Segovia, Pasion Centenaria PDF

José Luis Peiró Reig
SEGOVIA, PASIÓN CENTENARIA

Marcha de Procesión
A la Junta de Cofradías de
Segovia con todo mi afecto, y
en especial a D. Antonio
Cañas Verdugo.
Enero de 2019
* SEGOVIA, PASIÓN CENTENARIA *
PARTITURA José Luis Peiró Reig
 
Flautín             
 
                  
     
Flauta 1ª   
 
        
     
p 3
    
Flauta 2ª        
   
    
     
p
  
3
 
Oboe          
     
p
      
3
         
    
Requinto
p

3
          
Clarinete 1º          
     

3
        
p
            
    
Clarinete 2º
p 33

                    
     
Clarinete 3º
p
     
Clarinete Bajo
        
 
        
p
         
Saxofón Alto 1º       
      
   
3
p
          
Saxofón Alto 2º      
3
p
        
 
  
Sax.Tenor 1º-2º        
p
          
 
Barítono  
p
      
    
 
        
Fagot      
3
p
           

Trompeta 1ª
Trompeta 2ª            
Trumpeta 3ª            
 
                 
Fliscorno        
 p 3
Trompa 1ª            
 p
Trompa 2ª            
 p
Trompa 3ª            
  
p
Trombón 1º           
          
Trombón 2º 
            
Trombón 3º 
          
Bombardino 

Tuba             
 
  
p
 
Timbales          
        

    
    

    
    

    
    

   
   

   
Caja     

p
Bombo - Platos           
2
    
11
      
Flautín            
       f    
           
  
 
   
Flauta 1ª
  
              
3 f
  
Flauta 2ª  

3
   
f
        
     
3
Oboe       

f
3
      
Requinto                
 
       f
   
            
Clarinete 1º  
   
f
 
33
    
           
 
Clarinrte 2º
f

  
3
                  
 
Clarinete 3º
f
     
        
       
   
Clarinete Bajo
      
        
f
   
Sax.Alto 1º 

 
3 f
 
Sax Alto 2º       

  

          

         
f
         
3
     
Sax.Tenor 1º-2º  
f  
             
Sax. Baritono       
   
       
f
    

Fagot             
3 f
    
Trompeta 1ª             
 

f
   
             
 
Trompeta 2ª
f
                 
 
Trompeta 3ª
       f
   
            
Fliscorno  
f

3
                   
Trompa 1ª      
f
   
Trompa 2ª      

  



    
 
 

f
 
      

  

          

   
Trompa 3ª
 f
         
      
Trombón 1º 
f              

        
Trombón 2º 

f
           
Trombón 3º           
        
f
   
Bombardino

          
f

Tuba         
     
      
 
  
f
 
DO -SOL -MI
         
Timbales 

p f
Caja



    

    
      
     

   
     

    
     

   

Platos


p f

Bombo-Platos         
Bombo p f
3
       
  
21
        
      
   
Flautín
         
    
3

3
   
 
   
Flauta 1ª
    3   
    
3
    
       
3 3
   
Oboe              
     
3
 
3
  
3
Requinto             
   
 
3
            
Clarinete 1º     
   
3
 
33
        
Clarinrte 2º     
  

 
33
     
3
  
Clarinete 3º
          
       
             
       
   
Clarinete Bajo
             
     
Sax.Alto 1º     
3 3
    
Sax Alto 2º         
 


       
      
   
                 
Sax.Tenor 1º-2º           
   

                   
Sax. Baritono        
        
           
   
   
Fagot  
   
         
Trompeta 1ª          

   
 
3 33
        
Trompeta 2ª      
  

 
33
     
3
  
Trompeta 3ª
          
   
         
Fliscorno          
3
  
3
      
Trompa 1ª    
 
 


       
      
     
   
                  
Trompa 2ª
       
     
   
                  
Trompa 3ª
       
   
             
Trombón 1º


   
       
           
Trombón 2º   
     
Trombón 3º


             
       
                 
Bombardino

  

             
Tuba            
  
  
 
Timbales          

 
     
    

    
    

    
    

    
   
Caja      


 

Bombo-Platos        
4
 
30
Flautín          

Flauta 1ª         

Flauta 2ª         

Oboe         
    
3 3
    
Requinto
       

p
    3 
   
3
Clarinete 1º        

p
 3    3 
Clarinrte 2º            

p
 3    3 
Clarinete 3º            
p
           
Clarinete Bajo             
  
   
   



  

   


         
p
   
Sax.Alto 1º                          
p
                            
Sax Alto 2º                            
p
             
Sax.Tenor 1º-2º                   
               
p
                   
Sax. Baritono         
p
        
  
Fagot                   
p
Trompeta 1ª        

Trompeta 2ª        
Trompeta 3ª        
     3 
   
3
Fliscorno        
p
              
Trompa 1ª                               
p

    
   
       
       
               
               
