Created and Edited by Mark Snoswell & Leonard Teo eae ey Dealt aeEXPOSE 1 | Mae F by COS er) ean eRe eon e o Vea) Ee F Mec www.BallisticPublishing.com Correspondence: Cee en couy EXPOSE 1. Copyright © 2003 by Ballistic Media Pty Ltd. All rights reserved. No part ofthis book may be reproduced or transmitted in any form or by any means, electronic or mechanical, without the prior written consent of the publisher. All artworks are copyright © 2003 by the credited artists, their reprsentative or copyright holders. Every effort has been made to ensure the credits and contact details listed are correct, however, f any errors have occured the editors disclaim any lability and respectfully direct F Pee ee et ia ee meee Ge sc Pr Seca ed National Library of Australia Cataloguing-in-Publication entry, } Sree an Includes index. erect a eae ere ese) ert eee er eee ee ee} Editors: Mark Snoswell & Leonard Teo Rete eet Reo ece eet Cer Image Processing: Sam Hodge and Damien Snelgrove Nee eee eee aa ee Kirt Stanke, William ‘Proton’ Vaughan, Tito “Lildragon’ Belgrave, Jeff Motte, Printed in Adelaide, Australia by Hyde Park Press: www.hydeparkpress.comau Limited Collectors Edition bound by Chasdor Bindery, Adelaide, Australia oer Ree ee ene emcee renee ncn) t (em 35 Melee) tS alias 77 2 EXPOSE 1ADVISORY BOARD AND JURY Each year we appoint an advisory board to assist in nominating and judging images for the EXPOSE awards. All ofthese people are either leading artists in their own right or are experienced and respected editors and reviewers of digital content and artists, These people are also active in the digital community and are moderators or regular participants in the digital community at wwww.CGTalk.com. “ ‘Steven Stahibergis an avard-wining digital arts wrkng with ptidigit Dee Ce nets De ne een ee a eer en ne en) Se on ores Se ea) Ce eee Oe no eee eet ee eee man J Sr ee ect ct ed Coe ee cs ead Cee aE ener Been meee et nr Cee ee en ay Cer Ren eee eee ey astounding human and fantasy 30 characte. www 3luv.com/pascalb ze x Robert “Lunatique”Chang has worked in comic books and video games. Cee Ree en are ey Cee ee aot hisCG shot fm production. www.enchantedprohesting.com Wiliam “Proton” Vaughan the Light 30 Evangel at Newek The DEL ae ey Coe ae eo) Seen eer tT the Creative Director — North Ameria for Smoathe, navard wining «eign communication fim based in London, Manchester and Calgary. Se cy ema etet aaaR A Ee) eee ae Sen ee ce etme Se en et Sen ee ee eee omega tine in the history of publication of art and many of ee ee ‘making. From concept to content to design to publication and even distribution EXPOSE is a Potent ns se ure before youn: Notonly did we skip the walking a eee Serer rt nas teen ee ed Cee ans for apes, we've gone ballistic and weire going eae eed Se Re ces ee ens ee ees collection of work from around the world. The Ce ar tke Cee eRe toa wealth of images from established professionals and many, many unknown and eae Pee eae ee ee eee ate etd m2 dort ‘group workinto 2D and 3D in genres that reflect Current digital artindustres Reflecting the blank canvas of a dead screen, De eee Seger as Cee oto eee ter to create something thats new and isthe best. eee ee es design create, publish, market and distribute EXPOSE at