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    4 views151 pages

    Pink Floyd PDF

    Uploaded by

    Fabrice Demoulin

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    © All Rights Reserved
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    Pink Floyd * Guitar Tab Anthology b Anthology Pink Floyd - Guitar Ta ANOTHER BRICK IN THE WALL (Part 1) ..............220eee sere ee 6 ANOTHER BRICK IN THE WALL (Part 2) ..............-22.222 ee 16 ASTRONOMY DOMINE .............. 200.0 22 BRAIN DAMAGE ........... 2.000: cece eee e cece cee eee e eee ee eee nneeeees 29 BREATHE ............... 00 eee e eee e rere nec ee eee eee e eee cee tees teeeeeeeteees 50 COMFORTABLY NUMB. ................... cece cence eee eee eee ee 38 ECLIPSE 20.2... elec eee eee eee ene eee eee e eens 57 GOODBYE BLUE SKY............. 00.2.0 e cece eee eee e eee eee 62 HAVE A CIGAR .... 2.2 cece cece cee cere e rete eee en enneeeneeeseenneneees 67 LD ih A On 76 IF Lecce ccc eee ee cece cece cece eee e ee een eee eect e nett e eee e teen eee e ees 86 IS THERE.ANYBODY OUT THERE?®.......................22..0.... 90 EA) i | ah 93 MOTHER. ......... 0.0.0: cece eee eee ee cece tenet ee tenet nese ee eeseeeeees 122 NOT NOW JOHN ...L Lie eee eee cence cence eee ee ees 110 OWN THE TURNING AWAY 0000.2. 116 REMEMBER A DAY ......02 0.0 ..20.020 cece ccc cece cece cece eee eee ees 129 SEE EMILY PLAY ...............00. 02 eee eee eee eee eee eens 132 SHINE ON YOU CRAZY DIAMOND (PART VY) ........---. 136 WELCOME TO THE MACHINE. .................0222 eee eee eee 148 WISH YOU WERE HERE..................20 2020 cece cece ee 142 ANOTHER BRICK IN THE WALL (Part 1) aon Testo e Musica di Roger Waters Moderately 2=100 fade in Gtr. 1 = pm. throughout with clean tone PP > with clean tone and chorus © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per I'ltalia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured, Dm — Dad - dy’s flown— a- cross Gtr. 1 and 2 with clean tone and chorus Rhythm fill 1 Gu. 4 Dm Dm6/9 the Jet ring with Rhythm fill 1 Dm6/9 with clean tone and chorus leav - ing just —— what else _—____ you leave — with distortion and chorus. Dad-dy. whatd’ya leave be-hind— for 333-333-333 3-3 3-3-3333 333-3 = > = = > = s = = = > = > a o Awe > 2 =F - res = A Sf vibrato bar vibrato bar —_—_ > > —— ——*——#-8—-8 3 tt F a Dm F 2 t SS == SSS me? All in all— it was__ Gtr. 1 and 2 3y Vv V 3—S- 3—t 3 —3— 680 — 6 — 06 — ss 5-5-5 5-5-5 5—S = = = = = ee 3 mf with clean tone and chorus. > = PM ~~ -4 = ua 5 3—3 555-5 _§ 5-5-5 — ——5 55-5 & i 3+—t 5—s5 - $ > > eae > >: 10 a brick in the F } Dm i, a! Allinall— it was— all just- bricks. in—___ let ring with clean tone let ring > > v *@© tunedtoD 11 Gir. 3and4 12 with schoolyard sound effects Sede es ote eee ee ee See = > > > => > > > => => > > ¢ a c gp 5 S 5—5_5 — ~.+ i Te _ — = = gg > SSS 5 + 5? 13 > > > > > => > > > > > > wa d — kK 3—e—+ $—5$-5— 5-5-5555 —5 5 5 5 5-555 §- 5-55 5 —5-5 5 —_5-§-§ 5-5-5 5-5 > > > > > > > > = > > > => = via ~ 2 t 4 3 ee : = == == = = ate 2 > ay) An & t¥—S — pA a TT 14 Dm = AK RD - we ee hold bend even bend 1 Won NR — lay bach 43 15 even bend 1 hold bend fade out 16 ANOTHER BRICK IN THE WALL (Part 2) yore Testo e Musica di Roger Waters Moderately 4 = 103 Dm — == 1.2. We don’t need—_ no Verse 2 sung by children’s choir 8va Gir. I (elec.)’ Ly mf’ | with distortion Gir. 2 (elec.) PM. cle: ith fl clean tone with flanging we don't thought — con- trol, _— a © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per I'ltalia: WARNER CHAPPELL MUSIC ITALIANA 5S.p.A. - Vio G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved, International Copyright secured. 17 TCT JOOK Kp er Worn YOK KS Wy tit bbn & 55S * SSS 6 HO MT & Apommp Abompb 2 a 3 the 18 | E ‘a kids with fill 1 Fill] Gur, 4 (elee.) ~~ - = z oe a é f—e L Hey, teach- er! Leave them kids a-lone!— Hey, teach- er! Leaves kids a-lone!_ — ee eer —_——— vibrato bar just an - f = Gir. Land 2 with distortion Cc Dm 5 = — z = = — SS =| S a - oth-er brick — in the wall. a sae i ° : let ring PM. let ring PM. be 8 € 8 6- + 4-4 +—+t t—-+—J 1 t + + 33-3 3-3 3-3 3-3-3 333-3 8 ———@ ——# 6p 9-2 2 2-2 2-2 O-2- 2-2 22-2 3-2 2 2 2 2 ® $ 6 —t &—_0-# —-—$ 1-8 3 —_3——— 5 —_— let ring [Tbene [88-8 —¢ —_9—_4_8-_8- 88-88-68 5 5-5 5-5 5-5 Ss 8—8—8—__8— 68 8888888 66-4 $65 6-6-5 & §-5—5 5-5-5 55555555 oe 779-5 7-7-5 3 5-1-7} —_ 7 g | 20 i. —_ Dm All inall- it’s) just) an - brick in the— wall. All inall- it’s) just’ an - brick in the DS Dm } Gtr. (Solo) ~ slow release weet G/D a (oe a tft fi e £ F oe rake slow release 1 0 nena 8 f x Dm7 ee — — _~ Ne Pyar Le Eg eg eg EE FA =e pep ee SS = hold bend rake To (Josecossseo= 1 raat 5 / —_ aaa. 1S xia prac pO aaa a 4619 28 ° = er as lay back Rhythm section fade out 16 N.C. atte _——e wa = with vocal ad lib. with schoolyard sound effects =? 22 ASTRONOMY DOMINE yor Testo e Musica di Syd Barrett «- =86 [F] E Gtr. J (elee.) Keyboard intro. ad lib. a ase = * * * 4 w/overdrive Dtaddob/ob E Déaddob/ob ~— 1.2. Lime and lim - __ pid green, sec- ond scene,__ a fight bet- ween pis : GS I once knew. _ ing down, the sound re- sounds PLP Me Pe P_P_Aiain. © 1967 by MAGDALENE MUSIC Lid. - Editore originale / WESTMINSTER MUSIC Lid. - Editore cedente Sub-Editore per I’Italia: ESSEX ITALIANA Edizioni Musicali S.r.|. - Galleria Del Corso, 4 - 20122 Milano Tutfi i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured 23 round the i - cy wa - tersun - der - ground. E Fmaj7/114 E De Ju - pi-ter and Sa- turn, O - be-ron, Mi-ran-da and Ti fright Gtr. | cont. in slashes AS ADS *G5 FRS F5 *ES Eb5. DS AS AbS #65 FR : . . . : bg: . : F5 *ES Eb5 DS D Eb *E A ig te: bbe: —_ : > 24 E bis —_ w/wah-wah & phaser eS 8 =o ——~ — en a eee £ tiet ttre Fetee Fetee Ertte cette EFEEPECECES —————————— — —- —~ —— Pe as +2—+t++ 2 Poutcaitateatime! 