gg BEST OF WEATHER REPORT $59 Saxophone, Keyboards, Bass & Drums/Percussion REPORT W WAT FIRCopyright © 198 by Mid Earth Poducons ne and Rights Any’ Of his book or its contents is a violation of copyright laws. TT nd AB nisi Publishing 777 Wet venound Poss 710 boc 3810 vases 153213Title BADIA/BOOGIE WOOGIE WALTZ MEDLEY BIRDLAND BLACK MARKET BROWN STREET 8:30 MR. GONE MYSTERIOUS TRAVELLER NIGHT PASSAGE PALLADIUM. PROCESSION THE PURSUIT OF THE WOMAN WITH THE FEATHERED HAT A REMARK YOU MADE SIGHTSEEING YOUNG AND FINE Album 8:30 Heavy Weather/8:30 Black Market/8:30 8:30 8:30 Mr. Gone Mysterious Traveller Night Passage Heavy Weather Procession Mr. Gone Heavy Weather/8:30 8:30 Mr. Gone Page 24 W 49 38 58 74 66 80 96 102 89 118 127 139CHRONOLOGY 1974 « MYSTERIOUS TRAVELLER 1976 « BLACK MARKET 1977 « BIRDLAND 1977 ¢ PALLADIUM 1977 « A REMARK YOU MADE 1978 * MR. GONE 1978 » THE PURSUIT OF THE WOMAN WITH THE FEATHERED HAT 1978 * YOUNG AND FINE 1979 * BADIA/BOOGIE WOOGIE WALTZ MEDLEY 1979 * BROWN STREET 1979 * 8:30 1979 » SIGHTSEEING 1980 * NIGHT PASSAGE 1983 * PROCESSIONDISCOGRAPHY WEATHER REPORT * Columbia PC 30661 1971 I SING THE BODY ELECTRIC * Columbia PC 31352 1972 SWEETNIGHTER * Columbia PC 33210 1973 MYSTERIOUS TRAVELLER * Columbia PC 32494 1974 TALE SPINNIN’ « Columbia PC 33417 1975 BLACK MARKET ¢ Columbia PC 34099 1976 HEAVY WEATHER * Columbia PC-34418 1977 MR. GONE * Columbia JC 35358 1978 8:30 * Columbia PC2 36030 1979 NIGHT PASSAGE « Columbia JC 36793 1980 WEATHER REPORT * Columbia FC 37616 1982 PROCESSION * Columbia FC 38427 1983 DOMINO THEORY ¢ Columbia FC 39147 1984 SPORTIN’ LIFE * Columbia FC 39908 1985 THIS IS THIS * Columbia FC 40280 1986BADIA/BOOGIE WOOGIE WALTZ MEDLEY (8:30): Zawinul-Rhodes piano, Arp 2600, Prophet, Oberheim synthesizers; Shorter-Soprano saxophone; Pastorius-Bass; Erskine-Drums BIRDLAND: Zawinul-Oberheim Polyphonic, Arp 2600, acoustic piano, vocal, Melodica; Shorter-Soprano, tenor saxophone; Pastorius-Bass, mandocello, vocals; Acuria-Drums; Badrena-Tambourine BLACK MARKET: Zawinul-Keyboards; Shorter-Tenor Saxophone; Thompson-Drums; Acuna-Percussion; Narada-Drums BROWN STREET: Zawinul-Keyboards, Quadra bass: Shorter-Tenor Saxophone; Erskine-Drums and percussion; Pastorius-Drums; Erich Zawinul-Percussion 8:30: Zawinul-Keyboards, Quadra bass, Korg Vocorder; Pastorius-Drums MR. GONE: Zawinul-Keyboards; Shorter-Tenor, soprano saxophones; Pastorius-Bass; Williams-Drums MYSTERIOUS TRAVELLER: Zawinul-Keyboards; Shorter-Saxophone; Wilburn-Drums; Johnson-Bass NIGHT PASSAGE: Zawinul-Keyboards; Shorter-Tenor saxophone: Pastorius-Bass; Thomas-Hand drums PALLADIUM: Shorter-Soprano, tenor saxophones; Zawinul-Arp 2600, Rhodes piano; Pastorius-Bass, steel drums; Acuria-Drums; Badrena- Congas, percussion PROCESSION: Zawinul-Keyboards, synthesizers, vocals; Shorter-Tenor, soprano saxophones; Hakim-Drums; Bailey-Bass; Rossy-Percussion THE PURSUIT OF THE WOMAN WITH THE FEATHERED HAT: Zawinul- Synthesizer; Williams-Drums AAREMARK YOU MADE: Zawinul-Rhodes piano, Arp 2600, Oberheim Polyphonic; Shorter-Tenor saxophone; Pastorius-Bass; Acuna-Drums SIGHTSEEING: Zawinul-Keyboards; Shorter-Tenor Saxophone; Pastorius- Bass; Erskine-Drums YOUNG AND FINE: ZawinulKeyboards; Shorter-Tenor, soprano sax- phones; Pastorius-Bass; Gadd-DrumsWEATHER REPORT Weather Report came together in 1970, the outgrowth of Joe Zawinul’s and Wayne Shorter’s work together on the