THRILL ME: The Leopold & Loeb Story Piano/Conductor Score Book, Music and Lyrics by Stephen Dolginoff Piano Arrangements by STEPHEN DOLGINOFF and EUGENE GWOZDZ ** DRAMATISTS PLAY SERVICE, INC. CERTTHRILL ME: THE LEOPOLD & LOEB STORY Book, Music & Lyrics by Stephen Dolginoff MUSICAL NUMBER PAGE 1, *PRELUDE/UNDERSCORE”......2--..000 1 2. “WHY” . 8 “EVERYBODY WANTS RICHARD™ ao TAG: “EVERYBODY WANTS RICHARD" 16 “NOTHING LIKE A FIRE". “AWRITTEN CONTRACT” (part 1). “A WRITTEN CONTRACT" (part 2) ... “A WRITTEN CONTRACT" (part 3) “A WRITTEN CONTRACT? (pat 4) 10. “THRILL ME". 11. “THE PLAN"... 12. “WAY TOO FAR’. 13. “ROADSTE! 14. “SUPERIOR"..... 15. “RANSOM NOTE 16. “MY GLASSES/JUST LAY LOW". 17. ‘1M TRYING TO THINK’ 18. REPRISE: “WAY TOO FA 19. “KEEP YOUR DEAL WITH ME”. 20. “AFRAID” 7 a 21. “LIFE PLUS NINETY-1 NINE YEARS”. 7 seseeeeeee 13, 22, FINALE: “THRILL ME”...... dense seeeeesA 19 23. BOWS/EXIT MUSIC. eee . OPNOHAS -Piano Arrangements are by Stephen Dolginoff and Eugene Gwozdz. -THRILL ME has no applause breaks. Make sure the songs always appear to flow in and out of underscore. The almost continuous music should never have an abrupt stop or “button” until the very end of the show. -Holding down the pedal at the end of each piece will help continue the effect. The Original Cast recording of THRILL ME needed to have clear endings to songs, so the score was adapted for that purpose. But this does not apply to the show itself, the score must not be changed to reflect the album. Often in the score youll notice that the lowest bass notes are marked 8vb. Sometimes, however, they are not marked as such. Use your discretion to play more of the low bass notes an octave lower to create mood and drama throughout the score. -There are a few tricky page turns, itis suggested that you photo-copy some pages of the score and tape in fold-outs, This is especially recommended for the PRELUDE, so it can be played straight through with no turns. -No cuts, additions or alterations of any kind are allowed. THRILL ME is scored for only piano only. ~ -Questions regarding the score can be e-mailed to thrillmeod@aol.com."THRILL ME: THE LEOPOLD & LOEB STORY" Prelude/Underscore Music by Stephen Dolginoft CUE: Howse Lights Out trey thee J=00 x voll all Voll all © 2005 - Stephen DolginoftATEMPO ob om. oti. —==. Allittle slower and Myserious +- 9 p Bhmin a Ligh hopin to fade wp) volley VOUEL (athan enter parole board)NATHAN: {suppose you'd ike me 19st down a= mp (soir der done) Bbmin oll ole! ch PAROLE: We ean bon, For the rsord lle! Sil (Approx. Cust Fade Out NATHAN: They say the Fifth c's he charm.) ob (oseroicout ase oie! allel 2a a ee ee eee ee eeWhy c and Lyrics by Stephen Dolginoft Nathan Mus LUNDERSCORE Cue: NATHAN: What iit you want? Ballad (Flow in 2) d= 74 PAROLE: What you've never tld ws, wwe want to know hy, NATHAN: Why. Vm sor = sy if Tstum though Tin P (vampla iby (Gb sustain nots) to give you what you're af - ter, tell you 1 went with Rich - ard. That's the rea along here in nineteen four. twen-ty c= (©2005 - Stephen Dolgintt~ chi - Id who killed child back then, An oldman still pays for that crime. And 1 ask be set fee now, Won't you try 10 would be hurt af-ter all this time? said so of - ten be - fore! But you've asked a sim - ple er ee ee ee ee eeques ~ tion and I've oron a whim. # ATempo told was fe ss cf Its hard to comp = re-hend that the went along with (UNDERSCORE MONOLOGUE ) NATHAN: Richard ad I were very close from the beginning‘wansfered to Michigan without fling me. o HoUdstnd meup, leave me stranded places “Then wo went tothe same calles ‘ut inthe mide of ou senior year he Teas game he lays Hk to pay to homiinte me. eo away on simmer vacation without saying goodbye me ee oe lll elle lel ell tll lrNathan's Memery} 6 2: 170 Things ke that uae graduation... came back to Chis ‘i co my o S- 5 (LIGHT CHANGE, NATHAN COSTUME CHANGE, STAGE BUSINESS) np (Last time decree. & rt) (cur Orr AFTER RICHARD SCARES NATHAN - "Quit watching the std bids)[3] Everybody Wants Richard ‘Music dd Lyrics by Stephen Dolginoft ‘Undersoore Cue: RICHARD: The others aren't so fucking | Driving and Bright @= 165 fa i Nathan CoE Se Song Cue: RICHARD: Wek Po opf rp f Pte Ff Ptr F FT =z = tions with? Who else has 7 roe? of Pte t 4 = > 1 © 2005 - Stephen Dolginott rrr mrRiemRhememeaOmOmROmOneOmmOOeOeeeOeOeOLeOs O oOe orP ou ooo |side ~ lines wait-ing for ev-ltyshod=y wants Rich - ard Emin know your