the speed of ight. Were going to frighten a lot of traitional publishers because Se ety eel ees Rein tates oe ae ita blast to feature so many unknown artists from around the world in a premium global publication. For al of us together ~ the future eee Cee ae ee ey abandoning everything youve known before. Ce ee oy eee ee ae SU aie ess Se i ee rs See ene as eo ue ee acy Sea as ‘minded people. Nowhere is this more obvious SEC eau cece) Mg er) their own 3D worlds and creatures. Its our ‘greatest regret that all we can do is show you sill snapshots of 3D work. However we have ee Se eu id Se eel une td Ce ee Ts Se Ee ee ee ee eee) Se aR oe Sa eee) to draw on, and to promote, the artistic talents Ruse a mean ean ee ed Publishing and to get a call for entries going Entries poured in. In the first two weeks we Soe ee ere ia Entry cards that were distributed at the 30 Festival in Copenhagen in May. We stated on Cec er eet ee eae s The advisory board helped us sort through De ee ea Teed plus a Grand Master. Today the book went to Se eee Cee ee a Se eee eesti Ne Me eee Oe eee ere Please enjoy our first publication and look out eee S eaARCHITECTURE ee er aL eee ee erty Pree eet eee) ee eed ere Architectural Visualization is now the single fastest growing segment of the 3D industry ero eerste) oes er eee ns Beyond the normal assistance of the advisory Pee eee ea kcied Roe Sor The architectural renders we received were of a consistently high technical quality. While Se ee et uad cet ee cet positively massive with resolutions exceeding Lorie eee ee ere ee ee professionals and even students holding their ee nea eee) design companies. Deedee ee nN ee Ce ee see that a alot of effort also goes into making freer ene eee into deessing the 30 sets with people, foliage, See eu attention to camera optics and advanced lighting ee een eo ee kr) Pe eet CHARACTER in REPOSE Oa eters Core eer errata Cee et eee that characte to life. This encompassed technical ee eee eee CR kn ee high quality. The mixture of styles was truly refreshing, showing the artist’ ability to use the Pe eee eres ee aed Painter and highly responsive digitising tablets and pens from Wacom have had a massive impact i eee accurately emulate any natural media, they can gg beyond what they could ever dream of doing Re eee Re) Se eee Ce ee a) few at the fantastic end of the scale. We believe the main reason for this isthe complexity of 3D, ea Reece 30 software and the range of skills required Se ea ee tas eterno ets) texturing, lighting, camera and several other CELE Marcin Skrzypczak, Poland skils that your innate artistic talent can emerge fee oe eee these areas. 30 Is easy to get into but extremely Pn earn received obvious technical tests of characters in Dera nee eee eerie Se Ren Pee erent erent Peet Peta]Y he CHARACTER in ACTION Submissions of characters leaned very much ee ee en eta Se on ee ee eed ee es a ee ay ‘motion. Regrettably many artist, particulary in Cee ea Ee eect ans ea eee When we did get a real action snapshot it was Cees a eae Se eee ey that we did not get more than a very few 30 shots with motion or camera blur oF other special effects to convey action. Motion and camera SC en Seo a ne ees ee eee) Crees There is probably another reason for the relative dearth of ‘character in action images. That's Ce eee ts to depict motion. This is extremely so for 3D ‘characters. As we noted for Characters in Repose, there are a large number of areas of tectinical expertise that have to be mastered to even create —? FI They're bananas, Reverend. 