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Gabriel Marcel was born in Paris in 1889, the city where he also died in 1973. Marcel
was the only child of Henri and Laure Marcel. His father was a French diplomat to Sweden and
was committed to educating his son through frequent travel across Europe. The death of his
mother, in 1893 when Gabriel was not quite four years old left an indelible impression on
him. He was raised primarily by his mother’s sister, whom his father married two years after
Laure’s passing, and though “Auntie” loved her nephew and gave him the best formal
education, Gabriel loathed the structure of the classroom, and became excited about the
intellectual life only after entering Sorbonne, from which he graduated in 1910.
Marcel received his degree in philosophy from the Sorbonne in 1910 and married
professor Jacqueline Boegner in 1919. Together they adopted a son, Jean. Marcel lived
and taught for a time in Switzerland, where he began writing his Metaphysical Journal
(1927). The journal reflects a movement away from traditional academic philosophy and
was influenced by Sören Kirkegaard, in whom Marcel was deeply interested. In some
hope, and faith. His brand of existentialism was said to be largely unknown in the
English-speaking world, where it was mistakenly associated with that of Jean Paul
Sartre. Marcel's view of the human condition was that "beings" are beset by tension,
contradiction and ambiguity. He was also interested in life's religious dimension and was
Marcel was among the astonishing generation of French intellectuals and artists
born between roughly 1890 and 1910 that included Sartre, Levinas, de Beauvoir,
Kojève, Lacan, Camus, Merleau-Ponty, Ionesco, Artaud, and Bataille. Like many of
them, Marcel was both highly prolific and committed to producing work that could
maintain its intellectual rigor while engaging a wide audience. In addition to more than a
dozen major philosophical works, Marcel wrote over thirty dramatic pieces, scores of
admired by the philosophical luminaries of his milieu and has always enjoyed a circle of
devoted followers, Marcel is among the least celebrated and studied members of this
illustrious set.
“Neo-Socratic” or “Christian Socratic” thinker. Although he wrote roughly thirty plays and
earned his livelihood mostly as a writer, critic, and editor, he is best known for his
philosophical work. His style of philosophy was intentionally unsystematic and personal,
existential themes, Marcel’s work centered upon issues concerning the individual
person, freedom, and human dignity. He was particularly critical of modern social
forth a more humble view of the self, which paradoxically makes the self available to
others for genuine inter-subjective relations, where each subject can acquire a true,
dignified self. According to Marcel, the presence of being people thus experience
becomes open to "the transcendent," and the phenomenon of "hope" consists in it. His
existentialist approach to God is not "a distinct apprehension of God as someone other"
(Marcel 1964, 167). Rather, it shows a descriptive yet profound path to experience God.
After the war, Marcel taught at a number of secondary schools, and throughout
his life he would often teach in stints at universities, such as the University of Aberdeen
in Scotland, the Sorbonne in Paris, and Harvard University. Primarily, however, Marcel
earned his income as a playwright, editor, and critic. He worked as a drama critic for
various literary journals and served as an editor for Plon, the major French Catholic
publisher. Though Marcel would become better known for his philosophical work than
his plays, he was often surprised and frustrated that his plays received so little attention.
Also, the idea of dialogue, which was of primary importance in his philosophy, held a
practical as well as theoretical place in Marcel’s life. For many years, he hosted “Friday
evenings,” a weekly discussion group through which he met and influenced important
young French philosophers, like Jean Wahl, Paul Ricoeur, Emmanuel Levinas, and
Jean-Paul Sartre.
In 1929, Marcel converted to Catholicism at the age of forty. Although raised as
an atheist, his thought throughout his thirties had turned in a more religious direction.
But it was not until the French Catholic writer Francois Mauriac posed the question to
him, “But after all, why are you not one of us?” that Marcel converted. He never
philosophical pursuit continued. But the notions of “call” and “response” would become
important themes in Marcel’s later work. In 1949-1950, Marcel gave the Gifford
Lectures, which was later published as The Mystery of Being (1951), and in 1961-1962
he gave the William James Lectures at Harvard, which was published as The Existential
include Being and Having, Man Against Mass Society, Homo Viator, Creative Fidelity,
and Tragic Wisdom and Beyond. Marcel died October 8, 1973, in Paris.