mind the way e straightthrough an-y-one who needs Rich - ard They make o Emin for just a kick, they won't stick the way that x RICHARD: Have you go ih A TEMPO | do, When you cutoff all contact, how it burt make me feel like fen den en ett fete fededode) ch taietereteleieleevl si} = ie eee a oN = : — SS = = ee ape tT ptt How can you as = sume she's wor - thy of you? She's not me! And calKnow there were sev - ‘tal oh - ers. Ac = coming t© your frat house bro = thers, 1 é b po 7 of pte Ppp passed a-round one or two! Not with me! Oh, your cb moves are Ev-ty-bod-y wants Rich - ard fn enn 3 _ fn your past the way that T molto nit mmamemanmmnmnmnm mmm mMimM eRe OeOrm OO ROeOeeOeeOnrilhOerelhUROMM aRSomewhat Free SSS re f SSS God knows why 1+ think youre soap = peal = ing, or why-youte | pin tials SLOWER al - ways dou-ble crass ing, double deal - ing! : > eb ebeus2 Tim the one who needs ab a strong. The oth-ers arewrong! They dont have a clue or know the weal you. Yes, ev = ‘y-bod = y wants eb c Emin Rich = ard minh dot ‘Ad = mit that youve missed me too! P iar (oe alow apps!) (CONTINUE TO UNDERSCORE SCENE) or RICHARD: [Ve only mised he worship TC x, Sets inter dalogue lone) =10 oe menrnmmrmanrnnmnnmenmnnmnonmnrnnPpeee eee eee1 Be at bor 16 ye accel 9 @= 165 ee fe AFTER RICHARD KISSES NATHAN: Yee Tarn (DIRECT SEGUE TO TAG Pe 6),[4] ag: Everybody Wants Richard Music and Lyries by Stephen Dolginoff ‘Cue: RICHARD: fer ks) Eight ook and don be te, (RICHARD EXITS) dss e , [Natian ——<—<——=== —-—— | Ws been 100 wrong they dont have a clue or know the real you! 8 oy wants io . "mechim atthe warehouse." (UNDERSCORE) Geo iie [NATHAN thoy abays ton he ist sie Rich - ard but not the way that To! (LIGHT CHANGE) Atempo_¢o tlw applawse) ase. & bod) Tay wz ob ee a a a[5] Nothing Like A Fire Music and Lyries by Stephen Dolginoff UNDERSCORE CLE: RICHARD: Relas Nathan, Romantic Ballad (Flow in 2) 3= 62 Fl Richard NATHAN: ts something. ,ETC (UNDERSCORE DIALOGUEIAD LIB) (Cue orsong into bat 5 RICHARD:.. Fuck you bck! ne age mare TH ¥ (samp) o = = nothinglike 4 warm, romantic fh - re, To put mein the proper frame of no — thing like roar ing, rag - ing A little brighter (but not faster) to help me un wind, ‘There's no-thing like the © 2005 - Stephen Dolginoft 0fof rack = ting be- gins to NATHAN: se fe brigade ould be hes any it, (UNDERSCORE DIALOGUB) when my no = thing like to bright = en your face. RICHARD: You'e the lookout tll me Ifyou se anything big and red coming! (Hil Lastame only) ae ae ee ae ee ee ee ee a eeSSS watch the sparks be - gin Watch the sn 2 . Richard we up the shy. Straight to the star! [Nathan Straight to the stars! no ~ thing Tike the sight of some - thing Something bumno thing, tke my de - si- re, sed = ue = tive of some-thing light. bum Sed - ue ~ tive Some-thing od no-thing like 8 nno-thing like a light! to start ‘bum - ing! 20 There's to ig = ammmnmnmenmnenainei einem emir Meme mimeaM. — ny ane ~ 1% wateh the sparks _ begin: in-ten Watch fil up the sky cloud - ing the night Toke * fp ——— 3 F no-thing like af CFempo) 0 (ight Change) [NATHAN didnt sc him at al the next doy. (UNDERSCORE/AD-LiB) (Dont resolve no applause) op ‘Cueto Fade Ook & NATHAN: I showed up at his house rea te hight,[6] A Written Contract ("superior' pt. ) Music and Lyrics by Stephen Dolginoff Undersore cus: NATHAN: Thankyou. Driving 1= 10 Nathan (Song Cue: RICHARD: Now what?) can Wet fora while?” RICHARD: No... ETC _ How could tic (ramp) irsxnitnesto | & heartbeat © Richard fout we bumed that ware ~house down’? It was the best B © 2005 - Stephen Dolginoftthat And no g Tawa) Aline Brighter [Richard] RICHARD: es right ore Nathan, in black and waite, And Netasche doen is, Moc Says my Neitz - sche book chap - ters ‘we could not get caught, So don'ttive last night a sec - ond thought. Let's plan next time. sup = et = quote sup ~ er-man 8 Chi = cago by the throatNi “ — = ty eee == = + : a = 2S | help me, re = mem - ber you're my look-out Babe! 7 eae, (UNDERSCORE SCENE) fine slower NATHAN: In which elaper docs. ETC. RICHARD: You were wrong.-ETC. (WAMPAAD:LIB) (CUE TO JUMP TO "WRITTEN CONTRACT” (Key Changs: z NATHAN: You never sid you needed me before RICHARD: Lscow up without you, Okay! (LASTTIME SEGUE DIRECTLY TO "WRITTEN CONTRACT" INTEMPO)— 26 [7] A Written Contract (part 2) Music and Lyrics by Stephen Dolginoff Bright (but Edgy) 4 = 1 Song Cue: nicl A am eee ous maine [Richara (NATHAN: ant do thi, Richa) ee ee ee ae (Warne) You don't de - serve me! Youre not fit to lick -my wingtip = 8 Fosbtassxs) ‘You just un - nerve me! Since I hav - ent leamed when no means ©2008 - Stephen Dolginoit .reper | Pe ane a “I “i rrr FF § Zz 3 NATHAN: A written contact? 