Arabesque

No. 1 in E Major
from Deux Arabesques Claude Achille Debussy

  
      
  
(1862–1918)


L. 66 No. 1

 
Andantino con moto


 
     

 
3 3

   
Piano  3


3

      
             
rit.

  
4 a tempo 3


         
      
   

         

3 3


            
   
      
8

          

  
 
    
 
poco a poco cresc.

             
               
12 stringendo rit.

  
3

   
                    
3

         
sempre cresc. 3

  
 

   
           
a tempo


17

 
   
       
       


    
3


      

            
 
21 rit. a tempo rit.
3

   
                  
3


          
3
3 

      

            

 
a tempo


       
   
25


   


     
      
3 3 3

    
                     
29 poco mosso

  3 
       
 
   
  
  
cresc.


3

  
 
    
 
          
                      

34

  
      
   


    


                    
tempo rubato (un peu moins vite)

    
            
3

 
38


          
          


    

2
   
                
               
3 mosso


       
43
3

       
           
3


 cresc.

      


                            
         
 
rit.
mosso


48

      3

      
 
    
 
cresc.

  

                  
            
a tempo

        
 
3
52

   
   
            
  
 

               
 
 
  
                    
3


57


3

            
      


        
    

             
rit.

      
                 
  
63 risoluto


                     
        
        
dim. molto

 



3
                     

tempo primo


69

 


         



più dim.

  
3

      
               
  
rit. a tempo
73 3


   

       

     
3

  
3


    




    
       
         
77

                      

    
poco a poco cresc.

  

         
        
      
   
82 stringendo rit.

  
3


    
      

         
 
sempre cresc. 3

 
3

   


           
  
      
a tempo

 
87

  
    
          
      


   
3

4
                   
      
   
     

91


                           
       

       

      
         
  
95
più dim.

            


 
dim.

 

   
            
    
99

               
3 3

     
3


 
 

  

    


      
         
      
  
103

       

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