Miles Davis albums /n A Silent Way and Bitches Brew. ‘The two had first met in 1959 at a small coffee shop near Birdland. Later that same year, they worked together in Maynard Ferguson’s band for two months. After that, each man went on to win considerable notori- ‘ety as sidemen and as leaders. ‘The group that recorded the album Weather Report in three days in March 1971 included Miroslav Vitous on bass, Alphonse Mouzon on drums, and Airto ‘Moreira on percussion. Zawinul, Shorter, and Vitous all contributed composi- tions to that remarkable debut Lp, which served notice to the world that a unique ‘new sound had been bom. ‘When Weather Report began touring, Dom Vin Romao replaced Moreira as, the percussionist, and by the time they recorded their second Columbia album, 7 Sing The Body Electric, in 1972, Eric Gravatt had become the drummer. One side of the album featured highlights of a Tokyo concert; the other was high- lighted by Zawinul’s ambitious extended composition “The Unknown Soldier.” ‘Sweemighter, Weather Report's 1973 album, was perhaps most noteworthy for the steps it took in the direction of a funkier approach (Zawinul’s “125th Street Congress” and “Boogie Woogie Waltz”). Electric bassist Andrew White, drummer Herschel Dwellingham, and percussionist Muruga guested on the Lp, augmenting Vitous, Gravatt, and Romao on some tracks and replacing them on others. Weather Report was going through changes. ‘The changes were more fully realized on 1974's Mysterious Traveller, and things went a step further on 1975's Tale Spinnin’. For Mysterious Traveller, Ishmael Wilbum joined the band on drums; Vitous appeared on only one track, sharing bass chores on “American Tango” with the young electric bassist Alphonso Johnson, who played on the rest of the album and subsequently hit the road with Weather Report, giving a fuller and funkier bottom to the band’s sound. Tale Spinnin’ documented further changes in the percussion ranks: Leon (Ndugu) Chancler on drums, Algrio Lima on miscellaneous percussion. Both albums testified to Zawinul’s growing fascination with, and mastery of, synthe- sizers and the remarkable varieties of sound and texture they can produce. It was while Weather Report was recording its next album, Black Market, in 1976 (with yet another tumover in percussion—Chester Thompson was now the drummer, Alejandro Acufia the auxiliary percussionist) that Zawinul and Shorter ‘made the most significant personnel change since the band’s formation. After a ‘Miami concert, they were approached by a local bass player who had recently recorded an album as a leader for Epic Records. His name was Jaco Pastorius. “He was talking with a certain confidence and with such a knowledge of what's going on, I figured there was a good chance he was really into some- thing,” Zawinul later said of that meeting. Pastorius sent him some tapes, and Zawinul was sufficiently impressed to ask the bassist to play on “Cannonball,” a tribute to Adderley that Zawinul had written for Black Market. Pastorius also contributed a composition, “Barbary Coast,” to the Lp, and by the time it was released, he was a member of Weather Report.Pastorius’ impact on the band was immediate. On 1977's Heavy Weather Lp, he received co-producer credit—the first member of Weather Report out- side of Zawinul and Shorter to be so listed. Zawinul’s infectious “Birdland” ‘was the track on that album