4 rompy writ = ten con - Spel - ling out what parcel - pester Tn my crimes, oo mater what de = gI a So Here's your chance We can let the 2% | ask ll have no way out! A wait-ten contract! that means when you _ to make things legal at last In plain black and white Per 3 re-main in the past and have no more rea-son to fight! RAR x r 2 Z 8 = ven let you pe the whole thing out cach key pro- mearmimmimmimamnmsan se nnn nn on on om mn on ow ow ow oe oe ow lm be ke keDon't hold out you'll 4 al aa) ‘A for-mal con-tract, writ-ten will help t get you yours and I'l get mine, But you'll oar eedne = ver be my © = qual if you dont — promise me you'll 2 Adagio 1=75 (UNDERSCORE) © PPP Emin (SEGUE piRECTLY TOPART 2) (eat slow ‘pple! mama RFA A AMM Kh AAA a oo om om ove oe oe ot oo ee bsfe) A Written Contract (Part 3) Music and Lyries by Stephen Dolginoff (Cas: NATHAN: One soeoa. sed my glases Ree en eee Nathan is ready top) 7 y (vamp) swear to aid and a - bet at Rich-ard's re ~ quest. No mat - ter what he RICHARD: Whatever NATHAN: Nos ifs my tum ri 3 Clypewriterausment) wants Ill give him my — best But on-ly as mmuch as I ©2005 Stephen Dolgino®?i Nathau a tempo J = 110 os In con-sid-er-a-tion of the a-bove, 1, Rich-ard Loeb swearto sat - is - fy J Ree Rk, ba = = 7 where-ev-er it Tends, Im - me-di-ate-ly fol-low-ing the a - bove, x) (SEGUE TO PART) maReee eet me eee eee oe oe oe he oe i ol ok hh(9 UNDERSCORE DIALOGUE AND 4, NATHAN TYPING - A Written Contract (Part 4) Music and Lyries by Stephen Dolginoff Stighty Free (a te faster) Richard (Wamp) (eel gent ly pune-ture the ‘once the blood has cbr dried the terms will be ~ gin. ‘ong Coe RICHARD: ~ all Hoi out your ings: hold out your finger T have to do is take the knife and prin NATHAN: Ouch! Shit RICHARD: Sign your name (ATHANSIGNS) skin, Te done this be - J CF itsesaby Nathan pls and away) ab a essay in! ses Try not to drip on the mo (avo) (sh) © 2005 - Stephen Dolginofta vay Both) Tempo os Sai a RICHARD:No.teamake > RENEE oy, our tives will be en - ewined com ~ plete ~ Wy (aby Fn P sbmin Ss ie = fe a — = e wo, oe = Nathan p 3, friend-ship's now re-de = fined. Re-thought and re - vised. No tum-ing back now : = = ‘our blood’s been com - bined But not ‘tl it’s been no -tor ized, 3 mao oP poco rit wee] 2 aa s —_ ry a tempo @= 155 no one hast know our bus-iness deal Well keep it hid - den, hes ee le mrmmaemuaeminmnnmnhnmnhnmnmm meme oe om he oh ae aSSS All attempts to break our private seal will be for ~ bid-den. Ws the same old game with one new (oon? written contract the claus-es not mis - lead - ing, the print not fine a an36 He | And Vhopethe con-tact is the oan - ver to fin = Ty keeping you in "We kee things simple Slower aaaatie 56 LUNDERSCORE NATHAN'S SHORT MONOLOGUEINTO NEXT SCENE et Fade ot: RICHARD: Not bad, Babe, You were quicker with he signal | vamp) ae 9 a ee a a ee a ee a a os a oc orThrill Me Music and Lyrics by Stephen Dolginoff LUNDERSCORE CUE: RICHARD: Lets look ata his jan ‘Slow and Free (Rubato) | = 90 'NDERSCORE (Vary sow anf. 80 oe) CUETO GOTO BARS ENDERSCORE and ise Se RICHARD: A Bunch of Gold 2 Coins AN o (vamp) Up Tempo (and forceful) 4 =16s RICHARD: ..Andabig stamp collestion.. [think the combination x Jabs Birthday: ‘Nathan Don't bore me with de - Theyll one - ver im - press me. © 2005 - Stephen Dolginofee Stat pay = ing at - ten - tion, don't ‘Thrill me, RICHARD: Thil yourselt. Don't for - get what you mp| -—mmmnmrnmmnmnminmnn nm mm ee What youd do when we fin-ished a cap - Fminoba sO 3 SSS lime 1 de-mand what's re-qui red, you com - plain that you're simply too m3 tired. Thrill me! Don't tay with — dis = trae. - tions, Why fuel my frus ~ Ara-tion? Whats your ex-plan - of» RICHARD: don't fel ike 1 kinda down lately. Is not sxcting anymore, Brcak the window pic th oc, Theill me, boty nd dog s Se eas 42 sta things we dont need sal too easy theres no “il!” et. If this keeps go-ing on, I'l go cra mf (vamp) used, you're con-ven-ient-ly la = So my rage and im - pa-tience keep grow - Fminob wo 37 34 but they get my ad-ren-al-ine going Thrill me! Dont. think up ex ~ cog fe —nev = ver per ~ suade me. Le’s tum all the lights Z off Dost ty to evade me RICHARD: Stop tat en = er-gized Twill not be in the Ive ill held back and I've‘com - pro-mised. ev = ‘ning? So, un ~ less you want mine And why — must you to get you de_- sued. ny me? fy me, Won't Why spo il my my com ~ § eg —_- = mmmmeomommeoeomo_mm i8 RICHARD: sido. NATHAN: Will you ever he square with ms? RICHARD: Sur. ust not 908 NATHAN sick of hearing that The only reson Fe eon Telping you do thos sapid tings b case we ava contrat Siznod in Blood! You want me sear ap? ore) eee rel (cof under dag RICHARD-No. Okay okay. You win. Les make it fast though ve gota got up ary IATHAN: Dost be unfocused, Richard But don't weat me with (van) loves ways 0 - bey you! One : $¢comp - lice whod nev - er be - tray you if you thrill min o Slow 48s CGHIS CHANGE Thrill me! Mr, Leopold UNDERSCORE PAROLE BOARD SCENE CUB TO FADE OUT NATHAN: “eas ite ate hat same night. is io[11] The Plan Music and Lyries by Stephen Dolginoff Moderate (Like a Folk Song) @=125 CUE FOR | BAR INTRO: RICHARD: Bests you, Antro Free) (tempo) CUETO SING: NATHAN: Who the el sro you talking about? then he'd ne-ver touch my If we killed my bro-ther John, things. If we killed my bro-ther John, then he'd ne-ver rat me If we Killed my broth-er John, my in ~ her-i-tance would © 2005 - Stephen DolginoftYou're @ lun-a-tic, come on. Can't we let the sub-ject eaaal y ichard] Jaunty @= 138 We could chlor-o-form a rag and make him breathe the va - pors. Then use it as a gag to choke him ‘And once his face is green we'll throw him in a bag. Flee the mur-lerscene, hen read & bout it in the pa = pers. If we killed my bro-ther John, then my fa-ther would drop fos et kt ke fet bee wm wm mim meme ie mmm me me ee eee ol le he em mhead. If we killed my bro-ther John, then Ud got the big-ger Jomins If we killed my bro-ther John like I've al-ways yearned to If you killed your bro-ther John, ev-'ry lead would point 10 aunty bbor-row some old gun and _ shoot him in his slu-um-ber, per ~ haps it would be fun to We could min"ie rs torture him, Well makeit looklike rape and once thedeed is donewe'lmis - di-reetthe copsandwateh his }_a Nathan — + name be-come @ nu-um-ber! If we killed my bro-ther John, You could ne-ver prae-tice absuss If we killed my broth-er John, yyou could ne-ver face your IF we killed your brother John Could you live with what you ‘in lee! ee mmm m mm am om om om mom om mom be be en keRichard A a fe, tempo 7 ia? (O-kay, not my broth-er John, Jets go kill some random kid! convey o 3 Q olla i Slower @ = 100 ‘© NATHAN: Oh, thats much beter Mh beter. NATHAN: Bo? RICHARD: I's pofoet. ll we have to dois go dwn 1 our ol elementary schoo, RICHARD: We'll him, but fst find out his mare and forthe last bl res then gouge his foi for a ansom. cou wie 3 N48, NATHAN: Would kidnapping be enough? They dink hos all ave. (ETC..) Come on Babe, you know RICHARD: Brilliant! This mania fucking genius! Well do both! how excited ill make me (oamp) (oamp) I RICHARD: Lets 0 TI lure him to my car then strike with some-thing siz-a-ble, we'll drive out ex-tra far to an a C4) ¢ ; siento dt0 ac-id on his face and ev-'ty_birth-mark, mole or scar. Then strip off all his cloth-ing so hell (oeup0) poco accel josusa Eminso 25135, | Richard os — beun-sec-oyrniz-a-ble, Justa boy who's inthe park won't besmart e-nough © run a oe Just a kid who's in the dark won't be strong e-nough to fight 2 Richard Bait the fish to feed the shark Thir-ty se-conds and he's gone, L- Nathan slightly free NATHAN: Richard needed 3 days Bet-terthan my brother John, ‘to get rely Bosiness with Murder Weapons) What away to make your mark A (a tempo) a Wine) = & 3 fe Nake a ae a on ae oe ee ee a[12| Way Too Far Music antf Lyrics by Stephen Dolginoff Ballad @=10 dea 1 Nathan | —3—, RICHARD: Rope, crow-ba, acid. Thats vorhing "ope this ope is strong enoush. 