3ds max aes Fe ee cee ee eens Ce Although we are deluged by 3D imagery these days the whole industry is stil relatively new and ec cts Notably, this category attracted a number of entries from games. and visual effects studos ee eet cet) Oddworld Inhabitants. With today's software it ee ee tas Se eee ene ae afford to create virtual 30 stars with big teams of aoe ENVIRONMENT ‘The goal for this category is to showcase the best artistic display of sets or locations. This could be indoors, outdoors, underwater, in Pee es SRO are any eee ee) There are four loose groups of images that Cee a eee ay See ae ray focus on a complete outdoor setting than you est nea eo eee for film work. The third is 3D renders of sets for ee ena atte al DE eee ay Ce eee eae es ee eee eas Which there are two Master Awards. In addition to the Master Award won by Justin Cherry we have also honoured Seung Ho Henrik Holmberg for his extraordinary display of matte paintings. The jury was torn between the evocative beauty Core aaa eres and the consistent and prolific grandeur of See Cetra eee eee ey oe are tees era) Seung Ho Henrik Holmberg, Sweden oe eee Ce eee St eee a ee RCs ee ner es eas appreciate the vast detail in these images. The Ce er SC eee res men ke ns matte painting ~ that it serves asa background ee eee Ce ae eee of fantastic, awe-inspiring worldsIVIe ANIC N ee ens ee ene ee Se es variants. Unfortunately we only reached a few UR ee ee een ee es Soe reer rn ee ents eee ee ead aa eS ees if you are familiar with the process involved to Ce a eters Cre ey ee eee ed Sec eee, et ee cs Se eee ee eee Correct environmental lighting. The specific ee ee Sens Pee eee ea ae cs have the single greatest impact on the way 3D ren eee ares tee cate ‘graphics is currently 24 bit, that Is 8 bits (256 levels) for red, green and blue. HORI images use ee eee es Dr ed Oe) Pee een rey Vera nee rae Ce as Cee nod SUE a a ea) tee eerie) ee ee ee Reman) about that scene ~ even if that includes a bright sun through to deep shadow information. That HORI image can now be used as the complete See sre Ct ee ca oe pean eee eta es SS - ~ Semel This category was included with Mechanical as Sree aera ee ee ee product designers as we would have liked: there er eo ene a ee ed ee ae is worthy of comment, We did receive quite 2 ee eee) ee ee eee egy least humanoid) head as their starting point et te ee Ce Eres ee a) the first digital human performances in limited short appearances at technical conferences and ee kee ee ee pee are eer however, in the vast majority of cases the quality (lack of) and artistic merit of these technical eee ce ae pees Ce eared the 30 stl fe i the emerging capabilties to do eer ees Ca ae eS Cae a eg ‘Mario Rothenbithler, Switzerland scattering and radiosity. People are also realizing that 30 renders should be viewed just like a raw pe eee erent ee en ees ee ene imaging and rendering has vastly surpassed the eae eee Pee ee es Soe a emt eee tes eet ee aes Serre