Trompa 2ª
p

                            
           
Trompa 3ª
p                
               
Trombón 1º              
p
                            
Trombón 2º 
p
                        
Trombón 3º     
p
                    
Bombardino         
p

 
             
Tuba
         
   
 
p
 
Timbales       
 

    
    

    
    

    
    

   
Caja    

Bombo-Platos       
5
 
37
Flautín         

Flauta 1ª         

Flauta 2ª         

Oboe         
         
Requinto        
   
3 3
      
Clarinete 1º       
   
3
  
3
   
Clarinrte 2º       
   
3
  
3
   
Clarinete 3º       
3 3
             
Clarinete Bajo                                         
           
                            
Sax.Alto 1º
 
                     
Sax Alto 2º                                 
             
Sax.Tenor 1º-2º                                         
Sax. Baritono                             
        
 
Fagot                    
Trompeta 1ª        

Trompeta 2ª        
Trompeta 3ª        
     
    
Fliscorno       
3
 
3
            
Trompa 1ª                             
            
Trompa 2ª         
       
       
                     

                            
                                 
Trompa 3ª
     
Trombón 1º

                      
                            
Trombón 2º 
                            
Trombón 3º 
                            
Bombardino 

 
             
Tuba
             
 
 
Timbales       
 
    

    
    

    
    

    
   
Caja     

Bombo-Platos       
6
 
          
44
     
3 3
 



Flautín
            
mf

       

Flauta 1ª
          3 
mf 3

Flauta 2ª         
          
3 3

mf
     
3 3
 
Oboe
 
      

mf
 
  
3

3
   
 
Requinto



   
 
mf
     
3
 
3
   
Clarinete 1º



   
  mf
     
3
    
3
Clarinrte 2º  


   
  mf
       
3 3
   
Clarinete 3º

           
mf
 
             

Clarinete Bajo
  3         
mf 3 3
          

           

Sax.Alto 1º
      3        3 
mf
             
    
Sax Alto 2º         
           
mf 3
 
Sax.Tenor 1º-2º              
mf 3 3
                 
Sax. Baritono           
       
               
mf

Fagot  
3 3
mf
  
            
3 3
Trompeta 1ª
 
 
mf
        
3
     
3
Trompeta 2ª
 

mf
         
3
     
3
Trompeta 3ª 


   
  mf

        
3
 
3
Fliscorno
 
   
mf
                
3
             
3
   
Trompa 1ª
  

mf
   
3
                              
3
   
Trompa 2ª
  

mf 3
                      
3
   
Trompa 3ª
         
        
       
   
 
mf
Trombón 1º          
          
       
mf
           
Trombón 2º 
mf
                              
Trombón 3º 
mf
       
                
Bombardino 
3 3
mf

  
           
Tuba              

 
mf DO- SOL -FA
Timbales   
                
 

p mf
 

    
     
    

    
    

    
   
Caja     


         
mf

Bombo-Platos  
p mf
7
                 
52
          

     
Flautín
     3      
3
 
 
    
 
          
Flauta 1ª

 
3 3

      
  
 
      
Flauta 2ª
   
      
3 3
 
       
Oboe 
     
  
 
3 3
        
Requinto      
        
 

3
  
3
  
      
          
Clarinete 1º


 
3 3

         
          
Clarinrte 2º


 
3 3

  
Clarinete 3º       
3 3
            
       
  
     
Clarinete Bajo
       
 3
     
3
 

3

    3   
Sax.Alto 1º 
      
        

3
Sax Alto 2º   
  
3
        3   
Sax.Tenor 1º-2º          
3
         
3
     
3
Sax. Baritono             
           
          
Fagot  
3 3 3
                  
      
    
Trompeta 1ª
 
      
3 3
Trompeta 2ª           3  


 
      
  
3
   
   
3
   

      
Trompeta 3ª


 
  
3

Fliscorno          
3

3
      
       
3 3
Trompa 1ª
         

3
      
        
3 3
Trompa 2ª
        

3
      
       
3
  
3
     

Trompa 3ª
               3
      
             
Trombón 1º 
          
Trombón 2º
   
                    
Trombón 3º
   
                               
           
          
Bombardino 
3 3 3

 
         
Tuba
               
   
 
 
                       
Timbales
     
 

   
   

   
    

   
    

   
    

   
  
Caja      
                   
Bombo-Platos 
8
  
             
62
Flautín     
3 3
   

 
                
Flauta 1ª       
 
3 3
                
Flauta 2ª       
 
             
3 3
   
3 3
   
Oboe

      

  
3 3
     
   
Requinto

         
  
3 3
     
Clarinete 1º

         
  
3 3
     
Clarinrte 2º



       
3
  
3
     
Clarinete 3º

   
          
      
  3   
Clarinete Bajo

3 3
  
3
     3
  
3
    
  3   
Sax.Alto 1º
      3     
Sax Alto 2º     
           
3
  
Sax.Tenor 1º-2º       
3 3
         
3 3

3
Sax. Baritono                
   
          
   

