Professional Documents
Culture Documents
OF THE BE S T A U THOR S
SE L E C T E D BY
C A RO L I N E L . H UNT
T HE SA N FRANCISCO G IRLS
’
Hu m SC HO O L
) 0 0
BOSTON
D L O T HR O P C O M PA NY
W A SHING TO N STR E ET O PPO SI TE BRO M FIE D L
Co m m u r , 1 89 1 ,
'
BY
D LO THRO P
. C O M PA NY .
INTRO DUC T IO N .
b ook it gr ew
, .
4 3 93 5 9
I N T RO DU C TI O N .
new e ff ort .
N ow ,
A rme d by fa it h an d w i nged by
!
,
”
pra y er I se nd t he l it t l e volume for t h trusting
, ,
t h at i t m ay find a pl a c e a n d b e t he me ans o f
,
C A RO LIN E L HU N T . .
G R
I LS
’
H HS H
IG C OO L ,
S a n Fr a nc is co , 1 89 1 .
B EA U T Y .
’
Tis the stainless soul with i n
That outshines t he fairest ski n .
S IR A H U N T . .
R W E MERSON . . .
E I N G G OO D
B .
C H ARLES K IN G SLEY .
Howe e r it b e i t seems to me
’
, ,
A L F RE D T ENNYSON .
L i br a ri e s
a re t he wardrobe s o f lit e ra t u r e
whence men prope rl y i nformed m ig ht brin g
, ,
N e xt t o a c q u ir i n g good fr i e n d s ,
the bes t ao
C . C . C OLT ON .
o f the In die s . G I BB ON .
we know ,
W OR DSWOR TH .
8
BR A V ER Y .
G EOR G E E LIO T .
R e al
g lo ry
S prings fro m the sile nt co n ques t Of ourselves .
T H OMSON .
E D P RO C T OR . . .
A DDISON .
neve r do it .
R W E MERSON . . .
L ove ho p e
, ,
fe a r , —
fa it h t hese m ake huma n it y ;
These are i t s Sig n an d n o t e an d character
, , .
R O B ER T B ROWNIN G .
doe s tells us wh a t he is
, .
F D H U N T IN GT ON
. . .
S t ron g s ou l s
L i ve li ke fi re -
he ar t e d sun s t o spen d their
,
strength
I n furthest s t riv i n g a c ti o n . G EOR G E E LIO T .
Tb e A m er ic n a Sefi ola r .
IO
C HA R ITY C ON T EN T MEN T .
C ON T EN T M EN T .
! IMMERMAN .
S O C RA T E S
H OOKER .
rr
C O NTENTM EN T .
T O s e c u r e a c o nt e n t e d sp i ri t m e a s u re y our
,
!
Think on y ou r m arci es c hi l e t h in k
, , on yo ur
”
m a rc i es .
t o h a ve . A U ER B AC H .
E nj oy y o ur o wn li fe w it h out co m pa ring i t w it h
t h at of a no the r. C ON DOR C E T .
My crow n i s in m y he a r t n o t o n my he a d ;
,
No r to be s ee n my crow n is c a ll e d conten t ;
A cro w n it i s t h at se l do m k in gs enj oy .
S H AKESPEAR E
such bliss ,
R O B T G REENE . .
12
C ON C E I T CH R I S TIA N ITY .
Be not w i se in yo u r ow n conc e it s .
CH R I S TI A N I TY .
n o compromise .
”
P o lit e n es s is su r fac e Ch ristia nity .
I3
C ONV ERS ATI ON .
t he f o ur t h w it
, . S I R W M T EMPLE . .
S O U TH E Y .
C OWPER .
I4
C O U R T ES Y .
J AMES T F IEL DS . .
J R L OWELL . . .
16
DA U G H T ERS .
W C B R YAN T . . .
G EOR G E E LIO T .
I n t h y he a rt t he dew Of y outh ;
O n t hy li ps the smile O f truth .
H . W . L o NG FELLO w .
I7
DE AT H .
De at h lo ve s a s h ini n g m a rk a s i gn a l blo w
, .
S H A K ESPEAR E .
Friend O f m y be tt e r days
N one knew thee b u t to love t hee ,
No r n ame d t he e bu t to praise .
S H A K ESPEARE .
De a th i s t he dr opping Of t he fl o we r tha t t he
fruit m ay s wel l .
H . B EEC H E R
W . .