een image processing software with many people eee eee es like Combustion and Digital Fusion for image peer errant astraees amber erates) Se eet torn el enero ent Ta Ses Eee ete cey Sree eh eet ste Pe ng Corea bth any Poe oT Eee oy eee teeny Sr Ro eRe re coeetes) ere aera era) Ter he ere es Cee een eet ee eer ty Le eet itn) ae e nr oteon ee ec eT eny ee eee nen Perec i tenes sss actnh POE ee eg Peet ete tins Lr ben) ee Ee) eee nee tn) rotten ene trict) ren ity Pe toe reentry ee toe Cormeen yrs So eee oe ero ei e te totne ty) Crm nen envi tony See eeueN eet eee tot ee ery eee Ener Soe Peete enone Tet) 4194443 TWNSIA eed ee eee eat See ern Cray rn eee ony Petree reriinn rt ccret ee tert t eet) Sere merit ates Mireiteseeen Seca ee eens Sete end Sree hero emer rin eee re eet ree enue mets) So ee ons rats PIL ora Er) pores cee ee ony Cerone een rin rere rece ie ty eee ret) Poem ttt oe eres eens ars eee mere See mera ans ere eer) Set eee cr ct) eee eee St ie) Re ee eet en Pte rnc er eet rete) eee eee Sette ren treet ter re en Sete tee ent Een) Prenton otic cen titres Coe ee reer e rcs) ee ToT ue ves es eet Cee enon Cemetery ferent eet Sin ee ener) eet ett eres et tenn rane Set eee one etn AYOdSNVYLThe entries varied tremendously, from something ees eee es However there are a preponderance of female See ee taeien Sunday Fluff XX. 3ds max. Jimmy Maidens, USA Ce ee a ed work featured ~ ke the award winning work from ea eens CCharacterin Repose 20 category. But although there Det etc ary ee ke eed Ce ee eer ee ae eee) ‘ome on gis ets see more of you and your work Soe enone ena estat al“EXPOSE would have been impossible without the wildly successful CGTalk.com web site. A great deal ofits success is due to the Ce eee ea ee Pee eed eae Ne ee er ne eset ees een Tce eee ce aes 2002, CGTalk has rapidly grown into one of the largest online communities dedicated PrecrCr Eaecue i ot Pe ne re as Perens nee ore Cone mad online galleries for peer reviewed, high eres [As CGTalk grew, we found a disturbing trend tee es ce) was lost over time. This could be due to ee eee ese ne ot Nothing is static on the Web and, from what we have experienced, web content comes Bored Using CGTalk as the focal point, we wanted Pee ue cna sa teKt sel Saeco eon Pee anos Re mer ean a being generated all the time over a whole reer Rea ay eae ea a Pe see eke re ea ee ad eee ete Skier digital artwork collected with the help of the fect Reo Rare ea cu cogs Pree eae) of forum moderators and prolific community ee es oad eon eens Se ee eac ea eto oer ana) econ eee eet ns pened sae ecco! oe Seen ae Rd relationship. As CGTalk grew in leaps and Pon ae ae) Ce een eC a) ee ae) extensive experience in the Web industry, we understood that banner advertising eae Mec a Ce ee a) eS eens) Ruki improvement of CGTalk, using the proceeds sessile ue eee er een eas pee aoe ks from all walks of life to come together free from the absolute reliance on advertisers es eae on ected Secs es Pee eed ee oan eer aad digital art, and we look forward to playing ‘our part in representing the voice of the international CG community at large.Ur eae ee Al SaaSCraig Mullins A eee ke a Ce earn would be making history and needed to find someone astoundingly talented, someone eee ee ae ee ee