Fagot  
 
3 3 3 3 3


        
3
     
3
Trompeta 1ª  
         
Trompeta 2ª    
3 3
      

        
3
  
3
      
Trompeta 3ª



        
3
  
3
Fliscorno
    
  3
     
3 3 3
            
 
Trompa 1ª

    
3
    
3 3 3 3
         
Trompa 2ª
    
 
3
     
3 3 3 3
         
Trompa 3ª
    
                
3
    
          
  
Trombón 1º
      
Trombón 2º                        
                                
Trombón 3º 
   
          
   
  
Bombardino 
3 3 3 3 3

Tuba    
     
  


 

   
     
  
                             
Timbales
     

  
    

    
    

    
    

    
    

   
Caja     
                
Bombo-Platos  

9

   
          
       3
71

3
  
3
       

    3   
Flautín
                      
f
   
   
 
     
Flauta 1ª
          
3 3 3 3 f
 
  
              

3 3 3
          
3
 3  
f
       3
  
3
       
Oboe

 3 
            
3
 3
f
     
3
Requinto          

      
            
3
f
   
3 3
Clarinete 1º        
      
3
          
3
 
f

3
  
3
Clarinrte 2º        
      
3
          
3
 
f
   
3 3
Clarinete 3º        

3
           
      
3
       
     
          
Clarinete Bajo f
              
3
    
     
Sax.Alto 1º
          
3 3 3 f
              
3
   
Sax Alto 2º 
3
       3 3
   3 f
              
Sax.Tenor 1º-2º  
   
3
              
 
   
  

f 
    
Sax. Baritono
         
  
      
 
Fagot    
3
f
               
3
     
3
        
   
Trompeta 1ª
   
3 3 f
Trompeta 2ª            
3 3
            
              
3 3 f

3
     
3
        

Trompeta 3ª
             
3 3 f

3
     
3
Fliscorno         

3 f
    
3
          
Trompa 1ª            

3
        
Trompa 2ª       
 

       


3
        
Trompa 3ª       
 

       

3
                 
Trombón 1º

              
      
                    
f
    
Trombón 2º 
f
                                 
Trombón 3º 
           
f
       
Bombardino

       
3
f

 
           

Tuba
          
    
 
f
                         
Timbales
        

f
Caja
 
     

    
     

    
     

    
     

       
                 
f

Bombo-Platos 
10
     
        
               
                    
80
Flautín   
            
       
                             
Flauta 1ª     
             

                                       
Flauta 2ª    
                 
                               
Oboe       
  
     
    
            

     
    
Requinto          
    
                      
                      
Clarinete 1º  
                          
                         
Clarinrte 2º  
                          
                         
Clarinete 3º  
              
Clarinete Bajo 
            
Sax.Alto 1º                                     
 
Sax Alto 2º                                                         
              
Sax.Tenor 1º-2º 
          
Sax. Baritono    
              

Fagot  

 
 
      
          
   


Trompeta 1ª
               
     
     

Trompeta 2ª
      
    

  
           

Trompeta 3ª
 
 
      
          
   
Fliscorno 

Trompa 1ª                

Trompa 2ª                

         

     
 
Trompa 3ª
             

           

Trombón 1º 
 
 
      
          
   
 
Trombón 2º 

         
     
Trombón 3º   
           
              

Bombardino 
  

Tuba               
 
Timbales                 
    
                                 
Caja 
          
Bombo-Platos 
f
11
    
  
   

                
      
           
87

Flautín    
      
                 
Flauta 1ª                               
           
                      
Flauta 2ª                        
      
                   
Oboe                 
           
      

    

  
                    
 
Requinto            
      

   

   
                
          
   

    
Clarinete 1º 
      

   

   
                
         
    

     
Clarinrte 2º 
           
                     
Clarinete 3º                    
         
Clarinete Bajo    
             
Sax.Alto 1º                     
        

     
              
Sax Alto 2º                                       
         
Sax.Tenor 1º-2º    






      
Sax. Baritono   
           
 
Fagot  
          
             
 

Trompeta 1ª
                      
   

Trompeta 2ª
                     
Trompeta 3ª     
          
             
Fliscorno  

Trompa 1ª              

Trompa 2ª              

          

 


       
Trompa 3ª

       
       
 

         
Trombón 1º

              
 
Trombón 2º 
      

                
Trombón 3º    
         
   
Bombardino 

  
    
Tuba      
  
 
   

Timbales       
 
 
     
Caja

                                     
         
Bombo-Platos 
12
  
          
94
      
Flautín                 
    
       
f
             
Flauta 1ª          
    
                
f
  
Flauta 2ª            
       
f
    
Oboe                   
    
f
            
             
    
     
Requinto
    
f
     
Clarinete 1º          
    
     
 f
  
                 
   