1 nt th kiad Told ou It had gone way dbsuqaior ‘ —3— Yet there Twas as ~ sisting Tt had gone way I was act - ing like his pris -'ner much too fate to start re ebm © 2005 - Stephen DolginoftRICHARD: Tho Crow-har owover, is perfect! R east 37 lear ol 5 sis tng How did it come ehmach 6 Was some-thing wrong in - side me? How did it 3 chsusach laval 3 come fo this? It was im - pos-si-ble to mum a-way or let my con-science mf ob bm TRICHARD: This a dared small bode of acd 1 gues wel have o finda damned small boy He thought it was (Slow) (Wary iPmoedod) (bright hand) obeus2 oe es ke ee et Bmmmmammme ieee ee oe oo oo ooo7 More driving @= 195 His dark side was dif-fi-cult to swal-low Not dif fi-cult to fal - low. y calm, bm 1 tried to stay sane. —3— muscle that I can't ex - plain What made me feelAnd made him so ex = cit ing What made me this way? Should have some-how tried to make it stop but RICHARD I'm puting you charge of writing down his advess had no use in So, when Ive get the fape..you say "if you wanna ive, give me Your ‘bldeos." Thon once you have it Tl rac his Skull Z.0m FP |S, 1g 8 7 gem yon at te er Jone Tesoon would be done, ‘And thenhe'd be tied to me for- a mrmke be ome im mmmmrmiermae eee eae oe eee oe ooh oe oe orVm smart but he was clever: Too late to say no, Rubato I walked to his car, Forced my ~self to be much strongrer, if for fi + 3 a tem just a lit-te long-er, Then I let it go (Wamp if nceded, slowing dows) LIGHT TRANSITION (DIRECT SEGUE TO "ROADSTER") - (iantime it)6 [13 Roadster Music and Lyrics by Stephen Dolginoff Slow and Seductive 1 = ss A Richard] Sishay Free (STAGE BUSINESS) Would you like t see my —road-ster? (vamp) a Would you like to look in - side? sa shin-y pack-ard road- ster aie i) $8 ale ae $il6 oil] rc) Would you ike t0 take a ride? A. spin a-round the block? = eb) © 2005 - Stephen Dolginoff RAMA ARAARAAARRARA MRD AAA RRPeh enerVd be glad to drop you We could cruise a-round the — school yard. Be the en-vy of your If you're riding with me shot-gun, you'll im-press the pret - ty © ting in the Could-n't find a park-ing space. We could o-pen up the win-dows.face. Wind will whip a cross your Va be glad to drop you off That's what mother's al-ways am, Sure, I'l let you honk the hom, T know, nev-er talk to But I think we could be 1 think you need a Go climb in- side the strangers min bud. by ob ceo oa on AAA A AT= ee | it speeds to forty - five Here's the key to the ig - ni- tion uf ome Take the wheel, IM let you drive, hhop inside the — back. TIL be glad to drop you off Just tell me where you live. oneh“o gs RICHARD: Whats your ame? Bobbys anes name MM be glad to drop you off. go Free ATempo Youll be safe in - side my road - ster 91 oll ole ole o zp (2170 (pickup speedo next song tempo) (VAMP UF NEEDED) accel. poco a pce. ight Change) ole oll lee $loe $1o8 olee (SEGUE TO “SUPERIOR”) ee i a14 With Urgeney Cue: Light change) J = 175 Superior : Music and Lyries by Stephen Dolginoff (COVER SCENE CHANGEISTAGE BUSINESS) Repeat only if ost) © 2005 - Stephen DolginoitRichard But were both How could they cominia ‘Strong and Lively 2 = ver catch Twen-ty feet from here in a ® : & & ® : z F & E & E E E E E E é : t i6 vert pipe lies a twelve year old who's time was ripe, Just a comin? use = less kid with no face, and thus they could ne - ver tie a thing to us, No 2 Both ev ~ i-dence. _ And that's why we're both sup = er - i-or We've - got more in - tel ~ i-gencex [cra] an + y-one. We roll like a And we're far ef = ficient than the Nathan tin Bet-ing Wipe the crow bar clean, don't for - get the rope, wash the t t [ tsoap. Then de - stroy it all and dont leave a trace. I'm af 7 2 & - es Richard © = raid they'll see it on my fice! Youre par - a-nold ust tell your-self 7 eb ab eb min ® Both were both sus per = ier all : 2 Fin &b ¢ Ps © = We simp = ly fine-ton on &high-er plane © Fmin Bh min“There's no short - age Nathan Pall Back slighy Ln per=verts my - self the they can blame it on that Why dont you feel the same? 66 ee mmmmmm hm seared elle ele ee huHow mn = times must I ad your doubts? We've van ~ dal -ized, Bur - glar- ized. was So let me ease your mind. Try to un - der - stand and en- stigh accel |Bwoo Nathan Richard went as planned. You're scar - ing me. Then don't for-get jos [Both up = er = i-or it to the grave. ‘Nathan ys, [Richara Weve backed De eeRichard: Yes! There's no chance we'll pt Richard: Not Richard: Yes! cused? You guar-an - tee our hands are clean? Tell_me what's ——_ re Richard fused! Well write the ran - som note yr Nathan: A ight Nathan: Attright When we're at home and out of sight. Make sure youduck if you see (Ligh changing) Nathan: light Now let's cap off molto molto rt 0 night! ‘This has. gone (Embrace) (wiRecr SEGUE TO"RANSOM") ‘_omomonmiomiom mom fi An A A AM OAL Of OA 6A OR oO oO OOO ooo oo om oe oe15 Ransom Note Music and Lyries by Stephen Dolginoff (TRANSITION: NATHAN: ad never sen him so happy: We went bck ois howe as shaking te whole way be yo ot he Underood) Slow and Free (Transition Music) @= 80 SCENE BEGINS @= 90 RICHARD: How do you spl "valise™? st (UNDERSCORE, fe) mp wane, _ (vamp if nde = Ole ail¢l ai l¢] Both Moderate ¢= 110 ‘CUE: RICHARD: Come on, jot suit (NATHAN gweingiae) If You want to sce your son, o Then you'll fol-low ev-'ry rule He is safe-ly here un ~ harmed © 2005 - Stephen Dolginoftfar we've not been ‘And make sure there's no po - And wait there for his re - lease! Makethe nightmarequick-ly cease Makethe nightmarequicky cease Get ten thou-sand in small bills ‘Then drive straight to Jack-son park 7 lite faster = 115 If you want to see your son, [Nathan If you want to see your Leavethe cash in Jackson park -—— mmm mmm mmm omommomom flor om Bom om Leavethe cash in Jack-son2 Ina brand new black al - (CUR: RICHARD: Lats hope | If youwant to see your Be al onewhen youar- © (UNDERSCORE, a8 84855) (on Cu) way Richard Do ex-aet-ly as we say Then you'll get him back a - live! 49 TRANSITION AS IF VOICES ARE FADING) /AD-Lin UNDERSCORE UNDER RADIG (oe To Sep: RADIO: 102 dors in ‘Yes, youll get him back alive, Yes, youl get him back a eed) (WAMP/accel 10 @=170) (SEGUE TO "GLASSES"16 My Glasses/Just Lay Low , Music and Lyries by Stephen Dolginoff’ (CUETO BE AT BAR I: RADIO: 102 depress in Cicer, | Brisk (with urgeney) g = 175 (Radio fs ot) (Ligh change, et.) inf _ATHAN: Heth? Can peek youre Tem ingen. Ney imprest RICHARD: Helo Naa RICHARD: You ‘Nathan’ How could they (WAMPIF NEEDED) ‘rng etn fi) © 2005 - Stephen Dolginott .hak ~ ing! thought you said 1 have dropped lasses there? cant 1 find y ~ where? They were in-sideRICHARD: So they found te body. Thats al hey have ‘They cucevenbesure wha ts! His ace gone & 2 mp all die down have no case This will and you'll see, they thou? bu If we wait @ few there's noth ~ ing. they -—— mn nn nt Anan AAA ae na onT dont know if can cope Tf we tum our-selves in —— — = = = ee == @ a They'll stick our necks in-side Dont e-ven sug = gest have no leads so wore still fine!4 at get your God damned == wlts- + ses and get off the god - damned RADIO NEWCASTER....flowing up on yesterdays grssome discovery the muted by bec det ae Bobby Fan, som ofthe wealthy Chicgo fai NATHAN: Tey know is Bobby Franks! Thay iden bart ome back, Wy die you tum Ne over? [se ethan ob 6) (Wamp feed) RICHARD: forgot, kay® 1 cant believe we lost. ten thou-sand dol = ars Ce crfhe ran ~ som scheme’s bust, the plans are Don't show up at the drop t0-night sure that they'll stake 1 knew it would-n't work the way you said AndVim con-vinced know Thad planned this all must have dropped in side your per feet-Iy las to stay calm for mnmanmanmnenmnnmnnmninmenenenmemenmeee eee eee a ee1 could Just lay need to be ehminz | ob and youll see they have no elues. There is There's no way were gon - na lose!_—_‘SJust lis -ten toYoure not a screw your God = damned glas ses and get off the god-damned phone! ebmin RADIO NEWSCASTER:.. And the Chicago police believed the pai of eyeglass ound nea he seene may provide answers inte shocking unde of Bobby Franks a ott BN (Gva le band tb 113) vawrmepertnecest [fame ee ee ores oer fam SPL OO SOL SOOO OOO OU OOoHer = ald says they a pair of alas ses! ' ye : - : = = & —— SSS ee i Cones o ! Ee es = == eae and print - ed lots of pho = to graphs. The glas - ses look anya ‘Stow and Careful lot like MINE! But theyre jst a But it means they found link to us als-ses not the NATHAN: Rica! "us" Babe, Just Tay low i i i 5 z 5 E E E E 5 5 & E 5 5 E 5 E & & E & gnews will fade a= way we just have to play safe no mat-ter — = Se a ee ee im conevinced T= mist_ have dropped > my what the pap pers say! lay low ‘There must be thou = sa out there just like lose its stcam, There's nO choice you musta But 1 had them on have 1 tke one for side chill right down my ANEW, DARKER FEEL (sill n tempo) There have fae ee ee ee eee eee ee eee eee eee ee reerear the lake We might have foot print in the mud, Sup - pose we werent 100 RICHARD: We di, RICHARD, We wee careful - fom aj a176, Original Feet, with More Intensity oh = er huge mis take! Ts all start and their The next sound we — hear case will tum to crap, ‘There's no choice, you must strong - es dont you om ajo youun = der stand fll in-side Cant you un = der = stand ee ee ee a ee ee® ee ~ . bes eee ee ? ? SSS nL a= ton? 1 think Tun + derstand and clearly see! ie SS They found my glasses and it won't take long before they find me! Just lay Just lay Iow? Just lay low. Just lay low. Just hy low! RubatoFree, Random Feel (approx @= 150 ) PAROLE: {Lav