4+2-44-42-44-9— 42-444 Fkmaj7/114 E 25 Fémaj7/1 if haser & wah-wah off tr «meee ween FULL FULL FULL FULL FULL FULL FULL FULL FULL FULL E Fmaj7/11$ : b eee: = a, -9—9-—9-—-3- 9—10-10--40-—-9 93—9--9_9—_9-__9--_9-_X-*&—-# ——t——- 4+0—-+8-46 40-10-4840 48-40-46 46 146- +0-—_1+6—-46- 4+0—-16-40-40-—-48- 4-48 335 SI + +2 3 2 3 — + o . aan . aoe lay 3 times 2° free time Kbd. only 3° band resumes, a tempo —————— cael S| Dt oo & a a fn : JF i? 4 FULL FULL FULL FULL FULL FULL +4+—++ +444 ++ wo HS +2— +3 ———13- 48 43—43 + FULL FULL FULL FULL FULL FULL) FULL FULL E F§maj7/11$ 27 ‘ “ ; = =H 1. Cc @ ‘8 — 8 — 8 & &—_-—_ 8 + +—t+—+ e 8— 8 —_# & 8-—_-—_8 §—_$—— 12 4+2—12-42-42 42-12 42 12 _112 112 _12—_ —2——2— 2-2 & o_o ‘& o_o o +3 43-13-43 43-43-4343 43-13 —_13—_ 43 —_ 2 2—2-— 32 ——-f-—— 8 — 8 & 6 —_o-—_ $——= 3 43—_ 43 43-13-13 —_-13-43- 43-43-13 —_143-——_] o 8 — 8 —8——_ @—_ 0 _# & 8 —_ 3 — g +4 ttt tt Blind - ing signs flap, flick - er, flick - er flick - er blam. 28 Stair t Gtr. | cont. in slashes DS *D Dm/F *D Lime and lim- pid green, the sounds sur - rounds the i - cy Gtr. 1 Dm/F *D Dm *D Dm *D wa-ters un-der, lime and lim- pid green the sound sur - rounds the i- cy wa-ters un-der - ground. swell effects. wivol. pot 29 BRAIN DAMAGE yore Testo e Musica di Roger Waters Moderately fast with half time feel J = 131 Intro D Gur. | and 2 mf with clean tone and flanging with pickand middle finger throughout let ring throughout slide guitar Pp even gliss. _—. is on the gr: even gliss. —.. © 1973 by ROGER WATERS MUSIC OVERSEAS LIMITED SubEditore per I'ltalia: WARNER CHAPPELL MUSIC ITALIANA §.p.A. - Via G-Fara, 39 - 20124 Milano Tutti i diritti sone riservati a termini di legge. All rights reserved. International Copyright secured. 30 is on the gra even gliss —_—=<. Te-mem - bring games and dai - sy chains— and laughs,— D Dsus2 got tokeep— the loon- ies on— the path.—_ 8 --~ Mechanical vibrato +++ eae ttt ttt Bee =~ even gliss. — —— na- tic_____ D 31 — the hall, _ Mech. vibrato en tt ——— ee — the lu - na- tics. are in my hall. : even gliss. the pa - per holds- their fold-ed fa- ces the floor, Mech. vibrato 32 AG D Datin2 ev - “ry day— pa- per boy— the dam __ breaks_~—o- pen years — too soon, i is room up- on_— the hill. — And if your head ex - plodes— with dark,— 33 forebod - — ings, too, se in the dark __. side of the moon, Gtr. 1 and 2 oO Gtr, 3 Qwith semi-distorted tone) = — The lu na- tic is i (laughter) Gtr, Land 2 slide guitar 34 D Gib —— my head. even gliss. You raise— the blade,___ you make the change,—___ Mech. vibrato even gliss. pivicie pee youre - ar- range —_ me ull ’'m_ sane, Gu. 1 Pr SS ee (Gtr. 2 repeats us previous measure) + 2 6 2 2 —3- 4— —— 2—2— -— 2—2 —p- —+t 2 2 6}—— 8 (8:}-— @ o 2 = cam GE nnn ne le 5 fe = SS = a 18) ais} 7 35 You lock the door,—— and = throw a- way the key. There's Gtr. | and 2 A | KI k D Dsus2 L I — Hs of Es eee some- one in my head, but it’s not me. ” o e oo DT Do G And if the cloud___ bursts 36 thun- der in your ear,___ you shout— and no seems to hear.— if. the band you're in starts 4g : —— ——— SS ae = TT — —— play - in’ dif-f rent tunes, Vil see you on the dark side____._ of _ the moon. . = _ 5 —_—_—— = — = ca at ia ‘#) “se 4 & ¢ 2— 3-9 2 2———+-—6 8 oa &—8.—6- 8 —<<— 35 o— $4 ee Em —— G Bm7 AT $ =H T = —— Ah, ah, ah. —f Ss eee 3 37 - “ GUD 7D G E/D Dsus2 E/D Dsus2 38 COMFORTABLY NUMB yor Testo e Musica di Roger Waters, David Gilmour Slowly 4 = 65 Intro Bm Bm_ with echo repeats A ¢ is there an- y- bod- y __ in there? Just nod if you can —_— = TOH_— Gtr. (electric slide) Hel-lo, with long echo repeats mf slow, even slides throughout keyboard arranged for guitar GC (G/FH) — Em7 Bsus? i hear me, isthere an - y-one— home? now, — I hear you're Gtr. (slide) continues simile © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED / PINK FLOYD MUSIC PUBLISHING LTD SubEditore per I'ltalia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano BMG Ricordi S.p.A. (ex Edizioni Fame s.r.|.) - Via Berchet, 2 - 20121 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured 39 A Asust A G (G/FH) Em7 Baus? a = ¥ z a sj oe as well, I canease your pain and get you on your feet a-gain,— “ 2 es 2 —3—2 3 3 2 rc 2 2— 2 2—2 3 50 ie 2 2 2 2 2—2——- ———— o———_-— € 6———# a a fc 2 Asus4 A ws Re - lax, I'll need some in - for - ma - tion first, y SS = = 2 2. > ¥. —$ with slide guitar fill 1 2 2 2 3 2 4 + 2 2 2 tH + 2— 2 2 2 2 ‘8 6 G (G$) Em7 Bm7 just the ba - — sic facts, can you show me where it hurts? Slide guitar fill 1 2 slow, even gliss 40 Pre-chorus D A _— — % ?—_* > — oo 2° = Cr. {acoustic} NEF is_— no pain. you are—_ re-ced - ing. — —s ° sdasaeas guaad 2—2—2 2 B22 2-2 9-9-9 93 3 a3 3-32 ee eer 2p ep Be 2 bbb 2—-p3 2-2 2 > 3 22-3 2 re $—8—0—8—_9—# o—o 0 0 333-53 3-3 233-3 9 @ 0 68 6 0 0 0-880 * 2. 2 — — + 2 a * o » ° 2 oe Rhythm figure | (keyboard arranged for guitar) 5 5 —— $5 5 5 5 5 Fs FS #5 7s 5 a ) on a tant ship,— smoke on— the ho - ri - zon.— You are on ly com ing through— in waves. lips move but. | can’t hear what you've say - 41 end Rhythm figure | was a child, fe. i ver, —__ He! == My with Rhythm figure | (SS earn 2 2 2 222» 2 9 2p 1 3 5 3— 33 33335 2?» pp» 9 9 9 p 9 9 9 9p 9 3 2 2 233 _3 3 3 a3 B_2_3_23 453-2 9 5 3-5 2 3 0 ss ——§ —8—8—_—8 #0 0—o—_|- 9349 9 9 5 9 5 9 5 5 3 5 8———0— 000 0-_0 0088 660-8 A — G/B a — _e~ Se : hands. felt just like two bal- loons. —— = =f ; $ : = : Sees ’ ¢ tr > 2 2 -2— 2—¢—__p pp» 9» _» 5 =——, —3——3 3 §—5—_§ 35 5-5 53 2—29-2-9--p 9 9 p 9 9 2 2 2 a ee ee ee ee 2—3 o9—$ 5 53 5 3 5 6 5 5 9 o- 0 6 —$—0—_»—0—_4—_5 4 o——# 5999p 3 9 9 9 3 5 {8-099 99 8 —_§_8-_ 63 42 C —G [= 3 > — es iB SS se > = * . Now I've got— that feel - ing once_— a- gain, ___ 1 can’t’ ex - plain, you would not un - eI « 8 ‘6——_8-—_6 66 _#-—_9——8-—\_9-—_ 6 ——-—#®_ 6 3—3—3 3 3—3—_ 33 ——3— + poo ae 88 §—_—__ 6 ——6-—0-—-— 8 o—— 6 8—__-—_- —-0-—_9-—_-—-& @——0-—-0—_-—\"_# &—-— §—_—0——_8-—_8—_ 8° @—_ 2 2 —_ 2—_ 2__2_ 2 _3—_2>—\_2—__+—_2_2_3 & 0808-8 8-— _6— €—# + 3——3—3—!_3—_3-—_3-"_ 3-3 3+" 3-3-3 2—2— 2-2 2 2——2—2-—2 2 2—2 St 3—3—3 s 3—_3—__3—-3 3 rr der- stand. Chorus Asus4 Asus? A G/B Csus2 G5 D OO ord — 3 have become — com-f’rta- bly gu--- 3 Gar. 1 (Solo) Rhythm figure 2 end Rhythm figure 2 vibrato bar tt vibrato bar vibrato bar vibrato bar vibrato bar vibrato bar vibrato bar slow. even bend : vibrato bar vibrato bar 1 Chorus have be- come com-frta- bly numb, —_ a “ae ——_—_—- hold bend with Rhythm figure 2 vibrato bar yo == 777 with feedback at octave vibrato bar wae Bsus2 Asus2 e just.a little pin- prick, there'll be no Hel fi £ . = Bsus2 = ah} But you may feel a little sick. Can you 45 Asus2 stand up? I do believe it’s work-ing, . that-"Il_ keep you G Em7 oe « « 2 t + ; — — = go-ing through the show, _ come on, it’s time— to go. eg ii = Ha rrr rs z — q $ ee o e ik . : = ‘ mi = =i 4 +4-+-4-94 BPH ieee +2442} z +2} 42} — 33 ° teeth teh) teste rege e8 a2 2 gogo) 22 o o—# —6 0 —_9-—9—_4 8—@ 4—4—4 444 —4—$4——4- 4—4 —6- &—6 o —2— 2 _2—-9 2—2 4—4+—4 4—4—4 4—4 —4— 4—# 2 2— 2 2 2—2— 23 5 —_3— 2—2— 2 2—2—2 2 2—2—F 3 3—5 3—e — 9 _6—_4 o—# Pre-chorus (with Rhythm figure 1) D A D 5 a 2 o_o —e o— 2 2 oo Gs rt == = oa PSE SF =| ———— ———S There is no pain you are—_re-ced - ing. A dis - tant ship, smoke on— the ho - A GIB Cc G — Le be zee + ° — ers SSS ee eS — : e ri- zon. —_ You are on - y com - — ing through in waves. Your a : a D 4 ” gs a e 4 —— — T = } oir — === rea ae — lips = move_— but I can’thear_ what you're say - ing. When 1 was a child 1 caught a fleeting glimpse— out of____._ the cor” - ner of__ my— eye. — c : —— a a os £ —. —} aS i a ot: == SSS ea to look, — was gone—_ I can-not put my fin - ger on- 46 c ~~ —— § =a —— it now.