Scene 1: Abhimanyu had made a movie, "Abantor". He had been called to the Sensor Board meeting.

In
the sensor board panel are present, Satyavati, Durvasa and Narayan.They show him a picture of a cow,
and explains that its Abhimanyu's reflection. Abhimanyu agrees to it as he had made an epic, and none
of it can be thrown away.

Flash Back: Satyavati and Shantanu's coming together. Thoughts behind the scene, with referance
dialogue about expectation of greed and power. Use of perfume to be highlighted.

Comes back to the scene: Objection for obscene interpretation, Biological logic explanation from
Abhimanyu.

Scene 2: Panchali leaving for an interview at a Gym. She is called by Kunti and advised to visit the IVF
clinic instead of the interview as working the gym doesn't suit the social expectation of a wife of the
family.

Scene 3: In the gym, Panchali sees Arjun, she also notices Bhim in the background. She has a
conversation with Bhim about why he is in the gym, as he is pressurised by his wife to class up his act.
Close up of Arjun lifting weight transition to the stage act where Arjun lifts up his bow in the Shyambhar
Shabha.

Scene 4: Kehekhasan is seen working in the kitchen. She hears her husband having a sexual intercourse
with another woman. She hurries her work and finishes it and leaves. Mental State: She is used to this
absurdity and has learn to live with her husband's nature.

Scene 5: Kehekhasan and Panchali meet in the clinic, they have seen each other after a long time and
asks of each other's well being. They both say good things about their lives. Panchali notices the marks
of beating in Kehekhasan's arm and gets curious. Kehekhasan pulls down the sleve and hids the marks.

Scene 6: Stage Act: Draupadi and Kunti. Kunti enquires about Draupadi and if she is expecting a child,
she also tells her about the mantra which she will tell her, so, that Draupadi can also give birth to future
heroes as she has done. Draupadi: what makes out of me, while I give birth to Heroes; I have given birth
to so many Heroes that the skin of my belly has thinned.

Scene7: Panchali and her husband. Her husband had brought some non-medical medicine for her to
have so that helps her to become pregnant. Panchali, asks why is she being made to suffer through so
many experimentation even while she knows the fault is not with her.

Scene 8: Sensor board. Narayan starts to say,'Who are they...' as his phone rings. And the scene is
shown, where the actors are leaving the stage and asking Abhimanyu about the procedure in the film,
and how many films are being shot at the same time...why are they constantly moving from one
sequence to the other. Abhimanyu explains that this is a modern film making concept, he had taken
from Yugoslavian films, and he is predicting this film to be shown in Cannes. While this is happening, the
director of Karna-kunti sangbad comes and asks him to leave as he had only rented the stage location
for an hour and that hour is over. Krishna enters asking for his prop flute. Abhimanyu screams for
'continuity' to enquire about the same.
Scene 9: Censor Board: Satyavati asks why such a scene had been shown, since it has nothing to with his
film. He explains, that he tried to show his own struggle in film making. Argument continues and ends
with Satyavati exclaiming,"Surprising" (Ashchorjo).

Scene 10: Stage Act: Yudhishthir and Crane scene. Everyone dies and they continue. This will be in
referance to Abhimanyu's scene where he explains that we all struggle all our lives only to die at the
end.

Scene 11: Cafeteria: Abhimanyu and Durvasa. Abhimanyu tries to explain that he has given everything in
this film, and he had not bad or wrong intention while making this film so Durvasa should let it pass
without and trouble. Durvasa isn't impressed. Shatu enters the frame and asks Abhimanyu to leave it on
him, and explains to Durvasa that he had brought something for him which is of top quality. Durvasa
tries to remind him of his condition, so Shatu asks, if Durvasa is going to pray to God or Goddess,
Durvasa tells him goddess, and thus Shatu hands over a pack of drugs which durvasa promptly puts in
his pocket.

Scene 12: Panchali is waiting in the balcony. Arjie comes and takes a photograph and exclaims that she's
looking good. He enquires how she has gotten married to his elder brother. She says that since Arjie had
left she needed someone to depend on and have as a life partner. Arjie asks if it is only dependency or
also romantic, and in that moment Panchali's husband calls her from the bed room exclaiming that it has
gotten late.

Scene 13: Stage Act: Arjun leaving for his banabas as he had walked on to Yudhishtir and Draupadi.
Yudhishtir can be seen showing remorse but on the other hand happy that Arjun is leaving and exclaims
that his hands are bound. Last frames: Arjun leaves and Panchali enters her room and looks on as he
leaves.

Scene 14: Hirimba and Bhim in present day, sharing a bed, Hirimba complains and asks about his gym,
and why he isn't losing any weight. Bhim explains that he is trying.

Scene 15: Pritha is getting ready for bed, as her husband is already in the bed. Pritha tells him that if he
will come to the upcoming show, Karna-Kunti sangbad. He asks if she is still playing the same role as it
doesnt suit her age. She gets angry and argument ensues, her phone rings a couple of time which she
ignores but eventually receives on her husband's insistence. She receives the phone and explains that it
was Vidur. Her husband explains that he knows about Vidur and his influence in her life.

Scene 16: Kehekhasan with her husband in bed. He receives an call which involves arms dealing. He
leaves promptly without respongding to her request for him to stay.

Scene 17: Stage Act: Vishwa and Arjun. Vishwa and Arjun aiming their arrows at each other. Vishwa
prepares to shoot as Shikhandi appears in front of Arjun, Vishwa lowers his arrow and Arjun shoots.

Scene 18: Coffee shop: Pritha and Vidur, have a conversation about Vishwa and his deteriorating health,
and they should go and meet him. Pritha looks on and sees Panchali and Kehekhasan having a
conversation. Kehekhasan reveals about her condition and how she is used only as vessel to child birth.
Panchali suggests that they should go to the police. Kehekhasan: I will not survive this if I go to the
police. I have already given birth to so many flesh and will become just a flesh through this.

Scene 19: Stage Act choreography: Gandhari given birth to a mass of flesh which is kept in pots filled
with ghee, which eventually is taken away from her. This scene will depict Gandhari's happiness and
eventual sadness from birth and death of her so many children.

Scene 20: Abhimanyu is sitting in his study and looking at the Gandhari scene in a laptop. His wife enters
and enquires about the film. In their conversation it is shown that they have invested everything
including her jewels into the making of this film.

Scene 21: Censor board scene: Narayan interrupts the movie about to say something, but his phone
rings. Satyavati says that this was another irrelevant scene.

Scene 22: Abhimanyu in the shooting location tries to explain to the Item dancer that this movie is going
to go to places and she is going to receive a lot of praise for her work. A few other actors and workers
enters the scene and they sit for a get together, they tell him that they are doing this film for free so
their scenes should be present. Abhimanyu cuts his tongue and explains that he won't do anything like
this as they are his own people.

Scene 23: Stage Act: Arjun and Krishna having a conversation before the upcoming war about killing his
own relatives.