T i s the c es s a ti on O f ou r bre at h .
Le a ve s h ave the i r ti me t o fa ll ;
A n d flowe r s t o withe r at t he nort h W in d s ’
breath ;
An d stars t o se t —
,
bu t al l
Thou h ast all se ason s for th i n e o wn 0 De a t h ! ,
M RS H EMANS . .
E en such is ma n ; who li ve s by b re at h
’
,
”
I s here n ow t he re i n l i fe an d de at h
, , .
18
DE AT H DI L I G EN C E .
W h o se p o r t a l we c al l D eath .
H W LON G F ELL OW
. . .
JOA Q U IN M I LLER .
DI LI G EN C E .
’
D ilig en c e i s t he ph ilos ophe r s ston e t h at
”
tu r n s every t hi n g into g o l d .
A ll good o f e a r th e e n H e a ve n its e l f
,
’
”
By dilige nce i s wo n .
t he L o rd .
I9
DO I N G G O O D .
c he c k t hy de s i re o f do i n g it by a v ain fe ar O f
,
wh a t m ay h a ppe n . A TTER B U R Y .
A DRIAN .
W ha t do we live fo r if n o t t o m ake li fe le s s
di ffi cult t o e ach o the r . G EOR G E E LIO T .
Le a r n t he l uxury of d o in g goo d .
G OL DSMI TH .
r o w O ur span ,
C H ARLES S WAIN .
zo
DO I N G G OO D .
DO a ll t he goo d y ou can an d d on t ma ke a
’
DO good shun ev i l li ve n o t t ho u
, ,
AS if at de a t h th y be i n g d ie d
N or error s sire n voice allow
’
o r eve n g i ve th an by wh at yo u a re
, .
DR P EA B O DY . .
a nd re g re tt e d . M H H OWELL . . .
O n e gr an d s wee t song .
C H ARLES K IN G SLEY .
21
DU TY .
G re a t po we rs an d n a t ural gi fts do no t br i n g
pr i v i lege s to t he ir p ossessor SO much as they
b r i n g d ut ie s . H W B EE C H ER
. . .
C I C ERO .
W h at i t is o u r du ty to d o we mus t do b ecause
it is right not b e cau se a ny o ne c an dem a n d it
,
of us . W H EWELL .
!
W it h
all thy he art l ove God a b o ve ,
”
An d as t hy s el f thy n eighbo r l o ve
, , .
E ve ry n ob l e l i fe i s a l ife O f d ut y an d t h at
,
”
du ty i s s y nonym o u s w it h l ab o r .
Be su r e t ha t G o d
N e e r doo m s t o w ast e t he st ren gt h he de i g ns
’
i m part . R O B ER T B ROWN IN G .
he m ay h ave fo rg o tt e n its c au s e .
H W B EE C H ER
. . .
E ve ry hour t ha t flee t s s o s l ow l y ,
H as its task t o do o r be ar ;
L um i n ous t he crown a nd h o ly ,
I f t h ou s e t e ach ge m wi t h car e .
22
E C ONOM Y EDU C ATI O N .
N eve r b uy wh a t y ou do n o t w a n t be cause it
is cheap . F RAN K LI N .
fac e . B P S H ILLA B ER
. . .
and o f e a se . DR J O H NSON . .
E DU C ATI ON .
L e arn i n g by s t ud y must b e wo n ;
’
Twas n e e r e n t aile d from s on t o so n
’
G EOR G E E LIO T .
L O C KE .
24
E DU C ATI ON .
A good e du ca t i o n co n s i s ts i n a c ombinati on
”
O f good ha b its .
T H H U! LE Y . . .
m e n t o b e rather th a n t o know
, .
M AR K H OPKINS .
”
child asks W hat i s the use O f this !
,
!
Wh y !
”
i s that ! don t ca l l it t roublesome The b e s t
’
.
e ducation i s th at wh i ch i s t he a nswe r to o ur
o wn inquiri e s . R O B ER T SON .
ENEM I ES FA I T H .
e ne m i e s . G EOR G E E LIO T .
’
T i s de at h t o me t o be a t en m i ty ; I h ate i t ,
an d de s ir e a l l g o od me n s love S H A K ESPEARE
’
. .
FA I T H .
J G W.H I TT IER . .
F ait h i s t he s u b tl e c ha in
Th a t b in ds us t o t he I n fin it e : t he voi c e
O f a de ep life with i n .