that stood out, gamering it the most airplay any ‘Weather Report album had ever received and helping to make Heavy Weather the first Weather Report Lp to go gold. During the recording of Mr. Gone in 1978, Weather Report was once again between drummers. Steve Gadd played on some cuts, Tony Williams on some, Peter Erskine on others. It was Erskine who was with the band on its ‘Australian, Japanese, European and American tours that year. 8:30, the ninth album in as many years, captured Weather Report live plus a little extra, The first three sides offered a slightly abridged and restructured ver- sion of the group's incredible live show, recorded at a variety of locations. Side 4 consisted of four new compositions recorded in the studio: two Josef Zawinul pieces, “8:30” and “The Orphan”; a Zawinul-Shorter co-composition, “Brown Street,” and Shorter's “Sightseeing,” which brings the album to a buming uptempo finish. Night Passage* featured the now tight “quartet” plus Robert Thomas, Jr. on hhand drums. The feeling of the Lp was as it says, traveling during the night in the literal sense, but also with that surreal feeling of unlimited time as happens in dreams (“Dream Clock”). (Zawinul says that sometimes the titles and con- cepts come afer the music’s laid down.) ‘The increase in the tempo in the sec- ‘ond part of “Night Passage” is like the feeling after midnight when time seems to move faster. ‘The second Lp entitled Weather Report had the same personnel line-up as Night Passage. The electronics on this showed what ten years change had ‘wrought, with Zawinul’s keyboards now producing hom, woodwind, string, and brass sounds, and Erskine’s Lp credit had the added “drum computer.” This was also the first WR album where sequencing was used. The title was the same as the first album, in essence, to conclude a cycle. It was the end of that type of ‘Weather Report album, and the last recording with Pastorius and Erskine (who did retum). “NYC” is a suite that just felt like New York to Zawinul—a place ‘where he’s lived. “Dara Factor One” and “Two” are musical depictions of the reverent “call and response” black churches. ‘The 1983 album, Procession, cooks—sweet in Shorter’s solos, rich in Zawinul’s synthesizer. Victor Bailey replaced Pastorius, Omar Hakim plays drums and guitar and adds vocals, while José Rossy plays percussion and con- certina. There's an ethnic flavor, but it has a global feeting, as with all Weather Report music. The music expresses the concept of procession that could happen anywhere in the world. A joyful occasion starting early in the morning...a group of musicians piling into a truck, driving through town playing, with more and more people following and joining in. Bailey, Hakim, and Rossy retumed on Domino Theory in 1984. Zawinul was so taken when he heard his friend’s song “Can It Be Done” that he promised Willie Tee he'd arrange it and find the perfect singer. Carl Anderson ‘was the chosen one for the vocal. “Dp Waltz”—a waltz in many different phas- es—is a masterpiece. is embellished courtesy of Joe ZawinuSportin’ Life in 1985 gave life to renewed writing fervor for Wayne Shorter, with two of the eight songs being his. Shorter’s sax solos really punch through, and Bailey and Hakim are secure enough to be themselves and open up. Multi- instrumentalist Mino Cinelu fills the percussion spot. ‘The “Weather Report Choir” features some