He repudiated the term “existentialist,” however, largely due to the fact that
and voluntaristic thought of Jean-Paul Sartre. For this reason Marcel preferred to be
preoccupied by certain existential themes that centered upon the human person
(existent). These themes included the uniqueness of the individual, human freedom,
society. He was particularly critical of technology for its dehumanizing effects, in treating
human beings as mere objects or things. For example, the economic idea of “human
sold. Also, while he recognized the benefits of technology in developing new vaccines
and new means of mass production in the necessities of food, shelter, and clothing,
Marcel warned of a "technological mindset." This mindset thinks of the natural world
engage or participate in. Moreover, this technological mindset is often applied to oneself
as well. One can view oneself only in terms of the various functions one performs. One
the local Country Club or the First Presbyterian Church. Although there is of course a
legitimate place for performing these functions, Marcel was worried that one can see
one’s self only in terms of these functions. What is ignored, according to Marcel, is the
fundamental dignity of each individual person, a kind of mysterious worth at the center
of each human being which cannot be easily summed up or defined. This, in turn, leads
to the sense of the mystery of being itself, or what Marcel called the
“ontological mystery.”
Marcel distinguished between two ways of attaining knowledge. The first was to
consider it as a problem. This is the approach taken by science, in which the scientist
tries to understand something through the method of abstraction. This approach is
taken both by empirical or natural scientists (through the use of techniques such as
Regardless, the thing under investigation is treated in terms of its general nature. For
example, in inquiring about a human being, one simply knows what is general or
common to all human beings. Moreover, in treating the subject of inquiry as a problem,
“prove” the theory. This kind of analysis in which one dissects, abstracts, and separates,
But for Marcel there was a form of secondary reflection. This kind of reflection
approaches the subject not as a problem but as a mystery, and doing so it unites rather
by Edmund Husserl and instead employed a more natural or personal kind of reflection.
In doing this, he often turned to everyday examples. In this way, he tried to reveal the
meanings which are often concealed or overlooked. In fact, one of his former
students, Paul Ricoeur, recalled how during the seminars held in his home, Marcel
would not allow students to elaborate or criticize a particular text until they had
introduced the topic via their own concrete experience. Marcel also avoided the use of
technical terminology and preferred a more natural and ordinary language, which he
with one’s entire being. For this reason, Marcel did not write systematic treatises, but
wrote in different forms such as philosophical diaries, which were filled with fragments,
personal reflections, self-questionings, and various stops and starts. Again, like
Socrates, Marcel viewed philosophy as an open-ended dialogue with both others and
oneself. But given this absence of a systematic method he was frequently criticized for
lacking philosophical rigor. Defenders of Marcel will respond, though, that the
unsystematic approach is the very key to opening the door to the ontological mystery.
Throughout his life, Marcel continued his work as a playwright and drama critic.
Through his plays Marcel explored various human situations in all their intensity and
complexity. A common theme in his dramatic works was the interpersonal dynamics in
family situations where tensions emerged due to the struggle between carrying out
one’s duties while striving to fulfill personal aspirations. Far from being divorced from his
philosophical work, the ideas expressed in his plays were closely connected to his
theoretical work. In fact, some themes which first found expression in dramatic form
would years later, after much reflection, be taken up in philosophical form. Finally,
Marcel was an accomplished musician and composer. He believed it was music, in fact,
which above all could tap into and express this ontological mystery.