___ The child is grown, the dream is gone. (use for last bar of Rhythm figure 1) Chorus G5 3 D I e oe z ———- = — Jo have be-come—______ com-f’"rta-bly numb, — Gtr, (electric) = eet 1 o with Rhythm figure 2 ——_ ff An divisi with distortion 3 zi 2 7—— 9} — u BS AS G5 DFE Em Grr. 2 (Solo) —_ . eee . . 2 > BS D5 BS AS with feedback at octave and twelfth ad G5 DIFE 47 AS G5 DFE Em So ~~ > > > partial A.H. 48 GS DIFE Em B5 a 6 ae oiglew ee 3 3-8 8 2-4 ———_—— + 4 4 es 4 cad He 2 2 2 2 3 2—8 AS G5 DFE Em 3 3 3 $ 0 & 5 $——8 o 4 4 4 —I <— —— 513 3 23 2 + 3 + 2— & —t— & BS . AB begin fade che Jz owe “ (oe vibrato bar 1 > >is > fade out 50 BREATHE yor Testo e Musica di Roger Waters, David Gilmour, Rick Wright Moderately fast with half time feel 2 = 126 Em(add9) ge Se with helicopter Gir, (elec.) al I SSS Se 33 " sound effects é e i] ___ | ™P with clean tone and phasing __ let ring throughout ‘ ~—— 2 & ri 2 te = — 6 8 Em(add9) A ATsus4 AT Gir. 1 (elec. slide) Em(add9 A aoe Asust A se ~, aS . a ez —— : = $ —— ap ————— — —_—_— with echo fade in with volume pedal even gliss. Mechanical vibrato Mech. vibrato AAA Rett ett 2 ——— —— 1 2 $4 TT 1 © 1973 by ROGER WATERS MUSIC OVERSEAS LIMITED / PINK FLOYD MUSIC PUBLISHING LTD Sub-Editore per |'Italia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano BMG Ricordi S.p.A. (ex Edizioni Fama s.1.1,) - Via Berchet, 2 - 20121 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured. 51 Em(add9) ttt 2 et A Asusd A a . Mech. vibrato f even gliss. Gtr, 2 (slide) Emiadd9} o d. Gir. 1 (slide) even gliss. a —_— HL +648 2 = z= t +4. set | ttt = — rtr. | (slide) A Em(add9) . << 8B — even gliss. Mech. vibrato 52 Gur, 2 (slide) Asusd ; Em(add9) A ese «od Jd +-——~ —? Gtr. 1 (slide) even gliss. oo —_——_—~—_} Gtr. 1 (slide) A Asus4 A a = Oe = ts ———— 8 | =a even gliss. Cmaj7 Bm7 —_=T even gliss. = mech. vibrato ET +2 18 —=t2 42 ies 53 Fmaj? OE I ibe +; a D794 a even gliss§ =————___ Mech. vibrato —— even gliss. Em7 Asus4 A SSS et == ————= Breathe, —_____ breathe in he air. —__ Bu--5 ————— 2 — == — even gliss, even gliss slide off fingerboard = =—s == SSS TS o Jet ring throughout —t —# : — 2 & LJ “a —|— —e— Em(add9) EmZ ‘ Asus4 A ae == SS : : — el Don't be a- fraid_— to care. TT ——_—_—__—_ ®: z — yp fe — f —— __ Mech. vibrato even gliss. Mcch. vibrato even gliss. —2— " —— 54 Em(add9) A Asusd but don’t___ leave —~ Mech. vibrato even gliss. Em(add9) look a- round — Asus4 A choose your own even gliss, even gliss Bm7 long you live, and high = you (ot SS fly, and smiles you'll give,— and tears___ you'll ery. a s+ a Mech, vibrato even gliss. Mech. vibrato _— Rte +2 = SS é | Nodoy V 55 Fmaj7 G (be Dio = a I I —— ee All you touch__ and all you see is all yourlife.— willev - — er be! eee = a He Mech. vibrato ————_ 48: {40} Em7 A ATsusd AT rab- bit, Mech, vibrato a even gliss. even gliss. Mech. vibrato slide off fingerboard ....4.4e..000 Em =—, A Alsusd A Em7 for- get— the oe When,— at last,— . eee f4. L——. Mech. vibrato 56 A Ajsus4 AT Em7 x — £: — a = —_ = f e —— the work— is done,_— don’t sitdown, it’s time— to dig— — an-oth- ett S —— S —— even gliss. Mech. vibrato — = __ Mech. vibrato ——— = even gliss te tte tttinetioatl SS : a A Asus4 A Cmaj7 Bm7 For long you live and high—— you fly, —_ but on-ly if— you ride— egg —>— ——- —_ even gliss ———__ even gliss. eee D7/9b Fmaj7 G bivet Em “N — the tide, ___ and bal-anced on_thebig - gest wave, race to-wards. an ear - ly grave. wet a , 2 ~ ent ee cael rake even gliss. Mech. vibrato even gliss. Mech. vibratea—— = mane wt 57 ECLIPSE yo” Testo e Musica di Roger Waters Moderately fast with half time feel @ = 130 D DIC Bbmaj7 Bbmajz/sb A AT Gtr. 1 (elee.) - > mf with clean tone, flanging, and chorus let ring throughout =F + oy ob 2 Gir. 2 (elee.) 2 fe 2 { 2 im) af with clean tone, flanging, and chorus let ring throughout +68 +8 & 8 ++ +4 ++ ++ € +4 8 ——14-427) +2 +8 +S +4 D DIC Bbmaj7 All that. you and all that you see, all that = you —__ © 1973 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per |'Italia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritfi sono riservati a termini di legge. All rights reserved. International Copyright secured, 58 Bbmaj7/5b AT D all you feel, and all that you Rhythm figure | DIC Bbmaj7 Bbmaj7/5b and all that you hate,__ dis- trust, — AT D all you save, and all that you give, and , Gur. 3 (elee.) Mechanical vibrato ee = —f =| SS Pa _a with semi-distorted tone mf —t——6- —— -- = 2} 2 2 2 ent <4 8 o s— 5 5 ? —> with Rhythm figure | 2 * 2 — ss f= {_————* =| — 1) i ha th 44 ++— {— +4—44—_ +4 —18- +6 eer 2 a tt — 14 ++ 59 DIG Bbmaj7 Bbmaj7/5b AT all that you deal,_— ee and all that — you buy, bor- row And all) = you. cre - ate, —____ and all you de - stroy, , and Gtr. 1 and3 Mech. vibrato . Mech. vibrato a s CE we 8888888 et Bbmaj7 Bbmaj7/5b AT D all you do, and all that you say. And all that you eat.- that ech. vibrato Gir. 3 — (Gtr. | continuessimile) 60 Bbimaj7 Dic ev - ‘ry one you meet, and all that you Bbmaj7/sh slight, —__ - “ry one you fight. and all that__ with Rhythm figure 1 61 Bbmaj7 Bbmaj7/5b AT that’s to come, a ‘ry thing___ Bbmaj7/5b with heartbeat effects 62 GOODBYE BLUE SKY yoo Testo e Musica di Roger Waters Moderately d = 109 nylon string acoustic | N.C.(D) Intro Gur. 4 Child: “Look mummy, ™P let notes ring there’s an airplane up in the sky!” with bird and airplane sound effects for approximately 15 seconds 8 + 4 ah + 4 re = Ss + s- a s S nylon string acoustic Gir, 2 ttt oe mp let ring aaa 6 ae + = — + + a & ? 