famous names, including Bobby McFerrin. “Life” is how Zawinul describes the life in Antibes in the south of France—where the cover concept was put together—as a place so pleasant with a sportin’ life feeling. “Hot Cargo” was done by Zawinul in just one shot, without overdubbing, in his own home studio, and then Wayne laid in the solo. “Ice-Pick Willy” matches a real character in Chicago. He and his friend, Razor Red, were super hip guys ‘who hung around the clubs. On the last Weather Report album in 1986, This Is This, the percussion sec- tion was made up of Cinelu, Hakim on one cut, with Peter Erskine on the remainder of the album, Bailey retums on bass. Zawinul’s dedication to his par- cents, “I'll Never Forget You,” is a simple, melodic jazz ballad that any parent could only ask for. The harmonica patch matches the sound that Zawinul’s father {got on his harmonica by using a metal cup on it. All parts were directly impro- vised. Carlos Santana, who Zawinul feels is a great melody player, guests. He really wails beautifully in the blues section of “Man With The Copper Fingers.” ‘Throughout the years, Weather Report consistently made music that defied categorization and description while racking up numerous honors and awards. ‘They're winners in both the reader’s and critic’s polls of down bear: Zawinul for synthesizer, Shorter for soprano sax, and Pastorius for electric bass. The 1977 album Heavy Weather gamered Grammy nominations for Zawinul (“Best Instrumental Composition,” “Birdland”) and Pastorius (“Best Jazz Soloist”) as well as achieving gold-record status. ‘The readers of down beat named Weather Report “Band of the Year” twelve years in a row and chose five of their records “Album of the Year.” Similar hon- ors have come from Playboy, Record World, Cash Box, Japan's Swing Journal, and Europe's Jazz Forum. Weather Report was the definitive electronic ensemble...experimental, ‘uncompromising, accessible and contemporary.Meowm TEMPO Tenor Sax. CtRAnIsPosEO) Tana “P Keyaoaros (ARP 7600), (ORIMS 2% OH Fe "§ Ececteic Bass (sounns 848) tote tore xx a) feass ono ao u (BVA (40 08 sone) cna) Copyright © 1977 & 1978 MULATTO MUSIC (BMI) This arangement Copyright © 1979 MULATTO MUSIC (BMD Intemational Copyright Secured Made In US.A. All Rights Resorved 11a R : > ~~ (eee), (@uovess 12‘toms Cournue Since 13F | coanns conve) Gia 14(Promuend ms 15Continve CSHOFFLE) (oBERNEM 16(eee(Continue) (Deums Conrmve) 18ey AY eae Ao lis Ab? G7_ Gh? F7?_— EP? (Fme Ao lia A7_Ab?_G?_ Gh F7_€?_b7 Ar_Abr_G? Gh? E7 eb (aime) 5 A7_Ab? G7 Gb? _F7?_€7 &7 A?_ Ab? G?_Gb?7__—F?_E? Eb? A? 19‘Avo Furs AT (Economicauy. (peu s Conrinive) (= On RHODES G7 ‘age ee ‘Apla Snel (By opie ser) mS 20= = = 8 [mn >| (oscenem's J _ boos 21Ceontinve) (Proruet 4 > 2223 Piay As Many Times As DesieéD FoR SYNTHESIZER SOLOS. ——— Corums cont)BADIA/ BOOGIE WOOGIE WALTZ MEDLEY ‘Music by Josef Zowinul Bucur (4=(56) RHODES RH. (Ao Li8) (aENDY Srusuesizer ¢ SirAe I] (STAR (ase x ONLY) © A mp > ‘Comms, (HHA Copytight © 1973 & 1979 MULATTO MUSIC (BM) This arrangement Copyright © 1979 MULATTO MUSIC (BM) Intemational Copyright Secured Made In US.A. All Rights Reserved 24(smn) Fad tT de: 2 Bil mu — AD Lie (thet 414 ¢ StH x's) 3 a3. (BF (4m x on) (Rwoves ont. — Tacit | 41u ¢ 51H x's) (Bass Abn. CoRums Gon) REPEAT Ao Lig (5ePRANO SAX (1RANsposen) se 4S Cfherr Ast x) Abn, (INCH Nores. Ab Lis ap r Bass (ORS. Cont.) Tscearcues — Ap Li8y 25(ioe? (onus Cont.) (Sorenno SAe-Creausroses) mre ZT cewvess Comums cour) (OBeRNEM (Provess0R. SAX) 2nodES) (SYNTH), Ron Prapnet Csenarcnes) Rnooes 27([Soreana Sav (arene tae tomer) (ewoes) (Deom Fie) ih no had I vKe a atte fone SEFONGY om, SS 2 (ons. Con) 29Gar sw) Ne. arr) > 2, (Ruooes > > Corus cont.) 30‘coh, Sav) REPEAT AD Li8. Alm, (Kevaoa0s— 5010 Ao Lia (oRuM Fu) ZZ Z—_z =z == (Deve Cone) 31(Promuer (oes.cour.)