Mel Bay Presents TANGOS & MILONGAS For Solo Guitar by Jorge Morel CD CONTENTS © 2000 BY MEL 8 AL RIGHTS RESERVED. INTERNATION) Visit us on the Web at http://www.melbay.com — E-mail us at email@melbay.comAbout the Author Jorge Morel, born in Argentina and now living and working in New York City, has performed for thousands of international audiences in the last three dec rating brilliant technique, a uniquely personal style and sophisticated artistic expres- ion. As impressive as his record as a performing artist is, Morel's creative contributions as a composer have achieved the respect and recognition of his peers and established his position as a leader in the ongoing development of the classical guitar. 2Contents Don Agustin Bardi cicscccscscssccansreaasecesisscosis avenesate cones ssunns 4 Gallo Ci@ Go .....eeseeseesesseseteeseeesesesessesenecseeereeeeseneeeeeesees 13 El CHOCIO ......sssccosorsovenorsasneatecscnstsnssdeesssausisuesancisisaztanee 24 Milonga del Viento Otro Tango, Buenos Aires .......:.sccseseeeeseseseeeeeeseseneesees 36Horacia Salgan, one of Argentina’s leading composer-pianists and a great master of the tango, composed this magnificent piece dedicated to another great composer, Agustin Bardi. Don Agustin Bardi sis lg ‘Arr. Jorge Morel cv aettt ‘cai : a 3 t x Vea 4 2 aed encviL at ae cm cy PDyPe oa i o4 o atempo @ r mF ' 47 s4 3 ee ee qe eee Ere! oof? ae fr yer op ® bP 7Sec eresr a Aion SSS Sa a 1 3 cv Ti A fied a y ererez Se a 12034 CVI on Ee aa : : Bap pet! mS a rf pS PeDon Agustin Bardi Salgan Horacio Arr. Jorge Morel Ne ee Full al ke) ile al 1 HN) BE NT Bll) Eg Sue cay Stl) gy efi) ay) ani A, ae mill | t ea i wR es ti Th Tit cy Geil) lite GL ike cl) cal sill) Gil) El E a Fi A a = > eeu mle eo WT e UU) » UL,To O oe oe mb | i 3 $328 4: 3—0— = 3 2 fe oe ae ee Espressivo NI 1—0—1—0-* TF os 4 | p —— tempo cee ae et E = 10-7 4 Deaiae t fl ¥ gene 37 hh 3—2—3 4 2—4- 2. iim (Arf Pm Poe) baal ~0 7—6—5—4- 1 4 4—3- = wy 4 fae TT 1! qt I el . 2 {0 9 loneT+ 12-11-10 A fT] or t 2 Ph era cn 1214 Cat a ea 49-10-9108 87-10 108. 1 \ CAF 4—1—-3-1-0 oa 8 bid een Har, sees 10—8—8—9-10—11-1; | 710-310 —8 56 ala T- 7 [ 5] i tel) El ee | T ar tL Ld el k= it Fil a i ir) WE L, a f Bites thy TT “eh i JO ie H Li tat 1 Ar Ee Ta ill ak tt 7 i \ nth Alp rt o 2 Th At lis, did ee ai ? Ele eels Ut keel 1Gee oc ge 50-10 5—0—8Composed by Agustin Bardi for small orchestra, more than 50 years ago, Gallo Ciego is still one of the most performed tangos in the country and perhaps the favorite of most tango dancers. a , Gallo Ciego Agusin Ba ‘Arr. Jorge Morel Allegretto Moderato oo 2 0 or on a @ cv16cl 2 o ao eleni tempo primo 02 wt FineGallo Ciego Tango Allegretto Moderato rel ae C po pt tg te Fe it ee 3-6 ipo 1 4 | 3 $ 4 4 5 — ete eleFe a & ‘an je = | 3 = a= i | re) a3 —— = FA ==: on Ro 4 a t+ =— 1 4 ¥ | r = ? == o—3— EE PeESs my v Espressivo aml os 3-3 2 wy ot Loy wll 5-387 — 3 28 ata 2S v v I % y D (Se Epa [oS 3 = = —= bis’ Se oop” . SF ee 3—1 3—2—3. LT 20sa — = = 4—-3- a Li vi ? LI pb = > ne ES Ae ee ee See —EH = = a Deen Lad Tee °F FT a } = ee cs Si = a 4-12 & Beilin ie Ptr} i i 9 — 10 — ae t : te = - = a LbsLs ee h 9-5 0 np Firm [1 ea see 4+ 2—t Lt 2 = EE ru LC! $ O—J- —0—1--0-3 jai Lo 2 Ko | 23El Choclo is one of the most popular and loved tangos in Argentina. Its rhythm is also combined with that of the milonga, so it may be called tango-milonga. o-p El Choclo . Aone Mr 44 ModeratoTo CODA 25copa cms 4 26El Choclo Angel Villoldo Arr. Jorge Morel aioe es 3—8-10-7-10-5-5—1—-1-3-3-4 ae CI y Am, AS er 2 $ oe aa 1 py pa of oe po 6-5 —0 40-1 t a ian So eo pee Som a—3 a 1 4 0-2-3. ee v Lo Ly Lh?a copa @ 43 Fine oon 3 Ey + ¥ +There are two types of milongas in Argentina. One is of slow tempo like this one and the otheris a bit faster; both are written in 2/4 time. In this piece | use the traditional bass line of 3-3 plus 2, 16th notes, that give the work a real feeling of the dance , Milonga del Viento tae 4 Moderato 293031e 1 P moto ri 32Milonga del Viento Moderato Jorge Morel0. 7 ca 10- 7: [| 10: Pri fT 0—|-12-10-8—10--8 =nB v meee 0 Pa ~ 7—10—\— 40: Fm eo i o-}-10-8-7—8--7-0-3 nin 7 A Li PT om jm -8 10: 0—|-12-10-8—10- 8 —7- = 4-00-10 23 T FA AAT 3 8 a413—12 ——1 13-12-13-12—1 80-3 12 7-5. | motto rt mp 35This is an arrangement for solo guitar from excerpts of Rapsodia Del Sur, a composition I wrote for guitar and string orchestra in 1996 in memory of my brother. This is part of the second movement that is mostly tango rhythm. Otro Tango, Buenos Aires (in Memory of my Brother) From Rapsodia Del Sur Jorge More Hietaes 3tempo =79 12 ° » 2 43 Cl poco rit af 0 mp poco rit cau ° i 373 cu ‘i - cm 38poco rit poco rit tempo - a atempo 4 frm oe r 39ail ] es at wot ~ 40Otro Tango, Buenos Aires (in Memory of my Brother) From Rapsodia Del Sur Jorge More! erm Ape SO ae Pe a = 4aoer ean \ rer | —dpeou 4 17 “320-212 422 > \ oc poco rit a34 4 id ‘| | 1 ‘A EO A 446—4—-3-4— b 10—8 b mf = eee dim I th Ak g TH - ath SLL) & Hy ® 4 & + Hh Ot mo ei a | i ae tH tH legtL 45a a tempo rit... On A 5—7-10-8-7-8-12-5, tempo primo stace » » all 7 —0—3-0-1 0 mf OOM ban ae 3 ee oe 0——_?0- 0- —o- —0- o— 7 = T T I T oO A pare Pao) ptosis peat =r ae = aaa Fine aK = nine emir — 46