3 5 5 — © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED SubEditore per I'ltalia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved, International Copyright secured. (Dy) (C82) (Bm) (Am) (Bm) (Bm5+) I Gtr. | and 2 double part 63 64 (Bm) (Am) (Bm) (Bm5+) —— + Ss (D) (CR) let ring (D) (Cts) (Am) (Bm) (Bm5+) (Bm) —~- coment let ring N.C, (Am) (B/A) (Am) a — = Ty es is st e+ oe T fright-ened ones? Did, did, did, did you see the 2S he a vite ee pemiocts ; f ft fr f | a 7 4 + To Coda ri (Am) (BA) (Am) (BIA) fall - ing bombs? Did, did, did, did you ev - er won-der why we had to run for 65 (ATIG/A) (DiA) (Em/A) (D/A) (C/A) (Bim5+) —<—S — shel-ter when the prom - ise of a brave—— new world un-furled be-neath_ a clear blue N.C. (D) D.S. % al Coda 0 > > > > > > > > ® Coda (Am) _ _ (B/A) (C) sig. = se lin - gers on. a ee eee ae Se eee The flames— are all_ long gone,___ but the pain 5 5 + + 5 oF @ @ te € @ 8 +o = —- 8 s— .—— - D A/D AT(no3rd\/D D a. 7 — 4 3 PS = SS ES Good - - bye, blue sky, AID “owe D cm | T —] good bye,__— blue sky. good- bye,__ TO > ———+ 5 8 z 2——+ 5 a ? 5 5 € —t— € 8 ag € 0 fade out 67 HAVE A CIGAR yore Testo e Musica di Roger Waters } end Rhythm figure 1 Rhythm figure 2 with phase shifter Rhythm figure | Gtr, 2 —__- —— = —=—— = = z 5 | — a Se pot ——t — ? Gtr. 1 | © 1982 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per I'Italia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured 68 — Rhythm figure 3 end Rhythm figure 3 Rhythm figure 4 with Rhythm figure | with Rhythm figure:2 — end Rhythm figure 4 Come in here, dear boy, have a ci- gar, you’re gon-na — go far. You’re gon- na with Rhythm figure | (2 1/2 times) 88s Cc Dadd11 fly high, you're nev-er gon-na_— die, you’re gon - na make it if you try, they're gon-na Gtr. 1 a = Tt = = 2 o— oe f —+ 3 o a ——- == Rhythm figure 5 end Rhythm figure 5 — + + Well, I’ve 70 al- ways had a deep re-spect.and | meanthat most sin - cere = Cc 3 = 35 woth 1 37 am, band is just fan-tas - tic, that is real-ly what I think, oh, — by the way, which one’s with Rhythm figure 5 And did we with Rhythm figure 1 (2 times) 5 BR % Dadd9/11 Cc c D _~ - i = z=? 9 oe? é = t 3 tell you the name——_ of the game, boy? We call it “Rid-ing the gra - vy — = @ 8 6 o—6 o—#- 2 A 3 = ee 3 x—5 z 3 — f 3—3— coats 71 CIE G G To Coda b —~ Rhythm figure 6 end Rhythm figure 6 with Rhythm figure 1 (4 1/2 times) — just knocked out,— we heard a- bout the sell- out, you've e_- : Cc ‘ Daddll — Sar eee got-ta get an al- bum out, you owe it to the peo- ple, we're so hap- py, we can hard - ly with Rhythm figure 5 - — - = == —— 72 N.C. (Em) aoe ~ Ev-"ry-bod-y else is just green, with Rhythm figure | (4 1/2 times) BOD. R —~ th; c — you seen the chart?__ It’s a hell of a— start, it could be made in-to a mon - ster, Ba with Rhythm figure 5 Dadd1] N.C, (Em) D.S. al Coda — all pull to-geth-er as a team.—_ And did we with Rhythm figure | (2 times) CODA Gtr. (Solo) N.C. (Em) p 2 2 ; ; Gh with Rhythm figure 4 with Rhythm figure | (7 1/2 times) B ut re ee eg 42—15— 15 ——_48-{t*)} “45 4 94 with Rhythm figure 3 — SS" ** Trap the 2nd string while bending the Ist string. Ne (Em) its —{— with Rhythm figure 1 (1 1/2 times) 2 K-42 X42 x42 x2 x 42 HAR Me 14-12 ete FR 18} 48 M48 48 ARF +4¢——— E == —t 74 with Rhythm figure 4 8 B D N.C. (Em) et with Rhythm figure 1 (4 1/2 times) 8 cr ————- SS Se ea | Qe none e neeeeeee eeeeeeee eee Fie) « ome £ ase Me) el : £ —s 5 B 8 6 f — S ~ 8 12 a 17S} 3 Aa) +4 14 — 12 x = +214" 6} eS) ee Ce Cos BS We) TT eyed) a Ae with Rhythm figure 3 B “t39F 479) 49) a7} —47-—_-+4 ~———s** : = — a f= = +# hold bend -----------.-----4 hold bend -----------------------4 R 8. . a Bt tt B R watt 8 4747120} (20) — (20+ —=+7—17 20} +¥{20} 120) 120120} 47-45-47 — a 14 2-44 oe with Rhythm figure | (1 1/2 times) R Fir) with Rhythm figure 4 8 Cc Seer . meanness sudden fade —_ * JT — | — —¥ — = = = B R SSS mm a ae —=Ssexx 12 +2 —10- $——_—+ site —"5- +0 — — ae ‘mee, Je) “ey hold bend fade out HEY YOU yar Testo e Musica di Roger Waters Moderately with half-time feel d= 112 Intro Chm(add9) Bm(add9) actual pitch: Em(add9) Dm(add9) Gtr, 1 (acoustic steel string) (Capo 3rd fret) Chmfadd9) Bm(add®) DY Em(add9) * 1 Dm(add9) . = - > * = See S| Ct City == —S 6 8 a ® —2- 2 2 2 + 2 3 2 4 “t— 6 6 6 t € —_ 4———+ 45 ~— € 6 € 6 —+— 4 Chin(add9) 2. Em(add9) — ==, out there in the cold, gel-ling lone - Rhythm figure | Gim Bm —— et ly, get-ting old,__— can you feel___ me? © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per |'Italia: WARNER CHAPPELL MUSIC ITALIANA S. pA. - Via G.Fara, 39 - 20124 Milano. Tutti i diritfi sono riservati a termini di legge. All rights reserved. International Copyright secured. 77 Chmfadd9) Em(add9) — - —_ stand- ing in the aisles— with tich- y feet and fad- ing smiles,— can you Ghm B Hey, you! B A ——————— G D fe = en a = = H =| —— = { help them to bur - y the light, SSS SS T — 2 2 8 6 € 2 4 = + 54 2 2 2 2— a 2 4 4 4 7 — 2 i — Cim Fem Chmfadd9) Bm Am Em(add9)} with- out a fight. end Rhythm figure | 78 Bm(add) Dmiadd9) = Hey — Gir, 2 (acoustic steel string) divisi capo off . Smif ait 9) — = = SS SS z SS — 2 you, . out there on your own, sil-ling na - ked by _ the phone, would you 33 5H — with Rhythm figure | Em(add9) SS SSS SS SS SSS you, Hey, —_ — —— ~~ a-gainst— the wall, wait-ing for___ some one to cull out, would you touch— me?__ << Dsus2 po py G D c fp 3 Hey, you!___ Would you > & € 2 B m F Am 3 Em = Z - z # = Z o—a oe a O - pen your heart, I'm com-ing home. Gtr. 1 (elee.) with distortiot Gtr, (Solo) Gtr, 2 (elec.) ff Gtr. 1 (elee.) solo figure | 11/2 hold bend with feedback at octave slow, even release 80 PLeYer end Solo figure | 12 hold bend Gur, (electric slide) steady gliss Am PaE= y-—} nee mene 88k ent 888 > ooo - a eo = EEF == ee t - a ee sess =F 9 a > $9 >~—t— a S & O44 V2 aaweeee VR yg ween 12 wt 81 Em p= steady gliss Em —_——. Gir. 2 (elee.) RRR tt steady gliss . Sa = Gtr. 1 (elec.) vibrato bar dive & Gir. 3 (elee.) vibrato bar dive Ce een nnn eee Gtr. (elect steady gliss 82 Gtr. 3 (acoustic steel string) A Baddil BE BaddI1 A Cc D G dD c f ¥ But it was oon - ly fan - tas - y Gir, 1 and 2 (acoustic steel string) (Capo 3rd fret) Baddlil E Badd] co 3 D G dD let ring let ring a BaddI1 pea . D Dsus4. G 4 SS == e =! foe, : 5 gs ————_tL yf [———_ti i 7 see. No mat - ter how he tried, he could not break BESSA en | ° 4 let ring let ring $988 gg 9 pot = = ° a 3-232 2 2 4 4 4 2—_2—2 292315 9 4 4 Fi Badd11 ° D —— = —— SSS SS cr oT SS free, and the worms ate in - to his (nS SSS Ss 2 23 2 2 2 2 2 —{* 2 f | H HD {ll tt il —2———2 | 83 Chm(add9) Bm(add9) Em(add9) Dm(add9) brain. mp let ring throughout Chm(add9) Bm(add9) Em(add9) Dm(add9) > = = - = = eT ° Fe fits eo a = f == f f — SSS ° 8 e 2 2 2 2 4 fe 6 € & 6 é é 4 4 4 4 6 6 6 € 4 4 I a Chm(add9) Bm(add9) Em(add9) Dm(add9) Chim(add9) Bm(add9) Em(add9) Dm(add9) — Hey, — Gur. 3 (acoustic steel string) (epierirerr inept Gtr. 2 (acoustic steel string) Gir. 1 (acoustic steel string) eee capo off add) Bm e —~ — —~ = = SSS See ees 3 3 3 you, out there on the road,— al- ways do- ing what— you're told, can you help me? __ with Rhythm figure | | ol . _— Em(add9) . - —, Hey, — you, out there be - yond — the wall, break - ing Bm 3 3 bot- tes in the hall,__ can you help me?