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Don Latarski - Arpeggios For Guitar (The Progressive Guitarist Series) - Warner Bros Pubns (1991) PDF
Don Latarski - Arpeggios For Guitar (The Progressive Guitarist Series) - Warner Bros Pubns (1991) PDF
PROGRESSIVE
GUITARIST
ARPIOO
FOR
GUITAR
,..4 NEWAPPROACH
ARPEGGIOS
TO
AND THEIR
RELATIONSHIP
TO
CHORDS AND SCALES.
FORTHEROCK,BLUES,
AND JAZZGUITARIST.
by DON LATARSKI
THE
PROGRESSIVE
GUITARIST
ARPIOO
FCR
GUITAR
...ANEWAPPROACH
ARPEGGIOS
TO
ANDTHEIR
RELATIONSHIP
TO
CHORDS AND SCALES.
FORTHEROCK,BLUES,
AND JATZGUITARIST.
by DON LATARSKI
.l990
o Don Lotorski
Internotionol RightsSecured
All RightsReserved
Arpeggios
are frequently usedin constructing A quickanalysisof melodies
melodies.
frommusicof nearlyall agesandstyleswilldemonstrate
thisfact.Theyare alsoused
as accompanimentdevices.
Don Latarski
About the author..,
DonLatarskihas beenplayingthe guitarsince1963.He'san adjunctfacultymember
at the University
of Oregon'sMusicSchool.ln additionto this book,he'swrittena
numberof otherson guitarinstruction lntroductionto ChordTheory,MoveableGuitar
Chords,Scale Patternsfor Guitar,Arpeggiosfor Guitar andChordEmbettishment.
Knownnationally as a a giftedguitaristand composer;Don performsfrequently with
his groupat Jazz Festivalsand Clubsin the PacificNorthwest.His musiccan be heard
on "HAVEN", lnnercity Records and'LIFELINE', PAUSARecords. originallya
Michigannative,Donhas madeEugene,Oregonhis homesince1973wherehe
buildsand ridesrecumbant bicycleswhenit'snot raining.
TABLEOF CONTENTS
MajorTriad. ......10
Major6th.. ...... 11
Major7th 12
Major6/9.. . 13
Major7b5(akaM47#11). . . 14
MajorT#s.. 15
Major(edd9) 16
Majorg.... 17
MinorTriad. ......18
Minor6th.. ......19
Minor6/9.. ......20
Minor7lh.. ......21
Minor#7.. ......22
Minor7b5(akaHalf-Diminished) . . 23
Minor(addg) .....24
Minorg.... ......25
Minor11... ......26
Dominant
7lh . . 27
Dominant
7b5(akaDominant
7#11) 28
Dominant7b9.... 29
Dominant
7#9. . 30
Dominant
7b5b9.. 31
Dominant
7#5#9.. 32
Dominant
7#5bg. . 33
Dominant
7b5#9. . 34
gth. .
Dominant 35
Dominant
9b5(akaDominant
9#11). 36
Dominant gth).
9#5(akaAugmented 37
Dominant
13th.. . 38
Dominant
13b5(akaDominant
13#11) .
't
"' 39
Dominant
13b9.. . 40
Dominant
13#9.. . 41
Suspended
7th. 42
gth.
Suspended 43
Augmented
Triad. 44
Augmented
7th . 45
Diminished
7th 46
l0
ChordType: Majortriad
Scale/Mode:
Chord 'Form -+ Arpeggio# lonian
e 1
3I6I2
5 4 5
J 713
5) zIsf|fqYaYz
5 e
3
2Is z l3
A
I
J
sl6
4 215
3Io
I+ 215
5I3 5I3
-Ls2J-
2I5I3Y6
4
7
513 5I3 2I5I3I6