(ARP ; nat, ass) MS Deus FUNK FEEL) (SorRano Sax S010 (a0 Lis) Fin. (tae Gt rus [Rueoes . Fone Feet (40 L18)) bm ons cour) fa there tir 200 7 z x's ‘Yar xeuy ~~ (3e0 x ony (Gs (cour, Ao UB) (eums Tracer) [erxour ran lamcse tet x, (Scearenes) 33(Reaves Peo. - fenovesi.ud (BASS Tacit) nAF ae Prt trr ft ely wstowh PP Wiha RHE Sa FTV corns cone ¥ fee, = SSS ~ ns. . _ e SS (ian nd = SSS fer _ iz = = = # ¢F AA od B ——“Tage 151 240 380 X'S the! 5 (SoP Sax) (enooes Cone.) (sopsae) es - +: 2 (Ruo0es & Syn. Ao Lie Eetects) al ere a (Dems Cor. € Bu.0) (Bass) 35(S0n.sAe) (DistoRTIONY (08s. Cons.) _ \‘enooes) (oes.Cont.) ‘ARP 36@)_ (to Ws) a £7 (Ao Us) © (40 Us) 37BROWN STREET Music by Josef Zawinul and Wayne Shorter Moverate SVATRESTRER: AO Ut 3 DROS, cont (pees y Conums cons) me ‘ane, |e ane FReev AD: (Bee) case aS Deen cee e Senco AS a é = PPP [SIntWeSTEER 7 (Corus Cont.*) JEP (doo ramaovawe Pru X i= = =e = sy ‘0 —S= # Ht. Copyright © 1979 MULATIO MUSIC (BM) This arrangernent Copyright © 1979. MULATTO MUSIC(BM)) Intemational Copyiight Secured Made InUS.A. All Rights Reserved, 38Cusae) omen) (oem cons”) Note: @= ALTERNATE FINGERING © = STANDARD FiNaEENG = ‘RiLL BETWEEN FINGERING. 39(pater ucing (e 8) at (Ap 18) (lat ony *~ VOCAL Cmapucavea) Cons. cons) mem a a tf Ft arr ors. cone) 4142 \(cowr®. Aouad (on wat ove)(onus Gut) |(SinrwesizeR’ id t + {st X ONLY (Srneseee™ " t =F “T(Tenor Sax (Chore sr & ano Xs ‘Aer (Gon tuesi2ER) (oRums Cont) 452 Vane Ap 1B (LtAS MANS TIMES py eo ow 477 - SS = REPEAT TIL. FADEBLACK MARKET Music by Josef Zawinul Meo. Tempo (#2120) o (em Feet) noni SPACEY EFFECTS x oars (006) 7anss) fy SEER ARR AR FRR | oes coved m5 Copyright © 1976 & 1979 MULATTO MUSIC (BM This orengement Copyright 6 1979 MULATTO MUSIC (2M Intemational Copyight Secured Made USA. All Rights Resorved 4950xt CQ | coeems cour) 51Cash (mee _ (Rian, n> KEYBOARD Solo. 8b Ad Lis [Rives Deus Cone. Aap coon (oes) sell 8 roms § eas) NO 52———— “eno® Sax (Tans POSED) TF forums Cont.) od eT b4 (COMP. Dace Tunes Cmg 53(usa) 54———— (Tacit BRo X. (IN SAD) TACIT BRO Gm? AOBERNEM . 380 x OMY > EPEAT (ence Sax Sous otis | (7 Srntn fT On ae tet Peat Ab Ls, P—__——— a0 Tek She FOX Aer (Brees 3 Fg FAFA focons sn 5556 (Ruoves) (oRuMs & Pexe. Cour. (Pewe EFe%cTS) [Aer = 3SFewor SAX Cfeausrasce), Sovo Av Lis (Saou) Bro Kone A= a $ (tt x omy Fi GS 5 = Bva_2nox— (oeums Cont.) 5 cae (ors. cont) ooco Bernx’) 57(Here 15 No Key SinaruRe. Peay Au AcciDENTALS.) ROCK (4=132) (erento (7) (cache * SS eee (IAPED EFFECTS) a Gr oO [Proruer| “ _—— DRuns Conums Cour") > 4 a Copyright © 1979 MULATTO MUSIC (BMD ‘This arrangement Copyright © 1979 MULATIO MUSIC (8M) Intemational Copyright Secured Made InUS.A. All Rights Reserved 58FREELY (waa ed (Waar 59(ORM Fuc) Conums cont) Sa 3 8TH61ouns Fave ovr. ~~) oe 62=> —-37 —35 7oRUMS FADE IN y ys\doRs. Cone") (Fimranr .