Clarinrte 2º
     

f
                   
    
Clarinete 3º

f
     
Clarinete Bajo     
          
    
        
f
            
Sax.Alto 1º     
f
             
Sax Alto 2º     
  


         
   

f
  
Sax.Tenor 1º-2º 
       
          
 
   

f
            
       
Sax. Baritono 
         
f
          
     
Fagot     
f
                 
       

Trompeta 1ª
   
f
    
            
   

Trompeta 2ª
  
f

               
  

 
Trompeta 3ª
     
f
          
Fliscorno        

f

Trompa 1ª    
 

  


 
    
  
 
   

f
 
Trompa 2ª    
 

  


 
    
  
 
   

f
 
               

        
        
  
Trompa 3ª
  
  
 f


    





Trombón 1º
   f               
      
Trombón 2º 
    
f
            
         
Trombón 3º 
   
         
 
  

f
 
Bombardino

       
f

 
     

            
 
Tuba

f
 
Timbales             

f
Caja

        
     

    
     

    
     

    
    
   
f

     

Bombo-Platos  
f
13
       
      
103
       
    
3   
Flautín
           
   
3
 
    
   
Flauta 1ª
    3     
   
3
 
Flauta 2ª     
       
3 3
       
Oboe           
     
3
 
3
      
3
Requinto          
   
           
 
3
Clarinete 1º       
   
3
 
3
         
3
Clarinrte 2º        
33

 
         
3
   
Clarinete 3º
      
                
   
  
   
Clarinete Bajo

               
mf
   
Sax.Alto 1º 
3 3
                      
Sax Alto 2º      
      
           
Sax.Tenor 1º-2º          
               
Sax. Baritono        

    
              
mf
  

Fagot   
     
   
           
Trompeta 1ª         

   
3
 
33
            
Trompeta 2ª     

 
33
             
3
Trompeta 3ª
      
   
         
Fliscorno           
3

3
 
Trompa 1ª      

  

       
         
mf
  
Trompa 2ª      

  

       
    
   

mf
  
       


  
       
    


   
  
Trompa 3ª
            mf

    
Trombón 1º 
               mf
      
Trombón 2º 
    
  
 mf
           
Trombón 3º 
      
           
mf
        
Bombardino 

Tuba                 
   
    
  
mf
  
Timbales          
 
Caja

  
     

    
     

    
     

     

    
    


 

Bombo-Platos         
14
 
 
113
Flautín            
  
Flauta 1ª           
  
Flauta 2ª           
  
Oboe           

Requinto          
          
  
3
Clarinete 1º     

 

      
3 3
 
p

3
   
     
3

Clarinrte 2º
 
       
3 3
   
p

3
 
     
3

Clarinete 3º
3
  3

p 3
Clarinete Bajo          
   
 
     
p
      
3

3 3
Sax.Alto 1º         
      
p 3
     
3

3
 
3
Sax Alto 2º       
       
p 3
   
  
3
Sax.Tenor 1º-2º     


 


3 3

p
 
3
         
Sax. Baritono   
p

   
Fagot         

Trompeta 1ª          
 
Trompeta 2ª          

Trompeta 3ª          
          
  
3
Fliscorno     

 

3 3

p

3
            
Trompa 1ª  

p

Trompa 2ª   
  
  
 

 

p

  



 

  
Trompa 3ª
      
p
   
       
Trombón 1º 
 p
      
 
Trombón 2º       

p
     
Trombón 3º          
p

Bombardino            

Tuba              
    
 
p
   
Timbales         
 

    
         
    

    
    

    
    

   
Caja     

Bombo-Platos         
15

122
Flautín           
Flauta 1ª           
Flauta 2ª           
Oboe           

          
  
Requinto


           
          
  
Clarinete 1º
   
    
3 3
          
     
  
Clarinrte 2º
        
3 3
         
Clarinete 3º      
3 3
  
Clarinete Bajo            
 



 
   
Sax.Alto 1º          
  
    
 


 
   
3
     
3
           
 
  
Sax Alto 2º
 
 3 
                
3
Sax.Tenor 1º-2º     
  
3 3
     
Sax. Baritono         


Fagot          

Trompeta 1ª           
           
Trompeta 2ª 

          
  
Trompeta 3ª
                  
 
Fliscorno    
3 3
 
Trompa 1ª               

            
Trompa 2ª
  

     
Trompa 3ª
        
     
    
Trombón 1º
     
         
Trombón 2º
     
         
Trombón 3º      
          
Bombardino

Tuba       
    
    


Timbales          
 
    

    
    

    
    

    
    

    
    

   
Caja      

Bombo-Platos          
16
     
132
       
3
Flautín          
   
3
p f

      
        

