He has other sources of information,
Each The three-dimensional selves, in existing
therefore, than those strictly given within the
confines of the production. Each actor knows
this instinctively, and there are periods set and
allowed for within the play itself in which each
actor retires in order to refresh himself. In these,
he is informed through the inner senses of his
other roles, and he realizes that he is far more
than self appearing in any given play.
In these periods he understands that he had
his hand in the writing of the play, and he is
freed from those assumptions that bind him
while he is actively concerned with the drama’s
activities.
These periods, of course, coincide with your
sleep, states and dreaming conditions ; but
there are also other times when each actor sees
quite clearly that he is surrounded by props,
and when his vision suddenly pierces the
seeming reality of the production.
This does not mean that the play is not real,
or that it should not be taken seriously. It does
mean playing a role .. an important one.
actor must of himself realize, however, the
nature of the production and his part in it. He
must actualize himself out of the three
dimensional confines of the play’s setting.
There is great cooperation behind such
momentous productions, and in playing his role,
each actor first actualizes himself within three
dimensional reality. The multidimensional self
cannot act within three dimensional reality until
it materializes a portion of itself within it.
During its three-dimensional existence it has
helped others in ways that they could not
otherwise be helped, and it has been itself
benefited and developed in ways that would
be impossible otherwise.
To the extent, that you allow the intuitions
and knowledge of the multidimensional self to
flow through the conscious self, to that extent
not only do you perform your role in the play
more effectively, but also you add new energy,
insights, and creativity to the entire dimension.
within these realities, must focus their attention
there completely. An inner awareness gives
Seth
them a source of energy and strength. They
must, however, come to understand their roles
as actors, “ finally ” from their roles, and through
another act of comprehension, return to the
entity.
There are those who appear within these
plays fully aware. These personalities willingly
take roles, knowing that they are roles, in order
to lead the others toward the necessary
realization and development. They lead the
actors to see beyond themselves and setting
they have created. These personalities from
other levels of existence oversee the play, so
to speak, and appear among the actors. Their
purpose is to open up within the three-
dimensional selves those psychological
doorways that will release the three-
dimensional self for further development in
another system of reality.
source : “ Seth Speaks .. The Eternal Validity of The Soul”
by Jane Roberts
PYRAMID VALLEY
Maitreya Buddha Dhyana Vidya Vishwalayam
Kebbedoddi (village) , Harohalli , Kanakapura (taluk) , KARNATAKA
office : # 708 , 7th Main , 11th Cross
J.P. Nagar , 3rd phase , BANGALORE - 560078
ph : 91-80-32723143 mobile : 0 9448350265

Multidimensional
SELF
Your own environment includes far more
than you may have supposed .. your
environment in terms of the daily physical
existence and surroundings with which you are
currently connected.
In actuality, you are aware of very little of your
larger, more extensive environment. Consider
your ‘ present self ’ as an actor in a play .. hardly
a new analogy, but a suitable one. The scene
is set in the twentieth century. You create the
props, the settings, the themes ; in fact, you
write, produce, and act in the entire production
.. you and every other individual who take part.
“ you have forgotten ”
You are so focused in your roles, however;
so intrigued by the reality that you have created,
so entranced by the problems, challenges,
hopes, and sorrows of your particular roles ..
that you have forgotten they are of your own
creation. This intensely moving drama .. with
all its joys and tragedies .. can be compared
with your present life, your present environment,
both individually and en-masse.
The portion of you who is taking part in this
particular period-piece .. that particular portion
of your entire personality .. is so focused within
this drama that you are not aware of the others
in which you also play a role.
Now, these various plays .. these creative
period pieces .. represent what you would call
reincarnational lives.
“ plays are spontaneous affairs ”
In each play, both individually and en-masse,
different problems are set up. Progress can be
measured in terms of the particular ways in
which those problems were solved or not
solved. Great advances have been made in
certain periods.
These ‘ plays ’ are highly spontaneous affairs
in which the actors have full freedom within the
play’s framework.
The play itself was concerned with the
actualization of intuitive truth into what you
would call artistic form, with a creativity of such is only because you focus in this particular role
vast and sweeping results that it would serve now that you identify your entire being with it.
to awaken latent abilities within each actor and
You have set these rules for yourself for a
to serve as a model of behavior.
reason. And consciousness is in a state of
becoming, and so this multidimensional self of
which I speak is not a psychological structure
The challenges may be different in each play,
completed and done with. It is also in a state of
but the great themes are beacons to all
becoming.
consciousness. They serve as models.
“ unlimited possibilities ”
“ multidimensional personality ”
It is learning the art of actualization. It has
Your own multidimensional personality is so
within it infinite sources of creativity, unlimited
endowed that it can have these experiences
possibilities of development. But it has yet to
and still retain its identity. It is, of course,
learn the means of actualization, and must find
affected by the various plays in which it takes
within itself ways to bring into existence those
part.
untold creations that are within it.
These plays are hardly without purpose. In
You, therefore, create far more environments
them the multidimensional personality learns
than you realize. Now, each actor, going about
through its own actions. It tries out an endless
the role, focused within the play, has an inner
variety of poses, behavior patterns, attitudes,
guide line. He is not left, therefore, abandoned
and changes others as a result. within a play that he has forgotten in his own
creation. He has knowledge and information
“ you are the multidimensional self ”
that comes to him through what I call the ‘ inner
You are the multidimensional self who has senses ’.
these existences, who creates and takes part
in these cosmic passion plays, so to speak. It