, and took part in agricultural and
the Sino-Indian Border Conflict (1962), and the Vietnam War (1959–75). The PLA also played
industrial production. In times of war, the militia would, as before, provide logistical support to
a complex role during the Cultural Revolution (1966–76). Under Deng Xiaoping’s leadership, the
the regular armed forces (air and naval, as well as ground forces). The activities shown in this book
PLA’s modernization would include a return to
a mainly nonpolitical role, a focus on quality rather
about China’s militia are predominantly training exercises, including battle simulation exercises.
than quantity, and the use of technology to upgrade weapons.
The photographs convey a sense of the physical endurance required, as well as the variety of skills learned.

44 45
45 清明祭 [Qingming festival].

Publisher unknown, 1978.


Large 8vo.
80 pp. Black-and-white and color photographs. Decorated wrappers.
Parr/WassinkLundgren: The Chinese Photobook, p.278

“Qingming” in the title of the first book, however, refers not to grave sweeping, but to the mass
outpouring of grief during April 1976, following the death of Premier Zhou Enlai. This title only
appeared two years after his death - for no such account could have been published before the fall of
the Gang of Four.

46 47
46 人民的悼念 [The mourning of the people].

& Beijing Publishing House, 1979.


4to.
Unpaginated [228pp.] Black-and-white and color plates. 2 issues: Clothbound with dust jacket
47 in plain slipcase (above) decorated flexible boards (right).
Parr/WassinkLundgren: The Chinese Photobook, p.279

Published three years after his death this is an extraordinary work documenting the mourning
during and after the funeral of Zhou Enlai (1898-1976). Zhou Enlai’s death on January 28, 1976
led to the famous Tiananmen incident on April 5th, 1976: In Chinese culture, people celebrate the
106th day after the winter solstice as the Qingming Festival, also known as Tomb Sweeping Day.
On April 4 hundreds of thousands of Beijing residents came to the square to pay homage to the
respected leader. Many laid wreaths, paper chrysanthemums or posted handwritten notes, which
often referred to ancient Chinese historical events, but were intended to criticize China’s current
leaders. The large number of mourners and intensity of the public outpouring of sentiment alarmed
Communist Party officials. The Politburo met in emergency sessions in the Great Hall of the People,
and decided to remove all the wreaths, flowers, and poems. Many blamed this on the influence of
the Gang of Four, and Jiang Qing in particular. The date of 1979 is of course indicative of the true
reality of new power in China: Deng Xiaoping had taken control of the Politburo in December 1978
during the Third Plenary Session of the 11th CPC Central Committee. In reality this publication
documents the new reality of Reform and Opening Up in China and it is famously the first publication
that was not subject to the usual constraints of censorship and political interference in China.
Contributions were sought from all manner of professional and amateur photographers. Ironically
the publication anticipates the events in Tiananmen Square in 1989.

48 49
48 自 然‧社 會‧人 [Nature, society, and man, volumes I and II].

Various photographers.
April Photography Society
Beijing
Vol. I, 1980. Vol. II, 1981. Small 8vo.
Volume I and II: 17 plates each with 33 black-and-white photographs. Envelopes with offset-printed
49 玻璃纱制品 Organdy Articles.

postcards enclosed. Publisher unknown, 1968.


Parr/WassinkLundgren: The Chinese Photobook, p.281 16plates. Colour photographs. Ringbound softcover (some wear, ex-library copy).
Not in Parr/WassinkLundgren: The Chinese Photobook.
The previous publication marked the start of the renaissance of Chinese photography, and made
it possible for the first time after the Communist takeover to print photographs that were taken Who would have thought that something as innocuous as a table-cloth or a water-glass could be
outside the objective to serve the state. The April Photography Society were the first to manifest this turned into a vehicle for Communist propaganda: “Especially in the unprecedented great proletarian
spirit. They determined to move away from politics and embrace a more personal use of photography. The revolution, owing to the fact that the numerous workers, staff members and art workers are holding
April Photography Society organized the first unofficial photographic exhibition in China. Nature, still higher the great red banner of Mao Tse-tung’s thought, giving prominence to proletarian politics
Society, and Man opened in Beijing’s Sun Yat-sen Park on April 1, 1979, and included 280 works by and resolutely carrying out the policies of ‘letting a hundred flowers bloom’ and ‘weeding through
fifty-one artists. The exhibition turned out to be very popular, with large numbers visiting every day the old to let the new emerge’, the hand-embroidered articles have made constant improvement both
to absorb every detail of the works. Following the success of Nature, Society, and Man, the Society in quality and in variety.” Although undated there is a library accession stamp on the verso of the
organized two more exhibitions in 1980 and 1981 that toured nationwide. Each was accompanied aback cover which dates this item July 3rd, 1968.
by a postcard-like catalogue with seventeen loose sheets. It unambiguously signaled the beginning
of a new and less dogmatic Chinese cultural renaissance.

50 51
50 中國衛生畫刊 [China health pictorial].

Ministry of Health of the Central Government of the People’s Republic of China, ed.
51 中國人民衛生 [Health and hygiene of the people of China].

Publisher unknown, 1950. Unknown publisher, 1960.