Flauta 1ª
 
p f
      
3 3
Flauta 2ª          

  
p f 3 3
              3
Oboe      

3
p f
            
 
3
Requinto
    
       p     
3
    
f
   
3
Clarinete 1º       

 
3
   
f
     
      
3 3
Clarinrte 2º        

        
  
f
      
3 3
Clarinete 3º        
 f
  
Clarinete Bajo           
   
  

f
      
       
3
        
Sax.Alto 1º
 
3


f
      
        3
        
Sax Alto 2º
3
 
f
      
       
Sax.Tenor 1º-2º         
f
      
Sax. Baritono         
    


f
Fagot        
f
        
    
3 3
Trompeta 1ª        
  
3 3
p 3 f
     
3 3
    
     
3 3
Trompeta 2ª   

3
p f
   
   
3 3
    
3 3 3
Trompeta 3ª
       

p f
            
    
3
Fliscorno         

3
f
           
   

Trompa 1ª
 f
          
Trompa 2ª      
 f
       
Trompa 3ª
      
   
     f
 
      
Trombón 1º 
      
   
f
    
Trombón 2º 
     
   
f
     
Trombón 3º 
 
  
f
       
Bombardino 

f
Tuba              

 
f DO-SOL-FA

      
Timbales   

p f
 
        
        
    
3 3 3
                 
 
Caja     

f
  
 
     

Bombo-Platos
p f
17
             
 
140
    
3
    
  
Flautín
    
        
3
   
  


Flauta 1ª
       
  
3 3
         
  
  
Flauta 2ª

 
3

3
     
      
3
Oboe     
    

3
      
   
3 3
        
 
Requinto
          

         
Clarinete 1º  

 
3
 
3
         
 
3
Clarinrte 2º          

 
 
3
       
   
3
Clarinete 3º          
     

      3  
Clarinete Bajo            
            
   
3 3
Sax.Alto 1º         
            
   
3 3
Sax Alto 2º         
     

        
Sax.Tenor 1º-2º            
           
Sax. Baritono       
     

      
           
Fagot  
          
       
Trompeta 1ª  

 


  
 
3

3
     
Trompeta 2ª         
3
     

 
 
3
       
   
3
Trompeta 3ª          
    
3
    
              
Fliscorno
 

3
     

3
        
Trompa 1ª           
      

        
Trompa 2ª           
      

        
Trompa 3ª           
     

      
           
Trombón 1º 
     

      
           
Trombón 2º 
     

      
           
Trombón 3º 
     

           
      
Bombardino 

Tuba                 

 
Timbales     
          

    
3 3 3 3 3 3 3 3 3 3 3
                                        
 
Caja  
              
Bombo-Platos  

18
              

148
Flautín     

 3 
          
3
    


Flauta 1ª
     3       3 
  
Flauta 2ª    
  


3 3
         
Oboe     


 
3

3

   
       
Requinto   
 
 3 
            
3
Clarinete 1º     

3 3
          
Clarinrte 2º        

 
3
  
3
       
Clarinete 3º      
        
3
       
3
Clarinete Bajo         


 


   
       
Sax.Alto 1º   
   

3
    
3
Sax Alto 2º    
   
  
        
3
           
3
Sax.Tenor 1º-2º     
       
 
Sax. Baritono         
           
            
Fagot 
 

            
Trompeta 1ª     
 

3 3
         
Trompeta 2ª      
  

 
3
  
3
          
Trompeta 3ª   
 
 3 
            
3
Fliscorno     
3 3
            
Trompa 1ª             
            
Trompa 2ª             
            
Trompa 3ª             
           
            
Trombón 1º
  
                  
  
Trombón 2º
           
            
Trombón 3º
           
            
Bombardino

Tuba                  

        
Timbales      
3   
 
         
  
3 3 3 3 3 3 3 3 3 3 3
Caja                          

               
Bombo-Platos 
19
 

    
156
   
Flautín 
      
  

Flauta 1ª 
        
 
Flauta 2ª 


     
Oboe    
 

 
Requinto       

       
Clarinete 1º     
   
Clarinrte 2º        

   
Clarinete 3º        

   
Clarinete Bajo           

         
Sax.Alto 1º  
 

 
Sax Alto 2º       

   
Sax.Tenor 1º-2º           
    
Sax. Baritono     
  
          
Fagot 
       
Trompeta 1ª     
       
   
Trompeta 2ª  
   
Trompeta 3ª        

       
Fliscorno     
  
          

Trompa 1ª
 
          
Trompa 2ª
 
 
         
Trompa 3ª
  
    
        
Trombón 1º
   
         
Trombón 2º
  
          
Trombón 3º
  
          
Bombardino

Tuba        


Timbales         

  
3 3 3 3 3 3
                              
 
Caja   
       
Bombo-Platos 
20
  
   
160
   

 
Flautín

    
  
     
Flauta 1ª
    
Flauta 2ª   
 
       

Oboe
     
 
       

Requinto
     
Clarinete 1º     

 
      
  

Clarinrte 2º
 
         

Clarinete 3º
    
         

 

Clarinete Bajo
      
Sax.Alto 1º     

Sax Alto 2º           

   
          

