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All the world's a stage

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This article is about the Shakespeare monologue. For the live album by Rush, see All the World's a Stage
(album). For the television episode, see All the World's a Stage (Ugly Betty).

The line "all the world's a stage [...]" from Shakespeare's First Folio[1]

Richard Kindersley's sculpture The Seven Ages Of Man in London

"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral
comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 138. The speech
compares the world to a stage and life to a play and catalogues the seven stages of a man's life,
sometimes referred to as the seven ages of man:[2] infant, schoolboy, lover, soldier, justice, Pantalone,
and old age, facing imminent death. It is one of Shakespeare's most frequently quoted passages.

Text

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All the world's a stage,

And all the men and women merely players;

They have their exits and their entrances,

And one man in his time plays many parts,

His acts being seven ages. At first, the infant,

Mewling and puking in the nurse's arms.

Then the whining schoolboy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress' eyebrow. Then a soldier,

Full of strange oaths and bearded like the pard,

Jealous in honour, sudden and quick in quarrel,

Seeking the bubble reputation

Even in the cannon's mouth. And then the justice,

In fair round belly with good capon lined,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixth age shifts

Into the lean and slippered pantaloon,

With spectacles on nose and pouch on side;

His youthful hose, well saved, a world too wide

For his shrunk shank, and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion,

Sans teeth, sans eyes, sans taste, sans everything.

Origins

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The Seven Ages of Man by William Mulready, 1838, illustrating the speech

World as a stage

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The comparison of the world to a stage and people to actors long predated Shakespeare. Juvenal, the
ancient Roman poet, wrote one of the earliest versions of this line in his “Satire 3”: “All of Greece is a
stage, and every Greek’s an actor.” [3] Richard Edwards' play Damon and Pythias, written in the year
Shakespeare was born, contains the lines, "Pythagoras said that this world was like a stage / Whereon
many play their parts; the lookers-on, the sage".[4] When it was founded in 1599 Shakespeare's own
theatre, The Globe, may have used the motto Totus mundus agit histrionem (All the world plays the
actor), the Latin text of which is derived from a 12th-century treatise.[5] Ultimately the words derive
from quod fere totus mundus exercet histrionem (because almost the whole world are actors) attributed
to Petronius, a phrase which had wide circulation in England at the time.

In his own earlier work, The Merchant of Venice, Shakespeare also had one of his main characters,
Antonio, comparing the world to a stage:

I hold the world but as the world, Gratiano;

A stage where every man must play a part,

And mine a sad one.

— Act I, Scene I

In his work The Praise of Folly, first printed in 1511, Renaissance humanist Erasmus asks, "For what else
is the life of man but a kind of play in which men in various costumes perform until the director motions
them off the stage."[6]
Ages of man

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Likewise the division of human life into a series of ages was a commonplace of art and literature, which
Shakespeare would have expected his audiences to recognize. The number of ages varied: three and four
being the most common among ancient writers such as Aristotle. The concept of seven ages derives
from mediaeval philosophy, which constructed groups of seven, as in the seven deadly sins, for
theological reasons. The seven ages model dates from the 12th century.[7] King Henry V had a tapestry
illustrating the seven ages of man.[8]

According to T. W. Baldwin, Shakespeare's version of the concept of the ages of man is based primarily
upon Palingenius' book Zodiacus Vitae, a school text he would have studied at the Stratford Grammar
School, which also enumerates stages of human life. He also takes elements from Ovid and other sources
known to him.[9]

See also

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The Seven Ages of Man (painting series)

Ages of Man

Riddle of the Sphinx

Six Ages of the World

"Solomon Grundy"

Mere Oblivion (short film)

The Seven Doors of Danny (musical theatre)

References

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William Shakespeare (1623). Mr. William Shakespeares Comedies, Histories, & Tragedies: Published
According to the True Originall Copies. London: Printed by Isaac Iaggard, and Ed[ward] Blount. p. 194.
OCLC 606515358.

Shakespeare's Seven Ages of Man. By William Shakespeare. Van Voorst, 1848. (Also, L. Booth and S.
Ayling, 1864 Version.)
Wender, Dorothy. “Roman Poetry: From the Republic to the Silver Age. Carbondale: Southern Illinois
Univ. Press, 1980. p. 138

Joseph Quincy Adams, Chief Pre-Shakespearean Dramas: A Selection of Plays Illustrating the History of
the English Drama from Its Origin down to Shakespeare, Houghton Mifflin Company, Boston; New York,
1924, p. 579.

Marjorie B. Garber (2008). Profiling Shakespeare. Routledge. p. 292.

John Masters (1956). The Essential Erasmus. The New American Library. p. 119.

J. A. Burrow (1986). The Ages of Man: A Study in Medieval Writing and Thought. Oxford: Clarendon
Press.

PROME, 1423 October, item 31, entries 757–797, quoted in Ian Mortimer, 1415 – Henry V's Year of
Glory, p. 45, footnote 2.

Thomas Whitfield Baldwin (1944). William Shakspere's Small Latine and Lesse Greeke. 1. Urbana, Ill.:
University of Illinois Press. pp. 652–673.

External links

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The dictionary definition of all the world's a stage at Wiktionary

Last edited 9 days ago by Curdigirl

RELATED ARTICLES

Globe Theatre

16th/17th-century theatre in London

The Seven Ages of Man (painting series)

1798–1801 series of paintings by Robert Smirke

Mere Oblivion

2007 short film directed by Burleigh Smith

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