a series of 15 books
accompanying the exhibition
elements of architecture
at the 2014 venice
architecture biennale
floor
c
roof
door
window
fagade
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ridor
corridor
MarsilioPace?
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eens Caio He Vstngen OG, High School Gyn Aor Snod Kao Pelee Beta Cire
Croc Republe
Telco Urry Pl Fenss-~ Geman art nai iy Eon
Waaingon D6, USA
owe ts ei ray
fuse tans PalaceDa Lat enan Hot Aas, Sat Hot Poe USA bey Mess UF, Manin ito
eeneeedSeph Waby,
‘osche aos rcs tens Mosnchue te Cesta, 277)
PAGES.
CORRIDOR
One of the earliest instances of the notion of the corridor is in 12th century BC Chinese bronze
inscriptions. The root of the Chinese for corridor is J* [yan], meaning roof and wall (on one side
but not on two if the wall /line is on two sides, the character means doo). Corridor is connected
in Chinese etymology with a fundamental notion of architecture, as oasically what results from the
combination of a wall and a roof.
In Europe, the "Corridore,” meaning first a porson who runs to transfer messages, and later the
space for running on or next to city walls, appears in the 14th century. By the 18th century, the
corridor becomes # fundamental element of architecture utlized for changing spatial and social
felationships, finding its apotheosis in the architecture of modemity (asylums, prisons, hospitals,
‘ciel housing projects etc). From the First World War onwards, the corridor becomes a crucial
metaphor for planning on a regional scale: there are now economic corridors, wildlife corridors,
raliway corridors.
In the 20th century, confronted by the imperative of the open plan (ir offices primarily but also in
homes), and the associated ideals of interior vistas, transparency, and flow, the corridor is deemed
an antimodernist tool that encourages cellular, inhibited, buildings and behavior.
‘The corridor is forced to retreat to the backstage of architecture. The contemporary corridor is not
designed, but scripted by code writers: it is not a space to be occupied ~ ike wide 18th century
‘galleries, where, in English stately homes, a variety of servants and visitors would often sleep ~ but
a safety device that is exited,
The corridor is a void sustained by a glimmering array of devices, from exit signs to motion sensors,
10 fire sprinklers to illuminated, way-finding carpets. The number and complexity of devices
sustaining corridors increases as buildings grow bigger and higher.
‘The contemporary corridor is ironically a confirmation of our worst fears about the corridor as a
lonely, blank, interminable passage.
Because the element has historically been an instrument of speed, its transition to a device
of egress is not a degradation but an update: the corridor adapts tc the higher demands of
contemporary risk society. Preserved as building code, the corridor maintains its crucial role in
architecture despite a century of neglect. A new (but also very old) paradigm for the corridor,
found in classical Chinese architecture, is the open, ambulatory, directionally promiscuous loop
~a replication of the individual's escape route into a maze...
Banished from architecture as a venerable organizing device, corridors are still everywhere.
They are the paths of trains, planes, and cars, they are the territory through which today’s global
‘economy is sustained. The corridor becomes a global element, not confined by the scale of
architecture. Though the corridor is crystalized as an escape route, paradoxically, we will never be
able to escape from corridor.Paces
ETYMOLOGY
‘Outdoor to indoor + the persistence of movement:
Evolution inthe moaning ofthe corridor
‘CORRIDOR
Peon (0/
{Assen coved wa or eens babe
tuo sce beans
