One

Of Us

           
 
ABBA

         
 = 105

        


     2                 
 

 4 
6

  42       

 
               42
  
 = 100


11

       
42
They passed me by, all of those great ro man ces.

  
      
I saw my self as a con cealed at tract ion.

     

2     
 4              
      
15

ces

 2     
You were, I felt rob bing me of my right ful chan

4          
I felt you kept me a way from the heat and the ac tion.

   


                  
18

    
My pic ture clear, ev 'rything seemed so ea sy, and so I

   
      
Just like a child, stub burn and mis con ceiv ing, that's how I

  
   
       
       
21

us had

 
dealt you the blow, one of to go.

             
start ed the show, one of us hat to go.




       
23

 

  
Now it's diff 'rent I want you to know.

  
Now I've changed and I want you to know.

        
               
      
24

           
One of us is cry in', one of us is ly in' in her lone ly

  
                  
   
27

             
   
bed. Star ing at the ceil ling, wish ing she was some whe re else in

 
                           
      
31

stead. 

                
One of us is lone ly, one of us is on ly wait ting for a call.

2
       42  
             
        
35

          42        
Sor ry for her self, feel ing stu pid, feel ing small,

        
           
     
39
1. 2.

        
wish ing she had nev er left at all. Nev er left at

  
          
             
42

              
all. Star ing at the