E LI ! A B E TH O AKES S M I TH .
The r e is a d ay o f su n ny re st
Fo r eve ry d a rk an d t rouble d n igh t ,
W C B R YAN T . . .
26
FAL SE H OO D .
B IS H OP W AR B U R T ON .
L iars
are t he ca use Of all the s in s and crimes
in the world . E PI C T E TU S .
H ER B ER T .
Lyi n g
lips are abomi n ation t o t he L ord ; but
t hey th at dea l t ruly a re his del ig h t .
S C O TT .
A nd l ie s t o h i de it m ake s i t two
,
.
W A TT S .
27
F I RM N ESS F OR G I V ENESS .
0 W H OLMES . . .
Be firm O f he a r t
By fusio n O f un numbered ye ar s
A contine n t i ts v a s t ness re ars !
A drop t is s a id t hrough fli nt will we ar ;
,
’
,
Toil o n
F O R G I V ENESS .
be shown ag ain s t t he m a n .
H W B EEC H ER
. . .
L OR D H ER BERT O F C H ER B U RY .
R I C HT ER .
28
F REE DOM F R I EN DS H I P .
E PI C T E T U S .
sun !
Thou hast unite d u s who S h a l l div i de u s !
,
! eep us 0 keep us
,
— the M a n y in one .
0 W H OLMES . . .
F R I EN DS H I P .
!
The n obles t par t o f a frie n d i s an ho n e st
boldness in t he not i fyi n g O f errors He th a t .
n o t t a i n t e d W i t h fla t tery .F EL TH AM .
29
F R I EN DS H I P .
”
know n t his e x pe rime nt t o fail .
We S h ou l d pra i se o ur friends O u r ne ar an d
-
H B S T OWE. . .
’
T i s thus t hat on the c ho ic e O f fr i e nds ,
A R B UTH NO T .
H ENRY W AR D B EEC H ER .
30
F R I EN DS H I P GI VI NG .
”
W e lc ome the comin g s p eed t he p arting guest
, .
H OMER .
R . W . E MERSON .
T H A C KERA Y .
GI V I NG .
R W E MERSON . . .
J R L OWELL . . .
3 2
G OD HI S LOVE .
P OPE .
G OD S LOVE
’
.
T H OMAS A K EMPIS .
33
LOVE
’
G OD S .
A l l the pa t h i n wh i ch we r ove ;
B l iss He w a kes an d wo e he ligh t e n s
, ,
G o d is w is dom G o d is lo ve
, .
J O H N B OWRIN G .
Bu t i n i t s l i gh t my soul ca n s ee
S om e fe at ure o f Thy De it y .
T H OMAS M OORE .
H e nc e fo r t h my he a rt S ha l l si g h n o more
Fo r Ol de n t ime an d hol i e r shore
G o d s l ove a n d bless i n g t he n an d there
’
, ,
A re n o w an d he r e an d eve rywhe re .
J G W H.I TT IER . .
E B B ROWNIN G . . .
H W B EE C H ER . . .
34
G R ATIT U DE H APP I NESS .
W OR DSWORTH .
ROCH E FO UC AU LD .
Tha t l in ks t he c ha i n Of be i n g s t o e a c h o the r .
M A DDEN .
A gr at eful mind
B y ow i ng owes n ot bu t s t ill pay s at o n ce
, ,
In debte d an d d i s c harged .
M ILT ON .
H APP I NESS .
S H AKESPEA RE .
3S
HAPP I NESS .
S AM U EL JO H NSON .
DU C H ESS DU P LAS T IN .
36
H E AV EN .
T H OMAS M OORE .
JEREMY T AYLOR .
A place O f re fu g e c a n p r ov i de ano t he r be i n g
,
give ;
C an C l othe t hy per i sh ab l e for m with b e autv r i ch
an d rare ,
a s t a ti on there B IS H OP R I C H AR D M AN T
. .
37
H I S T OR Y H OM E .
S IR J S T E V ENS . .
n it
y for a back g round . C ARLYLE .
W h at i s h i story , sa i d N ap o le o n , !
bu t a
fable agreed upon
R W E MERSON . . .
H OM E .
’
H om e i s whe r e t he re s on e to love u s
C H ARLES S WAIN .
38
HO NES TY .
An h o ne st de a t h is be tt e r t han a dishones t
li fe
. S OC RA T ES .