‘niccoute may spams ope
“Condor” contains (atleast) two embedded etymologies:
‘an outdoor passage that becomes ~in architecture and
language ~indoor (ad, later, outdoor again; and a relation
‘to movement. The Latin "Andron” signified a passage or
long gallery between the walls of two houses for rain to
inthe 1th century the old Itaan term comidére,
Sree ie
Bias
fae
Se
cai
alasnc. ec
ccorridorium en
{right torn
(vet mesg 0
Ean
PAGES:eS ——— — PAGE
corridor: declining Sor con Pe. re
in architecture,
increasing in
owas metaphor... I
Tg i
7 onan hc oie He
‘nd NYC. USA
tienen
— Hd {ssw he ae le =
sows use of the word ‘corridor’ in
‘st eid an Der Scent Imei
(1750-2008)
eset erat~o Jam
non
ees ey
a il o fl
AL
Wat. Talat veh MsLCaing WAEWOECaN YLYMEClnD Cannoli — Coumn Coke
Ban et Menai? Zane” Eaing Sot Sa
= bleLoaded Desbletoaded (én se
wlotoaded/ SingloLeaded/ Dou 7
‘Staggered alonePaoe10 paces
from madness to panic...PAGE
the transversal corridor
“The high syle classical east Asian
corridor i typically a) outside, b)
8 sheltered gallery, c) frame sur
rounding @ courtyard, and d) an
iterative, dect route through @
‘series of courtyards In most temple
land palace architecture, the main
‘ewer or building i located inthe
center ofa void surrounded by
nidor ype bulls
Constructed asa complex and not
ingle interior space ndvidual
buldings are connected by diverse
types of coridors such as couryard-
corridors, rooted walkways, skybridges,
and perimeter covidors~ all or them
‘wrapping or penetrating a void: thisis
the traneversl eotidor
‘around a countryat,
Following the panciples of cosmology
established in the ealy dynastic period
(Zhou ca. 1046-256 BC) and the
tteatse of Zhou Kaogongi (Record of
Trades), cordori bung are widely
used inorder to ereate order and
harmony. Rules of orientation applied
{o individual buildings (house, shops,
tc) and to palaces, tomples, and
turban design. According tothe Zhou,
the cosmologcally ideal shape of 2
citys the square (a rectangle also
Casionally permissible), minoxing th
Earth, which Is perceived as @ square
against a round heaven, This canonical
ording to the pointe
patterning of lat
‘welings. Cities generally face south,
ted with the yang
hing forces, Individual bling aloo
follow the same princpl, facing south
{and arranged eymmotricaly along 2
horth-south axis, the complex including
fe and a hall that opons
PAOENS
ge: at. 189 MN Deng de, Esa Paton) Sev 40 paces
Seeley Seba mel is ota
{our ype of art ant on rte Recon of ronan
fee ara ing uaa)pace?
tran tangential
transversal
Ip tra ier
totem aaa omens
ee
oven
ieee cacaentane
ratleanamrea ort”
‘Re lunon oat! pe toe
retort
‘Archos of od gy Unasty
res 1.PAGE 18 c
transversal
Urban cosmology
“in essence, the city was a kind of
mandala where the emperor othe king
‘was ruling ftom a correct postion of
tentatlen,erom he cnt he
‘Se ming The ey shuld be carey
owinaccoamonninacetens! || fl
‘ination wich proved tw and
‘Sy ae bee Comoe!
Santcnes. Thus te cose
Symbol ofa capt ty wos both tr =
iat of loin and poli”
‘xLars Berglund, The Secret of uo
‘Shu: Numorology in Chinese Art and
‘Achiteclure (Seda Sandby, 1990)
=e
Cities (and also military camps) were
‘ound or eal sara, wh place
‘and governmental blings
‘ide srvourded by avi
‘gates in each cardinal diection. The
‘majority of ees in China, except
those limited by natural topographic
features, wero oriented tothe south,
sdctated by the cosmological theoros
‘where the cardinal points ofthe
‘compass wore represented
‘symbolically.
‘xix mates Flom Coxnetogy Urban Penning and Aciecture
eR TaM 8G aps s10907 Me
Sporn mel Gaetan cance Stlvartomegce atthe
Sates Sicge™ Sarre. orm
Georsatiaa Sr choe Seu Sh
EN
1625 Caton Tele Comply, a.
eee aout
tects. eee
Na Dyess Japan aa
‘450 Saiens, Roe, to.