4
3 e dod z
A
b
ll
Major6th
Scale/Mode
Chord Form -> Arpeggio --> lonian
316
rt7
3I6I2
L 7
3
5 i
Lgl
.grL1
e
sL zX sf + \ a \ z
? e
h
o 4 t6 t2
5 .t e 2l5l7l3
o J,+
x
5 e 2l517 I3
A
3I6 3I6
4 215
7
e
5I316 2I5r316
4
316
L-
I.3 I6
l-tt
2I5I3I6
7
ChordType: Major7th
Scale/Mode:
Chord Form -> Arpeggio -> lOnian
3
41612
o +
sI6
4 215
5 6
s&
+) l(z{s
7
513
7
2I sIs
a) Io
A
7
l(')l
513 5I3 a sf s o
4
7 \ 3 I6I2l | (7
5 A
s)
13
Scale/Mode:
Chord Form -> Arpeggio* lonian
oXg
oXg
o oX s 416 12
e I5 215I713
I A
9I5 .) 2 t5 17 | 3
A
o 5 A
215
7
9I513I6 2I51316
t
7
2I513I6
3I6I2 7
4) | | (s
t4
Major7b5 Scale/Mode
Chord Form * Arpeggio-_> Lydian
7 t3 usl7I3 #41713
215 6l2
'{ e
t o)
D5 b5 #4
zXs zXs z{s{z{s
o
x x
o5
7 zXs
3
o
316 F4
b5I7 osYz
o #417
2l5
3 2I5I3I6
b5I7 os{z
3
3 b5I 7
l5
ChordType: Major7#5
Scale/Mode:
Chord Form -* Arpeggio-> Lydian-aug
7 3I6I2I#417
3 .t
OIGX,
#4
7 13 713 2) | (713
#5 15 r5
+4
x
7 Is 7 13 Z 7 13
#5 t5 t5
e
sI6 #4
2
#4 #5
316 #4
7 #5 #5
o t+\z 2
#5
Is z 3I6
#5 #5
t r 4 17 #5
e
Ie 2 3I6
#5 #5 #5
a
3I6I2I#4I7
F5
16
Majoradd9
scate/Mode:
Chord Form+ Arpeggio-+ lonian
s) e q
3I6I2 7
3 5 6
7t3
2I5 I4 16 | 2
(.) |
q
t q
41612
5 9I5 215l713
J,q
eI5 9I5 z {s {z {s
e
o 3I6
(+
o J,q 215
5I3 2IsfeIo
4
o 3I6
5 5I3
J I
s)
t7
Scale/Mode:
Chord Form -> Arpeggio€ lonian
q
7 9 7
s7
3I6I2
L
Ll__
A
7 Iz 713
5 I 2I5-qIalz
I v
5I713
e I517 J3 5I713 2 15 17 l3
4
3I6
9I5 215
3I6
9I5 gXs A
215
7 7 7
5
2 I513 16
A
3 2I5I3I6
A
q
I 3I6I2
6 A
7 7
18
ChordType: Minortriad
Scale/Mode:
Chord Form --+ Arpeggio€ Dorian
6I2
b3I5 oe{s} 4 I b 7I b s I 5
5) 215-41612
b3 b3 b3 b7Ib3
I 4l6 l2
b3 he
b7 Ib3
2t5
b3 4
5
b3 b3 o
5
b3 b3
he
F
I
he
## !_ 215
b3
s) s) zY5
b3 b3 4 tb7
s) 5 2l5 b
b3 b3 b3 4 lb7
612
us{s +dozfs{s
l9
ChordType: Minor6th
Scale/Mode:
Chord Form -+ Arpeggio -> Dorian
he
b3I s
5 o 5 o
b3 b3
b3
o b3
4T6T2
b7 Ib3
c
215
b3
o b3 4
5 215
b3 b3 o he
Jo
5 4Ib7I2Is
he
b3
b3
a b3
4 I b 7I 2 l 5
b3
h
o 2Is 6
b3 b3 4 tb7
5 o 215
b3 b3 4 tb7
o b
6I2
b3I 5 b3I5
-4^b7it3I5
z0
Minor6i9 Scale/Mode:
Chord Form -* Arpeggio# Dorian
6Ie 6l2
he os{s 4 lb7 Ib3I 5
ttl
qilT
6I9
he
6I9 z
he
5 r4
ffi
6I9 4t6 t2
b7Ib3
5 2l5
b3
9Is 215
he b3 b3 A
o o
a 9 5 4 lb7 I 2 I 5
b3 h?
I
o
o
9I5
b3
l"# l-l-
215
b3
s) 6 915 n zY5 o
he
b3 4 lb7
ChordType: Minor7th
Scale/Mode:
Chord Form --> Arpeggio# Dorian
b7Ib3
b7Ib3
o oz{o
5
he
O
5 215
h?
o b3
o
+
b7 5 4 lb7 I 2 I 5
b3 b3 h {
b7
he
o b7 5
*#: !l_ a 5
5 215 b
Fte
b7 b3 4 Ib7
uL a 6 o
he
b7 he
4 Ib7
612
b7Ib3I 5 ozdoo{
s 4 t b 7I b 3I s
22
Scale/Mode:
Chord Form --+ Arpeggio--> MelodicMin.