— ——_ Gtr. 1 (elec.) with distortion, —~ ia 85 , G D c Dsus? 3 OS : 2 Sd ft ft g Hey, you! Don't tell me there’s no hope at all, ——__ 1 SS i tt jl : { | Bm Am Em cc 3 oN with echo repeats To - geth- er we stand, di- vid- ed we fall. steady gliss 86 yore Testo e Musica di Roger Waters - = 100 E Gtr. 1 (acc — BT a oe oe zoe o gee é oe JE = J + = ae = let ring a a oe 8 th 9 — + + 1 + + + Be 2 2 2 2— 12 2 4 1 + t + Cc 2 2 2 E D (SS = e If [- were a swan,________ I'd be gone, If [_ werethe moon,———______ I'd be cool, 4 Te =e = = 0 ° 2 2 —_——e o eo 90 + “+ > + > + +———++ 2 2 2 2 2 & 2 sg o ‘& ‘8 were a train, were a rule, E ch7 Ft BT werea good man, I'd talk with you— more of- ten_______ than werea good man,—__. I'd-sun - der-stand— the — spa-ces_______ bet- ween © 1971 - 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per I'ltalioc: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured. 87 do. friends. were to sleep, __ I could dream, were a - lone, _ I would cry, were a - fraid, werewith you, E cH? Ft BT =e : 5 = + re se i if 1 go in - sane, please don’t — put your Wires in. my if I___ go in - sane, willyou — sull let me join in ie 88 Gur, 2 (elee.) 2° ad lib, iad =p pa — a Gu. 2: tune top E to D wislide & distorion | {— }——8 ——E ° Cc i 89 If Jo were a swan,——____ @ oe a te—— ‘¢ —t— 2 2 cc ram oS + — cay +—}-——2 2 2 2 > = 8 2 2 2 2 @ o— 8 € E CHT Fi were a good man,——____ I'd talk with you___ 90 IS THERE ANYBODY OUT THERE? a Testo e Musica di Roger Waters Slowly J = 119 television and traffic sound effects ~ for approximately 10 seconds Is there an - y- bod- y out there’? ~ rN es . my synthesizer drone px, Is there an - y- bod- y out there? Is there an - y- bod- y out there? © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per I'Italia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diriti sono riservati a termini di legge. All rights reserved. International Copyright secured, 91 Double time feel N.C. (Am) $ Is there an - y- bod- y out there? nylon string guitar mp synthesizer drones the A note ee @ ¢ 4 o oe e e oe e @ 2 2 2 —2 -2- — 2 2 2 2 -—t Fs o- @ € € .—————+-# € Am/E Am/F$ mf * Tet notes ring throughoitt Am/B f 92 AmiFE Am/F = === ee SS ti ee e oe oO > Take @ —0- 1 + + + + t 2 2 t= —2 2 2 2 2 2 2 2 2 2 2——— 2 2 oo 0 e Ce i on > } Am oe ee 8 ae ese er ee o Qo +5 +334 o——e -2— 2000 2—2— 2 — 2 ie fo= N.C S. 9 Cc Am . eal == —- a 2 ——— & = oe : == = SS —S ew oe let ring let ring LN an 6 o- aa fos T — a — a 3 +—} ra a E 5 2 2 ° 2 i. 2 z Am/E Am/F i Am/F Am/E Am/D Am/C Am/B Am =a § 6: == = SS i mf > e ° ritard. Soc 0 a poco hk vet TH +) § ile $ \) 4 it 93 MONEY are Testo e Musica di Roger Waters 7 Moderately with shuffle feel (Ju-J > ye = 124 Intro Gtr. 1 (elee.) N.C. with cash register sound effects. TY pm. 9-2 eee eee throughout Gtr, 2 (semi-distorted) 4 (oO) mf Gur. 3 (with full tremolo) 14 © 1973 by ROGER WATERS MUSIC OVERSEAS LIMITED SubEditore per I'Halia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritii sono riservati a termini di legge. All rights reserved. International Copyright secured. 94 ji > . oe) Bieta % Bm7 Mon- ey, Mon- ey, Mon- ey, good all it [377 you get a - way.— You get a you get— back, r'm— its a crime.— Share — more pay and you're O. keep your hands off - a my but don’t take a slice of my 95 Grab, But don’t 7 = F + 4 Fe % $ = FI > # # —F to F + 2 2 e 2 4 =z — / ——< Set t t —— — + that cash with both hands and make a stash. — give me that do goo- dy good bull =~ shit__ rm in the the root of all e - vil to - day. — Z GR @) Hn | 96 To Coda a F4m7 a —_—— New car, cav-i- ar, four - star day-dream, think Pll buy = me a foot - ball high — fi- del - i- ty first class trav- “ling set and | think 1 need a Lear But ifyou ask for a rise its no a- sur - - prise thatthey’re giv - ing none Bm7 (0 * Play on verse 2 only Saxophone solo Bm7 Ge : =e = 7 aa oe — NH. |e 97 98 Bm7 4, ) 8) >a. F4m7 >>> > SSS SSeS SS dig in S>r>r> FP Serr Pr Se eS >>} > SSP Se Fc ehUmU UL Uc Uh dig in S >> >>> >> > > Se > 99 Gir, L(Solo) lead guitar | all Mechanical vibrato 7A. ———___-»waeeeeeeee ae ee - si with distortion and long delay Sf 1 with Rhythm figure | (4 times) = > > Gir. 3 2 2 Rhythm figure 2 Rhythm figure | 100 hold bend 1 prot Rhythm figure 3 CaF Fee i — 26s s m eof en ae 2 oe 6 # ft =E ae —e f — —— = iS et — + ot 3 even bend A va \ 1 co 42-42 : / RA = —— ares +8 +8242 ee 42-12 6 " —+ — — 4 with Rhythm figure 3 (2 times) = = . I> ae . __ SS Se é z = # 7 5 - — # 42 +2 —*—* £9} 2 43+ ——+ +2 +2 $$ a | | 101 with Rhythm figure | (2 times) = with Rhythm figure 4 — end Rhythm figure 2 Rhythm figure 4 102 Zand 3 aa lead guitar | 4 (a) Gu. Ct lead guitar 2 slow bend Gtr. 2 Ae —— with heavy P.M. throughout = with Rhythm figure 2 Gur, 2 (Solo) echo off 103 partial A.H 1 awe OS slow bend 1 — F = =} = f SS a eo 6 fhe be « * © te be—_—_ha a be <~F + +8 > & == F——t6 + 8———__ + ? Ft 10- + & te ~~ — —“————" _— be PN wee ee a ‘edie E EES ——— z . ——— 14, , en Pon — eens 10 e444 aa) 9 a dig in 105 lead guitar | Se wae . | with echo Gir. 3 (Solo) 14 10/42 : aot 22 92 22 pS A —————_+ 39° oat a —_——— OT Sibtet i at i z — Z i i $$ IF ———— I ALN # F F —- F ? Ft ss 2 a lay back 1 106 with Rhythm figure 3 (2 times) 7 ye EO ae eee £ 6h ee ES f fd = —f ——— £f fae tee — He " him { \ tt i (ir hid ta wW4 eS p—7H -4- Fp 9 # 8 &— > $+ —f 8 th ey KF Ot 9 se yee <—-g-— * = es 1 e Zo —] hold bend straight eights ,let ring with Rhythm figure 1 (2 times) 107 dig in =z with Rhythm figure 3 : : Gir. 2 and 3 D.S. ¥% al Coda a lead guitar | Crp arty wa 2 Va ae Gu o- > Gir. 3 (with full tremolo) = Bm7 toe = Ss by — - - —— se 4 SSS Se eee ee ea a a a- way, — a- way a- way, —_———— a a : = SS — 4 z vw7T aT Zw e ge a = 3 ow aha Ww PM. 14 PM. ue = — == —— 2 5—5 2 —9—5 2 5 @—5 2 55 =| ? = % — ——— —p = - — — r pe = ————— 5 SS vocal ad Jib. simile with background conversation effects watt begin fade 109 ——$——["$——— Ai aaacraaes fD straight eighty