Sax.Tenor 1º-2º
     
             

Sax. Baritono
  
   

       

Fagot
                     

  
Trompeta 1ª   
  
3 3 3 3 3 3
                     

3 3
Trompeta 2ª     


3 3 3 3 3 3
  
3 3
                 

3 3


Trompeta 3ª
  
 3   3   
3 3 3 3
Fliscorno   
 
        
Trompa 1ª
    
 
      
  
  
Trompa 2ª


  
        
Trompa 3ª
  
       
   
Trombón 1º   
    
       
Trombón 2º  
          
Trombón 3º    
      
       
Bombardino


       
Tuba
          
  
Timbales     
       

  
          

  
      
3 3 3 3
Caja   
     

Bombo-Platos  
Barítono Marcha de Procesión José Luis Peiró Reig
                
   
 
p
15
                            
        

f
29
                                                    
p
                 
42
               
          
mf
            
55
       
                   
             
68
        
              
   
f
               
80
          
  
96
                              
       

f
   
111
       
          
 
mf p
       
124
  
          
        
138
         
           
f        
         
152
            
    

Bombardino Marcha de Procesión José Luis Peiró Reig
                

                

        
f
     
   
27
                                            
p
             
                            
41


3 3 3
mf
                      
        
54
 

3 3 3 3 3
                      
            
67
        

3 3 3
f
                            
 
80
  

                            
      

            
96

f
          
  
    
  
  
      
110
    
f
        
 
147
                  
    
        
156
             

Bombo - Platos Marcha de Procesión José Luis Peiró Reig
  
Platos     
       
Bombo p f
                         
31 Tutti
 
p mf
                            
59

 
                        
74
  
f
                
89

     
f
                        
114 Tutti

  
p f
150
                         
  
Caja
Marcha de Procesión José Luis Peiró Reig

      

    
     

    
     

    
     

   
         


     

   
 
p

                                             
   
     

     
   
13
   
   
p
                             
           
    
   
26
    
    

                                     
36
               
                   

         
   
    

         
         
         
        
47
     
      

           
         
         
        
    
59
             







                 
                           
   
  
70
   
   
     
f
                             
80

     
             
88
                  

                                    
         
        
96
        



f 

                          

           
 
         
        
108
    
    
p
 

         
         
                                  
     
120
   
   

               
3 3 3 3 3 3 3 3
   
132
                                              
   

 
f
    
3 3 3 3 3 3 3 3 3 3 3 3 3
                                                                         
143 3

   
    

                       
3 3 3 3 3 3 3
              
153
    


   
                      

  
          
3 3 3 3 3 3 3
       
158

Clarinete 1º * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
       
       
                
     
p 3
       
3
    
    
15
             
      
             
f 3

3
  
  3  
31
 3
     
            
           
3 3
p
 3 
 
 

    
47
         
3
        
3
   

       
3 3

mf
                        
64
 
3
  
3 3
        
3 3
  
                               
f
                 
80
                

                               
               
88
    

       
96
            
                 
                  
3
  
f 3
  
     
111
 
3
   
 

3 3
p
   
3
     
                  

125
 
p
    
                 
3 3
       
138
    
3
    
 
   
3 3
f
   
3
            

      
151
    
   
3 3
   
       
      
3
              
p
    
3
 
   
15
     
3
                  
    
             
f

3
  
  3  
31
 3
     
            
           
3 3
p
 3 
 
 

    
47
         
3
        
3
   

     
3 3
mf


                   
64
     
3
  
3 3
        
3 3
      

                          
f
                   
80
           
                       

         
          

    
88
   

   
    
96
     
3
                 
    
                  
f

3
 
     
111
     
3
  
 

3 3
p
   
3
     
                  

125
      
      
3 3
              
138
  
      
3 3
 
3
      
f
    

3
            

151
   
      
      

3 3

3
         3
 
                   
p      

15 3
      3

           
          
     
             
f
 3  
  
  3  
31
           
   
             
3 3

p
  
  3  
47
                  
3 3
     
     
mf 3 3
   3                 

64
       
3
 
3
      
3

3
        
                 
                        
f
         
80
   
   
                       

         
          

    
88
   


96
   
3
 
3
                      
     
                  
f
  
     
111
 
3
      
 

p 3 3
   
3
  
    
         
         
125
    
      
3 3
               
138
            
3 3
 
3
    
f

3
                  
151
         
      

3 3
Clarinete Bajo * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
                       
p
15
             
        
               
29 f
         
                                                                         
p
           
38
                                                                         
                 
         
47
         
3
   
3 3 3
     
mf 3
              
61
            
3 3
         
3 3 3 3
                
75
               
f
    
90
       
               
f

102
                    
      
 mf 

114
                
  
         
          
p
  
     
132
           
         
       
f
      
   
147
          
  
156
      
                  
 

Fagot * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig


       
                   
      
3
p
        
3
      
   