eked approachable who had made a major contribution to digital art, and the whole of atin general. The work of one outstanding individual met and even exceeded all of our criteria When we asked for nominations the entice ge a macy work and instantly nominated him ~ we eee eee ee os eet Ot ee ey Ce ni eee Ee) Peete td ee er ea) feast upon the staggering array of work from ees ee eet ee eens the talent that is Craig Mullins and the ee digital art world by honouring him with the inaugural EXPOSE Grand Master Award Bort ee ee Rou mid sixties only to be moved to Ohio at the Pee Eee oe to return to California where, at the age of 18, he attended Pitzer College in Claremont for ‘two years, followed by the Art Center College CUR Re ea wes ‘one to conform, Craig was better at drawing ‘ars than products. This led to an internship Pe aera ue Oey eee eee ee a Dee Tees Center to study illustration. Craig had a bout Ce a ea ey daughter Molly (bottom) and his cat Ka (left). Cf conservatism and refined his academic Pe eee Pern Oe cn ee tg Pe a ag ee eee ee Photoshop does. Later, while working for ee eer) was introduced to Photoshop by one of its creators, John Knoll. From '94 on Craig eee eee He started doing a lot of digital concept painting for architects and theme parks and that slowly led to contacts within the ee ey Cee felt that the growth of 3D made it clear that Deer ects ee ean) coasted on what he had learned in school. Con een eons “Tundamentals of drawing and painting from Ta een mcr] offer to clients. Now Craig is the master of Dee eae kes thinking that if any one lessens the others SUP tucrs eee eae ‘were global and the digital era had freed eee) = and so he fulfilled a long time dream and oe er ce a Cera eit os rps a Teht wetCraig's Artwork ee eae ey Ree any after moving to the tropics. Self-portraits Cees ee ey sort of intoxication with my Images, with SE eee ee eee ey Ce een cand naturalistic with the fantastic, and they can Cae kt Oa cd ene use part figure study, one part tongue in cheek, Itry not to take illustration too seriously, and eee mere Cee en nee Ct etme ma Brandywine tradition of storytelling, and | believe these it into that genre. But to keep a Mets some ambiguity involved, When | can load Ce eee td ee a kes Ce aa ad Sc es TES C001]versa Tel anicesta7m) i ee es i Parry yet eycH a oe a Bu, emery eas Pee age Tajino, Clickgrafix, Malaysia - accra)7 ea eT Client: Charles E Smith Realty Companies AccuRender, Photoshop Creu Peewee ary 2 ea ea aera CR Cue eee eur Se eam oe TAC 3 Ce er ed Client: PT Susanto Ciptajaya, Jakarta, Indonesia ‘AutoCAD, 3ds max 3DesignArchitect, Indonesia/Austalia 4 eee Pine eee ee lS Chen Qingfeng, ChinaSees dort5 eee) Cee Pa Sco ay A eee) Cece end rN ae ey 3 Stas) ene anced ee ag James Cheeseman & Flavio Ochoa, Smoothe, UK a Ne Client: Countryside Properties Sacra) Ben Davies & Chris Jacks, eucntd 20 EXPOSE 1Sag See i aa Peri aai Sead Cee a nd Sane een p Oa aE ay Client: Telenor MicroStation, Lightscape, Photoshop Dag Jomar Meyer, Kim Baumann Larsen, Lars Ribbum, ‘Nazare Lillebo & Jonathan Ward, iNest care mete Cnc ony 5 Cag eda ec came ticker} 3ds max, VRay, Photoshop meaty ry ten eae Sag Pree a EN yes atti nl7 UN ae oe ener) Eee eee aaa) Peale 2 Space ec Ren) 4 Per eee ence