PM Spoken: “I don't know: I was drunk at the time.” VW 110 wer NOT NOW JOHN Testo e Musica di Roger Waters % Sol Fuck all now on Not Hang Re that, John, John, to to to we've we've Ive got got got on—— on—_ on—_ get get get with fuck (got all on, to to get got get Mim z 1 with these the with this Sol Re Mim # d - oo» — i eens eS eee pt got to com-pete__- with ___ the wi - ly Jap - an- ese. ‘ Hol - ly - wood waits at the end = of the — rain- bow (end of— the don’t know what — it is but it fits on here like ***____ 4 ° eS. = 2 SS s a re a oo o — =f t 8 2 ES 3 5 —_3— #1 nl © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED SubEditore per |'ltalia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milané- Tutfi i dirifi sono riservati a termini di legge. All rights reserved. International Copyright secured. M1 Sol = = —} oe a —: = There's too man - y home—— fi - res rain - bow). Who cares what it’s a 5 Come back — at the — end of the {2 ; + : + i € 3 | SSS ys = ing and not e - nough wees, as long as the kids go (as long as the kids— we'll go and gel pissed. - i = =| o e =e T Sol Re }— f= oe — Le SS (fuck all that). So fuck all that, we've got to get on—— with these —— go). So not now John, we've got to get on_— with the But not now John, Pve got to get on with this SS Se B a a 3 —|-3 {] a iI. @ ior pS sil - i- con. (got to get on— __ with these). Cant stop, lose job, mind gone, (got to get on with this, got to get on). — — + ee =—— =i o o = == +f I ES + = 112 y ft f fi. @ i eo o __- oe « a = SE f =f f = = = 2 = 1 Stroll on, = what bomb, get a-way, pay day, make hay, breake down, need fix, big — six. 4 1 i — a -: . ual) ie Re + @ @ @ a f— f— = i = 5 | Click-it'- y click, hold on oh no! Bin - go E = = = = eo ee 1 = 8 ° = o 3 + - —-2 -_ $ & * — 3 —_— —t Mim oO Vibrato bar A Half Tempo Do/Mi 2 Mim7 Re/Mi Mim 4 { 4 SS aS SS SS @ . | o @ ot2= z Coro: — Ft Make them laugh, — make them cry,— make them dance_ in theaisles, Hold on John,— I think there’s some-thing good on, I used to read books but OOS) It — = ——= = = SS 12 string 113 Do/Mi Mim? Re/Mi Mim B | a — ~ make them pay— could be make them stay,— make them feel O. K. the news, or some oth-er am-use- ment. it could be re-us - able shows, Mim7 = = = t Vibrato bar Vibrato bar Vibrato bar Vibrato bar Sol t~3—— oo aN 2 Vibrato bar Vibrato bar 1 wee 1 1 1 L awe Re Mim a Vibrato bar Vibrato bar Vibrato bar a Vibrato bar D.¥ al @. da Aa B and signe 115 Sol Re Mim Fuck all that we've got to get on—— with these we've No need to wor- ry a - bout the Vi - ct- nam - ese. = Sol — Re Mim _— got. to com-pete——— with = the wi ly Jap- an- esi Got to bring the—— Rus- sian bear___—_____ to_ his knee Sol may- be not the Rus - sian bear, may - be Swedes. Make us feel tough and would - n't Mag- gie pleased. om oo Sol Re Mim Ad lib. to fade showed Ar- gent = - i- na, now—_ let's go and show these.— Na na na na—_ na nana. 116 ON THE TURNING AWAY Testo e Musica di David Gilmour, Anthony Moore 3 3 3 — —| == #7 3 2 _ > FS - tte? ; On the turn-ing— a - way from the pale and LN _ = = ¥ = = ¥ a2 a. te f 2 ° a == * = = rr —— FS 7 —# - # 4 _—_—_ 3 “Don't ac- cept that what's hap - — pen- ing is just a case of oth-ers’ suf - fer- ing. 3 ———- , — y or ae 4 4 2 2 s < dk —__, % f 4 a poe “eo = oe = t aie — +E e* = f ose eH SF z a | ——— —— 3 — or you'll find— that— you're join - ing in the turn-ing a - yay” It’s a sin that some - A tempo 2=50 G Gmaj7G 35 He} how Gtr, (acoustie) a a -? = ==> — z = — = SS light is chang ing toshad-ow, | P7377 e . Ft : aye mf Rhythm figure | 3 2-3 & T & “2 + > ———8- € 8—8—8—8-> §-——-0-—-@ —+ & + —3 3 + + + +—t— +--+ € 8—0-—0- & 4 @- 2 6 6 @ a 8—-— 88 — & o—O—6 2 2-2 2—2 2 ‘& 6 2— 2 2 —2—2— 2-25 co xX —3 2-2 _ 2 2— 2 2 + + Ft 3-3— 3-3 —3 3—3—3 0-06 uF ‘ > — Sxeoos A wee A HI Ce aumhode ememn al oa ena! ame © 1987 by PINK FLOYD MUSIC PUBLISHING LTD Sub-Editore per Italia: BMG Ricordi S.p.A. (ex Edizioni Fama s.r) - Via Berchet, 2 - 20121 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured, 117 km Em7 C G Em Em? G C 3 z 3 Un - a- ware how the ranks have — grown, driv-en on by a heart of stone, re man G Cc Em7 D G G Em dD G5 3 3 3 we couldfindthat we're all a - lonein thedreamof the proud. a | On the wings of — the C34 573 end Rhythm figu G Gmaj7G € Em 371 G Cc 3 3 night, as the day-time is — stir-ring. where the speechless u - nite in a si-lent ac-cord with Rhythm figure | Em Em7 C, G Em Em7 G Cc 3 -——_—Ii— 37 2 . 3 . 3 . Us - ing words you will find-_— are strange, mes- mer-ized as they light — the flame, G Cc Em7 D G 3 3 3 3 feel the new wind of change— on the wings of — the night. 3s @ ore. Ft Interlude B5 D Cadd9 cs DS. Em D AS Gir. 2 | 118 Data AS Am D/A ao oOo 4 ———___* dim. Em D 65 G5 wo «O& 3 Em dD i ee {— = =e { q = i? ° =" eet = *f a a ¢ t ot te Ger 7 Cy f a2 ff f aa a —_4— with Rhythm figure | 3 No more tum-ing a - way 3 3 way from the cold-ness_ in- side. I from the weak and the — wear-y, no more turn-ing a - Em [__3— GS 3 a_ world that all must share. 3 Just we (a € 3 Em? G Cc G Em Cc D G5. a? 3 37 3 ; . ran i 3 ' Pd 4 J £9 oe a oe a wt ee + : oe 2 = oe 2 : aa | = tt = = 4 — n i i i ? f f i i g L a—— . Ly —5.-—§J IUs not e-nough just to stand and stare. Is it on- ly a dream that there'll be no more turn-ing a - G5 119 (Solo) @ 21. Ft Rass = D G ttt a W.B. W.B — ~~ esses 3 Ss 3 3 & 2 8 ee ee re 2-0 2 6 ao + 2 & o { = = — - —j Double time « = 100 5 with Rhythm figure 2 120 with Rhythm figure 2 a ——s £ fe =f = 2 “ < = aS i c E5 Bue went srs ~~ evel le") eee pte bao ——— = es — a W.B. PH. aaa 8 ce Pa B B RAL A a Bn 40+ = oF 5 7 <9 2a sae 4 3 “Ty . (ge , 2 ee = — Fg = —— = a es _ - ~ - a= — TEI 10 +0 +2- +2 — 40 1t2) os — —— —_ _ J D ES, D Te) 2 2 * —f 2 © PN ae ei (a) Ce-) 2p t pe = 5 wb. hold bend R Ce etait a B wees OB 18 8 10 8 10 1682} 46-2) ES) c ty f> PP — @ @#oe e ie f ff — — { u ae = —————— = Lo W.B. wee eet a 22 =e 8 ——+ +2 42 G BS D oo eat fade out £ £ a * = =F ($i* = = + | WB. WB. — ~~ ae we. dive 42 +5 +2—43- +2 4 —H— 122 MOTHER gar Testo e Musica di Roger Waters Moderately with half-time feel = 134 Se ed * (Sigh!) Moth- er, do you think they I] drop—— the schoolyard and phone effects for approximately 16 seconds Gtr. 1 (acoustic) mp > _ Rhythm figure | > @ & ay > let ring > —8 3 >. ~ let ring = 3>—$_—£${__}————— © 1980 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per I'ltalia: WARNER CHAPPELL MUSIC ITALIANA S p.A.