FLUTE PART VOLUME 10 by Toshio Takahashi Suzuki Method InternationalSuzuki ‘Flute School FLUTE PART VOLUME 10 by Toshio Takahashi CONTENTS So eee 1] Variations, Sur I'Air Irlandais: The Last Rose of Summer, Op. 105, Fr. KuhlauS 2 Theme 5 Variation I $ Variation Il 6 Variation. . . . . 7 Variation IV. 8 Variation V 9 2] Tremolo, air varie sur un theme de Beethoven, P.J. von Lindpaintner 12 Variation]... . > «ee 13 Variation II * wee vas 1s Copyright © 1993 Dr. Shinichi Suzuki Sole publisher for the entire world except Japan: Summy Birchard Inc. exclusively distributed by Warmer Bros. Publications Inc. 265 Secaucus Road ‘Secaucus, New Jersey, 07096-2037 All Rights Reserved Printed in US.A ISBN 0-87487-695-8 135798 ‘The Suzuki name, logo and wheel device are trademarks of Dr. Shinichi Suzuki used under exclusive license by Summy-Birchard, Inc.INTRODUCTION FOR THE STUDENT: This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addi- tion, there are piano accompaniment books that go along with this material. FOR THE TEACHER: In order to be an effective Suzuki teacher, a great deal of ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national ‘Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short and long term programs, You are also encouraged to join the International Suzuki Association, FOR THE PARENT: Credentials are essential for any teacher that you choose. We recommend you ask your teacher for his or her credentials, especially listing those relating to training in the Suzuki Method. The Suzuki Method experience should be a positive one, where there exists a Wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. In order to obtain more information about the Suzuki Method, please contact your country's Suzuki Association, the International Suzuki Association at 3-10-15 Fukashi, Matsumoto City 390, Japan, or Summy-Birchard Inc., c/o Warner Bros. Publications Inc., 265 Secaucus Road, Secaucus, New Jersey 07096, for current Associations’ addresses.Tonalization Attack Exercises jn eS Se He Fi aif tascam cr nth = eS et a ip ats he Ap pe tpt - tak atateptatelt nee es Long tone Exercises gli: ae a ae Tif — wn be sae ern var was mf -P * 2 z 228Dynamics Exercises aa as r 2 a b b Ks F —— f>P SP FeP Se P=f2P simile je > Ze aa £ 2 2 fof Ile 2 = j= F2PKF>P simile ciety ie SP SP SIPSLP simile Hard fingering Exercises SPFP simile Practice upper exercises in high register. [Arak proclice slowly and then gues1 | Variations Sur l’Air Irlandais: The Last Rose of Summer Fr. Kuhlau, Op. 105 = Andantino ee ee gt = ats = —. a a a Variation 1 (Var. It) tempoaatectetee : tak cette sea af a > ee a ect eR RRPNE Abehetehe sys hg ee ft Et pee eee eee ee a oe SS = 3 == = ert £ebLe B =e 3 3 3 Variation Ul (Var. 1V) Moderato Bw ee... osftnen Variation Ul (Var. V) Piu moto ma non troppo tats tefsae tA eee aaehe es. SS Th VaragontV (Vat VD ' w pe mee pide ee “PpTh tr Variation V (Var. VIN) Allegretto vivacepoco animate tabs SEatietne tee, ——— rn Scherzando vo Allegretto vivace : 3 poco @ poco piu allegro sin’ al fine2|Tremolo air varie sur un theme de Beethoven PJ. von Lindpaintner Introduction 8 Allegro moderato (J) = 108) E es gs es Des faz Cis me ue \ Moderato ‘ Y fl ee dolce PP P pocoa poco z= = ot mp PP dolce —<—$—_—— Lee ee a a> \ emietiete bam et = ——— pp all -------Andante (2) = 92) ala = Tempo rll dim. _ lage b¢ Ed — Variation I & — ee ‘animando ———$—$=—— w =— semplice like piccicatoVariation Il > ee Fes)crescendo (eras‘crescendo pit animando Ge .. aa eca ee a? ad ae eecrescendo