————<—<—$<$<— FF (oes. Gourd AousMYSTERIOUS TRAVELLER. Music by Wayne Shorter (EERE Rant (mi 0 Gy” ao Sr ASS ONLY Sepriohte W74EKA Muse GWiD Copytight © 1988 ISKA MUSIC (BM) Iemotonel Copright secured Maden USA" Al Rights Reserved 66a FE 2 i . “beemS continud5 Ae in ohtan amanoAi ite A Fiano cent, 70WIE —texdy AllRis 1d = os ee | OS -? j yo SN eee nCon? GA, oe er ee a ee 7 Ee Gam) 72oC uy F dee (Coan ferential) City D. (Pon -o- uo epeniheren /Qhepes Lone Tous Ato wil wa ow ots5_/ 73MODERATELY (eRe 15 Hlo Key SisnATURE. PiAY Au WRITTEN AccIDENTALS.) Tenor SAK Caausroseo> cmd Del ded ded by Ti ted Dad dod ds Dawns Kevaoaeos Exectaic Bass su B oeums Coure Bwutncnaee BiceaRound Lyf Pury 2nox 2 tow B°8 Copyright @ 1978 MULATIO MUSIC (MI) This arrangement Copyright 6 1979 MULATIO MUSIC (BM) Intemational Copyright Secured Made InUS.A. ~ All Rights Reserved 74Smruesi2eR) 7576 Accompaniment ) C7 hy Aba Ae? Fats) Fol)KEYROARD_ImPROVISATION Keyaoard ImprovisATion) TnPRovi SATION. 77Repeat 9 ¥'s KE¥@oARDS _IaPRovISATION 0.5, au Cooa’§ 73(fenon Sax_Cteansrosed) Start GranvaL FADE Out — = ‘SOPRANO SAK (teansposto) (Swwruesi2eR Piay ins Purase wien SoP SAT (cue S26 Mores NC) ——— 79NIGHT PASSAGE Music by Josef Zowinul 7 ‘Tenor Sax* and Keyboard a **Unless otherwise indicated, Sax plays top notes of all chords. **Sounds an octave higher than written. Copyright © 1980 MULATTO MUSIC (BM) This arrangement Copyright © 1983 MULATTO MUSIC (BMD Intemational Copyright Secured Made In USA. All Rights Reserved 8081ey fen LAST Time i a FF ~ 82BY Com Bm AD D (Ab) Seley byaSwureieere ea Ams IL Tac iT FirsT Taree Tines, ew AcTer nate WviTvEacn OTHER) D G Gb TENOG YH KedBOARD 387THE PURSUIT OF THE WOMAN WITH THE FEATHERED HAT FREE TimE (Butaeareen Copyright © 1978 MULATTO MUSIC (BMD This arrangement Copyright © 1979 MULATTO MUSIC (MD Intemational Copyright Secured Made In US.A. All Rights Reserved(Perc. Courmves )(Svutnesr2eRMAM m-A Clyetes ARE OrfionaL) (+ bya) (4+8v8)(enc. Coutinves) (geor oo ® op Sutie# BUS (Peac. Consumes)che (cum) An (Auto sax, lass $5 | caessoys 941 +h f)~)-— 4 —DS —— Ginrm) § : a 95Music by Wayne Shorter Moderato, with a double time feeling (There is no key signature. Play all accidental as written.) Tenor Sax (Pransposed) Keyboard Fender Base Drums Em7(H/F# Chm? 2 f bo Sf Fm ‘Ad i Bass Dears Continue simile EmTCH/PE CEm9 —Bbm9 5 Timaj9/C# C136) zt 7 Copyright © 197 & 1978 ISKA MUSIC (BMD This arrangement Copyright ©1988 ISKA MUSIC (aM) Intemational Copyright Secured Made inUS.A. All Rights Reserved 96Bmaj9/ck C139 Fmo [2 Atempo Cong continue, sie Daj Cmaj7 Gat Dmaj® DmDmg? Dm Crmaj7 maj? C'maj7? tee tert ee es Dina Bnd Solos ad ib Gm9/D— Gmaj7/D Ad tb, simile ie) maj? GPmaj7 md Solo. ad ibAB BYE CmT/F mF Solo, ad ib100 a9} Dw bing Sal adi To Cla S$ al CdAd lib (Tacet Ist time, start 2nd time) fe] chm E vie ' : Bright sounds Ad lib on repeat Dimajo m9 ‘Congas continu, smile Bai) Ema camo c t # Amajac-s) Bagjo(-® Emi Le ue pasion 4 bp eprat and fade Amo) 101PROCESSION Music by Josef Zawinul Sax Keyb. Keyb. E.B0es Tas Drums Sex. Keyb. Keyb. E.Base TAB Drums Simla ~~ Copyright © 1989 RINGSIDE MUSIC (BM) This arrangement Copyright © 1988 RINGSIDE MUSIC (BMD Intemational Copyiight Secured Made In U.S.A. All Rights Reserved 102Sex Koyo, 20a lower —> Koyo. TAs Drums Sox. Koyo. TAB Drums Sox keyb. Key, E8008 Tas Drums Simile 7S 103Sex Koyo. Koyo. E.ass TAB Drums Sex Keyb. Keoyb. Ease TA8 Drums Sex. Keyb. Keyb. TAB Drums 104keyb. eyo. TAB Drums. Sox Keyb. Keyb. E.eee a8 Drums: Sex. Key. Keyb. 008 TAs Drums 105Sox Koyb. Key. E Boss Ta Drums Keyb. Koyb. E.Bass TAB Sex. Keyb. Keyb. TA8 Drums 106Keyb, E Bass TAB Drums Key, E.Bass TAB Drums sax. Key, Key, TAB Drums 107Sex Keyb. Keyb. E.Boss TAB Drums Sex Keyb. Keyb. TAB Drums Sax Keyb. eyo. E Boss TAB Drums 108Vocal £ Vocorder Keyb. Koy. E.Boss a8 Drums coy, Keyb. Ease Aa Drums sex Keyb. Key, EBs TAs Drums. 