- Via G.Fara, 39 - 20124 Milano. Tutti i diritfi sono riservati a termini di legge. All rights reserved. International Copyright secured 123 —— Moth- er, do — you’ think theyll like —_ let ring = Dsus G ot ct > > soto Nosed KKK ob ob PRO+D oro tt | PHeTT ono+o 4 SS SS SS = a — Moth-er, do you think they'll try—— to _—_—_———____ break G D5 Dsus2D > > 3—3—3 3 3— -—§—8—_ 8—8---9-—-- +. 8 —— 8 0 8 124 OQvoo. Ah moth - er should 1 build the wall?__ > = — let ring > = > = = > > > 2 2 2 2—2 22 —~o—0 3 8 5—— + 8 @ 8 3 3— 3 3-—3—_3—_ 4 +—+ + 4 + + + + + 3 * {> 2—-3 2 23 pb 3 6—8 a— 8 8 6 6 8 8 2 * { ‘€r —# &-— 0 — 8— 44 2 2 2 2 2 2 2 6 * = t 3 3 3 3 f —— — - Ea 8 2 iy , | * os ¢ = ee = jii Bp jap os as oe Ter ring ~ end Rhythm figure | 3 3—3—_ = 3 3— 3333-33) 3-33 3—3 —3—3 3 3—_ 4 _3_3—__ ooo oo 6—8—8—_8 —0 0-8 —6 o—o 2 8 3 2 2 t 3 +3 3 3——— % “DIC © (with Rhythm figure 1) ‘ + FO e* — Moth- er should 1} run for pres - i - dent? Moth-er, do you think — she’s good ee - nough me anconErdkcc for me? (DIC) (Cy C t lod = 8 7a = za 4 x = = Moth- er, should 1 trust the gov - em-— - ment? Moth-er do you think she’s dan - — ger - ous © mek Cc Moth-er, will they put) me in the fir - ing line? — Moth-er, will she tear your lit- te boy — a - part? 4 _ (Dsus2) D _ Cc _ G - ie {| = & — = ae S vee. vw vw is it just a waste of time? moth-er will she break — my hea 125 G Hush now, don't you Gur. 2 (acoustic) with Rhythm fill | (Played by 12 string acoustic guitar). > > (doubled by acoustic guitar 1} = > 3 Se Cc F i — ——— = 1 fo) ee i e 2 + 4 cry. Ma- ma’s gon-na make all_ of your night- mares come true Ma- ma’s gon-nacheck out_ all your — girl- friends for you. i s + = > +#—+—_+-+ $~-4——+ 4 233-3 3—3— 3-3 3 + : F ——_— = f x L = = = eee Ma-ma’s gon- na put all. of her fears in- to you, Ma-ma’s gon- na keep you r here un-der her. wing She Ma-ma’s won't let— an- y-one dir-ty get through, gon-na wail up un-til you get. in. iit Hi 3 oF s+ ¢ 2 93 > > > > + re 4 en a 1 7 4 4}— + +++ + +++ +4 + + 2 2 2 2 2-2-8 —@—_0_{0} 00-06-82 2 = tata 0640-0 3 aj 3 3 3-3-2 2—2— 22-99-93 3 —$-8-2# 8-2-2 — 7 ? iS ae s $—$—5-3-3-3- 3 — 2 3 3 3—3— 333-3 Rhythm fill | 4 126 {—— = won't — let you fly but she might _ let you sing, Ma - ma will al - - - - ways find out where you've been, ve 4V Vela ale olenene ele | ry ) nT rT " *! * ne! */ a) et > — + + + + + + + + 8 OF 8 o—— & + + + + + t t + + t + + + +—+ — es 2— 22 2 2—- 2-2-8 g o 8——§—_9—# Bs —3 3 J s 3 J 32 2 2 2 2 2 2 T 3 3—3—3 —3 3—_3—_3_3 3 3 3 3—3—3—3 + + + t 5 5 $55 I Ma-ma’s gon-na keep ba- by —_— cos - y and Ma-ma’s gon-na keep ba- by —_____ health - y_ and > >> with Rhythm fill 2 _ 3 3 8 O Rhythm fill 2 Dsus2 Dsus2 127 To Coda D babe ooh let ring = ss $ oe 2 babe. oh a rd i i G D wr el al oe 7 of course Ma-ma’s gon-na hi SS Ooh, babe, — elp built the wall. Gur. (Solo) ge 128 —* a —~ c D.S. % al Coda @ G ' ® 0 @—6-—8-- 8 @ Coda dD — Ooh, babe, you'll al- ways be ba - by Moth-er, did it need to be—_— 129 REMEMBER A DAY yar Testo e Musica di Syd Barrett J=60 ES Gir, 1 (elec) 8 wislide & slight overdrive mS w/slight distortion * Piano arr. for Gtr. © 1967 (Renewed), 1980 by WESTMINSTER MUSIC LTD., London, England - Editore Cedente SubEditore per I'ltalia: ESSEX ITALIANA Edizioni Musicali S.r.l. - Galleria Del Corso, 4 - 20122 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured. 130 Re- mem-ber a day be-fore to- day, a day when you were young. Sing—— aa_ song thatcan’t be sung, with-out the morn- ing kiss Climb your fa-vou - rite ap- ple tree, try to catch the sun. — —_—— ~~. p[?_ a. oO -_ Free — play a-long— with ume, eve - ning nev - er Queen you shall — be if you wish, look for your King. Hide from your — lit- tle bro - ther’s gun, dream your- self a - —— Emadd9 Fam/E ASE Emadd9 Fem/E GE ASE comes. way. —™ cont. in slashes. 131 E Amo/E E Amé/E A G D Em A G D Em if — j can’t we play to- day?___ Why can’t we stay that way? can’t we reach the sun?___ Why can’t we blow the years a - way? Em To Coda Qu nnn nnn ne nn ne ee eee eee Em Fem/E. Gir 1 wislide wislide over pups Em DS al Coda @ play 5 times (5° play E) Repeat ad lib. ca Coda POT? Ta CA - way, improvvise freely to fade Em (vary chords ad lib., Em/E/A/D. 4 B = J " SEE EMILY PLAY yao Testo e Musica di Syd Barrett J = 122 [Am] Cw. 1 (ene) es os Gir. 2 (elee.) — eS played w/slide over p/ups wi/slight distortion tab, shown 8vb for reference wislide & echo as * Organ arr. for Gtr. * Bass arr. for Gtr. © 1967 by TRO - ESSEX MUSIC ITD. - Editore Originale Sub-Editore per I'ltalia: ESSEX ITALIANA Edizioni Musicali S.r.l. - Galleria Del Corso, 4 - 20122 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured. D = = —— - = E - mi - ly — tries,_— but mis - un - - - der - Soon af - ter dark, E - mi- - - ly Put on a gown, — that tou - ches the Am/E, Cmaj7 Gu.2 ¢4-——— stand, of - ten in - clined to bor - row cries, (Ah - ooh) go - ing through wees. in sor - Tow ground, (Ah - ooh) float on a riv - er for ev - er and wi/slide over p/ups _—_ - dy’s dreams. mor - row.——__ a sound mor - row. ——— E - mi - mi - ty). yy ot E D E + = oth- er day, let's ry it a- nother way, Gtr] cna = There is n o 8——_6- ‘&- & 2 2 ——> €- ‘$0 > & “8 3 3 3 + —6- 8 € & +——+4 + 2 2 —B—--—2- + + 4 4 5 a 1 2 2 [9 —___+- + ___»—___2__3»__—_| 2 z 2 2— 2 2 2 2 +8— & €r & & ie ‘& 6 & you'll lose your mind w/fuzz slide effects, echo, distortion [Am] Gtr, | cont, sim. gr == === cleaner sound 135 Bit wee eens po " Gu. 1 i Pre Pre — = —— FF é Past © 2 ge 2 erepedpnpas FULL FULL FULL FULL FULL ru t ~~ 5 5 55555 & 8 8 p= & & = * { 8 fi how Gir. 3 D&S al Coda @ dissolve to feedback FUL Gtr. |: ad lib. tremolopicking w/slide over pickups a} Coda D vocal fades cont, sim., random picking Repeat to fade se SHINE ON YOU CRAZY DIAMOND (PART V) ol Testo e Musica di Roger Waters N.C. (Gm) (Gb) nN Bbo = Se =~—_;=—8 So a ee = Re-menr ber when you were young, you shone like the sun. § ropes per Ss & $ f : N.C. (Gin) . (Gb) BbS oe re ee Now there’s— a look in— your eyes, like black holes in the sky. BR -—-— eters Fi ' —r— sy * — i = + + © 1982 by Roger Waters Music Overseas Limited. Sub-Editore per I'Italia: WARNER CHAPPELL MUSIC ITAUANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured. 137 FS on, you @ z j You were keyboards: Gm Gm/FE C7Ob/E caught in the cross-fire of — child-hood and star- dom, blown on the steel breeze, (G5) o. # Rhythm figure | end Rhythm figure | Eb Ev Bb/F Dm Dd comeon, you tar- get for — far- a- waylaugh-ter, come