Trumpet in B  1

CUMBIA CALETERA JULIO DIAZ CASTILLO

Arr:EDUARDO MORALES

     
     
                 

   

                   

8


                
      
15


 
22

         
  
29
                 
     
           
  
36


   
                                       
43

50
                       
      
             
57 1. 2.


  
       
64

 
     
    
                          
71

    
                 
           
78

  
                        
85

    
 Trumpet in B  2 CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES
     
         
               
8
             
             

15
                    
    
 
22

        
   
29
                 
     
36
          
  
  
                                    
43

     
50
                    
        
            
57 1. 2.

 
 
      
64

     



                                   
71

   
    
                        
78

  
  
            
               
85

  
 
Trumpet in B 3 CUMBIA CALETERA JULIO DIAZ CASTILLO

 
Arr:EDUARDO MORALES

          
      
           
8
      
         
            
15
                   
     
 
    
22

     
 
  
                  
29

 
36
    
  
     

                                         
43

  
    
                        
50

 
  
   
57 1. 2.

    
 
 
     
64


       

  
71

           
  
                
   
                     
78

 
         
   
 
85

           
            
Trombone 1 CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES

        
               
  
   

   

   

 


8

           
            
15


           
                
22

 

                      
    
29

  
             
             
36

       
           
43

                           
    
50

 
   1.   2.  
            
        
57

           

              
64


            
71
       
      

                             

78

    
   
      

   

  
85
Trombone 2 CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES

     
                 

                      
8

          
             
15

                
           
22

 

                             
29

 
              
            
36

        
          
43

                           
    
50

  
   1.   2.  
                     
57

                           
64

                                 
71

    

                              
78

   


                  
85


Trombone 3 CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES

                       

                     
8

 

              
15

 

                    
      
22

   
         
      
29

     
                
     
36

                   
43

       
    
          
50

   1.   2.  
            
        
57

                       
64

                     
71

                      
78

                   
85
Tuba CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES
   
                    

  
8

       
            

          
15

         
 
  
22

        
       


     
29

              

 
36

     
             
 
43

     
     
   


  
 
     
50


              

   
57 1. 2.

         
       
 
        
64

           
 
71

                
   
         
78

          
  

 
85

     
            
Baritone (T.C.) 1
CUMBIA CALETERA JULIO DIAZ CASTILLO


Arr:EDUARDO MORALES

                      
8
                  


15
 
 
             
22
                      
     
  
       
29

 
      
        
              
36

 

                  
42

         
  
49

          
         
             
55 1.

   
   
                   
61 2.


              
      
67

    
                   
   
73

   
                     
  
    
79

 
    
               
85


Baritone (T.C.) 2
CUMBIA CALETERA JULIO DIAZ CASTILLO

   
Arr:EDUARDO MORALES

                   
8
                  




15

 
             
22
                     
      
  
       
29

 
   
   
36
                    
    

                  
42

49
          
   
        
55
               
1.
  
          
61
      
2.
           
      
    
                  
67


                     
74

    
                  
81


       
88

  
 Bass Clarinet
CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES
      
   
  
            

6
      
   
                   

12
    
 
               
   

  
18

   
               
 

23
   

              

28
     
        
      

34
     

            

 
    
39

  
        
   
2 bass cl

     
        
45

    
    
 
52
       
               
      
58
 1.

   

          


     
63 2.

            
   


          
68

                 

 
                          
73

  

  
78

       
                
      

83
              
              

 
 
88

         

 Flute 1 CUMBIA CALETERA JULIO DIAZ CASTILLO

     
Arr:EDUARDO MORALES

             
         
      
 
        
 
   
7

              
      
14

               
        
22

           
         
   
28

               
        
34

          
          
40

        
        
       
47

           
        
     
53

    1.        
2.      
   
     
59

          
         
65

    
             
  
73

      
               
      
79

  
               
        
   
85


 Flute 2 CUMBIA CALETERA JULIO DIAZ CASTILLO

   
Arr:EDUARDO MORALES

           
          
      
 
        
     
7

      
           
  
14

             
  
 
      
22

             
      
   
28

             
  
 
      
34

          
          
40

              
          
47

               
         
53

    1.        2.  
 