109Sox Keoyb. Keyb. TAB, Orums Sax Keyb. Koyo. TAB Drums Sex. Key. Koyo, E.Boss TAB 110Sox Koyo. Key € Boss Tas Drums (Vocal & Vecordar Koyo. Key. E.Bass Tas Drums Sex. Key, keyb. Epa TAs Drums ilisax Keyb. Keyb. E.Boss TAB, Drums sax Keyb. Key. E.Bass TAB Koyo, Koyo. E.Boss TA8 112Key, Keyb. E.Bes TAs Drums Keyb. Keyb. Tas, Drums: Sex OF 3a lower_, LF 3a lower Keyb. (Bar lower —> cease Tas. Drums ‘Simil@ 7 113Sox. Keyb. Keoyb. Tas Drums sex Keyb. Keoyb. TA sax Koyo, Koyo. E.Boss TAs Drums 114Sox Keyb. Keyb. E-Boss TAB Drums sm Fre toner —— eyo, Sta lower — key He. Bees TAB Drums: Sex. Koyo. Keyb. E.Base Tas Drums 115sex. Keyb. Keyb. E.Bass TAB Drums Koyo, Keyb. E.Boss TAB, Drums Sax eyo. Koyo, E.Bass Tas Drums Simile 7 116Key, Keyb. E.Bass a8 Drum Sox. Key. TAs Drums Koyo. Key. E.Boee TAB Drums Repeat & Fade 117A REMARK YOU MADE Music by Josef Zowinul BALLAD (Peorner . . fe 2: 7FLGOR {om easn Cr (Baus aS mp (eee SAX (TeansPoseo) 3. ot a= 7 — =—s : m PROPHET a OBERHEIM DMA? Abmad/ab z Zz Ze Zz Zz Deums Pray Time Ab Lie 19) 6 chug Einasloerusa/e. ehuaslBt| Abud _ovalts) _@9(%) =—_—_— Copyright © 1977 & 1978 MULATIO MUSIC (BM) ‘This arrangement Copyright © 1979 MULATIO MUSIC (@M) Intemational Copyright Secured “Made InUSA. ~All Rights Reserved 118cm Gla Cw/sh F/A blab Ruooes (ARP 2400 “s Grces) KEYBOARD SOLO | egg = Abad Gm? Cm7 Farle? Dm?) 119fenoR + baad bmg) OBERKEM.RA CG Rudes ComP Aes LW. mp (Bass) Atagic Abwag/d Abmad/eh Gm? Cm? ~ Cmr/BP cm7/aP (Rnabes ONLY SS — F 120 > mp —_—_—_—_— G2(#) alee)a ‘Ruodes Come om Om75t em? ew? _CnirlBb| Ab FA afl") PRoPuET (Ruoaes Peopuer eb Geri Cm? Cm7lar | Ako Curl Fim? 89%] Ebuas “DP ——_ § > (rove >) _ phy (Aer4) c7¥) chr(Ao04) 84704) (Peormer’ =———— PP 121122 mp Ss Lpttte s (Ruodes Riooes #08ERHEM Bln 7lob BhalttY/ar Ehnad =>) (lbp: (toes) ——— pom os Pp ql Ehuslo _ehugie Ehualah ‘Soro Pekurs ZPROPHET Solo (Continue Deus) Ruones ComP cmd ear 4?) Gm7/0 Cm? (4) Fn? _Fm9_F'm?_Bb7 (hoe pe ep ed y beam = pote itt SSeS te m5 “Wy End PeoPneT Sow, esis EP Gm7lo Cm? Cm7/ah | AbMad 67169) cm? /@b Awad, Be SSS et (cont, Rwooes) (cont, Ruooes\ Gr, ,. a : Zt te pps pre ? Rock® (kersoneo, EFFEcts a Corums Cons?) Des. fo SWING 131ee aS . ry = Repeat Ap Lis (Soto Cane?) (Feee_imreov (Free Improv 132133(Gmmesner Repeat MANY X's AND FADE ir» (EFFECTS) 5K 135MovéRAre Two FeeL leq om (210%) Tenor SAK (renusreseD) Bhd Amd Cm (4978) Fig Fad ob/e> C/o KEYBOARDS E Evec tare. Bass > d Conruves Tieaven-at Fa? Fm9 — ob/eb Clb stance eee rx) Frleh B/A — Abma? Fm Ble Dm Copyright © 1978 MULATTO MUSIC (BM This arrangement Copyright © 1979 MULATIO MUSIC (BM) Intemational Copyright Secured Made In US.A. All Rights Reserved 136-o—— tv 8m bled Cl Bend Ama C05) Eg Bhm4 amg” cur/G 3 Fa ob/eb c/D Psa d = Bh? Amd Cm PEVG Fem Fm ob/eb C/D 137F At Dm Blc* (Gemak_ Six (rRmusPoseD) eb Gt { (BAcKEROUNDY (BASS — BYR BAssA) Am / Dm C135) c Bhne Gm / cm — xsl Am Om 87 Bbmad ‘Abmad ss a y o——— Go, corn Ab/o (ab/o) 138Dm? . Bhma? =A (Teak Six Teansbostay Cm? —— Atma? G7 Om Cette) Dm Cain (00447) gb