- ALBERT W. SELDEN and HAL JAMES present ALBERT MARRE’S Production of. NG oF 12fancha ‘A Musical Play by DALE WASSERMAN Music by MITCH LEIGH Lyrics by JOE DARION Piano Reduction by MARCEL G. FRANK Revised Edition Baited by LUDWIG FLATO ‘VOCAL SCORE 8 th printingFirst Performance November 22, 1965, at the Anta Washington Square Theatre, New York Choreography by JACK COLE Settings and Lighting by HOWARD BAY , Costumes by HOWARD BAY and PATTON CAMPBELL Musical Direction ‘and Dance Arrangements by NEIL WARNER ‘Musical Arrangements by MUSIC MAKERS, INC. Book and Musical Staging by ALBERT MARRE An Anta-Goodspeed Presentation CAST OF CHARACTERS Don Quixote (Cervantes) Sancho Pedro, Head Muleteer ‘Anselmo, a Muletce ‘The Housekeeper . Jose, « Muleter ‘Juan, & Muleter Paco, a Muleweer Fenorio, a Mulerer. JASON REED, ‘MORDEN, JONATHAN FOX Man of La Mancha is suggested by the life and works of Miguel de Cervantes y Saavedia.Time: Place: WooDWIND: BRASS: PERCUSSION (3 players) : SYNOPSIS OF SCENES Spain at the end of the 16ch century. A prison in the city of Seville end various other places in the {imagination of Miguel de Cervantes, INSTRUMENTATION Flute (alternating Piccolo), Oboe, Clarinet, Bassoon (alternat- ing Clarinet). 2 Bh Trumpets, 2 Horns, 2 Trombones (Tenor and Bass with F attachment). ‘Timpaai (2 pedal or 3 hand-uned) — 1 player. Percussion 1 ~ ‘Traps (Snare & Bass Drums), Floor Tom-Tom, Suspended Cymbal, Triangle — 1 player. Percussion II — Large Floor Tom-Tom, Suspended Cymbal, Finger Cymbals, ‘Tambourine, Castanets, Temple Blocks (High and Low) ot ‘Woodblocks, Xplophone, Bells — 1 player. ‘MISCELLANY: 2 Spanish Guitacs String Bass DISPOSITION OF INSTRUMENTS Conductor (facing audience) a as Gat dH Ast Hora, Timpani, Percussion IL 2 Spanish Guitars, String Bass Stage Set AudienceMUSICAL PROGRAM ‘The play is performed without intermission, Le PRISON SCENE nnn 1s, MAN OF LA MANCHA (J, Don Quixote) 2, THE ENCHANTER oon 2a. FIGHT OF THE WINDMILLS... 2b, MAN OF LA MANCHA (Play-off) sn 3. MAN OF LA MANCHA (Underrore) 3a, ITS ALL THE SAME. 4, DULCINEA . 3. TM ONLY THINKING OF HIM 6, WERE ONLY THINKING OF HIM (Teg) . 6a. DULCINEA (Undercore) 65, THE MISSIVE non © 7. URRALLY LIKE HIM 8 WHAT DOES HE WANT OF ME? f, LITTLE BIRD, LITTLE BIRD 9. BARBER'S SONG = 10. GOLDEN HELMET OF MAMBRINO .. : 1, ‘TO BAGH HIS DULCINEA (To Brery Man His Dream) 12, THE IMPOSSIBLE DREAM (The Quest) —(Underscore) 13, THE IMPOSSIBLE DREAM (The Quest) Song 14, THE COMBAT 15. ‘THE DUBBING . 13b, KNIGHT OF THE WOEFUL COUNTENANCE =16, THE ABDUCTION 17, THE IMPOSSIBLE DREAM (The Quest) —Reprive 17a, MAN OF LA MANCHA (J, Dea Quixote) —Reprse 18,” MOORISH DANCE 184, THE DUBBING (Underzcors) RID. ALDONZA ns : 20, KNIGHT OF THE MIRRORS (Bnirence Masi) 2i, FIGHT SEQUENCE 22, TM ONLY THINKING OF HIM (Underscre) 23, ALITTLE GossiP 24, ALDONZA (Undericore) 25, DULCINEAReprite sn 26, ‘THE IMPOSSIBLE DREAM (The Quest) —Reprie 27, MAN OF LA MANCHA (I, Don Quixore) Reprise 28, ‘THE PSALM 29. FINALE 30. BOWS 31, EXIT MUSIC. — a 107 _ 17 7 19 . 120 124 18 BL BS . 7 ML ~ MtMAN OF LA MANCHA i Music by Lyrics by JOE DARION MITCH LEIGH. Overture . | Broadly, with majesty Te, ‘well-marked d i ine = Be z 4 @ prightiy | 4 or, | Sr | Ps | so ep tie r | Copyright © 1065 Androw Scott ne. and Helena Music Corp. 1 Intemational opyight Socured—-MacoinUS.A, All Rights Resarved[Moderately slow ‘Tranquil. it. = Maestoso ae" a Cantanets o Moderately Gtr, SL (Flamenco style) aS ae 7ww, 4, a, ric Ha. 5 En (ad tin 1d ys) a + Tp,TOesisnets | +8. — >>, ©) Moderately (Bolero Tempo) GB, ce tower)2 SSS + Timp. 4Broader (in 9) ow Prosser43 No.1 .