4to. 108 pp. Black-and-white photographs. Hardcover (lacking dust jacket). Small folio. 318 pp. Black-and-white and color photographs. Hardcover with dust jacket.
Parr/WassinkLundgren: The Chinese Photobook, p.202 Parr/WassinkLundgren: The Chinese Photobook, p.204

The purpose of China Health Pictorial was to publicize the rapid advances in health care achieved The subject matter of these titles is public health care in the PRC. Public health and related issues
by the PRC. It features a rich mix of photography, graphics, and statistics and opens with an image such as hygiene, exercise, and school sports had already been the focus of the New Life Movement
of a painting of Mao Zedong visiting injured soldiers in Yan’an, followed by an inscription in his launched by Chiang Kai-shek in 1934 but during the civil war and WWII they had obviously been
hand. Most of the content had in fact been taken from the First National Exhibition on Health and rather neglected. Community health care was again emphasized in New China.
Medicine, which opened on August 7, 1950, to coincide with the First National Health Congress.
Health and Hygiene of the People of China shows how the Communist Party led the people in a
patriotic health movement and, in the words of the preface, “completely reformed health care
conditions in the entire nation.” The images—primarily journalistic photographs and propaganda
photographs—depict many of the new and improved practices.

52 53
52 中國毛人 [The hairy people of China].

Liaoning Science and Technology Publishing House.
Shenyang, China, 1982. 53 北京市第一建築 工程公司 [Beijing No. 1 Building Construction Co.].
4to.
104 pages Black-and-white photographs. Hardcover with dust jacket. Publisher unknown, 1982.
Parr/WassinkLundgren: The Chinese Photobook, p.258 4to. 84 pages Black-and-white and color photographs. Hardcover with dust jacket.
Parr/WassinkLundgren: The Chinese Photobook, p.257
An illustrated report of the findings of a scientific study on China’s ‘hairy people’. Hairiness is not a
common physical attribute of East Asians, and research into its occurrence might yield interesting Three decades of achievement of Beijing No. 1 Construction Co., founded in 1953 are celebrated in
and useful data on human genetic variation. Six charts summarize the findings and provide statistics this book, which includes the Jianguo Hotel, the first foreign-designed and foreign-invested hotel to
on the distribution of hairy people across China. In a twist of fate, the infant depicted on the cover be built in China.
has become a renowned celebrity and rock star in China: Yu Zhenhuan is known today as “the hairiest
man in China”. From 1949 to 1983, a series of government initiatives radically altered the face of Beijing, not only
by erecting modern buildings but also, as prelude, by destroying much of the ancient architecture.
The extended captions in this book are in Chinese and English, no doubt to appeal to both local and
foreign audiences.

54 55
55 中醫舌苔圖譜 [Catalogue of tongue coating diagnoses in Chinese medicine].

54 工人業餘生活 Spare-time Life of Chinese Workers. Song Tianbin, ed.


People’s Medical Publishing House Beijing, 1984.
All China Federation of Trade Unions Beijing, 1983. 8vo. 288pp. Black-and-white and color photographs. Original cloth in slipcase.
4to. 84 pages Black-and-white and color photographs. Softcover. Parr/WassinkLundgren: The Chinese Photobook, p.259
Parr/WassinkLundgren: The Chinese Photobook, p.261
The Communist state assumed not only the roles of ideological guide of political policies, but also
“How do Chinese workers spend their spare time after a good day’s work? This is
a question that of educator and publisher of information useful to the growing masses. Each page of this atlas of
is much in the thought of many people abroad.” Most of the recorded activities are group pursuits. the tongue, released
by the People’s Medical Publishing House, features
a close-up of an individual
Whether what is portrayed here is actual documentation or scenes staged for the camera is not tongue, accompanied by a description of its appearance and diagnoses of possible underlying health
known; but what is revealed is a slice of Chinese life that is rarely recorded in the history books. issues. Analysis of the tongue’s appearance dates back - according to this book - to The Yellow
Emperor’s Classic of Internal Medicine from the second century BCE. It is still a revered text in China.

56 57
56 中國交通警察 China Traffic Police.

Zhang Zhengchang, ed.


Traffic Administration Bureau, Public Security Ministry and Shanghai Joint Publishing Company
Shanghai, 1989.
Small folio. 200 pages Black-and-white and color photographs Hardcover in dustjacket.
Parr/WassinkLundgren: The Chinese Photobook, p.266
57 北京風波紀實 The Truth about the Beijing Turmoil.

Beijing Publishing House,
1989.


Published to celebrate four decades of enforcing the law on the streets, it is interesting to note that Small folio.
94pp. Black-and-white and color photographs. Original flexible boards.
this seemingly innocuous title is printed English as well as Chinese using long-form characters. As Parr/WassinkLundgren: The Chinese Photobook, p.265
such it appears that it targeted the Chinese in Hong Kong, where simplified characters were not
widely recognized and English is still prevalent. It cannot be a coincidence that it was published in This title with text in Chinese and English is the only one published in Beijing and gives the
the year before the handover of Hong Kong to Chinese rule in July 1997. Chinese government’s account of the events of June 4, putting blame on rebellious elements who
wanted to challenge the constitution and the Communist Party and overthrow the government.
Atrocities reportedly committed by the protestors are graphically described. Ironically this book is
also now banned in China.

58 59
Front cover detail: Item 35
Back cover detail: Item 49

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