Bracamonte, Amb. Franzille J.

July 9, 2019
GE 6 – C : Critical Analysis
________________________________________________________________

Last Saturday’s show was indeed strikingly beautiful. It showcased one of

the country’s flagship professional classical and contemporary skills in dancing.
Ballet Philippines incorporated a wide range of genres during their performance.
From dancing to classical Victorian-like music, to Filipino folklore, heritage and
history was incorporated in every part of their presentation. The technique and
finesse brought about by every dancer resulted in the success of the show—
leaving each and everyone in the Luce Auditorium that night dazzled. Graced
with the presence of Alice Reyes, a National Artist for Dance, and co-founder of
Ballet Philippines, being able to witness the entire production was truly a once-in-
a-lifetime opportunity.

One of the dances performed that night were the tales of the Manuvu
excerpts. Each little detail: whether it be the music, the set, the costumes, the
lighting, the timing, and most importantly the skill in dancing, was vital to pull the
act off. For me, the composition of the songs—the lyrics, tempo, and beat gave
life and fullness. It was like a Filipino take in Broadway. To such a degree, the
retelling of the creation story of the Manobo tribe of Mindanao was more
appealing and interesting to the eyes of the patrons.

Pasayawa Ko ‘Day is a famous Visayan song about a man trying to fight

against unrequited love. A unique version by performing ballet along the song
was well executed by the dancers. It gave off a funny, yet charming impression
among the audience. Overall, the show gave an interesting message: that ballet
can be performed to any type of music (may it be traditional or modern). It is not
limited on the usual classical take. Music, no matter what genre, gives more life
and meaning to the acts performed. It highlights and accents. And that’s what
makes it beautiful and meaningful.