oforemont Agen: ae ‘ole (LIGHT TRANSITION) (UNDERSCORE PAROLE BOARD SCENE (UNDERSCORE TRANSITION) ‘Use Misia pease ad punctustionenphass at key cme.) PAROLE: ‘Your Book: (VAMP NEEDED) NATHAN Hw fe they found oe Nothow I would Carceie _ (CONTINUE TO AD LIB UNDERSCORE PHRASES IN NATIAN/RICHARD SCENE 13) nician: (CUETO STOP: NATHAN: hat! Sex nat te RICHARD: And? ge ou RICHARD: You si yes la’ lat mmmmnrrnneeoF ee eee eee nee ee ee ee |I'm Trying To Think Music and Lyrics by Stephen Dolginoff (CUE: RICHARD: You're going be ine Brisk with a bossa nova feel = 10 2 ge ee RICHARD: Mttell you precisely whittosay when they slareyoudown with theirbig pasty fees, (Sefer) The abs © 2005 - Stephen DolginoftWednesday cb 1213) e a7. cheap lit = e gil in some dive!?!! went for a stopped for a tle bite And picked up some gil in. some And picked up some S eb poco accel tore deseo You're tty - ing to think They'll want Tm try = ing to think. the de - mmm me meme oe om ot mm em ee et mh rh mellem et et et oe oe ele Oe oe* She wore some-thing pink She wore some-thing 2 RICHARD: Thats good! You're try - ing to think! pink, and had paint~ed nails!NATHAN: They’ wana ko gy RICHARD: Olay, okay. o dont = re = mem ber her face! 1 dont re = mem-ber her SS ee (Repeat needed And she nev - er me her name. She ne - ver told me her mame. wish = Tcould help with Wish could help with mnie mm om om mh om mm mn nh Oo OF Om hom om mG sh6uf hU©*rL os. BL oeel those girls are the same! those girls are the samet 6 RUBATO Keep uy - ing to think! like you're holding some-thing poco, |p min back. You don't have an-- y-thing t© hide, youre not gon-naRICHARD: Now, tho most important prt the cop probably say es = P evomp if needed) You're not one your sole 1 guess she's to Were you a= lone, she and or pre = tend? or pre ~ tend! The wrong type The wrong typeBut a gitl there's But agit there's Keep try = ing to think re-mem-bet. the night?Keep try - ing to think Don't _re-mem-ber her... name? Keep ty = ing t Keep ty - ing think, Keep try - ing to think Keep try - ing to think![NATHAN Ae you sre that eon do this? RICHARD: Yes, Remember Nietzsche. Youte supetioe to them al NATHAN wish you could bs hots wih me RICHARD: {ent be connate to, Youll be okay. Babe ‘Youll convinee thm. And most eat Jackson Park when youre dough. (RICHARD EXITS) P (vam) ese ut of vamp jor, (LIGHT TRANSITION) Tre-mem-ber the night! Don't rememberher name, No__we wereal-one, = of b Ft (LIGHTS CHANGE) NATHAN: 'm try ~ ing t0 think, mtry - ing think the next mornin. —= 7"100 0 (CONTINUE UNDERSCORE INTO NEW SCENE) RICHARD: How do Ro? ip with. he want to know everything (FADE OUT MUSIC) Tn police saon wav ihe To sone through anything like lt tor. ut | got (LIGHT TRANSITION) NATHAN: Lhad 10 com rough ic an sods to be with Richard move than eve. (WAMPIADUB) ‘oa oe wa mt mA a Hm mmm ms es mmoto 18) Reprise: Way Too Far Music and Lyrics by Stephen Dolginoff (CUP: RICHARD: Fucking it. (RICHARD cuits) 4 J FreeandStow #80 Ta 4 Nathan] 13 = How did it come this? Is some-thing wrong in- (NATHAN gets wp of the ground) side me? How did it come to this? Ws im - pos-si-ble to run a-way or 2 91 = = o = > = NATHAN: I was serious. [ent right othe cops Tew Richard would think I as low, «site. at TEMPO @=95 1” (FADE OUT UNDERSCORF) Tet my con-seience y (VAMPitop ater "But I idea") (©2005 - Stephen Dolginottwm, [19] | Keep Your Deal With Me Music and Lyrics by Stephen Dolginoff LUNDERSCORE CUE: RICHARD: You'te sucha fucking lawyer Slow and deliberate} = 3s CUETO SING: RICHARD: Silla way for us to be togsther So they let you cop a plea, Babe, oe Ot) on ole plete-ly empathize, But there's still your deal with me, Babe. Can't I please ap-ol-o- Olle oll oll ‘Our chance of free-dom's scant 1 as-sume you won't re ~ = Ss © 2005 - Stephen Doleinoft nm mA AAA Mem me Ae= = Blood!’s life-time guar-an - tee, Babe. Bind-ing con-tract, no ex - cuse 2 = i) Screw the state and stay with me, Babe, ‘You don't have to cut me Our per-fect plan was Please don't let me be all - one I can sense the way you ge Stronger 1 was wrong be-fore, 1 know. Brought you in=t0 this or -2 deal, Babe, e ‘nota ix p| J Grand and dramatic. @= 110 T don't want to let you go! (Stage business, big kbs te) ‘nol (kiss ends.) TH do what you want met. ‘There's no me if there's no a NATHAN: hopes. RICHARD: Youll the Distt Atormey no desl? RICHARD: Just be strong ke me. NATHAN: No deal. Were gonna hag together