on, you stranger, you leg-end, you martyr, and Rhythm figure 2 letring --------------- ing------------------------- end Rhythm figure 2 Rhythm figure 2a end Rhythm figure 2a 138 keyboards: Gm Gb Bb shine! Gtr. (solo) nana hold bend - ------~- ' 3 ee hold bend - = == = ---- 1 3 nnd hold bend - -- -- ~~ ’ Bwana Eb Eb/D Cm ~ Cm/Bb F 139 N.C. (Gm) (Gb) Bb —— = reached for___ the se-cret too. — soon, — you cried for the moon. (Gb) Bb N.C. (Gm) Threat- ened by— shad-ows— at night, — and ex-posed in the light. — ier T7871 eeeee sees on cra 140 Gm Gm/FE Gm/F C791 wore out your wel-come with ran- dom pre - ci-sion, rode on the steel Rhythm figure | Eb E°7 Bb/F Dm D — — 4 7 a 9 « ° o te « oe G2 SSS eee Come on, you rav-er, you se-er of— vi-sions, come on, you paint-er, you pip-er you pris- on- er, and with Rhythm figures 2 and 2a Saxophone solo Gm Gm13 2 | L let ring throughout —1—- ‘ + & 6 —8 +8 6 € % & & & & & 6————¢ ‘& a geptcielatetpefe le fey) tele levee tefetes 141 cette rR nS hig fr i he fr it ; ee Double time GmI13 Cit Gml13 Eb D pe fpf f 2 2 fe ©» ff » Pie # $e» =e a o 2 + ° o 2 2 t == ‘& & os & & 6 s & 5 5 ‘+ s- & & & & t F # t 8 8 6 & 8 8 & 8 7 7 - + = begin fade play 6 times and fade out 142 WISH YOU WERE HERE yore Testo e Musica di Roger Waters, David Gilmour Em7 G Grr, (12 string) wT Z a allt ah alll \ | obey oda Oy OF Dy o CF oy ® oo oo & | oodw eel | i f eo) vite ee Ld) ‘oe 1 Uy rs 7 7 oF 3—3-3-3-3 3 + 3 3-3-3-3-3-3-3 | 3—3—_3-3-3-3 ee > 3 —_j|— 3-3-3 3—3—3—-3 6 —_——_-—- ‘6 ‘8 ‘&+—_ +--+ ois 8—8-—8 0—8— 2 2 2 a € & 2 2—_-?# 2 2 2 3 ATsusd —" end Rhythm figure | © 1982 by ROGER WATERS MUSIC OVERSEAS LIMITED / PINK FLOYD MUSIC PUBLISHING LTD Sub-Editore per I'Italia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano BMG Ricordi S.p.A. (ex Edizioni Fama s.r.l.) - Via Berchet, 2 - 20121 Milano Tuiti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured. 143 Em7 Gtr, (acoustic) 5 with Rhythm figure (first 9 bars) Alsus4 G i ! ! i t o_o —_—s BOR - oa —3—-3 3 3— 3— =~T- eee BR fT a= 5 5 F535 3—3—+-3 4-33 3—3—3 24 + Ate 42 8—8—-8 8—6 6 6 —8— === 6—t $——_ 04 $ 3 3 DFE a so you think you can tell heav-en from hell,— PM Rhythm figure 2 $$$ 9—____4— *t=thumb Gir. (elee.} with slide Am/E Ss => z 5 pafotitts oe blue skies— from pain, can you tell a green : a ee er er | i PM.--- PM. PM. BM. PM.- ~~~" ‘8 & ————# 3 a a> s+ + + + —— ai 8 O— 2 22 2 HD o ¢— & re 2 2 HK 2 6 o 8 -——-8 8 ‘8 ad or cad 2 2 2 2 2 —2 2 & € 3 + + 3 > 3 3 > ee _ - : — | DFE y c field from a cold__—_ steel rai], ——___ a smile from a veil? Am G / — Do you think you can tell?—____ Did they get you to trade_ ” end Rhythm figure 2 145 DIF hot ash - es for trees,— ewe tt ttt ttt tt tte wes your he - roes for — ghosts, with Rhythm figure 2 with slide ass eee hot air— for a cool______.__ breeze, cold— com- fort for change?— —1 _——— DFE c Did you ex- change——____ a a walk-on part—— in the war— Am 3 for a lead iN ARCA. Ci =a —_ Gtr. (acoustic) 146 Tuneto openG: © =-D@ -C@ -p@® =-G@-BO-pD dobro (doubled by scat vocal) Em? G — 3-4 _ om _ Em7 —_— aaa -# @ eee oe tN ea Ff fe # e ff f Pe te7 f: — oe | Sj Lee = = — —— - =— — % — i eo - L_3 . +2 44-42 12 4212104242 10-42 42 1212 12] 12 4214-12-12 42 = —_—— cat ATsusd ee kms ATsusd ‘ oma a 2 = -e f t f= oe en? 4e e EF ra a8 - + == i =H +2— +4 ee E32 1o~ 12 12 ; 2 Het $49 _¥2 with Rhythm figure 2 D/FR ¢ 2 ; == — = a =—_ ‘ =— How |) wish———__ how I wish you were here, — we're just Am/E . a — ———_ 3 —_ = f—s—$-5—-# pont 2 gy = —y i two—— lost souls awim-ming in a fish - bowl,——___ year af - ter year.— DiF¥ _~ C £ — Ss F a———_ Se 3 == eo —- f Run-ning o- ver the same— old ground, what have we found’?)___ The same— old— Am G 9 (SS SS . with Rhythm figure | (2 times) fears, wish you were here. y o 147 dobro (doubled by scat vocal) G Emi with slide G Em7 et f — + eo 42 +14——12 = 3——8—3 5 | s—; 8 18—_ 840-42 — fF = ATsus4 begin fade fade into sound effects A7sus4 — G 2 8 with Rhythm figure | (first 8 bars) ms WELCOME TO THE MACHINE qa Testo e Musica di Roger Waters Intro synthesizers and sound effects 2 string for approximately 47 seconds Fm(add9) / 2 Cmaj7 2 Em(add9) 2 guitar a o Keyboards: Em Cc — —— — Wel- come—— my s wel-come— ma-chine.— Em Where have—— you been? Its all__ right, we ' Em 3 c —~ * _ — — 4 2 —— af eee Ss = — Lo know— where— you've been, you've been— in the pipe - line filling in time,— Em — pro-vid - ed with toys—— and scout-ing for boys. © 1982 by ROGER WATERS MUSIC OVERSEAS LIMITED Sub-Editore per |'Italia: WARNER CHAPPELL MUSIC ITALIANA S.p.A. - Via G.Fara, 39 - 20124 Milano Tutti i diritti sono riservati a termini di legge. All rights reserved. International Copyright secured 149 You bought— a= gui-tar—__— to pun-ish your ma, Em s+ aa z = = and you know you're no - bod - y's fool].—— and you did - n't like school, _ So Cmaj7 — wel - come — = oe tos the’ ma-chine.— > 12 string Gir. 1 and 2 > Em(add9) See 150 Cmpj7 Em(add9) Cmaj7 Em(add9) 151 Cmaj7 Em(add9) Cmaj7 Em(add9) pF —— 8 — 0 6 — 8 — 8 — 8 — 0 8 8-6 8 —0— 0 —8 o—0—_8—6 o—8-— 6 @—8-—_8-— 8 ‘&—-—_ 6 —_ 6 — 8-6 —& ‘&§—_§- — 6 6 —__ 6 —_ &—_ 3-8 —_ §—-— 8 — @—0-— al ——8-— 8 — 8 — 8 — 8 — 8 8- — 8-8-8 —8— 6 —_-—_ -6—_ 0 —_ §-— —s -— 8 — 8 6—0-—_-—_ 6 22 22 2 22% 222 & & a4 + 2—_2_2_2_2_ 2 2—2—_2 8 — 8 — 88 88 Cmaj7 Em(add9) e. ze ¢ . ze 7 > > > > vy 4 sy & 8 8 — 8 —# 8 ——_-— 8 — 8 8 “6 — & o_o —_4 @ o— 8 —& & o_o —_ 4 o 2 & 2 2 2 2 + 4 — tt — 4 3 3 2 2 2 12 string Gtr. | and2 Em —- Wel-come— my son, ns wel-come— to the ma-chine.— ono, C a —/ Cf cyt F 7 (fot 4 What did—— you dream? Its all— right,.— we told) you what to__ Em(add9) Cmaj7 you dreamed__ of a_ big star, if Em(add9) —— a e o— yg oe = poe = = {tiiess I = : f r (ad f — gui-tar.— He he played — a mean. Cmaj7 al- ways ates in_ the steak bar,___ he Em(add9) 7 Sa loved to drive _— in his Jag - - uar.—__ So Cinaj7 o 8 | I I l [ ( i | wel - come to the = ma-chine.— Em(add9) ~ Synthesizer solo play 11 times with simile rhythm on repeats and fade into sound effects oP Cyr fy ANOTHER BRICK IN THE WALL (Part 1) ANOTHER BRICK IN THE WALL (Part 2) ASTRONOMY DOMINE BRAIN DAMAGE BREATHE COMFORTABLY NUMB ECUPSE GOODBYE BLUE SKY HAVE A CIGAR HEY YOU F 1S THERE ANYBODY OUT THERE? MONEY MOTHER NOT NOW JOHN ON THE TURNING AWAY REMEMBER A DAY SEE EMILY PLAY SHINE ON YOU CRAZY DIAMOND (PART V) WELCOME TO THE MACHINE WISH YOU WERE HERE ISBN 88-8291-753-3 RIL

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