Cont Speed Maters: From sort patway forthe ramet device ef separation escape
a pee
{40s Cuciom bras! 1667 Cale Manan, 1058 Riad Pa, UK
idol: MraNova, Beta KSI
Fite ys
: PAGE 19
tangential
From city scale to building scale
‘The corridors main function of speed
is derived its etymology. Inthe 14th
‘century, the coridor was not place,
buta person. From "eurrere,”to run,
the conidore first described a cour
fortication system inthe 15th century,
nilitary leaders relocsted troops to
slichos atthe bottom of the wall. The
‘corridor followed, Inthe 17th century,
‘arcitects intrized the corer. By
‘The 19th contury coridoio described =
passage within a building. The eoridor
‘ceased tobe an urban element, but
sill maintained a close relationship to
the dimonsions ofthe human body and
the luncton of speed, But now it
‘occurred within buildings rather than
Betwaen hom Arcee gral
abandoned the corridor
toyday nthe 15th cota. However,
‘escalating building heights ofthe 20th
$018 osha
hana NE, Usa
919PAGE20
transversal
Octagonal Rooms & Transversal Corridors
In india, Mughal, or Islamic, cutur ofthe 16th contury
developed highly geometric architecture that combined the
‘eosmologic principles of the mandela withthe symbolism
and rituals of islam. The octagon was frequently used in
Order to represent the Persian tradition of Hash Bish type
architecture, with eight chambers surounded by e main
‘chamber, The corridor here aholy passage glowing vil
light from screone at the end of the passage. Spiritually, tte
corridor was 2 device for orientation to the world, and to
more sacred realms: certain corridors head tothe mitrab,
the direction of mecca
setasore Tomb,
ati a,
ge None te
SeaiGeat Be
‘reheat once
toetedat ese
Chora fg in
Shh, con
vetshor
Paka, Wir bow
(poste bes on her
Enon cor vooes
‘oe ah eto,
930
Fan ot Hanae
‘eno cor tom eget hal
8 PAGER
tangential
fhe el owl
Seema
Tesoctre he
er
Bayiger te corerPAGER
transversal
1394 Jeongieon (Main Hall of Jongmyo Shrine, Seoul, Korea: 100 metertong
corridor (£12 JER) of Jeongjeon isa space for royal ancestral ceremonies.
Located between spitt chambers and platforms for the orchestra and
performances, the coridor isa space for mediating the sprtual and tho
physical world, Also itis @theatrieal space: audiences can observe the whole *
‘ceremony through repeated columns
=
PAGERS
tangential
monastery ehurch
1450 Monastery, Buxhoim, Germany: the coricor permits passage between
‘monks’ quarters and church after penetrating the sanctuary walls the
thickened section ofthe corridor sereens between the choir and tha more
profane volume ofthe nave beyond,Pace2s
transversal
8, 1625 Nijo Castle, Kyoto, Japan
inaddition othe basic function of
Creulation, the corridors (BI) of
act as an environmental
tem, sctivated through
jemant of siding sho (paper
sliding doore) to adjust ight, humility,
and temperature
the
hse Shok
aa,
PAGES
tangential
1682Palace of Versailes:fugal and
ccommuntarian compared tothe
flamboyant publ spaces, the secret
passages al Versa initially
permitted the disorete movement of
servants ~and later became a refuge
for the royal family ding the
revolstonPAGERS
transversal
Pacez
ear wood manor
Visual and physical corridors 1.1368 Sinayuan (Typical Courtyard
Segmented coridors
House Typology), Beijing: one row of .
1097 Ls Sak Marchant House (EE HE iaforapace ieyemeet th Acuayudogs
Yenozhou, Chins arto, bu nacossble fom the coutyrdorsmal aden tough the Sonat
piysica pal of eve asl conor pnevatscts conor About 70 mst agp pal femme
sep pla osching the man hal 30 met vy. fousing in perrden Being
trvtornnt of nator pecs
Sipprtd bythe colaboraton
tetweencoidorcouryed ope
068
Sepuaton
ood Meer
Reenter,
oe
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Mesos Sevan ir
emane conc
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Bescon
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tosses all ous,
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i at ha
‘we
HOTPAGE 20
transversal: chen clan academy
Roald wally: condor elevated geld
1894 Chen Clan Academy,
Guangzhou: roofed walkway. The
cveral ayout of the Chen Glan
«_ Aeademy is a jaxstaposition of rooted
land open corridors operating as
{almost a city) grid. Corridors connects
48 buildings with nine halle and ix
courtyard, creating complex transitions
between indoor and outdoor spaces.
Here, users can observe the overlap of
‘multple views and constant changes in
nature: achivement of transparency in
architecture through corridor.
“up of te angen prisons end essyms
1829.Chery Hil,
by John Haviland,
Phikdelphi,
esigned for
segregation and
‘observation.
Courthouse,
parlment ant
‘government
ministry buildings
replicate the
doctine of
cclluarityn more
subtle aye,
ane i,
Beir it
Si
Geweacin soettregerem ‘omer.