R OWE .
The m o re hone s t y a m an h a s t he l e ss he ,
a ffec t s t he a i r o f a sa i n t
. L A VA T ER .
J G H OLLAN D . . .
be o ne m an p ick d o u t o f t wo t housand
’
.
S HAKESPEARE .
An h on e s t m an is t he n ob le s t work of God .
P OPE .
L a nds m o rt g ag e d m ay r e t ur n an d m ore e s
tee me d ;
Bu t ho n e sty o nce pawne d i s n e e r redeemed
’
.
M I DDLE T ON .
40
I DL ENESS I N DO L EN C E .
An idle yo u t h a n eedy ag e .
I d l e n e s s i s t he m ot he r O f al l misch i e f .
Ab se n c e O f o cc up at io n i s not res t ,
C OWPER .
C OWPER .
I f yo u h a ve bu t a n hour w i ll yo u no t i m pr o ve
,
t h at hour i ns t e a d o f id l in g i t a way !
,
C H ES T ER F IELD .
I N DO L EN C E .
C OWPER .
I l o o k up on i n do l e nc e as a s or t of suicide ;
fo r the m a n i s e ffec t uall y destro y ed though the ,
L OR D C H EST ER F IEL D .
41
I N DU S T R Y .
DR F M C C A RTH Y . . .
I n eve ry ra nk or gre at o r sm a l l
,
’
T i s indus t ry supp or ts u s all .
F S O S G OO D . . .
t he m a fo rt u n e . W H A T EL Y .
42
I N FL U EN C E .
O ur m an y deeds t he t hough ts th at we h a v e
,
tho ughn
The y go ou t from us thron gi n g eve ry hour ;
A nd in the m e ach is folded up a powe r
That o n the e arth do t h move them to and
fro
A nd m ighty are the m a rve ls they have wrough t
I n he arts we know no t and m ay neve r know .
A n d ti me is e t e r n it y ,
43
I N FL U EN C E .
L i fe i s m a de up n o t O f g re at s acrifices o r
,
se c u r e c omfor t .
S IR H D AVY
B O B BU R DE TT E .
’
A man s str e ngt h i n t h i s li fe is O fte n gre ate r
fr om som e si ngl e word re m embere d and che r
,
is he d t h an in arm s o r arm or
, .
H W B EE C H ER
. . .
H W L ON GF ELLOW
. . .
44
I N FL U EN C E .
A S E DG WI C K . .
T ENN Y SON .
y e ars . C ARLYLE .
45
I N F L U EN C E .
rul e ,
graces ,
H ORAT I U S B ONAR .
F . R HAV E RGAL
. .
m a nkind .
Though t he he a d m ay rul e it ,
is t h e he ar t
”
t h at i nflue n ce s .
46
! U S TI C E .
BUTLER .
C H APMAN .
S HAKESPEARE .
fo und e d f
’
48
K I N DN ESS K NO W L E DG E .
K NO W L E DG E .
A DDISON .
whateve r he m a y kn o w b esides .
49
K NO W L E DG E .
! n o w l ed g e i s a rude unprofi t ab l e m a ss
,
Ti ll smoothe d an d s quare d a nd fit te d t o it s
place
,
C OWPER .
it .
S T ERNE .
B RA INER D K ELLO GG .
! n o w l e d g e dwells
I n heads rep l e t e w it h t houghts of o t he r me n ;
Wi sdom i n minds att en t ive to the i r o wn .
C OWPER .
SO
LA W S L ESSONS .
!
S t r ict
l aws a re l ike s t ee l bod i ce g oo d fo r ,
growing limbs
Bu t whe n t he j oints a re k n it t hey a re n o t hel p s
,
”
bu t b urden s .
powe r . S O UTH .
L aw i s t he sc i en ce i n whi ch t he gre a t e s t
powers o f the understand in g a re applie d t o the
gre a t es t num b e r o f fac t s
. DR JO H NSON . .
L ESSONS .
O ne o f t he
l essons a woman mos t r a re l y l e a rns ,
is neve r t o ta lk to a n a ng ry o r a d runken m an .
G EOR G E E LIO T .
SI
L I FE .
L ife
is a sum and it b e come s us
,
to do i t
”
pro p e rly as it can b e done but on c e .
JAN E T AYLOR .
L ife
a lone can impar t life and though we ,
R H S T O DDAR D . . .