Sear yO ee Company 39, USA 4 Pera eT fare ea ead David A. Wright & Anthony A. Wright, ent eye aa Told antf e/a eae eee vevmevet VLE ATEY BEV) Be) Gp TT LLL Lal - CELE SPS TN SORA SDS EEE, 4f mare) eee ra) te nN a Cade aaa Lone Dae) 5 eg ea ae eect cnt 3ds max, Photoshop eae 1 ene gee eed eae) re ES cry eae Ateliers Jean Nouvel, France 5 eee Ceeectag cy ree EC ee) re eee es oa nad ns. | 1 io rasa Teht antZ a 1 Pra oti aef Nee te rea cL cnad eee) Gree este Rey AutoCAD, 3ds max 3DesignArchitect, Indonesia/Australia a ern ecu aaa oe cm eaters ema mana Pere ay 3 ee ee ee eid eS Ue eee ee eng 4 aa eae) Tajino, Clickgrafix, Malaysia PGIf Dn Ere eae) Ca se 2 ‘Art Centre Design Competition AutoCAD, 3ds max, Eee ermal 3 dee aD) ice Sea et Ce Pe ea 30 EXPOSE 17 Sports Centerin Kaunas, Lithuania ceramic tery Nien ArchiCAD, Artslantis ee Ceram um cy z Reception area of the proposed NCSU Alumni Center Client: NCSU Alumni Association AutoCAD, 3ds max ee ee oe ead Command Digital Studios, USA 3 Ce nee rte ree ees eG ering NPA ene) eres 4 ora ad Eee aE i aT Xiaoyong Lee, Killcat, China a Daylight eee Chen Qingfeng, China Pe 32 EXPOSE 1a 4&5 ca Se er a ee ree Ceres eee) Bri Tajino, Clickgrafix, Malaysia tere er rs eee ieee tac) Fy ious Client: Freitas & Assoc eee) eager Sea aay FI ea retard ere ae) aan ae meee eae Sd tert ae)Boer t aei Edificio Tenis Client: Promociones Garcia Belillo LightWave eo e Saad Client: Park + Associates, Singapore AutoCAD, 3ds max Se ee eae ee) Fy eect fee antec) ‘AutoCAD, 3ds max Se ee a nec) r Ce Okc fora a eke Indonesia ead Se ea nC Pras felt nl sePst)i ig eee eer coe) a ier ed Client: BortoncelloIncorporagbes viz ek Deen Beet eC 3 vr) Cee) Dereon ce es eau) Baumann Larsen & Odd Degnees, PLACEBO EFFECTS & DARK, Norway ry sees ese ea crs) ce Rendering.net, USA crs atti ani 5 1 Re ed Tere ee uc) Roar nee Certo 6 Ped ad ere intr Ruane) eee Cen canarycm mera = aaa ¥ es ain cS creh talSere eee aT marae) ae Linda Bergkvist, Swedened fe Benoit de Ravel “Bengal”, France Caei Love Devotion -A Painting with love for Valentine Painter Kong Foong Ching, The One Academy, Malaysia a Seas ears CS a red ene Pierre St-Hilaire, My Virtual Model, Canada ne poe ef ae en) prea t Phe / Pe eee) F ft er ae) ed Photoshop er neN g Seated Cees eee Otvos Illustration, Canada 44 EXPOSE 1De eee Reta Cea Justin Cherry, USA Ponsa eaai Sera eager} ete D Saad ee James Hawkins, eer ary 9 eed Ces eA 4 ered ri acura 5 ead ee cs Kym hyun-seung, Korea Prasat ttt ant7 Seat RR na ea ere Cry Cee ear Reed a er Photoshop ‘Stephen Otvos, Otvos Illustration, Canada Fi ‘Nelicquele eeu Pe ee ores a Told ant mei ae ec eg rere are z ee en ee aay 5 ‘Another happy Christmas for a dead boy and his dog Pena kee TRIES 4 ee) Cee) ee mae A Tera] Ce Ken Wong, Australia 6 ery ee TL ema ‘de on ester a]1 eee aad ees rea 2 een eas nS j ' . | 3 Ayana A cy aS t ry rd Painter eR = EXPOSE 17 Sr) Photoshop Perea ea 7 Tae eee cg dae RN 5 geet Rad ee ee ee ce id Cees Ken Wong, Australia 5 ee eee Ea eee CT a Gg og cece) emg ae aD raat itiPesarani ico Photoshop, Painter Wang su Lee, Ctype, Korea Fy Josephine and Latrec cies crn g eed Cee Crees r ocd Ce Chris van der Linden, White Cluster, The Netherlands 5 Ue ee Cemre Ozkurt, Blur Studios, USA Pasa Telt ani1 ay es