                         
15
   
f
 
29
                                                    
p
              
                           
43

3 3 3 3
mf
               
57
               


3 3 3 3 3
            
          
  
         
69
 
3 3
f
                           
  
80
  

                        
              
       
96
  
f
          
  
    
  
  
      
110
    
f
        
 
147
                  
    
        
156
             

Flauta 1ª
José Luis Peiró Reig
       
       
           
  
      
  
       
   
p
      3 
         
3
  
      
15
 
 
3
     3        
               
f
30
   
      
 
 
     3   
    
 3
        
3 3
      
mf
60
   
     
3 3
  
3 3
                       

          
76

         
          
3
                

3

f
         
   
             
86
    
     
       
       
  
           
94

      
   
  
f
       
 
105
   
                  
3 3
   
114          
    

3 3 3 3
 
p f
  
                

149

 
3 3
  
157               
  

Flauta 2ª
* SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
      
Marcha de Procesión     
  
             
  
       
  
3 3
    
p
          
          
   
15
    
            
f 3 3
30

                  
      
 
 
      
    

3 3 3 3
mf
                   
60
     
3 3 3 3
                            

            
                 
76
    
  
3 3 f
           
                             
     
                  
86
  
  
                     

 
94

         
   
f

          

105
   
          
3 3
    
     

       
  
114
  
 
p f 3 3 3 3

         
149      
   



3 3
157                  
   

Flautín * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
     

  
                  
         
     
     
f 3 3
28

              
   
     
                     
 3 3 3
mf
                    
59
    
 
3 3 3 3 3
               
               
  

  
     
76
              

3 3
                     
f
 
                         
86
      
             
              
94

                
     
f
 

        
105
       
    
       
3
  
3
         
          
114
  
3 3
    
3 3
p f
              
149
      
 
3

3

      
157
           
   
Fliscorno * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
       
       
                
     
p 3 3
       
    
    
15
             
      
3
             
f 3
   3  
  
31
             
3
     
3 3
             
p

  
  3  
47
          
3 3
            

3 3
      
mf
   3              
64
     
3
         
3
   
     
3
     
3 f
              
        
80
              
                     
93
              
       

3
        
f 3

107
 
     
            
3
    
 
      
p 3 3
3
    
                     
   
123
    
         
3 3
               
138
    
3
    
3
  3
f 3
                  

    
   
151
   
   
3 3
Oboe * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
                 

 
           
 
3
    
p
    
3
      
15
                
          
     
f 3 3


                  
30
        
3 3
    
 
mf 3 3
           
  
     
      
60
 
3
        
3 3
   
  
3
               



 3                      
76
      
3
        
          
f
    
                               
  
    
 
     
86
  
              
94

                
     
f
 

    
105
       
    
      
3 3
            
          
114
  
3 3
     
3 3
p f
  
149
            
     
 
3

3

     
157
           
   
Requinto
    

 
     
      
3
         
     
p 3
    

15
     
       
3
           
     
f
       
3
      
 
      
30
      
3 3
           
p
 3
       
3
      
  
      
46
     
3 3
           
 3 3

           3
                
62

3
   
3
     3
       
 3
       

                                         
78
3
             
 
  
               
f

                                    
87
          
  
    

96
     
       
3
           
     
f
      
 
3
   
111
       
3
   
3 3
        
f 3


 
   
  
145
               
  

3
 

      
155
                   
 
3
Sax.Tenor 1º-2º
   
  
 


 
 
 
 
  
 
  
 
 
p
                        
15
                    
f
  
28
           
                                                                
p
         
37
       
                                                                        
                        
46
             
mf 3 3 3 3 3
           
              
59
  
      
3
  
3 3 3
            
70
                    
 
3 3
                       
80
   
    
                        
96
                    
                
f
        
109
  
3
     

 

3 3
p 3
      
                      

124
      
3 3
                
  
     
138
         
       
   
f
              
151
   
                 

Saxofón Alto 1º
   
        
           
     
      
       
p
           
3

3
          
  
15
  

3 3
f
                 
29
                                    
p
         
                            
38
                           
       
   3                             3 
47

     
64 mf   
            
3
               
3
           
3
   
    
3 3 3 3 f
      

3
                                     
                 
80
   

                                 

              
88
    
    
       
                 
           
96
  
       

3 3
     
111 f
            
3
 
3 3
      
   
p
  
3
            
125
        
 

  
 
           
3

3
        
138
      
3 3 3
        
   
f 3
           
    
151
  
    
          
3
3
Saxofón Alto 2º
Marcha de Procesión José Luis Peiró Reig

      
            
       
     
p 3
      
15 3
  
            

     
   
   
       
28 f
                                                                   
p
   
37
     
                                                                        
         
          
   
      
46
    
3
        
       
           

3 3
 
mf
       
3
        
62

3
    
3 3 3
     
3
                          
78
          
                 