Work
personal style of analysis was in the realm of ethics and inter-subjectivity. According to
him, when one treats the being of another as a mystery, one does so with a sense of
humility ("ontological humility") by which to be able to see the fundamental dignity of the
(availability), and "creative fidelity" to others. This way, Marcel called for a greater
responsibility to others, but not merely through the traditional notion of doing good
deeds, but primarily by being humbly present or open to others, again with one’s whole
being. Through this availability, a dynamic and creative encounter happens between
people, in which they “make contact.” One's relationship to others, which develops this
way, actually helps one to acquire a true self and is open to "the transcendent" which is
description of how different individual beings can authentically relate to one another to
society today. Marcel, in fact, did not merely write about this phenomenon
of disponibilité but practiced it as well. Many have noted the aura of self-prensence he
displayed in both his public lectures and personal interactions with others.
According to Gabriel Marcel, humans have two kinds of relationship with the
existence: “being” and “having”; that make fundamental differences in understanding the
world. “Having” is used for referring to, e.g., “having an idea” and even ones’ own ideas,
thought” and an “I” and a “he” relation, which Marcel puts it against “I” and “thou”
relation. In the latter, we are dealing with “being”. Meeting someone who is known as
“he” means that we have relationship with him in such a way that he, as an object, is
separate from us; the case is different when we meet someone as “thou”. In this
participation and our living experience. Love, hope, fidelity and availability are
categorized under “being” which is manifested in the existence of human. At the same
time, these two kinds of existence are connected to each other: “being” and “having” are
two levels of existence; "being" shows itself in different methods and “having” is the
manifestation of “being”. In the modern age, the realm of “having” has been expanded
and Marcel proposed two kinds of existence to return the expansion of the realm of
“being”, i.e. human authentic experience. In this article the important question is: what is
the relation between “having” and “being”? To answer this question, at first we should
Existentialism
determinant to his own essence in terms of development. It holds that humans define
their own meaning in life, and try to make rational decisions despite their existence. It is
therefore opposed to any doctrine that views human beings as the manifestation of an
facticity, authenticity, anguish, dread, despair and the other characterizes existentialism.
restore him from his lost dignity and give him control. It is one of the models of
philosophy which advocates for a life of commitment which gives focus and sense of
Creative Fidelity
exist existentially is to exist as a thinking, emotive, being, dependent upon the human
creative impulse. He believed that, “As soon as there is creation, we are in the realm of
being,” and also that, “There is no sense using the word ‘being’ except where creation is
in view,” (PGM xiii). The person who is given in a situation to creative development
experiences life qualitatively at a higher mode of being than those for whom
experiences are another facet of their functionality. Marcel argues that, “A really alive
person is not merely someone who has a taste for life, but somebody who spreads that
taste, showering it, as it were, around him; and a person who is really alive in this way
has, quite apart from any tangible achievements of his, something essentially creative
about him,” (VI, 139). This is not to say of course, that the creative impulse is
measurable by what we produce. Whereas works of art most explicitly express creative
energy, inasmuch as we give ourselves to each other, acts of love, admiration, and
friendship also describe the creative act. In fact, participation with others is initiated
through acts of feeling which not only allow the subject to experience the body as his
own, but which enable him to respond to others as embodied, sensing, creative,
participative beings as well. To feel is a mode of participation, a creative act which
commitment to that experience. So, to create is to reject the reduction of the self to the
level of abstraction of object, “The denial of the more than human by the less than
human,”
II. DISCUSSION
Introduction
In 1942 Gabriel Marcel found the best formulation of hope to be "I hope in thee
for us"; his choice of expression was still the same in 1964. His approach to hope, as to
use the label of others, we call him a Christian existentialist. With Marcel our intent is
the same as that governing exploration of Bloch and Kant, to lift out and set forth those
aspects of his thought bearing on hope. This chapter is long, but such length seems
needed both in order to respect the exceptionally close connections between Marcel's
analyses, the experiences that give rise to them, and the general framework of his
thought, and in order to sift out and distinguish, for this essay's purposes, reflections
bearing on ultimate hope and especially on fundamental hope. The chapter contains
hints of the ontological models operative in Marcel, but, in general, issues of ontology
and of theism are held over to Part III. Marcel's thought on hope has a substantial
consistency. It has been one of his central themes from the 1930s to the 1960s. His two
most important treatments of the topic are the essays "Sketch of a Phenomenology and
a Metaphysic of Hope" (1942), and "Desire and Hope" (1963), though hope is discussed
in many of his works. It is crucial at the outset to recall one of Marcel's cardinal
principles: human experiences are not simply hetero- or homogeneous, not simply
capable of being grouped into certain families or areas; they have depth, or, in his
terms, they can be found in diluted form and in forms more highly purified or saturated.