6l2
r(li' b3I5 b3I 5 4 b3I 5
7 7
5 5L 2Is14I6 z
b3 b3 b3 b3 b3
b3
a b3
4l6 l2
b3
517 5t7 21517
o b3 J.q
517 215l7
b3 b3 t b3 4
5 4 215
z Ib3 b3
7Ib3
4
7Ib3
sl
5
lI.u-L
b3 4
5
b3
b3I5 b3I s
1
23
ChordType: Minor7b5
Scale/Mode:
Chord Form --+ Arpeggio--> Locrian
b7Ib3 b7Ib3
b5 ob
b7 b3 os{oz{os
O 4
b5 I b7Ib3 os{oz{os b2IbsIb7 Jb3
b3 o b5
b3lb6z t
b2Ib5
b3
o5
b3
o b5
b 3I b 6 - 4
b2Ib5
b7 b7 4 tb7
b5 b3 b2Ib5 b3Ib6
o
#
b7 b7
ob b3 b5 b3 b3Ib6
b3
o D/ b3 I b6 lbzl 4 Yb7
b5 b5
b3
o
b7 b3Jb6Ib2I 4 Ib7
b5 b5
b7 Ib3 4 I b7Jb3
b5 b2 Ib5 b6Ib2
1A
Minoraddg
Scale/Mode:
Chord Form -> Arpeggio€ Dorian
- t.gtr)-t.,
os{s}
rTi'
b3I 5 4
s) o 915
liz t_t_ I 2X 5f , + f o{ z
he h2
b3 b7Ib3
9
o 416 12
q
-I
€ bTIos
9I5 215
o5 he
4
e 15 215
h? ha
o b3 A
I o Yq 4 [b7l 2l 5
he
b3
b3
5
o 915
ha
5 e I5
b3
915
b3 b3
9 9
b 3I 5
25
ChordType: Minor9th
Scale/Mode:
Chord Form --> Arpeggio --> Dorian
b 7 I b 3l s
v
4 T6 T2
b7Ib3
215
b3 4
9I5 215
h?
b3
o ha -A
o
b7I9 b7Je I5 4IOzIzIs
b7I9
o o z { s{ s
he
4 I b 71 2 I 5
he
5 eIs 215
h? he
4 lb7
b3
e 15
b3 b7
q
b7 b 7 I b 3I s
26
ChordType: Minor11th
Scale/Mode:
Chord Form -> Arpeggio --> Dorian
tl 11 416 l2
b7Ib3 b7Ib3 b7Ib3
2Is
b3 1l
b3 4
215
11 b3 11 b3 +
b7 11lb7 5 4Ib7I2I5
b3 b3 b3
11Ib7
b3
b3 rr{oz b3 11Ib7 he
l+
1,1,* 4 Ib7
612
b7Ib3 1 1 I O ZI b 3 I 5 4tb7lb3I5
27
ChordType: Dominant
7th Scale/Mode:
Chord Form --> Arpeggio--* Mixolydian
?
316I2
b7 o/ s) 4 Ib7 5
?
e
5
215 -4 a I2
b7 b7
e
3
41612
b7 b7 b7
215 J
b7 b7
316
b7 5 ol 4 I b 71 2 l 5
5 5I3 2I5I316
b7 4 lb7
Ia 5I3 2I5I3 J6
b7 4 tb7
3I6I2
b7 b7 5 4 Ib7
28
ChordType: Dominant
7#11 Scale/Mode:
Chord Form --* ArPeggio* SuperLocrian
b7 b7
+A
t-
#4
b7
o
!4N7
#4 lb7
a #4 lb7 b2 I b5Ib7 Ib3
o b3 I#5
:2 Ib5
t4 lb7
_Ll
+
t-
A
osd+s
3 ) | (b2Ibs
b7
#4
o b7
b 2 I O S ) | ( b 3I # s
b7
#4
#4
#4 b7 b3I#5Ib2) | (b7
LtA
hq
D/ b7Ib3
b2Ib5 #5 Ib2
29
ChordType: Dominant
7b9 Scale/Mode:
Chord Form --) Arpeggio-+ Diminished
h/w
b7 b7
? b9 b9
hq
3 ho nq
0l b7
5 ) | (3
b3
b9 3 ) | (be 6 lbzI#4
67
b7 5 b7) | ( 5
b2l*q ) | (os
o ( r7) l(5
b2I#4) | (Os
5 5I3I6
D9 b9 b3) | (bzl | (b7
g,\6J I €+.