   
     
59

 
                   
65


 
              
             
73

 
79

                     

     
     
            
           
85


 Horn in F 1
CUMBIA CALETERA JULIO DIAZ CASTILLO
  Arr:EDUARDO MORALES
 
   
 
   


  
   

        
22

         
    
28
     

             
   

        
34

       
       
   
         
40


   
   

 

       
52

              
   

           
58 1. 2.

       
     

                  
64

 

                     
75

   
          
82

     
      
89
   
      

 Horn in F 2
CUMBIA CALETERA JULIO DIAZ CASTILLO

 
Arr:EDUARDO MORALES

         
      
   

        
22

           
   
      
28

             
    


       
34

             
 
  
             
40

    

  


        
52

             
   


         
58 1. 2.

         
    

 
              
64

 
 

                  
75

 

           
82

     
 
 
  
88

          
 
 Oboe
CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES
 
   
                      
 

        
      
7

     
  

            
14

     


        
         
22

      

           
28

              
     
              
34

    

                      
40

       
              
47

     
      
                 
53

 

                          
59 1. 2.



                   
65

  



                              
73



                                 
79


     
                 
85

    
 CUMBIA CALETERA JULIO DIAZ CASTILLO
Arr:EDUARDO MORALES
                  
   
Flute 1       

   
              
Flute 2           

   
Oboe           
      
        

    
Clarinet in B  1          
      
        

              
Clarinet in B  2                

          
Clarinet in B  3                
   
        
   
    
                
Bass Clarinet

 
                          
Alto Sax. 1           

                          
Alto Sax. 2           

  
Tenor Sax.                                  


           
   
 
                  
Baritone Sax.

    
Trumpet in B  1          
      
        

    
                      
Trumpet in B  2
 

      
Trumpet in B  3           
            

Horn in F 1          

Horn in F 2          

           
Trombone 1            

      
Trombone 2                 

Trombone 3
                       


Baritone (T.C.) 1                       


Baritone (T.C.) 2                       

   
          
         
Tuba
 2
                 
   
    
8

Fl. 1

               
Fl. 2           

                      

Ob.
  

                      

B  Cl. 1    

             
B  Cl. 2              

  
                    
B  Cl. 3
   

     
  
                     
B. Cl.

       
                               
A. Sx. 1        

                               
A. Sx. 2        

                           
T. Sx.           


              

      

  
   
       
B. Sx.

                      
8

B  Tpt. 1     

             
B  Tpt. 2              

 
        
B  Tpt. 3
              
 
       
8

Hn.  

       
8



Hn.

      
Tbn. 1              

                  
Tbn. 2  

 
Tbn. 3                      

                  


Bar. 1


                  

Bar. 2

  
Tuba                    
 3
        
    
    
15

Fl. 1

        
    
Fl. 2     


Ob.     
       
    

     
            
B  Cl. 1


             
B  Cl. 2      

     
           
B  Cl. 3
         
   
        
                             
   
B. Cl.

      
A. Sx. 1                                       

      
A. Sx. 2                                       


        
T. Sx.
                                

      
B. Sx.                                       

        
          
15

B  Tpt. 1      

                 
B  Tpt. 2        

               
B  Tpt. 3          

     
15

        
   
Hn.

     
15

          
 
Hn.

           
Tbn. 1
              

       
      
Tbn. 2             

             
Tbn. 3   


          
Bar. 1
     
 
            
  
Bar. 2

          
Tuba
          
 4
           
           
      
22

Fl. 1

                
    
Fl. 2         

        
Ob.     
            
    

                  
B  Cl. 1             

                
B  Cl. 2             
 

   
B  Cl. 3                      
       


        
               
            
B. Cl.
 
            
A. Sx. 1                             

               
A. Sx. 2                          

        
                         
T. Sx.
     

  
               
             
        
B. Sx.

22
           
B  Tpt. 1   

 
B  Tpt. 2             

 
        
B  Tpt. 3
   

 
     
22

            
Hn.
         

