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    6 views7 pages

    How To Write A Classic PDF

    Uploaded by

    Hari Baldo

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
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    > how to write a classic how to write a classic < Aspire to be a commercial tunesmith, or just want to give your own tracks more mass appeal? Join us as we delve into the methods and mindset of the pro songwriter mamoderpopsongisanetioon=a___ Kyounetlowiteles gag ‘> poem withthe added dimension ofmusic. worsen ‘bull found sonic collages oF set the pec vanguriting greatness comes rom worecjons of mass murderersto vintagetome magic ix ofinspration talent and ning (Sjboard accompaniments then lease o> maak oye tralyformutrived yt esd YOUmhA respansbitor te acute Pomitharenabisneg eng NO ce Ha andor pep agitconventionsto enable petty good et epplaud you advance However we sro contrwliatorgansanathesxateton youre cog Some of us wou het try oUF dissection et terevecistlgsomecttns hander we eple wile making a INS Peteedige into abasic guide guaranteed’ reien someting welve, and singtothe jgetyouvritinga casi. sorte nang the perfect son - DecaUse You wn ry anda athe ves to _-makenom’stke ning great pop tune ae “ame saeeastine wmitotersscnbele omen! wea wonats er faremopeencimake ASCE eect somthing wre pecavsetney want the characters Tneguide sts outtohelp You rons SE trey carina some, wea song ik Ta smart, publishes, ream me be anaeone se wl 02d DRE a puncte ait because re fnereason most werswantthe anda restsong- lets doit” Wererat Heer esa pr eongxbann_ ebm OKaK orc a gdon tne rade hurmed by thermasses 3nd toon oty trough tne quay contol recess Caring them a bund nrovales theugh the convoluted clag ofthe mse Toungerstandtnat younay fea deep, users teking alte boxes and gathering algunderstana te mene gudeor concen eT eyae formulatosongweting anda perfect nt No stepping UsNow - were Moog terrain tose na i Facorcospacy tas oo Unand WoveGS TN ofthe Tige Lets reason tcc Nakata etReNdyt@ Rue YOVGEM O > how to write a classic Hooks |Ahook sa masica ar yea phrase that engages {your eat andits tne mastimportant elemento {ry pop song worth its sat Agood hooks {alchy the Geman worafor is obrwurm, ‘atic ansates os ‘ear-woet Fora pop sonato Deteiy ring onalleyinders, there mst be 3 cluster of hook all working together to imprint ‘the song wel andtruly into your memory 20 that en trishes you want topay again. and ‘hen you cari playit again youhear ls your head anyway “oput simpy. ahook should beshert and ‘imple that way ts easy to remember, whether ‘you want a remember tarot f your sone Sccessul the majonty of people wna Near are not gong tobe cists or musicians and yout Pooks must transcend the business of wring and be completely accessibe toa They must be Instant singabe by anyone. Some examples cassie hooks ae “Mo hoo” trom Song2by Blur "Money. money mney” ‘tom Price Tog by Jessie J- or form Money Money Money by ABBA:"Na nana. ana naa a rom Can? Get You Out of My Head by Ke: Grthe ottencted opening gular nif fromthe Roling Stones Satisfaction. Dorit make the mistake of inking that a Simple nooks moronic many umesthey work for quite complex easons B's "Woo hoa acts asthe ave tohelp disguise natun around the monster bass and guitar i happening Underneath The Satsfaction it creates pagal cadence -a musical device forthe {eaton and teense of musialtesion with Ieroots ancient coral muse, butin his «ase the contests changed to rock ol Lurking just beneath theskinof every succestulsong areolher kinds of hooks, Some longer and more complex The inclusion of shorter more obvious hooks -Kaops you intereste ong enough fr the bighootstosinkin and ance theyre there thy e there or gooa Vislsing A bigtning hook biting with at and ‘00d woy o keepin in mine how you Raveto ensnare your stones Whichever vay they sim there canbe no eseape! Making a strong hook SIMPLIFY UNTIL A tmemostsuccesslsongs-youssthestoprestan middle eight HOOK APPEARS tedtieinefeclonaredioland Dexys angi mmers Come Takeanobjectivelookatan Yourish Hooks mustbe ‘nten orth tne signature ‘existing lyricinyourtrack.Getridanticipated-thellstener needs changesin Kasabian’ ire. fofanyunnecessary words. Ask thehooks tobe deiveredat the Yourseit"Whatamttryingtosay? rightmomentinthecontextofthe PRODUCTION HOOKS ‘ilsomeoneunderstanawhat! song. Likeajoke'spunchline,the Great records can benefit rom ‘mean? iittmemorable or hook needs toexisteffortlessly sonic production hookstoo,andit ‘annoying? Keep going backand _withinthesong’sspace, working You/rea writeriproducer you ting this getzeasier with inharmony withthe other ‘should definitely include some ot practice-untilahookemerges. elementsthat surround. ‘hese your deme’ production ‘ofthe song (which, needlessto WRITE FOR A CHILD. REPEAT HOOKS {ay.should be of broadcast! Imagine youre targeting a Aneffectivenooknecdstobe _feleasestandard, Think ofthe fiveryearoldtoensurecttectve repeated. Thesamehookcanbe radio vocal soundof Video Killed communication of your concept. replayedindlfferentheysto the Radio Stary Buggles or the Youcanstilwriteonmultiple _createamelody.Kyll’s Cant Get operaticmiddle eight of Queen's levelsisimpledoesnotequal You OutofMy Head wses"Nana_ ‘Bohemian Rhapsody ~or ry to DabyishlUseasfewnotesas ___naasthemainhook, but padded Imagine Cher’ elleve without possible andemploy anysoundor outwithextra"nanana-nana’s. the AutoTune. ‘Word real or made up) that ‘Themain-Na nana" happens Createssomething themindcan _exactlythesameway every time STORYLINE HOOKS Sooo <= ee cas cos Soe cirpiede | STRUCTURAL HOOKS, Saiguremraiaio Dehaviouralviruses-think"Talk Structural hooks helpyou guess _directlon|ust before the last {othehand”or“Wassaaaapp" —_what'scomingby using diferent chorus Listen totam by Eminem, trom the BudwelserTVads. patternsof repetition. Like ‘Babooshka by Kate Bush or —_ Internal hyming.ahooky melody Rupert Holmes’ Escape the "pina ‘ONTEXT foriyriccanbe madeupotsmaler colada” song). Inthese genius Tocontinuethehook/tishing _subshooks.Dramaticchanges of songs, the chorusis the same analogy.hooksalonedon'tmake pacelstyle are also effective, 80 | COMPUTER MUSIC SPECIAL ich throulghoutbutthe context ‘changes atthe end to provides {inal plot twist STEAL SOMEONE ELSES HOOKS! Hiphop established the magple ‘eulture of adopting pats of other recordings aspartoranew Collage of sound. Often MCs rap theverses over hooky sampled beats andbreaksandusean ‘entire chorus from another tne. Me abltikerent-s-hook, because Yyouraveto pay foritjbutitsa ‘reat way to complete your tunes, IMyouonly seem tobeableto ‘writeverses!, CREATE ANEW SOUND ‘Supergroup ABBA notoniyhad ‘the traditional melodyyrichook thing sewn up, butalsohad aMair {or creating original sounds inthe ‘tual. Using clever orchestration ‘of altterent instrument

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