b2 I#4
sfs{o
b9 ov b3) | (b2 b7
3I6 +A
5 b7Ib3I5
b9
30
ChordTvpe: Dominant
7#9
Scafe/Mode:
Chord Form --> Arpeggio --+ Blues
b7
+ I o z J o s sI
3 #A
5 -,4
b7 l#9
b3 M lb7Ib3
o -l- L
I4
b7I*e b7)#9
5+fozfos
a
5
#9
a 9to
b7I#s
o b3 4
#4
b7 l^7
(+\oz
#9 #4 b3
b7
#9
o b7
#9
q
4 lb7
#4 he
sIs 5
#9 b7 b3 ^L'7
#4
5 r3
o/
e-D
b3 4 tb7
3 3 #4
b7l#eI 5 b7l#eI 5 4 Ib7Ib3I5
31
ChordType: Dominant
7b5b9
Scale/Mode:
Chord Form -D Arpeggio---) SuperLocrian
b5
b7 b7 Ib3
b5 3 b9 b2Ib5 3 I#5 Ib2
b9 I b5 Ib7 b9 b7 b3I#5Ib2Jb5lozlos
e ?
3
b9
b5Ib7
o
b5Ib7
b9
b3I#s
2 b9Ibs beIb5 3 b2Ibs
b7 o/ b7
b5 b2Ib5 b3 I#5
t o/ b7
b5 b2los b3I*s
e
3
ho b7
.osY*sYbe
o9 b7 b7
3 b5 e hE
Is
b5 b9 b7 osf*sYoe)| (oz
o5 3 hE
e b9
b7 Ib3
h( 3 b9 b2Ib5 #5 lb2
JZ
Scale/Mode:
Chord Form --> Arpeggio ---D SuperLocrian
b7 b7 I#9
3 I#5 3 I#5
O
#9 #5 b7 Tffi
e
b7 I#9
ob2 I b5Ib7
#5 b3 I#5
92,[bs
b7 I#9 b7 I#9
#5 b3 I#5
.#5-L
b2Ibs
b7
#5 b2Ib5 b3 I#5
28
b7
*s{+s l.l-(?' (*r
b2Ib5
-9,g
-I(.
osd+s b7
doz
#5 b7
ltltr.
#5 b7 l#9
F3
JJ
ChordType: Dominant
7#5b9
Scale/Mode:
Chord Form --> Arpeggio---> SuperLocrian
o/ b7
e {+sfos 3 I#5 Ibe
#5 Ibg b7
3
o ol
#5 #5
b9 b9
#5 b3 I#5
b9 3 b2Ib5
b7 b7
b2Ib5 b3 I#5
b7
b2Ib5
QrFu
osd+s
{oz b7
htr
#sIb9 b7
3 lsYog o/
#5 b7
34
ChordType: Dominant
7b5#9 Scale/Mode:
Chord Form -* Arpeggio* SuperLocrian
b7 b7 l#9
b5 b5 3 ho
b 5I b 7
o b5Ib7
#9 a
bs I b7I#e
o os{oz{os
.t
J
o
3 b5
o b3 I#5
b5 a b2Ib5
b7 b7 b7
fo o5 #9 b2Ib5 b3 I#5
b7
t b7
b5 f9 o5 #9 b2Ib5 b3 I#5
o
usY#sYbz o/
3 b5 3
e b5
b7I#9
35
ChordType: Dominant
9th
Scale/Mode:
Chord Form --# Arpeggio-+ Mixolydian
3 o
b7 F
3 3
c q
b7
3 3
q
o
0l
ffi
J
J
e
ffi
b7I9 b7Ie 15
e
.t
ozls{s b7Ie I5
5 ffiI 3
b7
5 ffi{3 2I5I3 16
b7 4 Ib7
e 9 3I6I2
AA
WI ,a'7
5 4 lb7
36
ChordTvpe: Dominant
9b5
Scale/Mode.