tring food to the household, so motion was more or less aonstee) :
constant, everthing was designed to be mobil.” The ina ate
notion ofthe Hallas thehovse reinforced bythe ephen- "#00 EA cea em
‘eralty and fragmented condition ofits contents. Floors re- At Geek hreely ct ee “Of course itis possible to make even very long
mained bare, ding tables and cupboards were board id son iy etal srdors n'a haman way: bul hoy have fo be longer
Stop testis, eeating cured on mobile benches, beds vor pe ag eo ic down thir scale
Wore transportable mattresses made of straw, and Turitro ae ler
{ook the form of portable chests or tunks. The invention of
heat-proof bricks facilitated the chimney, which in tum aF
in some fashion, For examplo, a long hal that sit in
palches from one side at short intervals ean be very
sant indeed: the sequence of light and dark and
lowed fora amokeless hall andthe occupation ofthe space frr."whf ty i camp ta chance ts pause and glanco out breaks down the
hove teventuslyealed the “grand chamber’ and ioc ws omc oe ha ‘eeting of the endless dead coridor, ora hal which
Proliferation of fireplaces inside the new invention of the hen ‘opens out into wider rooms, every now and then, has
‘oom: in which various functions —reading, sleeping, the 2 ae the same effect. However, do everything you can to
(ey params Uva cseapa bt emperatied Haile barron Driking Reveing ‘keep the passages really short. .. Make them as much
‘ono 00m within larger, intntly more compiax country Ban cia t's teal eat
like rooms 28 possible, with carpets or wood on tho
00% urniture, bookshelves, beautiful windows. Make
them generous in shape, and always give them plenty
dation of ests eis of hal "Mui Fag, Dikng Be atest connion ond pecteaee cranes
houses. Halls remained important places of recep =e
providing space for ceremonies, ing, and th
‘fm a he Ba ee cater 6m those which have windows along en entire wal
‘Spt tan Masons han Es -ost ot
z= "] ‘iecemmon poplin tor ere mae . a
\. é Sorat mopeataeedente cere” Buildings, Construction (New York, 1977), 634. L A
*) (ier ogre aun howe coment le ‘J
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PaAGEIS
the corridor-cell complex
By Stephan Tiiby
41, The Comtidor ~an "Un-architecture”?
The conrder does not rank high onthe lst of nostloved epoces It can haraly
hope for sympathy, seemingly damned to forge pathways tough enclaves:
(of misery: “a repulsive haze confronted us, as we walked though the long
Cortdor upstats."" The chronicle af Theodar Storm's 1874 Pole Poppenepler
is just one example ofthe coridr's poor staring in our cultural imaginary. In
his portrait of bourgecis interiors ofthe late 19% century, Walter Benjamin also
12 for “long corridors,” saying that one “ftingly houses ony the
‘ypicaly regarded 2 "dark" “snista,” and “endloss,"=
‘Te unpopularity of the corridors surpassed onl by is provalence. One finds
corridors in Pinys Laurentium (bull around 100 AD, not far from Rome)
‘2s woll a in a simple Roman domus (Fig. 1, ; in tho Ukaidor Palace (uit
between 764 and 778 AD), the only known desert palace from the Abbasid
period in Karbala, rag, a condor ran directly 2ehind the enclosure wal wile
‘another divided the throne room complex from the main courtyard (Fg. 3]
In the Palace ofthe Five Stories inthe Mayan city of ThaP (Fg. 4] o¢ well as
in the upasathagaras, the great assembly halls ofthe traditional Ceylonese
‘monasteries: llamic architecture also features numerous passageways, such
{8 n the mosque/medrese of Murat |, competed 1385 in Bursa, where the
‘middle halls encompassed by a long corridos [Fg 5)"
CContidore and conidor-ike roams can be fourd in all cultures from all eras,
but they never attained the key role in cizculaton that Westom building
bas accorded them since the 17! and 18" centuries. The corridor became
Ubiquitous in tho 19% contury— in offices and administrative buildings, in
‘2eylums, hospitals, and tenements, not to mention in prisons and in Victorian
‘country homes. How could such a glaringly uspopular space become so
provalont?
(On the one hand, coridors are the result of a1 unwritten, but al the more
influential primary cocfcation that could be termed “epherological"*in the
language of Peter Sioterdj describing the vious “Room of One's Own”
programs, the countless isolating habitat that pervade modem times. On
the other hand, one must say that corridors aio also the result of many small
‘secondary codfications that could be ealed “hodological inthe language
‘of Kurt Lewin, (The Greek word hados means”“path” or “way.") These
‘classifications influenced modem architecture in the form of typologies and
‘model floor plans [Fig 6]. They approached exganic building methods inthe
‘2nimal Kingdom, as described by Anthony Vider: “Following tis analogy,
those whose tackit was to design now types of public and private buildings
began to talk about the plan and the sectional dsitbution in the same
{terms as the constitutional organization of species; axis and vertebrae vets
‘synonymous."” The hodelogicalcodications are not focused on the isolated
‘sphere of the room-col but rathor on the mannor in which they are linked.
