DOMINANT 7th RUNS - PART 1 ‘TED GREENE 12-30-77 ———anrrccios Bb dom? Bbo BbI3—BbI3sus_—BbI3sus.—BBIS/I1 Scan 5 5 , 5 ee 3 ae y tT wet ? 3° 2 eel 2 fete Fete HEH EEE 9 As before, not every chord tones listed in all registers in some arpeggios, this being done to create a better sound and one that is more in tune with nature's overtone series (which will be discussed a litle later). Bb? Chord Tones BbI3 Chord Tones 1 1434s tbea 4049 Tits NS 4 RITYTHMIC VARIATION ae 1 BbI3sus Chord Tones. Lt a Ay 1 Free Scale Usage 1343341341 VARIATION ON PREVIOUS EXAMPLE. Sao a 2323 mrsai24 14s USING CHROMATIC SLIDES ON RIS RUN AND HERE TOO, ay et sears eet 13 LUSING 4th INTERVALS,..more om his ner 2 2isp2tag,4 ae a1 331431 pe aya eng t43 zu Ane _/ Sastre eerDOMINANT 7th RUNS - PART 2 iia ‘TED GREENE 12-30-77 ARPEGGIoS Bien) Bbo BbI3 BbI3sus — BbI3sus_—BDI3/I1_— SCALE 4, 4 TP] ype) “eqagee pa et dats aatte stele bcd re He: ane oe 3 BOI3 Chord Tones gy) 4 Bb? Chord Tones nets muvrinde van oF re rh RUN LASTED, 2 432 a1da2 Froese se SaDOMINANT 7th RUNS - PART 2, p2. ire TED GREENE 12-30-77 810s ————_, Bb dom? Bbo BbI3—-BbI3sus_ Bb 3sus._—BBI3/I1_— SCALE, USING CHROMATIC STUDIES ON A 13th REN AND HERE TOO, 32144321 42241441 23 2feel Dow — - a Bey Ea 57 ghd Be phams shalt aba Salar By, ote fee be rt a bt ob iasusckeng 7Papa DOMINANT 7H RUNS ah hy id ison Disus Shy Dass Biyn Dee? ae CHnn t Spode nw VaRUATICNS Peoktow i vm An poser