In a similar vein, he finds for philosophy an important difference between the full and the
empty, between that which is what it ought to be and that which is devoid of both
meaning and value. In this essay's study of Marcel, "full hope" will be, in general, that
hope which is more truly . The principal writings of Marcel important for philosophical
analysis of hope, and the abbreviations this essay uses to refer to these, "I have written
on another occasion that, provided it is taken in its metaphysical and not its physical
sense, the distinction between the full and the empty seems to me more fundamental
than that between the one and the many . Life in a world centered on function is liable to
Philosophy of Human Hope Martinus Nijhoff Publishers, Dordrecht 1987 104 what hope
is at its best; further sophistication of this notion appears as the study proceeds.
Captivity, despair, desire, and hope The situation of those held prisoner in World War I
not only engaged Marcel's efforts at that time, but became a seminal experience for his
reflection. He came to hold that the experience of the prisoner is paradigm for the
captivity and illness form two of the central human experiences that demand
philosophical reflection, and illness that is terminal is the subject of some of Marcel's
most acute reflections. There are many forms of captivity, of being in some kind of
bondage or trap, but the structure of any time of trial is the same, whether it be one's
own interior trial or one like that of the prisoner of war. There is impossibility: I cannot
get free; I am unable to think, to write; I cannot be with my loved ones; I am unable to
walk. What we have here are not just constraints in some sense external to my personal
core; In addition, that which characterizes all the situations we are evoking at the
moment, is that they invariably imply the impossibility, not necessarily of moving or even
of acting in a manner which is relatively free, but of rising to a certain fullness of life,
which may be in the realms of sensation or even of thought in the strict sense of the
do here with matters where much that involves myself is at stake, where the outcome is
truly taken to heart. In contrast to such involvement are those issues in which I take no
risk, in which I am essentially a spectator, in which I do not share the struggle. My hope
for release from captivity of any sort is quite different from my hoping for a team to win
while I congratulate myself that I have nothing wagered on the outcome. The hopes
which are Marcel's concern are those which may arise out of an experience of captivity.
The less one's life is experienced as involving trial and captivity, the less room there is
for either hope or despair. In fact, there can be hope only where there can also be
despair: "The truth is that there can strictly speaking be no hope except where the
temptation to despair exists. Hope is the act by which this temptation is actively or
Fear and desire are anticipatory and focused respectively on the object of fear or
desire. To desire is “to desire that X” and to fear is “to fear that X.” Optimism exists in
the domain of fear and desire because it imagines and anticipates a favourable
outcome. However, the essence of hope is not “to hope that X”, but merely “to hope…”
The person who hopes does not accept the current situation as final; however, neither
does she imagine or anticipate the circumstance that would deliver her from her plight,
rather she merely hopes for deliverance. The more hope transcends any anticipation of
the form that deliverance would take, the less it is open to the objection that, in many
cases, the hoped-for deliverance does not take place. If I desire that my disease be
This does not mean, however, that hope is inert or passive. Hope is not stoicism.
nor solitary. “Hope consists in asserting that there is at the heart of being, beyond all
data, beyond all inventories and all calculations, a mysterious principle which is in
connivance with me” (Marcel, 1995). While hope is patient and expectant, it remains
contained in hope reveals a kinship with willing rather than desiring. “Inert hope” would
be an oxymoron.
may well be here that this word actually means nothing but spiritual fatigue. For hope,
which is just the opposite of resignation, something more is required. There can be no
hope that does not constitute itself through a we and for a we. I would be tempted to say
hope in what does not depend on ourselves, hope springing from humility and not from
pride” (Marcel 1995, p. 32). And here is found yet another aspect of the withering that
takes place as a result of indisponibilité in general and pride in particular. The same
arrogance that keeps the proud person from communion with her fellows keeps her
from hope. .