       
22

              
     
Hn.
 
           
                 
Tbn. 1  

           
Tbn. 2
                   

           
              
Tbn. 3  

                
Bar. 1            

          
                
Bar. 2


        
Tuba
            
 5
                
        
     
29

Fl. 1

                   
    
Fl. 2       

       
Ob.         
     
     
  

                  
B  Cl. 1              

       
                      
B  Cl. 2
 

      
                     
B  Cl. 3
            
    
     
                 
         
B. Cl.

         
                        
A. Sx. 1


     
             
        
     
A. Sx. 2


            
T. Sx.                      

    
                        
     
B. Sx.

        
      
29

      
B  Tpt. 1


     
                
B  Tpt. 2


            
B  Tpt. 3         
 

     
29

                 
       
Hn.

     
29

                    
   
Hn.

            
                
Tbn. 1   

            
                 
Tbn. 2  

    
              
Tbn. 3     

   
                
Bar. 1
   

       
              
 
Bar. 2

        
Tuba             
 6
              
    
         
36

Fl. 1

                  
Fl. 2           

    
Ob.             
            

       
B  Cl. 1                       

                
B  Cl. 2             


        
B  Cl. 3                
     
      

              
          
B. Cl.

            
A. Sx. 1                       

      
A. Sx. 2                             

            
T. Sx.                      


             
                    
B. Sx.

          
   
36

B  Tpt. 1  

          
B  Tpt. 2    

    
  
   
B  Tpt. 3
  
 
     
36

           
Hn.
         

       
36

              
     
Hn.

          
                  
Tbn. 1 

          
                  
Tbn. 2 

          
                  
Tbn. 3 

                 
Bar. 1             

       
Bar. 2                       

    
               

Tuba
 7
       
           
43

Fl. 1

       
Fl. 2            

       
Ob.            

                   
B  Cl. 1 

                   
B  Cl. 2 


B  Cl. 3                    

         
     
   
B. Cl.
   
        
A. Sx. 1                

        
A. Sx. 2                

      
T. Sx.                 

 
   
   

 
   

 
   

B. Sx.

                      
             
43

B  Tpt. 1      

   
B  Tpt. 2         
         
              
    

  
                         
             
B  Tpt. 3

      
43

Hn. 

      
43

Hn. 

       

Tbn. 1            

        
Tbn. 2            

        
Tbn. 3            

        
Bar. 1            

               
Bar. 2     

    
              
 
Tuba
 8
                   
        
     
50

Fl. 1

                     
Fl. 2             

      
Ob.            
       
      
 

                       
          
B  Cl. 1


              
                      
B  Cl. 2
  

              
                   
B  Cl. 3
             
 
      
           
                       
B. Cl.

            
A. Sx. 1   
                        

            
                          
A. Sx. 2


      
              
              
  
T. Sx.

       
                             
       
B. Sx.

                
   
50

        
B  Tpt. 1


           

B  Tpt. 2       
     

        

          
                 
B  Tpt. 3
     

     
      
50

                
     
Hn.

     
      
50

               
     
Hn.

                 
      
Tbn. 1           

        
               
Tbn. 2           

         
   
Tbn. 3              

          
         
Bar. 1
           

         
          
Bar. 2
          

      
        
             

Tuba
 9
       1.       2.  
      
        
57

Fl. 1

         1.         2.  
Fl. 2            

                
1. 2.

Ob.
             

         
1.

        
2.


B  Cl. 1            

        
         
1. 2.

B  Cl. 2             


           
1. 2.

B  Cl. 3              
     
 
1.

    
2.



            
             
B. Cl.

                  
                   
1. 2.

A. Sx. 1

        1.           2.
A. Sx. 2                    

                              
1. 2.

T. Sx.      


       
          
1. 2.

   
              
B. Sx.

         
  
57 1. 2.

B  Tpt. 1 

  
        
1. 2.

B  Tpt. 2  

  
1.

  
2.

B  Tpt. 3    
   

          
57 1. 2.