You know that RICHARD: No way Yo fuherll spring forthe bes ler money can buy. wont he? (AMP) — es oom wo A A Fn A AA A A Fl om fom Be oetos Nathan Richard | ——— If we live or get the — noose. its a truce! You keep your deal with — me! (emphasize melo) Py (SOFT UNDERSCORE UNDER NATHAN'S SPEECH) NATHAN We wees taken straight to the Cook County Sil Richard was na ell ight next mine During the days he put up a brave toot. But at ight 7 SEGUE TO "AFRAID" (vamp) FAAfraid . Music and Lyrics by Stephen Dolginof? (UNDERSCORE SCENE Using Manic Phase os pnttion ar aes Hines) 2-20 (CUE: NATHAN ee ee Toul Rearing to hse FP (csk erp, Sacco fee] igh tie pay vee (CUE: NATHAN: board everyting ation eye ta Nervous Waltz (not too fast) J = 20 Richard Tm af-raid to die. © 2005 - Stephen Dolginof mmimmMim Ua AAA AA MARA Mh HhH ahah mh ae Re Oe OR Oe oeaos a SS SEES But TM be damned if 111 et you know, youll nev-er witness me ery ¥ though the great Cla-rence Dar-row's be - hind us, he = mine ‘may come up Was it wrong to Say-ing that we're guil = ty. saves= SS ee? ke SSS = SSS stripes and of bars and of be = ing al = one in T cant let you soe If T show a slight touch of — weak-ness youd change your op - in - ion of td. — omineb ee ee Le bee bee becides if its Vim af-raid of sentenced to me. PM be sure Pm SS= | |b i Whee were f death will that pun - ish = ment be sight? e-ven as the judge holds my fife in his pun-ished1 Mpmete locked up for ie, we cant Frm sure they hear ob that from a whole Tot of men who are al s0 un - ab- le to sleep at night 1 can feel the fin ‘noose stat to tight-en the pain and the ter - ri = ble sting Q What we did was ——— eon veooeeto reo PPLOPELsPLOsOLOPL PLO Oto= = but it seemed right at the time seemed un - real, but was real all al = # hin Ev-ty-thing is black! nothing will bring that boy He had bet-terat aid to Stow ana — (UNDERSCORE FIRST FEW LINES OF SPEECH} gy ale (soy am) NATHAN: Al ofthe sue ews ove. iii ee a n,n ee[21] Life Plus 99 Years = Music and Lyries by Stephen Dolginoff (CUE FOR UNDERSCORE: NATHAN: Ima Superior Human Boing, RICHARD: What? NATHAN Tn superior you, ARer al, syed one stp a RICHARD: What do you mean "aicad™ You flowed m Slow J= 125 NATHANs that whit you think? ts fanny how the whofe world keep eying the muds had no ean, cause i did havea reason. For mc to have you all to myel- Even in pison Yow know hats whet RICHARD-But, you dropped your gis otherwise we never would have NATHAN: Dont you get? I doped them on purpose RICHARD: You wants to got caught?! amplderscore) (CUE FOR SONG: NATHAN Yes. Moderate }-\%9 5 chan thought that you used c. And thought you eon - © 20 Stephen DolginottNo out - side = pect-ed and now, M4 t well be to - ge ther for TEMPO = ty nine Til keep you fo-cused. > ty nine got ee ee ee ee ee ee ee ee ee ee6 5 once the smoke clears? Not for - ev-er, but for ite plus ae omeb = ty nine years! plus nine = ty nine years! ae P P P RICHARD: But. tked you ot of your NATHAN: Exacly like know you would Rictara] What i got he death neal? a NATHAN As Tong is We Were togatior RICHARD-This sory. NATHAN: Am searing you? RICHARD: You spn of itch fin - al - Iy (AcWVAME) P fin - al - ly stopped16 though Fad = mit I = lieve you 1 swear that ‘Tl leave you a ~ gain, p Nathan Both well be to - goth - er nine = ty-nine You're look - ing How could you do it? aNathan can't go through itt Life plus nine - ty-nine years For life plus nine - ty-nine plus nine - ty nine — yearstus +00 [Nathan] TEMPO plus - ty nine nine - ty-nine years Fe Flowin l iii (RICHARD EXITSILIGHT CHANGENATHAN ADDRESES PAROLE BOARD) (UNDERSCORE DIALOGUE) (WAMP/AA.B) a TT CUE TO STOP: Sound of Gavel ‘Or "This Paro Hesrng is vee"9 [22| Thrill Me (Finale) Music and Lyries by Stephen Dolginoff (CUE: NATHAN: My Things? J 10 ‘Slow and Free oF Richard. Richa Tay sold gold pocket wate years. and picture taken in 1918 in Jackson Park =~ NATHAN: Seventy Tour dallas and tale cons sack of" Luckie tht must be swf le fer (Wamp o¢ Cut as needed) je Nathan y stow: ery slow and free (Richard apne) Ur: RICHARD: Babe fone per - fect ac - comp-Lice a a ebaus = Y © 1998, 2003 Stephen DolginoffA Tempo (BRISK) — 4 =19 wholllne - verbe- tray you if you a a i Tarill me! = St VERY BIG BUTTON END! BLACKOUT SEGUE TO Bows ee ee ee ee ee ee ee ee ee ee ee ee ee[23] Bows/Exit Music (Thrill Me) Music by Stephen Dolginoff Up Tempo (and forceful) | = 180 ©2005 Stephen DolginottSQ BEE Pw eee eee ee moe