ee ec ace 5 oy ce) ene) 5 CE race aca Fabricio Torres, Brazil 7 ear) Photoshop, Painter eee eae A ec eg Gary Lai, Canada sa et eli Shotgun Messiah ees fe tena 2 ed ec ee Ree Fy ars Client: Eidos Interactive/Core Design eee Dnt a ioe ee Peace esc aaTN satel ant‘Mermaid Ere Son} rosa elt ae)ed CON ce reg ed Cestaf er) re oun) Pee Lora Sy eu nS a ‘AlienBob oy eed rae aes 9 ad ZBrush ee maeDevil Chrome Bust Ronan) eee ene Caney Coed rehd:ce or a ee ea en Goth Cabaret en Lode nts J ey XSI, Photoshop te nara Eman ce att ltt nli Living Toon Een Aa) ea 2 Ce mate Le) Noe aaracane) Oddworld CG & Production Design Dees FI a rey ee) 62 EXPOSE 1ed f Mans or ae) ee ed 2 Peed Sec Te Me Waa eI a Sec Giubelli Marco, MysticMan Productions, Italy 4 ous Dee eae Anders Ehrenborg, Sweden 5 DR es) Te UO ae ON ern 34 -teit anli ene Ter eee Pixel in Motion, Spain ry ees nag (Oe ue Gea reneieacy Coney Peres eWay q toe Saas Premiere, Photoshop Thelvin Cabezas, Ringling School of Art and Design, Costa Rica 1 ety Tes ear ee eer Wizard Soft, Korea terso Baad ge ee Py ere ZBrush ee eae Fy Red See) ee aa) ry a eae Se ec 74 EXPOSE 1f or Tans ae 2 err] Peace Pe Ce France r ed eos Pe aL Eom ey ahaaf ery Seay Pascal Blanché, Ubisoft, Canada A cr marr Cae eae Aj ean Client: BITZ Magazine, ay Sean) eRe a ne ry a eee tet Peat A Ls ~ cer era Se Ly ima df L co ee eaef Ss Seg Pascal Blanché, Ubisoft, Canada 2 eens LightWave acu Ey See) Sera) Pee ee oS ry fer Rod en ace) Perea A ce ZBrush eee acesatria1 MoonJuju Petar y eed ee ee eS A oo or en raed Hl Cae eee ee ree) A rc ior Steven Stahiberg, Malaysia Prat deli an)o De Sa ance) Xiaobin Fang, China 2 ee aed Sear) rR ere 5 ee SNEED ee Ae 7 ay Sa aan Xiaobin Fang, China ryEs a telatPereraf Sunday Fluff XX Saar Samay z er Extreme 3D, trueSpace, Xara, Photoshop oD ent FI RobotSalé pen ea er aaa r ne era aed Oar) CaS A td marry COTE nes aoe) Paes taedai The Priest Darcey David Smith, UK Py ee Nae aa) Marco Lazzarini, 3Dlink di Marco Lazzarini, Italy FI ec ey Te acute 4 Cee) ZBrush Dee ee me 88 EXPOSE 1f Tr Sac eee ee) 2 Cane-Toad Nee a) David Clayton & Andrew Silke, fees ea 5 ad Rae Pe ae ee cea A ged DSI ance BP en Cetus Psa -telt antrT 3ds max, Brazil, PhotoShop ee cee ed F oo Pec Pe ee ee 3 cg Prema) eee aN a Cen Dae rE ed eee ol eee aya eee Cee er re eee 94 EXPOSE 1sea fears) re er aed orci aaf Pere en Loe aS Fy ad cere) Tommie Léfqvist, Sweden 3 ee ere) Tommie Léfqvist, Sweden 4 Sa) eens Sa aay A ented ee Pea EE aeSerta]; Eu rahi 1D. Bisse aera eer rot Py ‘AChange Of Heart ceed eee eee) 3 aa Photoshop, Painter Pee ey A rea) Peary feete nts A ed ¢ Ce Cae Peart ted ant77], | 4 A LE Pehlai nod AC ee Wem aed v1 Lea aay eee) RIN Fy Salvador Dall, autosodomised by His own inspiration ene eC o er eed een eee ed OPP ems ee Cen eN sliiiliaiiamaneeatinedsi Td es Daryl Mandryk, Canada 2 Balance Maya, Photoshop, FreeHand, Illustrator ‘Micah Hancock, Mars Sandoval & James Larese, Se ues RIN 3 et coed PL LACIE) 4 eT anand fee) ene ee ae A Cereus eae Cee aeemiri ear ed Ce ae ae) 2 Tax Collectors ees re ena’ 3 Caen er Ce ey 4 rng eee) eg OT eT aes eaed Bi eee ay ee le ae aE vasa Yel aeli Rea ry Photoshop, Painter eae a The Bowman Hunt Photoshop ee 3 The Battle Cee ea FI Uden Painter, PhotoShop Kit Hoang, Canada Gi