lntbs) Bayan (400 MA?) EF Gm Gma/e A+ Fad Dd Glos) Ebmad Cm F7 (08) mls) Gals Ans) Gm As) Gan(st8) y(t) Gn) G7 650s) a 139Des Bbé/q Dm7(+5) 04/4 — 35 (fenon Sax_TRANsPOSED) cel4 Cm 5) Abate) cto (Roo Five OR KEYBOARD Fey es) a2 Fe 7 0m? Bro EbMA? Dmd 140Sa eb Ar (enor Six Teausroseo) Ab oP cls) a Gm Cres 141Cm Bm Dm? Gm? Cm Bm Om? zD 7 oN Repeat As Desined) Bbma Ama 76 CODA ArreR ecw a sco O 6 m7 es (ban toaa)S a Thy * Ca re 142ca Cm Bnd Dm? Gm? cmd Bmq Dm? (Soreawe Sax (TeansPoseo) Bem Amd Cromvers *§ (SoPeAno SAx (TeAnlsPaseD) 143arrangements of sic, These excellent 0k Biv poet“ Here comes ESM” Hey Jude tay Madonna * Penny Lane ° Yesterd. (00674280... $995 The Beatles — The Red Book Maou Need stove * BackIn te ssR + Good Day Sunshine * ‘The Long And Wining Road * Wichelle * Paperback Water * Please Please Me. (00675422, 59.95 Chick Corea — Bye OF THE Tncludes all ofthe Songs ‘pa the album, “Eye OF The Beholder,” tras med ety om CHICKS SOO Tncluded is Chick’ spec chord pation or iano symeseeh uta, ass and crus. 90600007 a —_ $1495 ‘he Davi Sanborn Cllecton Thisis.a collection of tS anscipions ofthis Brea SSE players best: Songs incude: A Change ‘OfHeart « Hideaway * straight To The Heart + and more (00675000 $1295 ontgomery Transcsipdons W efntive colecton of ful Penscipions by one ofthe Me™ cassie jaz innovators the guia -wootd ha ‘special section ges Wrnsight into Wes PVN eps and ectnigues. 15S ‘neluding: Boss City * Four asi» Movin Wes tart Serene * The Thurnd * ‘Twisted Biues (00675536 : Z the Beatles — The Green Book Come Together * Gat To Get You Ino My Life» 1 Saw Her Standing The Pin My Life + LetltBe © Strawberry Fields Forever * Ticket To Re. (00673395 0! ‘The Best Of Spyro GFA Fehrenology of fvorte tunes OP this awardwioring 222 'OUP Tote for-ote sores fo" eyboards, ales, gu DS, pers Nee tunes including: Shae! SOME * ‘Moning Dace * CAC “he Sun + Joy Bide (00675170 . = eal sting — Nothing Like The Su Rrataing folio tothe popu LP by sting, this collection conta plete insrument-forinstrument captions fo al 1250085 Pee album. Songsincude: Be Sa My Beating Heat * Engh on York staght To My Hear ° and more, 00674655, : — ‘Best Of Weather Report Resttecton of 14 ofthe very Desk inciuding: Mysterious Te raland » Palacium + MiGone ° acia/Boogie Woo Wal Prccley « Brown sect * 8:0 Y3675520 nn s {etlow Jackets — Four Corners ‘Complete instrument: Toc instrrent anscspions fs G ward wining J22/ion GON instrumentation incudes keyboards, saxophone rus. Features all 0 0h WEL, incuding the hit “Mile gh an the bonus toe Cojcassete, Indigo” {G6 7SBOO veers . 5 ; Fo iss mor inform your loca music dealer, wi Hal leonard Publishing Corporal 1.0. Box 13819 Milwaukee, Ws ; Wisconsin 5 ces abet chang othe USA Conan prods et ae a ea es nie ne SABEST OF WEATHER REPORT A different fusion: Weather Report...Zawinul, the stormy, fast-talking Austrian key- boardist, and Shorter, the calm, soft-spoken American reedman. Forerunners in the combination acoustic/electronic sound; purveyors of unique, strong, and powerful rhythms with their varied, exciting percussion sections. Includes. MYSTERIOUS TRAVELLER BLACK MARKET BIRDLAND PALLADIUM A REMARK YOU MADE MR, GONE THE PURSUIT OF THE WOMAN WITH THE FEATHERED HAT YOUNG AND FINE BADIA/BOOGIE WOOGIE WALTZ MEDLEY BROWN STREET 8:30 SIGHTSEEING NIGHT PASSAGE PROCESSION Published by ISBN 0-7935-2U15-b UN, Beis HL00675520 U.S. $18.95