Chord Form -> Arpeggio--> Lydianb7
e Ios
h'7
b7
b5
J
9 9
b7
.t
6sYoi b 5I b 7
I
o 612
#4 lb7
215 a
ffi o
o5
ffi
3
b7I 9 b7I9
bTIe b7I I
b7
.t
b7
9Ibs 9 Ibs
b7
37
ChordType: Dominant
9#5 Scale/Mode:
Chord Form -> Arpeggio ---> Mixolydian
b6
q
DI
3 I#5 3 I#5
q
ffi I
#5
v + 2
o/ b7
2l5
#5 #5 b6r4
2t5
:t_
#5 uof,+
b7I 9
3
b7I9
u-
4 \ b 7 x 2x 5
'<7
#5 #5 b6
ffis 2I5I3
#5 b6 4 Ib7
2I5 r3
#5 D/ #5 b7 b6 4 lb7
9 a z
b7 q Ib7 E
#5 b6
38
ChordType: Dominant
13th
Scale/Mode:
Chord Form _> Arpeggio--> Mixolydian
J
b7 b7
3
5 t.t c 11 IJ
1 1I 1 3
J
13I +1._
+\a \z
b7 b7
5 .t 2I5 ) | (s
b7
4
b7
3 I13 3 I13
o
915
J
316
b7I g b7I I 4 I b 71 2 t 5
13 IJ 2J5I3Y6
ll
! Jp7,
s {rs E JE
11
o e I
b7 b7
39
ChordType: Dominant
13b5 Scale/Mode:
Chord Form -* Arpeggio-> Lydianb7
3 b5
h7
b7
b5 b5 3
o 1 3I 9
13
o rs{s o TIT
b5
e o
b5
e
.gX'rI
2I5 ) | (3
b7 b7 o O
b7 b5 #4
2 5 3
13 b5 3 I13 b5 3I6 #4
I b7I2 I s
1,*
3 I13 b5 3I6
D5
b7
b5
o #4
s X1s I z I 5I s Yo
XA
13
frXrs 2I5I3I6
tl b7
l^tr
3I13IeIbs 3l6l2l#4
DI ol 5
40
13b9
ChordType: Dominant Scale/Mode:
Chord Form => ArPeggio* h/w
Dimlnished
#4
ol )-l.QlI'tr:
#r', b9 b2l#4)l(3)l(b2
13 a 5 6
b3) | (b2l#4lb7Ib3
6
3 b9
)ttl
b9 b9 t{+{o{oo
6 5 ) | (3
b7 67 b3 o
b2 l#4
s ) | (3
b3
b9 3
b7 b7 b7) | (5
#4 b2l#4) l(b3
s f,r: 5I3I6
b9 b7 b3) | (b2) | (b7
3I6)l(#4
prt-l | | |
sf s sf e{ o
b9 b9 b7 b2) | (b7
>
3 I13 6) lH4
b7 b7 b7lb3l 5
b9
A1
tl
ChordType: Dominant
13#9
Scale/Mode:
Chord Form -* Arpeggio -> Diminished
h/w
b7 b7Tffi
J #4 ozft+ 3 ) | (b2
13
O 1a
#9 #4 #9 b3 b2I#4Ib7Ib3
316 a
IJ
o #4
13
ffi
lltoXo'F.
E
b7 l#9 b7 I#9
o b3
3 I 6 Ib2I#4
oz{+s
5 ) I (3
3 I13
#9
IJ
o #4
b3
s | 6 foef++
b7) I ( 5
#4 #9 ozY*q)| 6s
1l
ol
ffi
o 4i
b7
#9
r7) l(5
b2t#4 ) | (b3
13 13 5Is
x
#9 b3) I (oz b7
316 ) | (*+
#4 b2 I#4
sf s a 13 s I3Io
b3) I (b2 b7
3 I13 #4 3I6 L '
b7Tffi #9 b7Ib3I5
42
7th
ChordType: Suspended Scale/Mode:
Chord Form -+ Arpeggio* Mixolydian
316I2
b7 4 lb7 5 afi6tTr5l
3
5 4 5I4 zYsf + { o} z
l\-7 b7
b7 b7
5 5
4 4
2t5 J
[+ 4
3I6
4 loz 4 lb7 5 4lb7l2ls
3Io
b7 5 4 lb7 5 +{uzdzf,s
c 5 2I5I3I6
4 4 lb7 4 lb7
s) z{sfs{o
4 4 lb7 4 lb7
3I6I2
b7 4 lb7 5 4 lb7 5
43
Scale/Mode:
Chord Form -> Arpeggio-> Mixolydian
q
q
b7 4 lb7 5
4 o 5I4 u
b7
+ I
b7
9Is
4 A
b7I9 4 Ib7I9
316
4 I b TI e I 5 4lOt Ie I5 4 I b 7t 2 1 5
915 2I5I316
4 lb7 4 tb7
9Is 2I5I3I6
+) 4 Ib7 4 lb7
I u
3I6I2
b7 4 tb7 5 4 lb7
AI
L+.+
UhordType: Augmented
Triad
chord Form -> Arpeggio---> whoreTone
3) t(2
b7
3 I#5 s Y+s #4) I ( 3 I#5
z 2
F5 # 5) | ( * q l o z
f5) f5)
fs) F5
#5
c
#4
ol@\z
#5 #4
z
#5 #5 n/
a
z 3
#5 #5 b7
3 2 t#4
#5 #4 #5
45
ChordType: Augmented
7th Scale/Mode:
Chord Form ---> Arpeggio _+ WholeTone
3) l(2
b7 b7
3 I#5 #4) | (3I#5
,) lo z
#5 | | (#41b7
b7 b7
#5 F5
b7
z
#5 #5
4^
otY z
#4
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THE TheBEST se/ies
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