ara) ery Pe eeeeases7 Dean rena evga ee) Cer me, 2 cag een) Stephen Otvos, Otvos illustration, Canada Fy ora ee) Le 4 Tee ey eS A penta ce ec Coe aan ney sare t ae109 EXPOSE 1Pe red Eee] Pesan ae ec RY es a telt aeSie)f rong aN eae ede 2 Elephants 2 Teena oem Fy ed Beard ‘Matt Clark, UK 4 eae Due Ceca A aa’ oe el mie S Pasar taei ee eM 3ds max, VRay, Photoshop area 2 See aad Photoshop, Deep Paint ee ay 9 Pred Recess De de Manuel Macha, eet ecu ry Oe le Tae Paks Pee Raymond Swanland, USAeect aei Fallen Angel eee srEeT) eager ee eee et ey 2 ead ne) rr aa) Fy em Ut oe) re me teeny 4 Daa ir) Meats Meier, SketchOvision, USA asd tel anii Travis in Action (Duality cover) ea eee Duality’s graphic team, ces G The kiss eee cao 0 em peeing a ee ni Blue oman ea ee reed Cay a > i Pern ytd atnS oe aaeee ea} Jesus Pedrosa & Doug Chiang, ee ci 2 aaa Eee cay Tero Takalo & Jussi Saarela, on aaa) 5 ad Saar) Matt Clark, UK 4 a Cae ae} Péter Fendrik, Hungary Bi A Stop at the Estrian Plains 3ds max OCC S Pein 2 4 Tel ang ee ard aeDe ead Photoshop ren erN aceite liiaibcaaa inseo Cee} ee Presi aeh taei era en eee LAN Py ere fee eee Ker se nt 5 ora ene nee) eee ers GT 1 Tree of wisdom Photoshop, Painter eer Lenco 5 noe Client: Vivendi Universal cg Dra Spy esa telt anPoms aera1 in ed Gree " Ce ay ad a fer) Pe Cea Rae g eam Photoshop, Painter Cer cee Cretan 1 rd Client: Carabas °, eee Benjamin Carré, France 5 eign Crete i rad * enue eat = 126 EXPOSE 1TeLrbemcaf Somnio care) eee eve Fy nea) Painter rn me g org ene Photoshop, Painter Peas 4 ear Goce) Er eae cea eet co CO crea Posh aei Neo eee) aN A Reacos enna Cn 4G error) cecerey ee aE 4 Coast ecard Cee ea 5 ne eee ena 6 re Ec} Gary Tonge, Vision Afar, UK PET 34 TottonSEY ert ae]i end ee eae ory a Dig Photoshop Rae eryDead Tegan ee Merve s 7 tel1 an}sy Or Naa) 3ds max, Brazil, Photoshop, AMter Effects Jaime Jasso, metacube studios, Mexico TET]i a} ered Raphael Lacoste, Canada py ena) Eee Re 3 De Neo rae! ri renee LE Ce nT ene tanec Pee Eee Meee 5 Ler era 3ds max ae Eres 7 tel anme INIT aS Cert ae]i ena rea} ee ee 2 TO LightWave, After Effects ora N 5 The Storm Coming ees Glintx, Glintxz2 CG Studio, China A DO Glient:theimagebox.com etic en ara 5 ence ae cor ans ees a ielt antTensor aaa Lr) Client: Inflammatio Entretenimento ces Cereal Fy a Maya, mental ray, Photoshop Cee com 5 eRe d cc Raphael Lacoste, Canada 4 Pred corny) aa arms 420.) anies cra1 ocd eae ee em ee n aa aes aero ae Tajino, Clickgrafix, Malaysia 3 Arctic Solstice ree Ea ST ee ON nH Enchanted Forest een Mace Prey raeeast riali ee UE) See a D ST ear eee ee aay 3 Castle ee ecg er Le) ry fee ee ees) Jocelyn Strob, Canada arr ns tila‘at x) me dias al eu 145 an fi een) Ee Yohann da Geb, Brazil 7 Light eee ae ere Rey 3 Suburbia Ag er DEAN r ear Pe ee Qareeb Shabazz Al-Hagg, Canada yj sat Dany Tas 1017 aesortai ocd Scr Ce Zl eae ed Cee) Caitlin Worth, USA 5 ed Cerrar eed cence Deny 0 Ure oes eee ent vrs a told antTS]i CE Maya, Photoshop eau n Ore Sear Bee ees ey Comer ee ec) eee) 4 Ta oe) ae Fischer Computeranimation, Germany 5 Fre aa) Dr ey ss crs cel el7 ea eee eae) P ea Te ey Sr ee enc) FI ‘Sun City Palm Desert-Recreation Center Il eenean as) eee ore nN 4 Cy Lg Client: PT. 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