Both cosificatione lead toa kind of goneraized Puritan rue, which could be
‘summarized inthe motto: “To every person his cel’sphere; 0 every row of
cel, its coridor to every corridor its topological tee siuctue.
Duke of Portland exacerbated both codticatons— the 5%
‘the hodological ~in the rebuilding of his estate, Welbeck Abbey, i
419 century in which he created s huge network of und
ceanneeting parts of his, and only his, demesnePAoeo
Fi Moadies see
ter Rapot Bont
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rn ofthe nce, Yop Boks 2nd elon,
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ss.0
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DOR PRGEA
2 Prison ~ Cells require corridors
In the late phases ofthe absolute monarchiesin Europe, new building tasks
ofthe state wore brought tothe for, that as a consequence ofthe English
French "double revolution” (Ere Hobsbawm) a te 18% century ~ were then
perfocted by middle clas society. This discourse is concemad with ~ alongside
hospitals and mental asylums prisons. The Virwan inspired architectural
theories were declared pases, especialy in the bung of prisons, The rules
of decorum regarding proper use of ornamentation and colurms that wore
Feflected in the vertical nature ofthe fagade were displaced by horizontally
friented standard floor plans, typologies, andinstiutional recommendations
‘round 1800, architecture changed, no longer sting fora Viruvian-inspated
symbole system, but rather a post Vituvian network: "Architecture let ta
ttadtional authority 28 eymbotic form, but inthis process i also came to be a
ode in @ network of knowledges and practices through which individuals were
formed and @ modem social space emerged," From then on, architecture
played lee of a passive role representing order, but rather an active olen
ing) order: “Architecture is no longer like a body. but
according to Sven-Olev Wallen
{AL the beginning ofthe 18% century, spatial techniques of socal discipline were
perfected in prisons. The new techniques of kolation and compartmentaization
were subsequently used on society 38 8 whole. Michel Foucault, the most
important interpreter of social eiscpine in the Enlightenment, described
‘modem disciptnary powe’s ambition for ocd in the following manner: “Avoid
ltibutions in groups; break up collective daposiions; analyze contused,
‘massive or transient pluraties. One must aiminate the effects of imprecise
sdstibutions, the uncontoled disappearance of indvidual, ther iftuse
xculation, ther unusable and dangerous coagulation; it was 8 tactic of ant-
‘desertion, ant-vegabondage, anticoncantaton."™ According to Foucault,
the central architectural instrument used to accomplish this was the cel tho
‘modus operandi of the discipinary powers: “Een fits compartments are not
‘outwardly realized, the disciplinary rooms furdamentally vay in the form of
2 call"® To make call, you need condor.
The calculated grouping of cols played a docsive role in socal dscipine
how rows of cells could be integrated into the regime's “channels of
communication.” This strategy brought the cosidor to the fore asa
survellange roomy the Panopticon principle of controlled cells was simplified
and evonomized into principle of monitoredintermesiate space. This
Principle, orginally developed in abbeys and monasteries, was implemented
‘uring moder times in tee waves of building projects: frst in hospitals,
‘then in pricons and barracks, and finaly in the esidential spheres of tenement
houses. Allof these buling projects were the subjects of elaborate state
standardization norma atthe end of tha 18° ard into the 19% century. A condor
call complex was created and reached new heights in prison constuction, with
fundamental consequences for general architectural topology. Ina racial break
fom the courtly enflade ~ a one-point perspective of aligned doorways though
‘2 procession of rooms the trnaversal corridor type gave way mare and more
te tangential conidars: ‘walking past series closed doors tock aver from
‘going through’ open space.
From the beginning, the modem prison was notably dstinc fom pre modern
jails. Imprisonment in pre-modem jals was meant ony forthe time before
‘the punishment, usualy torture or death, while the incarceration in modern
prisons was considered the punishment in itsef. Congruously, the term "prison
Sentence” appeared in criminal theoretical discussion I
1800.” Nevertheless the Catholic church canbe cor
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‘meditation and contition."* Fo this reason, early pre-Reformatin inatitutions
have calls, in which heretics and the disobedient were punished from 1261
‘very Canthsion monastery was raquired to have a prison atte posal.
Most of the prisons ofthe Inquiston, founded between the late 12" and the
‘mid-13" contury, indicate use of calls as wel In this regard, the state took 2
Tong time to lean trom the church: “It was only at the close ofthe 18th century
‘that civ euthosties, searching for @ substitute forthe usual penalties of death,
‘mutiation, or eile, began to use imprisonment on alarge scale as punishment,
ten inpired by church teachings and isolated examplas from the pas."
