Professional Documents
Culture Documents
Verse poetry associated with the ancient state of Chu such as "Lisao", "Jiu Ge", and "Heavenly
Questions", contained in the Chuci anthology, traditionally attributed to the authorship of Qu
Yuan of Chu
Fengshen Bang (Investiture of the Gods), a mythological fiction dealing with the founding of the Zhou
dynasty
Journey to the West attributed to Wu Cheng'en, published in the 1590s; a fictionalized account of the
pilgrimage of Xuanzang to India to obtain Buddhist religious texts in which the main character
encounters ghosts, monsters, and demons, as well as the Flaming Mountains
Baishe Zhuan, a romantic tale set in Hangzhou involving a female snake who attained human form and
fell in love with a man
Presiding deities[edit]
Nüwa and Fuxi represented as half-snake, half-human creatures.
The concept of a principal or presiding deity has fluctuated over time in Chinese mythology. Examples
include:
Shangdi, also sometimes Huángtiān Dàdì (皇天大帝), appeared as early as the Shang dynasty. In
later eras, he was more commonly referred to as Huángtiān Shàngdì (皇天上帝). The use
of Huángtiān Dàdìrefers to the Jade Emperor and Tian.
Yu Di (the Jade Emperor) appeared in literature after the establishment of Taoism in China; his
appearance as Yu Huang dates back to beyond the times of Yellow Emperor, Nüwa, or Fuxi.
Tian (Heaven) appeared in literature c. 700 BCE, possibly earlier as dating depends on the date of
the Shujing (Book of Documents). There are no creation-oriented narratives for Tian. The qualities of
Tian and Shangdi appear to have merged in later literature and are now worshiped as one entity ("皇
天上帝", Huángtiān Shàngdì) in, for example, the Beijing's Temple of Heaven. The extent of the
distinction between Tian and Shangdi is debated. The sinologist Herrlee Creel claims that an analysis
of the Shang oracle bones reveals Shangdi to have preceded Tian as a deity, and that Zhou dynasty
authors replaced the term "Shangdi" with "Tian" to cement the claims of their influence.
Nüwa (also referred to as Nü Kwa) appeared in literature no earlier than c. 350 BCE. Her
companion, Fuxi, (also called Fu Hsi) was her brother and husband. They are sometimes worshiped
as the ultimate ancestor of all humankind, and are often represented as half-snake, half-humans. It is
sometimes believed that Nüwa molded humans from clay for companionship. She repaired the sky
after Gong Gong damaged the pillar supporting the heavens.
Pangu, written about by Taoist author Xu Zheng c. 200 CE, was claimed to be the first sentient being
and creator, “making the heavens and the earth.”[3]
Time periods[edit]
Three August Ones and Five Emperors[edit]
Main article: Three August Ones and Five Emperors
During or following the age of Nüwa and Fuxi came the age of the Three August Ones and Five Emperors.
These legendary rulers ruled between c. 2850 BCE to 2205 BCE, before the Xia dynasty.
The list of names comprising the Three August Ones and Five Emperors vary widely among sources. The
most widely circulated and popular version is:
Dragon[edit]
Spirit of the well, from Myths and Legends of China, 1922 by E. T. C. Werner
Zoomorphic guardian spirits of Day and Night, Han dynasty (202 BCE – 220 CE) Chinese paintings on
ceramic tile
Cosmology[edit]
Directional[edit]
Mythical creatures[edit]
Abstract[edit]
Mermaid (人魚)
Kun (also Peng): giant monstrous fish form of the Peng bird.
Humanoid[edit]
Kui: one-legged mountain demon or dragon who invented music and dance; also Shun's musical
master
Jiangshi: a reanimated corpse
Ox-Head and Horse-Face: devils in animal forms[5] and guardians of the underworld
Xiāo (魈; xiao1): mountain spirit or demon
Yaoguai: demons
Mammalian[edit]
Further information: Dog in Chinese mythology, Bovidae in Chinese mythology, and Horse in Chinese
mythology
Chinese Monkey: warded off evil spirits; highly respected and loved
Xiao (mythology), described as a long-armed ape or a four-winged bird
Snakelike and reptilian[edit]
Further information: Chinese dragon and Snakes in Chinese mythology
Mythical plants[edit]
Mythical substances[edit]
Literature[edit]
Imperial historical documents and confucian canons such as Records of the Grand Historian, Lüshi
Chunqiu, Book of Rites], and Classic History
In Search of the Supernatural: 4th century compilation of stories and hearsay concerning spirits,
ghosts, and supernatural phenomena
Strange Tales from a Chinese Studio, by Pu Songling, with many stories of fox spirits
Zhiguai (誌怪): literary genre that deals with strange (mostly supernatural) events and stories
Zi Bu Yu: a collection of supernatural stories compiled during the Qing dynasty
See also[edit]
Notes[edit]
References[edit]
Paper, Jordan D. (1995). The Spirits are Drunk: Comparative Approaches to Chinese Religion. Albany,
New York: State University of New York Press. ISBN 0-7914-2315-8.
Yang, Lihui, et al. (2005). Handbook of Chinese Mythology. New York: Oxfor