5
2
LI F E .
L ife
like a dome o f m a ny colo re d gla s s ,
S H ELLEY .
b re aths ;
I n fee l ings not in figures o n a d i a l
,
.
He most l ive s ,
b est . P J B AILE Y . . .
N o t in much ti me bu t ac ti n g well , .
VVA L LER .
53
LOVE M AN .
H W B EE C H ER . . .
H B S T OWE . . .
MAN .
C r u z és fi a n é : A lm
’
a na c
'
kn ow youn g me n t o be so Ray s Pr ov er és
.
’
.
54
M O DES TY M O T H ERS .
L A B R U YERE .
H U GH ES .
M O T H ERS .
H W L ON GF ELLOW . . .
56
M O T H ERS .
N P W ILLIS . . .
he ar t of the ocean . H O W AR D . . .
C H ARLES S WAIN .
H W B EE C H ER . . .
57
M USIC N E ATN ESS .
’
Me n s muscl e s m ove be tt er whe n t he ir sou l s
ar e ma k ing merry musi c G EOR G E E LIO T
. .
B YRON .
Fee li n g he arts — to u c h t he m bu t r ig h t l y
p ou r
A t h ou s an d m e lo d i e s un he a rd be fo re .
M OORE .
All o n e s li fe i s m u s ic if on e t ouche s t he
’
,
n ot es r ig ht l y a n d i n t i me
,
. Rugx m .
N E AT N ESS .
Ce r tai n l y t h i s i s a duty no t a s i n
, ,
Cle an li ne ss is n e x t t o godliness .
JO H N W ESLEY .
!
T rue g e n t ili ty shows i t sel f in a n e a t well ,
58
NO BL ENESS O BE DI EN C E .
I f you intend t o do a me an t h i ng wa it ti l l ,
S O no b le n ess e n k in d le t hn o b le ness
”
.
O BE DI EN C E .
O b e d i ence i s a c omplicated a ct o f V i r t ue an d ,
M ILT ON .
‘
Gove rn men t m u s t c ompe l the O be die nce of
i n dividuals othe rwise wh o will seek i ts p ro te c
”
ti o n o r fe ar i ts ve ngeance .
S on s of he av
and e arth
’
n ,
M IL T ON .
O b ey
them tha t h a ve t he ru l e o ve r you an d ,
S9
O R DER P EAC E .
N o t h i ng
helps t he me mory s o much as orde r
”
an d classification .
O rde r
is He ave n s first law an d t his confesse d
’
P OPE .
the S t a te . S O UTH EY .
P EAC E .
B A T ES .
DANIEL .
60
PATI EN C E .
PHCE BE C AR Y .
E B B ROWNIN G . . .
61
PERSEVERA NC E P A T R I O TI SM .
.
’
”
He con que rs who e ndure s .
'
H ERRI C K .
DR S JO H NSON . . .
R H ERRI C K . .
PAT R I O T I SM .
62
P R AY ER .
W he n yo u li e dow n cl os e y ou r eyes w i th a
,
ru dde r of the d ay o
. H W B EEC H ER . . .
S i s t e r,
t he holy m ai d d oe s we ll
W ho coun t s he r b e ads i n c o n ve n t c e ll ,
As well a s human fin g e rs .
O W H OLMES . . .
64
P R AY ER .
I p r ay t he praye r o f P l at o Old ,
J G W H I.TT IER . .
i n cessan t,
o f Heaven . H W L ON GF ELLOW
. . .
J G W H I TTIER
. . .
J G W H I TT IER. . .
65
P R AY ER .
M EL ANC THO N .
J S U TC LI FF E . .
H e m a d e a n d love th all .
C OLERI DG E .
R I C HT ER .
66
P R I DE 3 P RO C R A S TI N ATI ON .
IS su b ject to irritation J .G SA x E . . .
R O S C OMMON .
P RO C R A S TI N ATI O N .
OUNG Y .
67
P R OC R A S TI N AT I O N .
Be w is e t o d a y ; tis m a d n e ss to de fe r
’
.
OU NG Y .
O miss i o n to d o wh at i s ne c e s sary S e a l s a
c o mmi ssion to a bl ank o f d ange r .
S HA K ESPEARE .
”
By t he stree t o f By and By ,
W e arrive at t he ho u se o f N eve r .
Th a t we wou l d do ,
ch a n g e s. S H AKESPEARE .