Body
This example points to the dialectical engagement of despair and hope where
there is hope there is always the possibility of despair, and only where there is the
possibility of despair can we respond with hope. Despair, says Marcel, is equivalent to
saying that there is nothing in the whole of reality to which I can extend credit, nothing
worthwhile. “Despair is possible in any form, at any moment and to any degree, and this
betrayal may seem to be counseled, if not forced upon us, by the very structure of the
world we live in” (Marcel, 1995). Hope is the affirmation that is the response to this
denial. Where despair denies that anything, in reality, is worthy of credit, hope affirms
that reality will ultimately prove worthy of an infinite credit, the complete engagement,
respond to despair with hope, and within hope, there is always the possibility of despair.
To despair is to say there is nothing worthwhile in the world: “Despair is possible in any
form, at any moment and to any degree, and this betrayal may seem to be counseled, if
not forced upon us, by the very structure of the world we live in.” Hope is an affirmative
response to despair. Hope affirms that your creative fidelity, your work, your concern,
continually create—but it is not the same as optimism. Optimism, like fear or desire,
“fear that x.” Hope is different. We don’t hope that x, we simply hope. Hope rejects the
current situation as final, but it doesn’t anticipate a specific result that will deliver us from
our plight. Hope transcends anticipating a specific form of our deliverance it is a vague
hoping. My desires can be thwarted, but if I maintain hope no outcome will shake me
from hoping. It is the very non-specificity of hoping that gives hope its power.
consists in asserting that there is at the heart of being, beyond all data, beyond all
me.”2 This implies that hope is an active willing, not a surrender. And hope is a willing, a
wanting, not only for ourselves but for others. “There can be no hope that does not
constitute itself through a we and for a we. I would be tempted to say that all hope is at
the bottom choral.” For genuine hope we cannot depend completely upon ourselves it
Gabriel Marcel’s Ethics of Hope “responds to the need for an existentialist ethics
Marcel’s existentialism is one that is essentially moral, and that this moral core is tied to
the fact that the perspective of the Other functions as the basis for moral decision
Chapter one outlines the nature of the “problematic man,” the person
characterized by the desire to possess rather than the desire to be. The author
connects the problematic not only to a functional way of being in the world, but also to a
the source, or perhaps a source, of moral evil in the world . When we become obsessed
with objects, slaves to things, it degrades our ability to be moral agents. The
Faced with death the death of God and, ultimately, our own death a world comprised of
only thing is, the author suggest following Marcel, a world devoid of meaning. If others
and, ultimately, we are nothing more than complex objects, organic machines for
performing a variety of functions, then the value of persons ceases when they are no
of function rather than value, [that] Marcel equates indisponibilité with a crippling moral
evil”. In the face of death and despair we cannot derive meaning from things, and can
only be saved by what the author intriguingly calls the “relational turn”: “The most
mysterious aspect of our being is our propensity to love, and it is love that can foster
Chapter two focuses on the implications of the “death of God” and its relation to
moral life, problematic life, and materialism. Hernandez outlines Marcel’s engagement
with three different atheists: Nietzsche, Sartre, and Camus. Nietzsche’s atheism is
grounded in a deep appreciation of the loss represented by the death of God. Sartre, in
contrast, is someone for whom God was never significant, and so he remained oblivious
to his own role in the death of God and insensitive to the existential significance of the
Nietzschean proclamation. For Camus, in contrast to Nietzsche and Sartre, the death of
God was deeply intertwined with the problem of evil, particularly as evident in the
suffering of children. In a sense, Camus shares some of Marcel’s concern for the Other.
This third engagement weighs heavily on Marcel, for whom the problem of evil is a
genuine existential problem. The problem of evil, in turn, can lead people to a sort of
spiritual numbness or death, a “lived atheism” based not on propositions about God’s
(non)existence, but rather on lived experience. If the death of God leaves us with
and salvage “a meaningful existence tied to community and evidenced in a life of hope”.