             
     
Hn.

        
57 1. 2.

              
     
Hn.

     1.     2.  
                   
Tbn. 1 

     1.     2.  
                   
Tbn. 2 

     1.     2.  
                   
Tbn. 3 

         
         
1. 2.

Bar. 1            

         
         
1. 2.

Bar. 2            

 
1. 2.

               
    
Tuba
 10

    

                
64

Fl. 1 

     
                
Fl. 2


         
Ob.
             

          
B  Cl. 1                                  
  
          
B  Cl. 2                                  
  
        
B  Cl. 3                                  
    
        
                              
   
B. Cl.

       
A. Sx. 1                                     

       
A. Sx. 2                                     

 
                 
T. Sx.
                       

      
B. Sx.                            
         


        
   
64

B  Tpt. 1      

          
       
B  Tpt. 2

      
B  Tpt. 3    
       

         
64

Hn.   

         
64

Hn.   
      
Tbn. 1
            

        

        
                    
Tbn. 2 

Tbn. 3
                         
   



                       
   
Bar. 1 

  
Bar. 2                       

          
         
  
Tuba
 11

                                  
  
71

Fl. 1       

         
Fl. 2         
     

 
      
 
   

 


       
Ob.
                  
                 

               
                 
           
B  Cl. 1
 
    
B  Cl. 2                        
                  
    
            
           
B  Cl. 3
                 
               
  
B. Cl.
                            

               
A. Sx. 1                           
     

               
A. Sx. 2                           
     

 
                
T. Sx.
                            

               
B. Sx.                           
     

       
        
71

B  Tpt. 1                             

        
B  Tpt. 2                                    


          
        
B  Tpt. 3
                       

             
71

Hn.        

             
71

Hn.        
          
                      
Tbn. 1
          

          
      
   
  

 

     
 
   

 

Tbn. 2 

           
Tbn. 3
       
   
  
     
  

   

 


           
     
   
  

 
    
      

 

Bar. 1  


Bar. 2                      

   
             
    
Tuba
 12

             
                       
78

Fl. 1
  

                
                  
   
Fl. 2


    
Ob.                      
 
           

                   
                     
          
B  Cl. 1

       
                 
         
B  Cl. 2
                 
       
B  Cl. 3                             
                
 
                   
B. Cl.
                               

                  
A. Sx. 1                                  
  

                  
A. Sx. 2                                  
  

                   
 
T. Sx.
                               

                  
B. Sx.                                  
  

      
              
78

B  Tpt. 1                    

    
B  Tpt. 2               
     

 
         

 

 
            
       
B  Tpt. 3
                

              
78

Hn.        

              
78

Hn.        
             
            
             
Tbn. 1 

             
                 

 
Tbn. 2      

          
                
Tbn. 3              

                   
             
  
 
Bar. 1  

 
Bar. 2                      

    
                
 
Tuba
 13

                   
    
   
85

Fl. 1

                 
Fl. 2           

        
Ob.       
      
     

                       
B  Cl. 1      

                
B  Cl. 2             

      
B  Cl. 3                     

  
                           

B. Cl.

                       
A. Sx. 1         

              
A. Sx. 2                  

  
                           

T. Sx.

                       
B. Sx.         

85
                       
B  Tpt. 1      

                
B  Tpt. 2             

  
B  Tpt. 3               
          

  
    
85

                
Hn.
   

      
85

               
     
Hn.

      

Tbn. 1             

       
Tbn. 2             

 
Tbn. 3                   


                  
Bar. 1 

             
Bar. 2       

 
Tuba
                  
Baritone Sax.
CUMBIA CALETERA JULIO DIAZ CASTILLO

   
Arr:EDUARDO MORALES

         
                  

7
         
                   
    

    
          
13

    
     

      
  
19

            


       
24

            


30
 
               
     
   


              
36

    
  

42
           
          
  
2 sax br
49
              
      



  
55

             
 

 
            
60 1. 2.


 

       
     
66

          

            
    
71

     
         

           
      
76

       

81
                           
         

86
                      
   