DRY DEN .
”
O n e tod ay i s wor t h t wo to morrows
-
.
68
RES I G N ATI O N RE V EN G E .
A nd g e n t ly whispers Be re sig n e d
,
Be ar up be ar o n t he e nd S hal l t e ll
, ,
M ON TAI G NE .
Things wi t h ou t reme dy ,
S H A K ESPEARE .
RE V EN G E .
. .
do we ll . L OR D B A C O N .
69
SE LF C ON T RO L
-
SE LFI S H NESS .
R . W . E MERSON .
M ILT ON .
SE LF I S H N ESS .
se l f n egle ctin g
-
. S H AKESPEARE .
i n himself . H W B EE C H ER . . .
S I R J M A C KIN T OS H . .
L E S T RAN G E ’
.
70
SIN SONS .
I cou l dn t li ve i n pe a ce i f I p ut t he S h a do w
’
G EOR G E E LIO T .
B ARON .
dev i l
. F U LLER .
M an li ke i t i s t o fa ll i n Sin
-
,
Ch rist l i ke it is o e r si n to grieve
-
’
,
L ON GF ELLOW .
SONS .
A w i se son m aketh a g l ad fa t he r : b ut a
foolish s o n is the he av i ne ss o f h i s mother
l
.
7 2
SON S S T REN GT H .
ou t o f a m a n is h i s m e an e st .
H W B EEC H ER . . .
S T REN G T H .
O f w i sdom ! V a s t u nw i e l d y burde n s o m e ;
, ,
M ILT ON .
W it h it s me a sure o f j oy an d o f sorrow .
BU C KH AM .
73
TI M E .
H OMER .
L i ve —
l i ve t o d ay t o mor r ow never y et
-
”
O n a ny hum a n be i n g rose o r Se t .
F RANKLIN .
t he re is n o re callin g it .
DEAN S WI FT
RU TH ER F OR D .
T i me i s t he warp o f l i fe sa i d he O h t el l
,
.
M ARS DEN .
74
TI M E .
A A P RO C T ER . . .
DR J O H NSON . .
M AR G ARE T E S AN G S T ER . .
75
T R U ST —T R U T H .
Ho w ge n tl e God s comm an d s !
’
R W E MERSON . . .
TRUTH .
I wo ul d h a ve a w o m an a s t rue as De a th At .
m arrow .
Le ave wh a t y o u ve d o ne fo r wh at yo u h a ve to
’
do ,
0 W H OLMES . . .
76
T R UT H .
Tru t h i s h on e s t t ru t h i s sure ;
,
0 W H OLMES . . .
L E ST RAN G E ’
.
77
TR UT H — U SE OF TI M E .
!
The n i m b le lie
IS l ike t he se cond hand upo n a c l o c k
-
.
U S E O F TI M E .
S ix ho ur s in Sl ee p i n l aw s grave study s ix
’
, ,
S IR EDW C OKE . .
S IR W M J ON ES . .
E igh t h our s a n d a ha l f to s c ho o l al l ot ,
A L C OWAN . . .
L O UI SE R O U SSEL .
78
W E LL DO I N G
-
W I S DOM .
G EOR G E E LIO T .
b e we ll done
Y ou mu st do it yourself ; you mu st not le ave i t
t o others .
L ON GF ELLOW .
Y ou will find t he m if y ou do ;
A s you m e asure fo r your n eigh b or ,
A LI C E C ARY .
W I S DOM .
8o
W OMEN .
—
The s e poo r sill y women t hings t hey ve n o t
-
’
proved .
n ot t o utter
.
He r l i ps of love he r e y e s o f ligh t
,
M ay linge r in he r curls of j e t ,
N P W ILLIS . . .
!Fr om u élisb ea )
’
an un p p oem .
81
W OR DS .
G i ve no t thy t o n gu e t o o g re at a li ber t y l e s t i t
t ake t hee pr i s on e r . Q u A RL E s .
He t h at h at h a p e r ve rs e t on gu e fa ll e t h int o
m is c h i ef
.
A who l e s o me t on g ue i s a t re e of l i fe bu t ,
The r i gh t w o rd is al w ay s a power a n d c om
,
G EOR G E E LIO T .
t hink .
B YRON .
82
W OR DS .
I f yo u ve an y t hing t o sa y
’
True an d needed ye a o r na y , ,
”
S ay i t.