Chapter three bridges the discussion of moral and the account of personal and
communal crises in the later chapters through a discussion of hope. Hope, the author
argues, is distinguished by two significant criteria. First, it is “choral”; that is to say, hope
always involves others and constitutes itself “through a we and for a we”.
possibilities” that “an agent can bring about.” Thus, hope combats despair by actively
lead to materialism and even idolatry. It can also lead people to hide from or escape the
reality of relationships with other people and with non-human entities like the
environment, and in so doing devalue them. This argument puts Marcel in dialogue with
a lively contemporary debate about the nature, promise, and dangers of technology.
Hernandez argues that, for Marcel, technology is only a tool. Our focus should rather be
and in hope.
Chapter five continues the engaging work of chapter four by applying Marcel’s
ethics to global crises such as war, civil injustices, and unemployment. Professor
Hernandez demonstrates that the ethical life, on Marcel’s view, must be socially and
politically engaged. The philosopher is called upon to create possibilities that foster
change and hope in the world. Applied to social or global crises, this has to do with
preserving a place for human value that will, in turn, allay fear and encourage people to
scholarship on a figure whose sadly ignored work could shed considerable light on a
is the perceptive way in which it links Marcel’s philosophy of presence, availability, and
hope to “applied” issues such astechnology, civil rights, poverty and unemployment, and
concrete ethical issues is certainly something worth pursuing and definitely something
advancing this engagement will no doubt be welcome. There are issues that could do
with further clarification. For example, despite the engagement with the concrete, we
never get a solid sense of what Marcel’s philosophy enjoins us, as humans or as
philosophers, to do. What exactly does it mean to “create possibilities”? Are these
existential possibilities, or concrete possibilities? In what sense can the subject or agent
bring these possibilities about, especially possibilities of the latter sort? The ability of
hope to “create possibilities” is a central theme of the work, but the text is not always
clear on these issues. How should the philosopher respond to the various ethical crises
Hernandez engages? What does it mean to “deny, as forcibly as possible”, to “actively
sympathize”, to “take an active stand” to “refocus political and social debate back to
values”, or to “remind people of the experiences that are left behind in memories”.Near
the very end of the book Hernandez suggests the philosopher might “promote activity in
the community in which she lives engaging with students, fostering dialogue,
welcome, if brief, clarification, it doesn’t sound too different from the way in which many
participating in academic, social, and religious venues. One might suggest that
presence, fidelity, and hope; but since those are ways of being to which all persons are
called, they don’t seem to suggest anything particular about how philosophers should
concretely proceed in their social and political lives. It may be the case that Marcel’s
social thought is not a full social philosophy, but one might hope for a bit more detail in
this regard. The introduction to the book promises to show that “Marcel’s theoretical
ethics are relevant to contemporary analytic ethics”, but it never fully delivers on this
count. As my own training is largely continental, I may have missed more subtle
references; however, there are few explicit and no sustained engagements with
discussion of Stephen Darwall’s ethics of welfare, the fact that analytic ethics has
traditionally had difficulty establishing how others could be the seat of the moral
permissibility of actions, and the mention of Amartya Sen’s work on global welfare.
Conclusion
Finally, Marcel analyzed the phenomenon of hope. Like other existential thinkers,
Marcel made the distinction between fear and dread, where fear is being afraid of some
particular thing or object, while dread is the basic existential anxiety or angst one feels
apart from fearing any specific thing. Dread, then, is one of the fundamental ways of
relating to the world. In a similar contrast, Marcel distinguished between desire and
hope. Desire is when one wants or seeks; some particular thing or object. Hope,
exactly what it is he is waiting or hoping for. It is here that Marcel’s analyses take a
specifically religious, and even Christian, form, in that such hope, he believes, is not
something one can dictate or create by oneself alone. Rather, it is a grace which one
receives. In his own words, "the only genuine hope is hope in what does not depend on
ourselves, hope springing from humility and not from pride" (Marcel, 1995).
