Brief Lines Using Melodic Continuity "oe oe as Applied to Modulations up a Major 3rd Ted Greene, 1976-09-02 Do on all string sets in major and minor 3rd ascending and descending key cycles. blue = editorial additions G Cea7thS CHq7At S$ _ cieatls 7 r TA rH ., bee Fe? B J fa? iB = 5S a Z l H + or GA C27 - 45 G Cén7+ Fe Fa cart Fay Plea ie iF ie th sist] rath i tit rat) Ba9 C49 87 or = (49 Bu — 87 Key orc t Hl‘Melodie Cominuity as Applied to Modulations up a Major 3rd ~ Ted Greene, 1976-09-02 (p.2) C49 F4n7 1 9 By agen z ti = i - —— —_—s — a = oe ate ee fi 3iF sity +} or €4 1 €47 a y+ wt P calg ante et om eee Ca7/G = BT/F# = 687 or EN on CAG BF GAT or Fn at 2 2| Bye 2 oo 2 7 re é ,# # fed 61 21 C Cc oF [ete Fn ill 4° “Td ¥Melodic Continuity as Applied to Modulations up a Major 3rd - Ted Greene, 1976-09-02 (p.3) 9 An? Faq oa Ae bik of a 7 54 FS Hatt optional ifr 4 tH ooo Zi Teed € ft £ ¢: if 4 1 a * r F C Fao 7 cé 3 fered £ aE 1 fH eh! I a ony cot = oot ti t 4 272i 7 € : € 4 fe ¥ * ¢ a $ f Kat BE Tt: W tii i 1 Using iv-biii-ii-V-1 E47 Co?* Bbn? An? sath re » suggested a t ¢ voicing Key of Eb Ht f al rites ¢ tes he 1 P + ¥ 5 suggested sugaested voici pe voici ar je rr a oe) a re 5g 3 oF He a4 i Gén? Fn? Fu? oe De? Cn? Bn? a bn ae € tee i i nt Hane feat Q Anr~t au a4 4 fi optionalMelodic Continuity as Applied to Modulations up a Major 3rd - Ted Greene, 1976-09-02 (p.4) ws Ceo FTO) g ) wht Bra) 9 ay ee f - SS 1 | alPam MI Ronis 20 Oped A, fleets ipa MALO Seb one cif) ciaatls chet fer, Cty eon fae OUg ft ae i ct Gill (PPM doe Or) CH ge De r psa 5G Ale calf OE ele x t el rf a Baty bias wang MELaDC CONTIVUITY 20 apptiad MDUATIONS wep a. MALOR 34D fay nota wah gar cr ae ie abe ty © ft feet ty a Cs gq si eet Tit até. # tft