S IR WM H AR C O U R T . .
L e a rn t o ho l d t hy t on g ue F i ve words c o st
.
T H OMAS F U LLER .
H W B EEC H ER . . .
83
W OR K .
M H K RO UT . . .
Ha rp er s Week ly
’ '
T H OMAS C ARLYLE .
84
W OR K .
ing age whose cheerful face give s the b ene dic t ion
,
C H AS S R O B INSON
. . .
R O B ER T B ROWN IN G .
O R V ILLE DEWE Y .
H as e ar n ed a nigh t s repose
’
.
L ON GF ELLOW .
F S O S G OO D . . .
85
WO RK W RON G DO I N G
-
.
S he will never co me t o y ou .
G O an d t o i l i n a n y v i neyard ;
DO not fe ar to d o o r dare
If yo u wan t a fi eld of la b or ,
W o r k sows t he seed
E ven t he r ock m ay yie ld i ts flowe r
N 0 lo t s o hard b u t huma n powe r ,
P re ss o n
Free me n freel y work
W h o eve r fe ars G o d fe a rs to Sit at e ase
, .
M RS B ROWNIN G . .
W RON G DO I N G
-
.
R W E MERSON
. . .
86
M ISC ELLA NEO US .
R ou g h hew them as we w i ll
-
.
S H AKESPEARE .
Di s p a t ch i s t he soul of bu si ne ss .
CH ES T ER F IEL D .
S H AKESPEARE .
b re ast ,
best ,
C H ARLES S WAIN .
L ON GFELLOW .
DO DSL EY .
88
M I S C E L LA NEO U S .
H W B EE C H ER . . .
C O V EN T RY P A T MORE .
L earn
as if y ou were t o live fore v er ; live as if
you were to die t o morrow -
.
A NSAL US DE INSUL IS .
F RANKLIN .
89
M I SC E L LA NEO U S .
Be sur e
’
y ou r e r ig h t an d the n g o a he a d .
DA V Y C ROC KE TT .
”
r e pos e.
I ho l d i t t ru th w it h h i m wh o s i ngs
,
O f t he ir de ad se l ve s t o hi g he r th i ngs .
T ENNYSON .
ur s . O W H OLMES . . .
d i spat c h o f a s t ro ng o n e . C OLT ON .
C ER V AN T ES .
90
M I S C E LLA NEO U S .
A nd in it are e nshrined
The precious keepsake s into whi c h are wrough t
,
J G W H I TT IER . . .
9 1
M I S C E LLA NEO U S .
S ile ntly ,
one b y o n e i n the i n fi nite me adows O f
,
he aven ,
Book of C om m o n Pr ay e r .
92
M I S C E LLA NEO U S .
A DAM S MI TH .
A n ob l e m i n d disdains n o t t o r e pe nt
L ON GF ELLOW .
93
M I S C E LLA NEO U S .
E ve ry ch i me its harshest be ll ,
E ve ry fie ld i ts l e ane s t sheaf ,
S hall it no t b e so w i th m ine
Be st for worst shal l m a ke ame nds ,
Be nedi c i t e — A me n . o W H OLMES . . .
M AR T IN L U TH ER .
H W B EEC H ER
. . .
94
M I S C E LLA NEO U S .
G EOR G E M A C DONAL D .
O ne l ikes a !
beyo n d e ve rywhe re .
G EOR G E E LIO T .
H o n or
make s a gre at part of t he reward o f al l
ho n orable professions . A DAM S MI TH .
In a sen se wh a t a m an wa nt s he c a n h ave
, .
O W H OLM ES JR. .
, .
W i th o ut c o n fide n c e i n o n e s se l f ve ry li tt l e
’
h e a d way i s m a de i n t h i s world .
J G H OLLAN D . . .
Thou g h t is a p l e a sure an d a po we r .
THR I NG .
96
M I S C E LLA NEO U S .
E MMA C Do w n . .
S H ERLO C K .
”
W he n y o u ve n o t h i n g t o say s a y it
’
, .
”
N othin g no t good is wanted .
J R. . M ILLER .
97
M I S C E LLA NEO U S .
98
M I S C E LL ANEO US .
H owe e r we fail i n ac ti on
’
.
J R LOWELL . . .
IOO
M I S C ELL A N EO U S .
A poem ,
magical words and t houghts ,
P ALMER D H A T C H . .
R O B T M C K EN ! I E
. .