TRANSLATOR BIOGRAPHY INTRODUCTION Shakespente, Cer ha no ce range eflorealy fom marr af the (A) andthe Yale School of Drama (MEA. D.EA) mule ponies highly Bone we knw i Taelth Nigh, of Richard I ‘Brand and Per Gye along with Hed Gabler ard The Maser Leet Comedy. Ou sens of Bec arisy mast 1indude the vies ne Theron Oper sod 1 once Cervantes and Lope de Vp, his spose aan ar ales many Soma and pak in many sx deades, Calder boy of wok ane the ene gam of the Goden Ags ia the Daly and Greate conjures image of Plone aversing the lent ofthe sling player: the ‘opeand-vord ply clus pay the honor ply. the honor and eur ly che hore play he acramentl ones ply the alee play dhe orden play the myopia dam, the rani To oe 1 Amica ther and aademy,howeer, Caldera remine one- one ick —Lif a Dram (One posible maker of greatness aly: Someries rode (conde depending . ld bth ides oF a spit of Ere Bene tet work should find ton sages inthe twenty fet cer. Bendy addres he ‘mere objection to = bro sxptnce of dhe Camedia is me andi pecialy Catholic backround tur there woul alee be ion and anaer. One deer notnecd wo be & 10a great Catholic poem. One only need tobe abe co ‘er inc the seiment of uth, The Josh ith would do, a Pars ‘would the Malema the Hindu. One does not even need ops trmbrace of diy. he humane undesanding da he extend bythe ail pa 2+ CALDERON IvTRODUCTION + 34+ CALDERONode the previous censry rene of conden). H. El ‘emplifed in Spi Tas The poor man deans he His misery and pore He dreams—the one who sinning hive, He dream —the one who isan He dreams—theone who injure and fends And ial Everyone dreams he hig chy, Though a one underansthis In was in this atmenphere of deen sen that Cervantes wt hie D ed the end was the dengan trea inom the haon The eve rough home to more doug Cs i ese dwn and shack by thee chain on Quito and Lif wo isin kinds oF dengan of Drm operates by means of layer wp ly Tove precede in fat incites, he ope fre he ther, Clad, into a sree oF fons recogrions, end dichaonmests. King Besli—har somewkat Sein ha one has to wakeup more long-vinded hae wo Prspe—isonsuned witha ilasion tha his Tilienerdaae dom can iunph over wha sien in he Book of fit; hs defeat and a complete atthe endo the ply, canbe read as acnton tale 6+ cALDERON INTRODUCTION + 7Comic Devengai ia The Phantom Lady I. cspeand-sord comedy ighter burden ataches to he principle of| dango. Kod yee ston of comedy cn seve wo sug the sme tie “lemmas athe mot serous piorophicl drama, cen though te sakes may tbemote pera “Great reckons in ine mona” hie remrance yond he ounchold wally, and am socal du in comedy the fld of ition i somewhac narrow, often fossing ofthe dome cee and that the cane in The Phansre ing i ely Manuel avery ‘And my honor wont allow ht outcome ized. Rymard Ciel’ performance in 8+ CALDERON INTRODUCTION + 9‘The Baeground Auden of the ent pura ofthe conice beeen a al power st amid a Seendh-eentry ba CCastianty in which both sides ae accorded honor Te ply is looly bused onthe so ake Tangier Femando Maly andthe esing Mie This generous repay the debe do "When Fernanda’ forune change and he scape by the King of Fe «he ransom fr his eles ich pre the city of Ceuta a Poraguese song. hol in fie won a greatexpere ome sweny year beer the action ofthe sy. This anom is accepted by the dying King Duarte of Portugal, but and cir hil ether dun oe Chin cy ern eo Ml, to the ofa rnsom-—exepe the Contant Prince—allrate th ed on “sional” reacone sch a aversion Bat Fernando for Cov, and trax of hepa. hon serve 8 che sight ine of he main acon, howe ate sever ‘hat, when en tose, reveal a mare complex dign that ‘ale ofthe play inthe ideo Foor no solely in Femanc, a comm tls in Mie, the Moorih general who begs a comes hit gre and oy fend, and ina diferent, mote mani ein a Fai the Princes of Fes beloved of Maley, Examples of ict a INTRODUCTION + 11pin, neverthlew he dos ‘wll, eve eget len him ifthe ransom ‘Maley, he lose gener, emerge ar both aero onthe baled and lover of high poetic lead im-—ae pres personal kro devise means forthe Male par oc i he ply ant in her the coer ona o 2 tape sb These Mooi counterpars in clequenee, sion: and, would arp pel in {he cae of Maly awe wil se blow), embody in varying deren the play vale, conta not be aida hs 1) bls Moor, the King of Fee 12+ caupenos yay hee 1 Blow epee, irropuction © 13your fe ed let at ou pa 14 + cALDEROW INTRODUCTION + 15Another echoes: if wee going to reproent dw them by she Word and speclste the roles nf) the Worker hopes fo drought ro cet cy 40th 1 pices and become the che man in 16 + CALDERON Sothe cade ds you wear che romb ays cv, oem o explain bis of hakepeate and pre n acide the pe 7only are elarg ou The ial monemens, he “hear of rat” wher prom When invasion andthe King-—thanks “Thomas Aa fence on thee txt 1 + CALDERON mr Albee Cooke ‘he Dn de) nk