                            
f
        
87 3

                             
            
96
                  
             
      
          
109 f
      3 3 3
 
           
      
p
            
3
 
124
             
 
      
3
     
3
         
138
 
    
3 3 3
       
    
           
f 3

151

                   

3 3
Timbales Marcha de Procesión José Luis Peiró Reig
    
 
DO -SOL -MI
     

p f
  

31 DO- SOL -FA
                                  
   
p mf


58

     







        

  

  








69
                                
         
f

     
80
   
                
 
   
    
SI-DO
96
 
       

f p

138 DO-SOL-FA
            
            
f

 
 
151
           
             
   
Trombón 1º Marcha de Procesión
                   
      
    

f
              
                                   
29
  
p
                     
42
                 
          
mf
        
                         
55
            
                            
  
68
           
                  
f
80
           
    
           
 

92                          
            
       

   
f
             
 
107
         

mf p
             
  
122
       
                
   
            
      
138
 

   
f
       
           
     

 
   
  
151
 
Trombón 2º * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
                            
     

f
29
                                                    

p
                          
                      
42

mf
                            
        
55
         
                          
             
68
  
              
 
f
80
           
    
               


    
93
        
                          
      

f
   
            
109

       
mf p
           
   
123
      
                
  
            
      
138
 
 
    
f
      
          
     
   
        
151
Trombón 3º * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
     
            
  
            
f
29
                                                 

p
41
                                                  

mf
              
54
                               

67
                                              
 
                             
f
               
80
          
           
93
                       
     

f
        
108
                 

mf p
 
123
         
          
                
   
               
   
138
 
f
      
          
                     
151
Trompa 1ª * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
    
             
p

15
                             
               
f
            
28
   
                                                                    
p
                  
37
                                                                        

46
          
3
                
3 3 3
        
      
mf 3

59
       
3
       
3 3
      
   
     
   
3
 3
70
           
          
   

          
3 f

80
                              



96
             
       
 
  


  
 
   

      
f
 
109
            
          
mf p

123
                   
  

138
                
  
       
   
       
f
   

151
                 
          
     


   

Trompa 2ª * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
 
                
p

15
             
       
 
  


  
 
   

      
f

28
                                                    
               
p

37
   
                                                                         

46
        
3
           
3 3 3
        
          
mf 3

59
       
3
       
3 3
      
   
     
   
3
 3
70
           
          
   

          
3 f

80
                              



96
             
       
 
  


  
 
   

      
f
 
109
       
  
  
  


  


mf p

123
               
      

138
                
  
       
   
       
f
   

151
             
          
     
   
      
Trompa 3ª

                
p 

15
                  
        
   
   
 
       
f

28
                                    
            p
                              

37
                                    
                                                     

46
        
3
               
3 3 3
           
      
mf 3

59
       
3
       
3 3
      
   
     
   
 3
70 3
                 
                     
3 f

80
                              



96
              
        
  


  
 
   

      

f

109
     






 


    p      

123 mf
       
 
       
    

138
               
  
  
     
            
 

151 f
   
                     
              
Trompeta 1ª * SEGOVIA, PASIÓN CENTENARIA * José Luis Peiró Reig
      

         
                 
3
f 3
     
     
  
    
27
   
3
  
3
    
 
3
     
mf
     

 
 
    
57
   
3
  
3

3
 
                 
69

3
            
3
  
         
3
     
3 f
           
      
        
80
        
                   
93
           
       
f
   
       
 
105
    
  
3
      
3
       
      
114
  
3

3
    
 
    
3 3 3 3
p f 3
                  
  
147
    
3 3
     
   
                      
  
157
  
3 3 3 3 3 3 3 3
Trompeta 2ª

           
3
             
   
    
      
f

3
    
27
        
3
 
3
   
3
 
mf
    
56
   
              
3
    
3 3
  
     
           
68

   
3
          
3
   
                    
3 3 f
               
80
            

               
92
     
         
  
f

   
  
102
         
3
        
 
 

3
              
114
      
3

3 3
  
3 3
          
   
3
p f 3
              
146
          
 
3
     
3
                        

157
      

3 3 3 3 3 3 3 3
Trumpeta 3ª Marcha de Procesión José Luis Peiró Reig


3
   
 
3
        
                 
f
             
28
           
3
   
3
    
mf 3
     
           
58
 3      
     
3
    
3
   
 
3

                        
74
      
3
          
3
 
3 f
         
       
       
          
85
    
     
96 3
 
 
3
            

f       
107   
 
3
      
3 3
     
  
p
         
        
         
138
  
           
3 3
 
3
  
f 3 3
           
152
                
  
  
3 3
   
3 3 3 3 3 3 3

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José Luis Peiró Reig

SEGOVIA, PASIÓN CENTENARIA

          

             

Sax.Tenor 1º-2º     

                     

                     

                 

Caja   

            

      

                       

            

                       

                       

                

                            

               

       

      

                        

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