I begin with optimism, a concept closely related to hope. The American Heritage
Dictionary defines optimism as: “A tendency to expect the best possible outcome …”
Optimists believe that things will improve, while pessimists believe that things will get
conditions will work out for the best. I reject such optimism because I don’t expect good
inclination to put the most favorable construction upon actions and events …” So
optimism in this sense refers, not to expectations about the future, but to an attitude that
we have in the present. This is the kind of optimism that sees the glass as half-full
rather than half-empty, or looks on the bright side of life. Optimism as a positive attitude
is generally beneficial you tend to be happier seeing the glass half full while
expectations for the future set us up for disappointment. I recommend this attitudinal
The American Heritage Dictionary offers this definition of hope: “To wish for
expectation.” Here again the emphasis is on future expectations. And I reject such hope
But hope, like optimism, can also refer to an attitude we have in the present; a
kind of hope illuminated by contrasting it with its opposite despair. When I despair, I no
longer care; I just give up because my actions feel like they don’t matter. Why take the
test if I’m sure I’m going to fail? Why play the match if I’m sure I’m going to lose? Why
reject despair to care although it might not matter; to act in the face of the unknown; to
express fidelity to our comrades; and to not give up. I don’t know if my actions will
improve my life or better the world, but I can choose to hope, care, act, and strive
without expecting success. So this hope isn’t about future expectations; it’s an attitude
which informs my present. And it’s not about resignation or acceptance. Instead, hope is
the wellspring for the cares and concerns which manifest themselves in action.
The key difference between optimism and hope is that optimism even if devoid of
hope is independent of probability assessments. I may hope for outcomes that are very
unlikely, but it is hard to be optimistic in such cases. Put another way, attitudinal hope
pessimism.
But what is the point of all this hoping, caring, acting, and striving if we don’t
know if we will succeed? One answer is that an attitude of hoping and caring that leads
to action is inherently good. Consider the joy we take in playing games, solving puzzles,
or writing blog posts, even if such actions may be objectively pointless. Such actions are
a form of playing. We often do these things, not for any future rewards, but because we
But devoid of hope, in the grip of despair, we wouldn’t even try to play the game
or solve the puzzle or write the blog, and we would miss the inherent joy such actions
might bring. Moreover, if I despair, I won’t enjoy my life as much as if I had adopted a
hopeful attitude. So there is also a pragmatic reason for adopting a hopeful attitude it
makes my life go better; it helps me live well; it makes me happier. So hope is both
Attitudinal hopefulness rejects despair and leads to caring and acting. I adopt attitudinal
hopefulness because it spurs action and makes my life better. I recommend such hope.
Yet hope is more than simply an attitude we adopt in the present; hope also
entails having certain desires, dreams, wants or wishes for the future. (This is the
fundamental distinction between the act of hoping and the objects of our hopes.) Now I
have already rejected such hopes if they include the idea of expectations. But I can
have hopes, desires, dreams, wishes, or wants without any sense that they will be
fulfilled. In this sense, there is nothing intellectually objectionable about having hopes
and dreams so long as there is a realistic possibility that they can be fulfilled. However,
this hopeful wishing is not faith. I don’t believe or expect that my wishes will come true,
although I imagine that they could, and I’m not hoping for something that’s impossible.
Hope As Wishing Leads to Action
Attitudinal hope in the present moment rejects despair, makes our lives better,
and spurs action. But so too can hope as wishing without expectation motivate action.
Wishful hoping provides the impetus for acting to fulfill those hopes, which in turn makes
This connection between hopeful wishing and action is easy to see. For example,
suppose I hope to be a lawyer. If for some reason this is impossible, then it is counter-
productive to have this false hope. But if nothing prevents me from becoming a lawyer,
then the desire to be one motivates me to act toward that end. So hoping like this is not
a false hope, as long as my hopes are realistic. In short, my hopes and dreams give me
reasons to act.
Wishful hopefulness also rejects despair and motivates action. I recommend this hope.