* Prison Scene Prisoners come into view out of shadows. One plays gulte, sccompanyiag Flamenco singer and dancer. CANTAOR (Male eager) Cred — tice An Gultr (le Rangueado free Flamanco style, Captain ofthe Inulsition, two Soils, ijl de Cervetesand'Manservant sd guitar fe on agus Theme tape as staresy is loered.) Magee de eo wd Es-ta fue - go ————__ z Chaps Yada: doom a Capa teacher bao of tale) Py est No. la - Man of La Mancha (I, Don Quixote) Warning: THE GOVERNOR: Charate! (rape fate at ais dieppeer) (Gwe: CERVANTES: Thenuomay 1 set the stage? Vomp vntil cus; CERVANTES: Famp wat eve: CERVANTES: He lye down themalen- ‘et a dauntlee holy burden of say. [right known as.. .Don Qixote dela Mancha! ‘Tempo Paso Doble Pies, jr ou. A P Base B pow quixors: cine) [Al Hearme now, | oh——thou bleak end un - bear - & - ble world, © Thowart fas ba. PEPEF EF |ERFEFER| LEFEF LY.and de-bauched ac can be}. And a knight with his ban - ners all brave - down_ his gaunt - let toDon— Qui- x0 - te, The and winds_ of for-tune will car - ry me on-ward, Qh whith - 0 -gol _ a ; MAA A , BY San - chal ny Exs,Bas,all the world his aqui - rel Tm his — felend! Has Ben, €f EF |CEPEF EF o DON QUIXOTE: Hear me, heath - pents— of 2 mr, Bre ‘Diep. T.BLar W.BI. All your das = tard - ly do - ings48 > fue shall trl = umph at [Mey fend the “horse” downstege) ww.te Pree. 55 = | | :at Vigorously (Dene ofthe “hret!) Oi te ais20 Dow quixore; [EZ] T am Don—Qui- xo - te The SANCHO PANZAi : San < cho! Yes, Pm jat $$ whith - er = so -ev . er they blowh—————_ Whith.- er= eo- Ym his equi - ret Tm his friend! Whith = OF so- Br. we hey Hew os wed fo ¥ = Br, —_—l|Fr io. CT we ees _ “AAT: Se 20 lee (ED — eS22 . No.2 The Enchanter (Underscore) Warning: DON QUIXOTE: Like beauty, my friend Gue: SANCHO: What kind? Vamp wats exe: SANCHO: Well, who ie be? Who? Ominously d=116-120 Bes. eolo SS FS Rmile Gate when Don Qutzote dukes his Ince fercciously) : § i ; aS No.2a Fight Of The Windmills’ _ , Warnings SANCHO: What giant? Cue: DON QUIXOTE: Avast! Avaunt! On guard! Beware! i ReNo. 2b Man Of La Mancha * TI, Don Quixote) 7 @hay- Off) - Slowly ¥¥O) | @ bamip (eated) ‘Bs, 8.D, Timp. (Play till Sancho hurries to plump himself, ag Sec bgt Hun ne, No.3 Man Of La Mancha (1, Don Quixote) (Underscore) Waning: SANCHO: = fall of rough men and women, (ua: DON QUIXOTE: Come. We shill ride stright to the drewbridge of yon castle and there thy vision may improve! ( Brightl pars Dialogus) PEF EEF PF Ee Stay on sacri ailed Alyse Fnmeietn gue LEFEF EF IL EPESNo. 3a Change Of Scene Its All The Same Bright J.-98 upewtareas (eating Food! Food! Wine! a Wine! Al-donzal — don-za) Alsdonza, (Al - CMOLETEERS barging tn dishes on th table) iene Bna:#7 ' I marcato (cempre) Repeated bis, gradually zee, fey ‘Stop on ALDONEA'S entranet) ee 7 BegTinp, 8D, ri thee Cue: ‘ALDONZA: There, wl, Fed! (Sh griny : ~ Slower fing) 4-82-00 ded raat You refuse Pedro? 28, Stop on Piste i SeeMULETEERS: “Palmathandlagping) aeeqrar [AJA tempo (Poco meno) ALDONZA: One pair of arms, Is Iike _a-noth- er, don’t know Jeamed: that when the light's out, No man will 1 Gtr.on stage) (aot ing Gteon tage), P (ant tine aad Rhythx) colta parte t EBD. why or who's, to blame, ~~ Tgo with burn with peo ial flame, You'll prove to me be, = fore ‘ — your bro ther, Its all: the it's all tho ’ — the night’s out, You're all’ - the youre all the(Resume Pitnas) a tempo talle with star ry what mon - ey (Tacet Palmas) buys! Ono pair of colla parteyour broth = er, — to blame, [Flatempo celta parte) Eas ety) ‘Viwpr00 (Tecet Patmas) With hat < rea barn breast,