Seperation and the double corridor
‘The transformation fom a punishing incarceration to one focused on improving
‘the prisoner didnot take place in tho Catholic orisons, but rather within 9
Protestant framework, John Howard (1723-1780), the influential English
philanthropist and roformor of tho ponal system, played prominent ole inthis
evelopment. A deeply reigious man, he was 3 member ofthe Independents,
‘a moderate Purten sect. Starting in 1774, he traveled throughout Europe,
inspecting prisons and other locations, where ine unlucky were “rotting in their
‘own waste,"» He examined the institutions’ a with his own nose, counted the
hhumber ofiamates and published the findings n his majoc work, The State of
Prisons in England and Wales, one ofthe fst empirical surveys in the fel of
social studies * The book was reprinted four tinas inthe naxt 15 years; German
‘and French translations were published in 1780 and 1788, respectively =
Howard, vaites Thomas Nutz, “compiled spectic knowledge from various
discourses about the best organzation of prisons and the improvement’ of|
‘atinquents, gaining it a place inthe canon of specialized knowledge,” The
‘central teak that Hoverd passed on to hie consemporaries and posterity, a2
that, n order to reform the inmates, it was nocossary to separate them into
dliferet classes and provide religious instruction during poriods of colation. He
‘borrowed the essence ofthis idea from the phlanthropic businossman Jonas
Hanway, who founded the Magdalen Houso for Ropontant Prostitutes, in which
‘the women were complied to work, and perf religious observancsin their
single rooms [Fig. 7)"
Howard's teschings were partcualy wellimplsmented by the English architect,
Wiliam Blackbur (1750-1790), the fst architect to specialize in the building of|
prisons. With the Suffolk County Jal (1784-1720), Blackburn further developed
the principles of @ meaningtul prison architecture, which was praised by
Howard, i hie design of the Maison de Fores '1772-1776) in Ghent. Tho
‘stucture can be considered the frst large-scae prison in the world (Fig. 8-8),
Blackbur’s constuction was probably the fs: radial prison, allowing visual
Inspection ofall ofthe call carridore from one zontal point. Butt cid not
full one of Howere's main requirements, namly the separation of ferent
‘lasses of prisoners. Blackburn accomplished hat feat with the construction
‘of Winchester County ridowel,bultin 1787 [i 1). In is design, Blackbur
«divided the hitherto customary double-hipped 2 tract corer, thus creating
‘wo parallel coridors to divide prisoners acconding to thor dangorousness.
His invention was copied and modified, also in prisons of radial fm, unt
the 1830s: tin Buy St. Edmunds County Gaol (George Bild with John
(ridge, 1803 (Fig. 111); then in Worcester County Gaol (also by Byfield, 1814)
or the Norwich Gounty Gaol, (Frencis Stone [Fg. 12), built in 1828)
‘The pincple of the double corridor developed by Blackbur, the “father ofthe
radial prison,” also entered into the codification ofthe British Socioty fr the
Improvement of Prison Discipline In 1828, the society published Remarks on
the Form and Construction of Prisons, in wc the compgohensivo
of English prison architecture since Howard ard Bla
ine compendium, and consistent design reconmenda or
archtects* George Thomas Bulla, an architect workinPACEM
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1820, drow up nine model plans for the pubeation. Amost al ofthe designs
incorporated Blackburn's double cori, sc that inmates of different clasees
hhad no contact on their way to chapel [ig 5] Bullar's model plone soon
{gained a wide folowing, as seen in Westminster New Bridewel,Gesigned by
Robert Abram. Examples can also be found outside of England, uch ae the
‘Meath County Jeli Tim, Ireland (1832) andin Germany at the Insterourg,
Penitentiary (184), built by the Prussian Office for Pubic Works under the
leadership of Karl Friedrich Schinkel Fig. 141
Separate vs. silent
‘Tho separation of prisoner into different groups by way of Blackburn's double
‘condor caused a depute batween two competing philosophive of prisoner
‘separation: the “separate ystom,” associatad with the city of Philadelphia, in
‘wich inmates woro isolated day and right, nd the “lent system,” connected
to the town of Auburn, New York, where the convicts were in single cals cing
the night, but worked together sintly during the day. Whie the sent aystern|
lelindhidual prisoners merge into a great mass of inmates, the separate system