What then are the objects of my hopes? They are relatively vague or
indeterminate. I hope that something better will emerge, that things will work out for the
best, that my life and universal life are meaningful, that truth, goodness, and beauty
matter, that justice ultimately prevails, and that the world can be improved. In short, I
hope that somehow it all makes sense, even though philosophical nihilism constantly
beckons.
What Is the Source of This Hope?
I don’t know the exact sources of these hopes, but I feel them with an ineffable
fervency. To best explain, I wax poetically. Maybe the source of these hopes is some
cosmic longing within me, or perhaps what I call me is just misnomer for the longing of
some cosmic consciousness. Perhaps, as the French existentialist Gabriel Marcel put it,
“Hope consists in asserting that there is at the heart of being, beyond all data, beyond
all inventories and all calculations, a mysterious principle which is in connivance with
me.”
These poetic descriptions are a bit metaphysically speculative for my tastes. I’d
prefer to say this hoping emanates from biological and cultural sources. Our biological
drives to survive and reproduce, combined with the emergence of consciousness and
culture, steer us toward hoping and acting. Having hope benefitted our ancestors, made
their lives go better, and aided their survival. In short, we are the descendants of those
who hoped.
Losing Hope
Still, any of us can lose our hopeful attitude; we can give in to despair. And that’s
because hope and despair exist in a dialectical relationship. We can respond to despair
with hope, and within hope, there is always the possibility of despair. To despair is to
say there is nothing worthwhile in the world; to hope is to affirm that your concerns, your
necessities, to opine about the value of hope. No doubt some people are in hopeless
situations. Perhaps they are starving, fleeing violence, in endless pain, or in solitary
confinement. For them hope is no salve, and their lives possibly pointless. These
But notice what hope recommends, at least for those of us lucky enough to have
our basic needs met. We are called upon to forgo acceptance and resignation and to try
to improve the world. Be sympathetic, but also act! We may not succeed, but we can
try. For hope is better than despair and, even if we all ultimately face the abyss, we can
meet it no better
III. POSITION
We agree with Marcel’s work entitled, Metaphysic of Hope in three main reasons;
Hope is one of the most important thing that an individual must possess because if you
have hope you’ll become stronger person and you won’t give up easily. And another,
hardships and struggles come. Marcel’s concept of hope is to overcome problems in our
life. And we will going to use hope when it comes to trials and even insecurities in real
life situations.
Third, the difference between hope and faith with the dreams that will be
achieved and the expectations are clear and recognize well. In this world, Hope still
remains strong on human needs, it’s like a single candle during the night, it gives light
for us to continue on and find the way out of the darkness. This light of hope burns so
Finally, we will say this about hope, and I think Marcel would agree. Hope helps
us to brave the struggle of life while keeping alive the possibility that we will create a
better and more meaningful reality. In this sense hope is an attitude we have in the
present that motivates us to act; it does not imply passivity or resignation. Hope is most
somewhere beyond its horizons. Hope is not the same as joy but rather an ability to
Godfrey, J. (2019). Gabriel Marcel: I Hope in Thee for Us. Retrieved September 15,
https://plato.stanford.edu/entries/marcel/ intro
New World Encyclopedia. (2017). Gabriel Marcel. Retrieved September 13, 2019 from
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YourDictionary. (2019). Gabriel Marcel Facts. Retrieved September 15, 2019 from
https://biography.yourdictionary.com/gabriel-marcel
Hernandez, J. (2012). Gabriel Marcel’s Ethics of Hope, God and Virtue. Retrieved
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Mohamadi, A. (n.d.). Gabriel Marcel on the Relation between “Having” and “Being”.
http://philosophy.mofidu.ac.ir/article_29671_en.html
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5y8D_4BHM
Republic of the Philippines
Department of Education
Region 1
School Division Office I Pangasinan Lingayen
BAYAMBANG NATIONAL HIGH SCHOOL
An Exposition of Gabriel
Marcel’s Metaphysics of Hope
An Apology
Kristian Ramirez
_________________________
Alyssa Bautista
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Eunice Benitez
Alwarith Hashim
Rodante Colisao
Alyssa Juan