TEN HYMN TUNE VOLUNTARIES Book I Book Ir Darwall's l48¢? Franconia Leicester Wiltshire Stockton Abridge Richmond Old 100% Wareham St.Columba Far thre ORGAN HENRY COLEMAN Copyright: Prize 8]6 238s London. STainer & Bert L? Made in England.may all be played apon one Manual, though the use of a second Manual faallable ‘They are complete without the Pedal pert, which may be introduced or omitted at will, When the Pedals Manuals coupled as directed,it is unnecessary to play with the left hand those notes which are played by the feet. The ‘pon the upper stave will generally be taken with the right hand,and those apon the middlestave with the left,though it will some- times be convenient when changing stops if the notes on both staves are taken with one hand. ‘The bracket sign L (seo Pranconia,Book Il, page 8, last two bars, und other places) indicates that certain notes vn 1 be played by the right hand. Care should bo taken that all repeated notes, except those joined by a tie — are sounded again, and not held. This is specially Important where such notes occur in the melody of the Hymn Tune. (See Wiltshire, Book Il, page 4, and similar places.) He. Book I D. ARWALL’S 1 4gth Peterborough, Sept. 1988 “YE HOLY ANGELS BRIGHT” middle stave should HENRY COLEMAN Majestic > >> F> > MANUAL ay Ped. coup.to Gt. PEDAL Copyright,1983, by Stainer & Bell Ltd. Lesbourne Rd,Reigate,Surrey. SapaiopSlower S. & B.4409 BOOK JLEICESTER “1 AM NOT WORTHY” HENRY COLEMAN Allegretto MANUAL Sup Ped. coup.to Sw. PEDAL BooK 1 Copyright, 1988, by Stainer & Bell Ltd. S.& B 4409Gt. to Ped.off S.& B.4409 BOOK 1STOCKTON “O FOR A HEART TO PRAISE MY GOD” “a LIVING STREAM, AS CRYSTAL CLEAR” HENRY COLEMAN Not slow oe aa MANUAL! Sw. mf Ped.coupled to Sw. PEDAL Gt.to Ped. BOOK 1 Copyright, 1988, by Stainer & Bell Ltd. S.& B,4409S&B. anu BOOK IRICHMOND “PRAISE TO THE HOLIEST” “FILL THOU MY LIFE, 0 LORD MY GOD” “CITY OF GOD” HENRY COLEMAN Allegretto = MANUAL: "Sot Ped. coup.to Gt. PEDAL = : es BOOK 1 Copyright, 1988, by Stainer & Bell Led. S.& B 4409S.& B. 4409 BOOK10 WAREHAM “OQ SAVIOUR, LORD, TO THEE WE PRAY” “JESUS,WHERE'ER THY PEOPLE MEET” HENRY COLEMAN Rather slow =—— ao =< MANUAL Sw. p Prep re Ped. coup. to Gt. PEDAL ROOK 1 Copyright, 1983, by Stainer & Bell Ltd S&B, 4409n = —, = —_ P keepon Gt, Gt.to Ped. in S.& B. 4609 BooK 1SHORT AND SIMPLE ANTHEMS Base ox POPULAR HYMNS ‘with optional part for the Congregation by conn} Preah ara “These anthems have been written to fila deft ned, which the composer, during hia cxperienea among smaller town and country choirs and congregtions, ha found to exiet—the ‘eed aod liking for simple anthems based upon familar hye and tel ence, in which lost "lhe vocal materials dev rom he tune, orsional ne being ade of imple descents (the fing ofa melodious fea part tothe tn). The material of the anthem th exists already in the minds ofthe singers, ad itis in the attic use and development of thi, wth shor organ Interludes between the phrases, thatthe stength and simplicity of these anthers, ‘arity i secured bythe provision of pasage for treble alone, voce wit sometimes with the congregation taking part), and unaccompanied singing in four-part harmony. Some Inelodieporons may effectively be sng a ole if slot i avilable and in certain places these are indiated; the planing, however, aso silflly managed ato bring the anthems within the reach of any coir, however modes in mimbers rin kl. The congregation can realy take parti thee anthems with ite ono prac, the only ects being that of eeoguising the various pint of etry after the itera on the orga, The organ part, writen on two staves, although adding a great deal of variety and interests throughout arighforwardand eal efeive. "The pedaling im inleated, butt may quite well ‘bediapensed with and the acompanimens played onan intrument without pedal "There are simple suggestion for egitrstion, planed for two-nanal ntroment, bu agi, if only one ‘manuals avalablethe musi will sound complete snd gracious. In church music auch a8 this, the compote’ objet should be to achieve an attic -ghtening ofthe impreveneso appeal of the words withthe simplest mea posible. In this eapet De Coleman wll be found to have given sal choirs something tat they can sing ‘vith sisfacton, and withthe fling tat, working within the Lnitatons of thei materi snd Size, they are offering something ently secmly, which’a worthy ofall he are and expressiveness that they ean bring tober. So performed the anthems wil igniy the servic ith the benaty of simplicity, utes ine od anes nthe natural strength ar framed inte acompanien, trhich gen emphases or develops some salient figure ofthe relody, thus securing that ity ‘ith variety, which together consti the eaten of artic dexign “These anthem, which are obtainable in either taf or sol-fa notations are ll tbl for general ne, and" As pana the art" Al ye who aes,” and" The King ave," alo make food into or Communion anthems. Abide with me" (Evening), "© worship the King (Petia) and Great God, what do T see” (Advent), are specially elective when the ‘congregation takes it indicated part (hough hia not eretl). In" Abide with me ” there tre no organ intrudes between the ines, 0 that he eongregation ca join fm witout any previous practice; in Great God, what do I see” there is only a regular half-barinteride betwen the ines throughout, so tha this ay alo be sung by all with bt a word of nati, of afer listening tothe singing Ofte fist verse by the chai twill be noticed that in thee numbers, As pant the hart” ‘The King of lov,” and “Alle who sec," alleratoe words are provided, each ofthese numbers therefore providing ‘eo anthems, forte on diferent oxevions, athe prize of one. Tt wll be seen from thee note and till more realy fom a glance a the copy) that _. Coleman now intimately th nets and tastes ofthe coins for whom he a writing. By all sch bodes these athema wl be ung gun and again wih the cent of ding juste to them and tothe singer’ powers, and atthe sume time, without undue efoto pretension, taviching the service ofthe Church, Price each, 0.N- 6d, Solfa6d. STAINER & BELL, LTD.